Episode 22

The Deep Theology of the Triodion's First Weeks Unveiled and Expressed in Music
00:00 - 01:34
MUSICAL INTRODUCTION TO THE PODCAST
Doxastikon of the Vesperal Aposticha
Sunday of the Publican and the Pharisee
Plagal First Mode
Sung by Emmanuel Hatzimarkos
01:35 - 08:48
Part 1: The Triodion - A Hymnodic Period Like No Other in the Ecclesiastic Calendar
05:35 - 08:48
Post-50th Psalm Doxastikon Troparion
Sung in the Matins of every Triodion Sunday
Plagal Second Mode
Sung by Panagiotis Sousounis
Composed by Antonios Syrkas
08:49 - 26:57
Part 1 (continued)
The Doxastikon of the Matins of the Sunday of the Prodigal Son: How Music Itself Can be Theologic
19:23 - 26:57
Doxastikon of the Matins Lauds
Sunday of the Prodigal Son
Plagal Second Mode
Sung by Georgios Hadjichronoglou
Archon Hymnodist of the Great Church of Christ
Interpreted from the composition of
Nikolaos Georgiou, Protopsaltis of Smyrna (+)
26:58 - 35:13
Part 2: Cantors of Old-Time:
Konstantinos Panas
27:10 - 28:35
Verses from Psalm 148 (Verses 1 and 2)
First Mode
Sung by Konstantinos Panas
29:17 - 31:35
First Two Stichera Idiomela from the Matins Lauds of the Feast of the Theophany of our Lord
First Mode
Sung by Konstantinos Panas
33:32 - 35:13
Vesperal Great Prokeimenon
Sung at every other of the Compunctionate Sunday Vespers of the Great Lent
Plagal Fourth Mode
Sung by Konstantinos Panas
35:14 - 39:32
Part 3: “Typikon Talk”
Concerning the Word “Triodion” in the Context of the Canons
37:36 - 39:32
Eirmoi of the Triodion Canon of the Sunday of the Prodigal Son
Second Mode
Sung by Hieromonk Father Panaretos (+)
Philotheou Monastery, Mount Athos
39:33 - 49:21
Part 4: “Daskale eipe”
The Protopsaltis’ Special Rite at the Outset of the Triodion
49:22 - 42:58
Epilogue
The Three Hierarchs: A Prologue
42:59 - 45:55
Musical Ending
Selected Eirmoi from the Triodion Canon of the Sunday of the Publican and the Pharisee and Meat-Fare Sunday
Sung by the Byzantine Choir of Panagiotis Kalambakas