Takkar Tamil Movie | Review | Siddharth | Yogi Babu | Karthik G Krish | TamilCinemaReview

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Takkar Movie Synopsis: Two young people with different perspectives on money and life meet under the most unexpected circumstances. Can their lives transform together for the better?
Takkar Movie Review: In the very first scene, even as the credits roll, we are introduced to a youngster who strongly believes that only money could buy him all the respect that he deserves to survive in this world. Director Karthik G Krish establishes the motive of the protagonist clearly and even sets up a premise that could have worked in many ways.
But then, the writing gets deviated midway, and the conflicts that unfold get diluted with comic moments that's rarely funny.
A few minutes into the film, Gunz (Siddharth), a youngster who has the urge to become rich, travels all the way to Chennai from his hometown to achieve his dreams. After trying his hands at various jobs, which mostly made him feel disrespectful, he ends up becoming a cab driver. Parallely, we also get introduced to a gang that earns money by indulging in all anti-social activities. They kidnap young girls for money and sell them off to sexual predators. In the most unexpected way, their worlds collide, giving Siddharth an opportunity to earn lakhs. This also puts his job at stake, as he damages his car in the process.
When he thinks his life is over, he happens to stumble upon a filthy rich girl, Lucky (Divyansha Kaushik) who thinks money is the only cause of all the problems in life. How their lives transform together to lead a happy life despite all the problems that arise in the form of money, abuse, and power forms the crux.
Director Karthik G Krish's intention to tell us a tale about two people with different perspectives on money and life is quite interesting. But then, the writing gets clumsy midway, with too many events occurring at once. This doesn't let the viewers stay in one emotion as the genre shifts from action to romcom and romcom to action every ten minutes. The transition is not organic, and the sequences are bit forced.
The film's potential is squandered as the narrative becomes disjointed and the pacing suffers. The comic moments in the second half, which are meant to provide some levity, fall flat and do little to enhance the story. Yogi Babu's one liners work at times, but not enough to save the film.
While the film has some strong performances, particularly from Siddharth, the writing fails to deliver a compelling story. In fact, it's Siddharth's show all the way, and there is no single moment that we could remember after the film. The love sequences in the second half, though believed to be the pivotal part of the film, mostly come across as filler with a song. Divyansha Kaushik looks pleasant on screen but doesn't have much scope to perform.
Nira Nira song that appears in the pre-climax elevates the mood to a certain extent, though. Nivas Prasanna's scoring adds value to the plot convincingly. The cinematography, though, could have been better, especially for this sort of genre that doesn't solely rely on content.
Takkar might work for a few who want to watch an entertainer with nothing to take back home. But otherwise, it's a very average watch.
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#yogibabu

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