Thank you so much for this content, it's surreal that we can have Carlo Domeniconi himself (and a great student :)) talking about his compositions and sharing musical ideas. It would be great if this channel would live and continue to produce such a valuable content!
Hallo Carlo, in meinem vorherigen Leben habe ich das Stück geliebt und alle anderen deiner Stücke auch! (bevor ich ms hatte) Schön, wieder eine Stunde mit dir zu erleben! 😊👍🏼
At 7:35, you can hear that "tick tock" of the percussive sound of the string hitting the frets. It is something LiJie does in hers as well and many others don't do. I really like it because it adds just more texture and structure to the tempo too. Some criticize that version as being dry, but it's probably my favorite because it is so close to the music as written and yet has personality in the sound. This is the favorite thing in her performance to me. I'm glad to hear you have it as well. I struggle with this and I haven't been able to make it a part of my version of this piece. I hope to master it some day.
Thank you so much for this content, it's surreal that we can have Carlo Domeniconi himself (and a great student :)) talking about his compositions and sharing musical ideas. It would be great if this channel would live and continue to produce such a valuable content!
Thank you so much Maestro.
Love you!
I would love to be that lucky to have lessons with Carlo. OMG ! Great recording.!
What a find! Thank you for sharing this!
Ahh this brings me back to my undergrad days. Really enjoyed learning this particular movement for juries
Thanks Carlo for this masterclass and for all your music. And thanks Julia.
Hallo Carlo, in meinem vorherigen Leben habe ich das Stück geliebt und alle anderen deiner Stücke auch! (bevor ich ms hatte)
Schön, wieder eine Stunde mit dir zu erleben! 😊👍🏼
PLEASE!!! do more this is amazing
Fantastic lesson, Thank you Sir..🎉
Thank you so much, master.
The warmest thanks to you both!
Thanks for demonstrating this masterpiece.
This was great Karlo Baba
amazing
Grande Maestro, brava allieva.
At 7:35, you can hear that "tick tock" of the percussive sound of the string hitting the frets. It is something LiJie does in hers as well and many others don't do.
I really like it because it adds just more texture and structure to the tempo too.
Some criticize that version as being dry, but it's probably my favorite because it is so close to the music as written and yet has personality in the sound. This is the favorite thing in her performance to me. I'm glad to hear you have it as well.
I struggle with this and I haven't been able to make it a part of my version of this piece. I hope to master it some day.
Ma c’è un gatto che canta con voi!❤😊😊😊❤
My nephew Michael Gullo plays this sooooo well;))
This is such an incredible piece of music. How did you write this?
🙂✨️🎶💓🎶✨️
Master please teach us about one of your grand masterpiece Toccata in Blue 🥺
koyunbabaaaa. carlo baba where are you roght now old men? i am so close to bodrum do you need any help?
❤