Haydn: Symphony No. 76 in E-flat major (with Score)
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- Опубліковано 28 лип 2024
- Franz Joseph Haydn:
Symphony No. 76 in E-flat major, Hob. I/76 (with Score)
Composed: 1782
Conductor: Helmut Müller-Brühl
Orchestra: Cologne Chamber Orchestra
00:00 1. Allegro (E-flat major)
06:04 2. Adagio, ma non troppo (B-flat major)
16:39 3. Menuetto: Allegretto - Trio (E-flat major)
20:16 4. Finale: Allegro ma non troppo (E-flat major)
Symphony No. 76 in E-flat major (Hoboken 1/76) is a symphony by Joseph Haydn completed in 1782.
In 1782, almost a decade before Haydn composed the first of his famous London symphonies, he composed a trio of symphonies - 76, 77 and 78 - for a trip to London which fell through. Haydn wrote the following to his Paris music publisher Boyer on 15 July 1783:
Last year I composed 3 beautiful, magnificent and by no means over-lengthy Symphonies, scored for 2 violins, viola, basso, 2 horns, 2 oboes, 1 flute and 1 bassoon - but they are all very easy, and without too much concertante - for the English gentlemen, and I intended to bring them over myself and produce them there: but a certain circumstance hindered that plan, and so I am willing to hand over these 3 Symphonies.
It is not known how much Haydn knew of the tastes of English audiences, but the three symphonies do possess a polish and style typical of London composers such as Johann Christian Bach and Carl Friedrich Abel. As noted in the letter, the winds have very few measures where they do not support the strings, they are used primarily to add color.
The slow movement is a rondo with two episodes. The first two instances of the refrain are scored for strings only while the episodes and the final refrain are scored for the full orchestra. The first episode is in the minor and features the winds softly playing over the low strings while the second episode is much more agitated and features the full tutti. Each recurrence of the refrain is enhanced with improvisatory variation, so that when the final refrain settles on a cadential chord and breaks into a cadenza, the listener is not surprised.
What an excellent finale!
This symphony has some kind of charm I don't think I've ever felt before.
agreed
It maybe semantics, but I think the word ‘charm’ when applied to music has a rather more pejorative meaning to it than you appear to do; I don’t think this fine symphony is charming at all, it has too much substance, depth, and originality to it.
If I remember correctly, the Emperor describes Salieri’s little march of welcome for Mozart in Amadeus as ‘charming’ - it is one of the biggest put-downs in the movie.
@@wolfie8748
I disagree completely; you may find my contribution above of interest.
Beautiful beautiful symphony
Magnificent!
Great symphony by Haydn as usual