There Are No Wrong Notes.
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- Опубліковано 9 чер 2024
- TABLE OF CONTENTS
0:00 Preview
0:10 Introduction
0:41 Example 1 - Moving major chords
2:29 Example 2 - Moving minor chords
3:12 Example 3 - Chromatic motion
4:38 Example 4 - Moving between chords
6:02 Example 5 - Superimposing ideas (I)
7:53 Example 6 - Superimposing ideas (II)
8:55 Example 7 - Superimposing ideas (III)
The famous jazz musician Charles Mingus (featured in the thumbnail) once said that "in jazz, there are no wrong notes, only wrong resolutions." He was jokingly referring to the fact that you can play some crazy notes which are out-of-scale, as long as you resolve to something consonant within-scale. In today's lesson we explore an extension of this idea to harmony: if we use some repeating or "good sounding" elements in a composition then we can incorporate some weirder sounding elements into it while remaining "consonant", or at least palatable to the listener. I will present seven different examples of this which will help drive this idea home.
"There Are No Wrong Notes." Jazz in a nutshell and that's why i love it. 🙂Excellent video.
You sir are the best on UA-cam. I cherish every brilliant release. Keep up the great tips.
Thanks, will do!
Love those Nines. Steely Dan seemed to use a lot of them. Great music. Great video. Thank You Mangold.
Interesting! Thank you. I think the “weird” sounds makes a very interesting journey
Indeed they do. That's the point. You can get very interesting conflicts and resolutions this way. Movie composers are really good with this sort of thing, and employ it much more than pop music producers.
ooo love this one - jazz improv. love your tutorials, thanks so much for all the details
Am(add9) 2.31 min is one of the most beautiful chords ever,thanks sir you are genius.you can follow by dm6 and bm7(f5) e sus 7.you are welcome:))))
I like this attitude towards harmony. Too often is it it viewed as a rigid system in which we have to place ourselves in some way in order to sound decent. My only problem with this kind of "blind-folded" approach is that say you come across a particular change or tonal quality that you really like, you will be unable to reproduce it a second-time around because you don't necessarily understand from technical point of view what you did or what made so pleasing. This is why I like to play the random stuff and then do the work to find the musical framework that explains it. This helps with ear-training and musical imagination as well, because you get better at envisioning very specific "random" changes to break up the familiarity of your chord progression.
This is great and it's simple - Thanks a billion.
Como siempre, inspiración total! Gracias
Thanks for posting these.
Thanks for stopping by and watching!
Accessible jazz theory!
Thank you.
And I didnt know the last part of that famous quote "... just wrong resolutions!" Now that's something I can agree with, because, ya, there are wrong notes in jazz too. (At least what I was trying to do). Thanks again.
Thank you for your videos!
Thank you! ❤
More tools for the toolbox. 🥰
Wow you have really opened my eyes.
It was the spirit of Charles Mingus speaking through me :D
As always, thank you so much for a superb and valuable video. May I ask what software you are using to display the keyboard and notes / chords?
It's called Chordieapp.
Thank you! @@MangoldProject
Ciao, quali gradi degli accordi hai usato nel primo esempio in tonalità maggiore? Grazie.❤
"There are no wrong notes only wrong resolutions" is what Jacob Collier says.
This is a saying initially attributed to Charles Mingus. My sister had a poster of him with this quote in her room long before Jacob Collier was even born ... :)
@@MangoldProject I know, it was irony 😂
MINGUS
MINGUS
MINGUS
MINGUS
MINGUS
Bingus!
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