Lara Melda - Live at Wigmore Hall
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- Опубліковано 7 вер 2024
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Lara Melda piano
Lara Melda was the winner of BBC Young Musician 2010, and has won exceptional praise for her Chopin interpretations. Today’s BBC Radio 3 lunchtime programme pairs the composer’s final and most taxing sonata with two ‘study pictures’ by Rachmaninov from his Opus 33.
PROGRAMME
Fryderyk Chopin (1810-1849)
Nocturnes Op. 9
Nocturne in B flat minor No. 1
Sergey Rachmaninov (1873-1943)
Etudes-tableaux Op. 33
Etude-tableau in G minor No. 8
Etude-tableau in E flat No. 7
Fryderyk Chopin
Piano Sonata No. 3 in B minor Op. 58
Encore: Chopin - Prelude in F sharp minor Op. 24 No. 8
THANK YOU WIGMORE for bringing this beautiful video back on UA-cam !!! It is wonderful performance Ms Lara Melda transports us every time . Bravaaaa !
I am now a fan of this pianist and her exquisite artistry. Thank you, Wigmore Hall.
Not only is she a very talented pianist, but she's also a very beautiful human being.
So naturally and free she is performing! In that meaning that she not only play pieces, but is the pieces.
Her play is so tender as sunny and lazy Sunday morning. You may feel sunlight coming throughout the notes and his silence. Pure delight and constant meditation. Thank you ❤️👏👏👏💐💐💐
An absolutely breathtaking performance! I am lost for words, she is simply phenomenal! Having watched this, I now dream of one day having the honour of being in the audience of a Lara Melda concert at Wigmore Hall.
so beautiful.
Beautiful...sensible... exquisite... bravissima ❤❤
LARA MELDA ,PRODIGUX ,MERVEILLEUSEMENT, ENVOÛTANTE FASCINANT , MERCI !
Loved the nocturne,
I was also unusually impressed with Laura Melda's interpretation of Chopin's B-flat minor Nocturne here. She has exquisite phrasing and pedalling, rendering gossamer pianissimos and executes rubatoes with unusual aplomb; her dynamics as a whole are extremely well thought out. I was so delighted to hear this bright new star, ascendant on the pianistic horizon, perform this piece with such precision, intensity of feeling, as well as, fidelity to the musical score here.
Many thanks for a brilliantly exquisite concert, Lara. Like other commentators here, I wonder not to have heard you before. - It is of course up to each of us listeners what we perceive as true interpretation, but what we heard here led us completely into the lives of Chopin and Rachmaninov.
Beautiful piece beautifully performed.Thank you Lara Melda
Brilliant!
that's one of the best B minor Sonata performances I've ever heard. All the pieces were exquisite.
Ever heard Lipatti's performance?? Lol
Wonderful playing !
2) 8:58
3) 16:19
4) Encore 46:35
Beautiful playing. Thank you Lara and Wigmore Hall
Such beautiful and heartfelt playing!
Very beautiful! 💐
Bravo!!!
Wow, such beautiful and exquisite playing. A true master of the Romantic works 🙏🏼❤️🙏🏼 thank you so much for blessing us with the beauty of your playing Lara 😍
Magnificent 👏👏👏💎
Outstanding! Thank you Wigmore Hall!
Great pianist. Bravo 👏
Fantastic playing, wonderful 👏👏👏
Great pianist!
What a wonderful artist, draws you in to her own total immersion in the music. Reminds me very much of Emma Ferrand (UK cellist) - that is, in appearance and bearing, not in respect of what Tortelier said about her ...
harikasın lara
Bravissima!
Chopin haveria de gostar destas interpretações. Parabéns Lara Melda
👏💕💐
Thank you!! 🙏
Magnificent playing! I also can’t believe how great the sound quality is coming from my iPad Pro.
Trite remarks about Chopin....
there is a trend amongst many pianists to play the 8th note chords in the opening of the Chopin B minor all staccato, but there is no such indication ,. And also, they tend to completely ignore the "maestoso" and take off at racing pace. Fortunately a few pianists don't give in to that, Olga Scheps for example.
What are you talking about? Those chords are marked with staccato dots.
@@charlesedward5216 Not in Chopin's manuscript or in either French or German 1st editions, nor Mikuli's or Paderewski's. The staccato quavers seem to have come from Peters' or Schirmer's editions (the latter marked "instructive") , ed. Scholtz and Kullak respectively, one of which I guess is what
Ashish Xiangyi Kumar used for his vids of the piece on here.
Olga Scheps has probably the most phenomenal version of this sonata. It's unique in its perfection. (PS: I found Lara made the first movement of the sonata too dreamy and soft for my tastes.)
Socially distanced audience, oh please.
Nice playing but honestly, there's nothing totally special about her playing. There are some since turns of phrases here and there but a lot of this is rather ploddy playing and over pedaled. I wish people would be more discerning in their listening and not just jump on every pianist's bandwagon who can play at a high level.