The Soviet body line really was unparalleled, down to every fingertip and toe point. Even if the other girls had greater amplitude and much more dynamics (and they rarely did), they could never quite compare to the grace, musicality and *total* control the Soviet girls had. I think what really set them apart, more so than every other thing, was their attention to hand details. Each move went all the way down to their fingertips (and there was not a broken wrist in sight!). Everything always felt so polished and complete. It's such a tragedy that there isn't any emphasis on finishing a movement now. I love that the sport has become much more athletic, but I wish the athleticism didn't come at the expense of the quality of movement and choreography.
I miss compulsaries very much! Every single gymnast had better dance and form. This was the first Olympics and first event I ever recorded and watched over and over again. I actually like the original music for this floor compulsory.
I agree! (And thank you!) I love how the 92 compulsory routine fit so many different pieces and music and tempos! This video almost stands as proof that if the gymnastics federation were to bring back compulsories at the international elite level, perhaps different musical pieces could be chosen (like in the 1972 compulsory).
I've been reflecting on the music choices for gymnastics compulsory exercises, particularly the compositions from '92 and '96. Personally, I find that piano-only music seems to complement these exercises more effectively. The piano's subtle and nuanced tones enhance the focus on the gymnasts' movements, offering a more harmonious backdrop. ( just like ballet rehearsals in a studio, which are done with piano). In contrast, though impactful, the louder, thundering arrangements from '92 and '96 can become a bit overwhelming, especially when listening to them repeatedly. (like Shannon Miller's ear-piercing violins ) .@@worldartgym
@@mrparts I relearned the piano during lock-down, in fact, many pieces I’ve learned or have been learning have crept into my recent videos… I’m definitely biased but I love the piano sound, especially with balletic dance styles. I agree!
この時代は素晴らしい選手が多かった
The Soviet body line really was unparalleled, down to every fingertip and toe point. Even if the other girls had greater amplitude and much more dynamics (and they rarely did), they could never quite compare to the grace, musicality and *total* control the Soviet girls had. I think what really set them apart, more so than every other thing, was their attention to hand details. Each move went all the way down to their fingertips (and there was not a broken wrist in sight!). Everything always felt so polished and complete. It's such a tragedy that there isn't any emphasis on finishing a movement now. I love that the sport has become much more athletic, but I wish the athleticism didn't come at the expense of the quality of movement and choreography.
Well said!
I miss compulsaries very much! Every single gymnast had better dance and form. This was the first Olympics and first event I ever recorded and watched over and over again. I actually like the original music for this floor compulsory.
I love the piano in gymnastics.
Very nicely put together
Thank you!! It was a beautifully-constructed compulsory routine!
Wow Minkus + Compulsories = gymnastics Heaven
I agree! (And thank you!) I love how the 92 compulsory routine fit so many different pieces and music and tempos!
This video almost stands as proof that if the gymnastics federation were to bring back compulsories at the international elite level, perhaps different musical pieces could be chosen (like in the 1972 compulsory).
I've been reflecting on the music choices for gymnastics compulsory exercises, particularly the compositions from '92 and '96. Personally, I find that piano-only music seems to complement these exercises more effectively. The piano's subtle and nuanced tones enhance the focus on the gymnasts' movements, offering a more harmonious backdrop. ( just like ballet rehearsals in a studio, which are done with piano). In contrast, though impactful, the louder, thundering arrangements from '92 and '96 can become a bit overwhelming, especially when listening to them repeatedly. (like Shannon Miller's ear-piercing violins )
.@@worldartgym
@@mrparts I relearned the piano during lock-down, in fact, many pieces I’ve learned or have been learning have crept into my recent videos… I’m definitely biased but I love the piano sound, especially with balletic dance styles. I agree!
the best all around on compulsory were Miller and Onodi.
the best all around on compulsory were Miller and Onodi.