Sanjeev Abhyankar Megh Part One Classical
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- Опубліковано 11 жов 2024
- Sanjeev Abhyankar Megh Part One Classical
Sanjeev Abhyankar is an artist of international acclaim in the field of Indian Classical and Devotional Music ( Marathi and Hindi Bhakti Sangeet )
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Composer, Singer and Producer- Pandit Sanjeev Abhyankar
Raag Megh - Taal Roopak - Piharava Ajahu Na Aaye
Tabla- Harshad Kanetkar
Harmonium- Milind Kulkarni
Photo- Shailesh Nagarkar
शुभमस्तु
Very good and so sweet,👌🌹🌹🙏🙏
प्रणाम जी
Stressful life की संजीवनी by पंडित संजीव जी ।
Amazing, just close your eyes and listen will take you to the different world. Thanks a lot Panditj
Sanjeevji Apratim
Best. You are an intelligent and talented personality
Panditji your singing and presentations change mood become fresh have great depth
Beautiful
Excellent 🙏
Wonderful
😂😂❤
वाह वाह वाह
Amazing rendition Sanjeevji... am a big fan of yours... am a student of music and I heard your Shuddha Kalyan and Hamsadhwani over and over like countless times... thank you so very much for posting... Just felt like listening to Megh because of the rains... Wonderful!!!!
आपका गायन सुनकर मन को शांति मिलती है बहुत सुंदर
kya kahe? beautiful exploration of the emotions... both part 1 n 2 r excellent...
Sanjeevaji aaple gayan khup sundar aahe
I am not a student of music.But your classical renderings are my evening rituals,no need to meditate separately.melodious,soul touching your voice fills deep within takes to a space that I find myself totally lost.
Surendranath Pokle (
Surendranath Pokle l for me it is early morning Cheerios
Sanjeevji - Wonderful rendition. Shared on Google+ too and subscribed to your channel.
Sir I am the student of sachin nevpurkar and he is telling about you and I am listening your raag and I am asking some question based on the raags you have sung thanks
Pranams pundit Sanjeevji. I have learnt both megh and madhamath sarang. I know that both use the same notes but the approach is different. If you do nsrpm , mr, then it is madhamath sarang. For megh, it should be nsr, mp, mps. I hope that I am getting this right. Please clarify or correct me if there any mistakes. This is one doubt I have. I am a student of Hindustani classical vocal. Since both ragas are so close it can sometimes get confusing
@@Sanjeevmyfavourite
You r great Sanjeevji because u r simple and generous with us who are lovers but don't know the technicalities of swaras in a rag.
Panditji, what a phenomenal and beautiful rendition. As a singer of Indian classical music myself, your voice and emotion really have touched my heart and I'm so happy I got to hear your voice. Please continue to upload more recordings like this. I'm a huge fan of you and your talent. Beautiful performance! 🎶🎶🎶🎶🎶🎶🎶
Sanjeev Abhyankar anytime! 😊🎶🎶👏🏻👏🏻
Paanditya and maadhurya ka adbhut mishran
Panditji, I have been a fan of ur style as also of ur Guruji pandit Jasrajji. Can u please elaborate on the difference between raga Megh & raga Megha malhar. Many atimes they sound similar to me.thanks
Dhanyavad Panditji
Thank you Chandrashekhar Naikji and Pt. Sanjeev Abhyankar for providing this useful information. The question has been haunting me for quite some time. Here I got the answer. Thanks once again...
another way to look at it is, Megh has Sa as vadi, whereas Megh malhar has Ma as vadi - listen to www.parrikar.org/hindustani/sarang/ the scoop on sarang clip
In megh there is ni komal and in megh megh malhar it's both komal and shuddh and ga pa ni pa ni sa is used in megh malhar
Kayla mutton
इतक्या दिलदारपणे तुमची compositions रसिकांसाठी खुली करताहात तर व्हीडिओ का नाही पाठवत ? केवढा आनंद होईल आम्हाला !
Panditji using gandhar with ease in Megh !! Fantastic rendition..what a true maestro
Gently sublime. A beautiful flow..as always.
Beautiful