Thank you for your tutorials! Over the last few weeks and months I have found some very helpful advice that has helped me progress with my own productions. I still have a lot to learn and keep discovering something that I can improve. I recently had the opportunity to listen to my music on a large PA and... I was shocked at my low end. In the studio, on my Bluetooth headphones and in the car I was happy with the sound, but the large PA actually lacked low end. It would probably help my tracks if I also added a sub-bass in the 40 to 80 Hz range with a sine wave to address the bass membrane in that range. I don't think I have a phasing issue. But somehow I'm confused by how big the sound difference was compared to my other speakers and to my idea of how it should sound.
Very nice was looking for this. Noticed that my kicks lacked something in the low end. Most kick samples have some bad low end too so to make my kicks more consistent this will work wonders
Great Video! If you use Pro q3 set it on "linear phase" standerd it is set to "zero latency". Zero latency causes phase problems, especially in the low end.
@@Eternize I did everything according to your video and I used an oscilloscope to see the final result and the waveform had a weird look. Did you also use an oscilloscope to view the result? That's why I used the "linear phase" mode and then the result on the oscilloscope looked good.
@@Digitrux If anything, linear phase mode facilitates the "skewed" waveform. To fix the waveform, simply put an EQ in non-linear mode with a lowcut at the end of the chain.
@@Eternize I've tried some more and I've figured out what the problem was. I learned a lot from your videos. Thank you for responding to my comments and the good tips!
Great tutorial. Bought all your packs other day. Loving them. The kick pack is great. Do you have a tutorial on how your pitch your kicks? I've been using nimble kick with your modern kicks and seems to work pretty well. Will you consider putting put a a kick builder pack I'm future ? Toks, punches, tails, subs etc
Doesn't the phase inversion do the same as the phase knob? if you load up serum and turn the knob for exactly 180° it should have the same result. The knob just makes it easier to flip it perfectly
Yea that makes sense. I don't doubt it's easiest in Sylenth. Been using that synth for 15 years at least and it still excels at many thing xD@@Eternize
@@mindmachinepsythis is something I figured out in serum a while ago and it’s even easier, you can add harmonics in manually with serum. Start with a sin wave and then click the pencil to the top right of the wav, from there u can add in harmonics and have more control!
I have a question about kick: Some people have told me that it is best for Raw Kick's tail to end up looking like a square wave (just like using a clipper). I think that's true for kick in a lot of hardstyle music today. Can you tell me why kick needs to be like this?
It doesn't necessarily "need" to be like this, it's just a natural result of distortion and squashing the kick in the final stages. Another point is that hardstyle is a very "busy" genre, meaning when the kick and lead is played together you will naturally see that as a squared-off waveform on the analyzer.
@ ETERNIZE @ PRODUCERS I am currently making a NC kick and still EQing and distorting a 909. Now when I am checking my sub bass in the oscilloscope how can I make my sub bass waveform have that M shape? Like after the highest peak there is a smaller peak right after it.
This is exactly what has ruined the scene. Paperthin digital garbage pling plongs. Ofcourse this will spark some dopamine in the average primate idiot on a festival, but i cry when i hear this.
Have you tried this method yet? Make sure you Subscribe, 'cause next upload is gonna raise the bar! 🔥
Thank you for your tutorials! Over the last few weeks and months I have found some very helpful advice that has helped me progress with my own productions. I still have a lot to learn and keep discovering something that I can improve.
I recently had the opportunity to listen to my music on a large PA and...
I was shocked at my low end. In the studio, on my Bluetooth headphones and in the car I was happy with the sound, but the large PA actually lacked low end.
It would probably help my tracks if I also added a sub-bass in the 40 to 80 Hz range with a sine wave to address the bass membrane in that range.
I don't think I have a phasing issue.
But somehow I'm confused by how big the sound difference was compared to my other speakers and to my idea of how it should sound.
great video! a small heads up tho, square waves only contain ODD harmonics, not even like you said in the video!
Very nice was looking for this. Noticed that my kicks lacked something in the low end. Most kick samples have some bad low end too so to make my kicks more consistent this will work wonders
can u make a tutorial how to create an Crunsch?
how to create the Crunch?
Incredible video! such a smart way to do it. Top man thanks for sharing all your tips and tricks!
Good thinking
Also your track " the light " is fire 🔥 !!!!!
This method helped me a lot, struggled long time with pitched crunches. Thank you!!!
Thanks for another great video. I bought all your packs to support you. Great packs by the way 👌
Thanks for the support bro!
Awesome video ! Thank you
Screechtutorial and pack next please:)
Great Video!
If you use Pro q3 set it on "linear phase" standerd it is set to "zero latency".
Zero latency causes phase problems, especially in the low end.
Whoever told you that is wrong 😉
@@Eternize
I did everything according to your video and I used an oscilloscope to see the final result and the waveform had a weird look. Did you also use an oscilloscope to view the result? That's why I used the "linear phase" mode and then the result on the oscilloscope looked good.
@@Digitrux If anything, linear phase mode facilitates the "skewed" waveform. To fix the waveform, simply put an EQ in non-linear mode with a lowcut at the end of the chain.
@@Eternize
I've tried some more and I've figured out what the problem was. I learned a lot from your videos. Thank you for responding to my comments and the good tips!
@@Digitruxso what was the problem?
Great tutorial. Bought all your packs other day. Loving them. The kick pack is great. Do you have a tutorial on how your pitch your kicks?
I've been using nimble kick with your modern kicks and seems to work pretty well.
Will you consider putting put a a kick builder pack I'm future ?
Toks, punches, tails, subs etc
Help me alot! Thanks! Keep it up 🔥 🤘🏻
Love your videos, they help a lot. I have a question, I work with Serum, but it does not have an inversion option. Any ideas?
Doesn't the phase inversion do the same as the phase knob? if you load up serum and turn the knob for exactly 180° it should have the same result. The knob just makes it easier to flip it perfectly
I would think so - however in Serum the starting point of the square and saw wave might be different, so you would have to dial it in manually anyway.
Yea that makes sense. I don't doubt it's easiest in Sylenth. Been using that synth for 15 years at least and it still excels at many thing xD@@Eternize
@@mindmachinepsythis is something I figured out in serum a while ago and it’s even easier, you can add harmonics in manually with serum. Start with a sin wave and then click the pencil to the top right of the wav, from there u can add in harmonics and have more control!
Yea been doing that too for a while, works pretty good for frenchcore when automated, but this method here i do like the sound of@@JohnKennedy-up3hb
could you plzzz show on how to do in serum aswelll
Super tutorial , thanks dude 😁👍
Thanks man!
Bro, genius
Very well made video, learned a lot
I have a question about kick:
Some people have told me that it is best for Raw Kick's tail to end up looking like a square wave (just like using a clipper).
I think that's true for kick in a lot of hardstyle music today.
Can you tell me why kick needs to be like this?
It doesn't necessarily "need" to be like this, it's just a natural result of distortion and squashing the kick in the final stages.
Another point is that hardstyle is a very "busy" genre, meaning when the kick and lead is played together you will naturally see that as a squared-off waveform on the analyzer.
@@Eternize Thank you for your answer
What D.A.W is this?
Very useful thanks!
@ ETERNIZE @ PRODUCERS
I am currently making a NC kick and still EQing and distorting a 909. Now when I am checking my sub bass in the oscilloscope how can I make my sub bass waveform have that M shape? Like after the highest peak there is a smaller peak right after it.
Thx❤
Crazy :D Thx
Isnt the odd and even harmonics the opposite
But it's not one piece then? It's still layering right?
The entire low-end is one piece, that’s the point. Layering high-end is not nearly the same “problem”.
@@Eternize i thought you meant one piece out of the whole kick
do you count the fundametal as the 0th ore the 1st harmonic?
The fundamental is what I refer to as "root note". The first harmonic after that is the 1st harmonic (odd).
@@Eternize Ive never Heard that before. Normal people call the fundamental the first Harmonie. You should probably calirify that some where.
Clean cakes
This is exactly what has ruined the scene. Paperthin digital garbage pling plongs. Ofcourse this will spark some dopamine in the average primate idiot on a festival, but i cry when i hear this.