Oppelt Spiccato Masterclass

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  • Опубліковано 21 лип 2024
  • This virtual masterclass is about spiccato on the double bass as pertains mostly to the orchestral repertoire. It was submitted by Robert J. Oppelt to the International Online Bass Summit (June, 2020) which was sponsored by the International Society of Bassists. The Summit occurred well into the Covid-19 pandemic.

КОМЕНТАРІ • 36

  • @fowlerbass
    @fowlerbass 10 місяців тому +1

    I continue to use this as the de facto demonstration of spiccato on German bow, both for my students and myself! Thanks a ton for the years of support and tutelage, Bob!

    • @robertoppelt4678
      @robertoppelt4678  10 місяців тому +1

      Awe thanks, Patrick. Not much production value but I guess a few people have benefited. And by the way, your bowing technique was/is superb. Tubin!

  • @user-ke2fz7xn9v
    @user-ke2fz7xn9v 3 місяці тому

    most excellent , much appreciated

  • @karlmalm8495
    @karlmalm8495 3 роки тому +1

    I enjoyed this video, thank you for posting!

  • @hildegerdhaugen7864
    @hildegerdhaugen7864 10 місяців тому

    Thank you Maestro Oppelt!!

  • @hanssvoboda
    @hanssvoboda Рік тому +1

    Super tone, wow!

  • @moresalesoryourmoneyback
    @moresalesoryourmoneyback 3 місяці тому

    Thank you Mt Oppelt

  • @spoonyeti
    @spoonyeti Рік тому +1

    true knowledge high level skills and sound are rare when it comes to doublebass teaching on youtube.
    Bob..., ISB.... thaaannk you !

  • @Musicman914
    @Musicman914 10 місяців тому +1

    Fantastic tutorial thank you.

  • @rekkaeerikki5410
    @rekkaeerikki5410 Рік тому +1

    Your sound blows me away! This is what I call bass

  • @DimmuBorgir123456789
    @DimmuBorgir123456789 11 місяців тому +1

    Great Sound.

  • @TimWolfebass
    @TimWolfebass 3 роки тому +2

    Hi Mr. Oppelt, thanks for posting this video!

  • @JenJenLiu
    @JenJenLiu 2 роки тому +2

    Thank you so much for this VDO, really helpful and I love your playing and sound🤩❣️

  • @eliseoborrerobass
    @eliseoborrerobass 8 місяців тому +1

    Deeply grateful to you for sharing all this info. Great sound and clarity in your playing. Thanks!!!

  • @glenng725
    @glenng725 3 роки тому +4

    Good to see a bassist who sounds like a bass! Great job

    • @robertoppelt4678
      @robertoppelt4678  Рік тому

      Thanks! Maybe I'll do more some day. I'm not very savvy with recording.

  • @rudiratlos5088
    @rudiratlos5088 Рік тому

    Thank you. Pleased make more videos of this kind.

    • @robertoppelt4678
      @robertoppelt4678  Рік тому

      Thanks! Maybe some day. Need to upgrade production techniques.

  • @rayleb7676
    @rayleb7676 7 місяців тому +1

    Mr. Oppelt. Love the video. It’s very informative even for professionals. I’m very curious what bow you’re playing with here? It sounds really great. Cheers Rayle

    • @robertoppelt4678
      @robertoppelt4678  7 місяців тому

      Rayle, thanks for the positive words. The bow is attributed to Nurnberger but there is no stamp on it. Weight in the mid-140s. Works great for any orchestra tuning but not solo tuning. I used it as well last year for Per Questa Bella Mano in orchestra tuning.

  • @ositoCastro
    @ositoCastro 3 роки тому +2

    Excellent

  • @mark-stefaniw
    @mark-stefaniw 3 роки тому +3

    Thank you so much for this master class Robert. You are a spicatto master. What kind of rosin do you use, and what strings are you using on this bass (I cannot see the tail silks)?

    • @robertoppelt4678
      @robertoppelt4678  3 роки тому +3

      I use Pops but order only from The Bass Rosin Store for freshness. For orchestra strings I like Flexocor (burgundy).

  • @cookscatapults
    @cookscatapults 3 роки тому +1

    hahahahaha Awesomenesssssss

  • @ositoCastro
    @ositoCastro 2 роки тому +2

    Panormo bass?

    • @robertoppelt4678
      @robertoppelt4678  2 роки тому +4

      Since I've owned it (1995), the maker has not been established. The rumor is that it was imported from Italy in the 1950s. There is a Testore label inside but that is not to be trusted. It looks a lot like Ray Brown's "Amati." When I next have the top off, I plan to have some tree ring analysis performed. Thanks for your interest!

    • @ositoCastro
      @ositoCastro 2 роки тому

      @@robertoppelt4678 oh yes more brescian than milanese school

  • @user-sy3ln6ph7t
    @user-sy3ln6ph7t 18 днів тому

    клас

  • @Atomic_pavarotti
    @Atomic_pavarotti 10 місяців тому +1

    I find it difficult to land the bow from the air sometimes, especially when going from spiccato to something more elongated (non-spiccato). Ideally I could plop the bow down and have it land without it bouncing everywhere, whether it’s frog of the middle or the tip

    • @robertoppelt4678
      @robertoppelt4678  10 місяців тому +3

      It's easiest to land the bow in the lower half, as you probably know. The closer to frog, the easier. You can sometimes cheat with two up bows before the land to get you closer to the frog. A little hand action to add horizontal motion may help, along with an application of pressure to help hold the bow into the string. In essence, braking (breaking?) the fall. You can tilt the hairs a little too, taking pressure off.