New photographers shouldn't let big brain ego enlist photographers get to them. You can still achieve high quality photos with $20 speed lights, a starter camera, and very well planned stage and background. This guy will always show you the way
I just took on a big project based on what you wrote and presented in this clip. 98% of the pictures are old wine bottles that I wanted to present in a professional way and that can be sold. Thanks for the help, I really appreciate it. 🖤
Blessings Karl, I really love the fact that you used your 5D and not a high end medium format. Sometimes people feel that it's all about your expensive gear. You're a man that study and practice to get where you are. Much love!
Good point you make...Karl is really just trying to encourage people... ultimately it's not really about the gear you have but it's about principles surrounding photography that you use. I used to purchase so much gear it was insane but none of the gear did anything to make my images turn out better. I've been fortunate either to use or have been on set with some of the most expensive gear I could only imagine and it's pretty much all the same. It boils down to the higher end gear is going to be bullet proof built for production environments and anything that they can throw at it.... for strobes for instance Profoto built like a tank and can be used for ten hours a day everyday without failing. One of my favorite pieces of gear is my iPhone because I have it all of the time and if I can figure out how to compose an image with it... it makes it easier for when I have my gear to compose the image. Like you say just keep on studying... I didn't go to art school but I take excellent images..and what is helping me is going back and studying art history, typography, and graphic design history. Somehow studying the fundamentals has given me a fresh take on my photography and is teaching me that equipment is actually way down on the list... the creativity comes from the concepts and ideas you have. Keep up.the good work and keep studying.
Expensive gear and a big studio helps, but it doesnt matter if you lack the creativity! Really glad I stumbled over your channel! Thumbs up, and a great thanks for your effort in helping others!
Hi Karl, A brilliant tutorial on how to shoot Professional Product Photography that could only be Karl Taylor, a True Professional in every sense of the Word. Thank you for sharing this tutorial with us Karl, Truly as always a Pleasure watching a True Professional at Work
Karl, your work is absolutely incredible, and you’re an excellent photography educator. If you produced a series of courses lighting entirely with speedlites, and affordable strobes similar to the Godox AD200 and AD400 pro and common affordable (let’s say Amazon acquired) modifiers, I for one would subscribe to your paid education and I’m sure many others would as well. Thank you so much for the time, energy, enthusiasm and careful technical detail you put into these UA-cam videos. Great job!
Thanks but what you don't realise is that many of the course on KTE are with speedlites and many of the others just use barebulb studio lighting with my own made modifiers so for the most part you simply have to imagine swapping those bare bulb lamp heads with any other brand or speedlites. The physics of what I'm teaching remains the same and it's interchangeable across any brand.
@@VisualEducationStudio Hi there. Not sure if it was really Karl who replied or one of his team, but I just subscribed to the annual plan. Karl's work is incredible and I'm sure I will learn a ton!
@@rbvan Hi, yes it was me that replied. I reply to 90% of the comments on youtube as they are often technical in nature. Thanks very much for signing up I'm sure you will enjoy the platform and do join us on some of the live shows. All the best Karl.
@@VisualEducationStudio Thanks so much Karl. I already watched your Intro to Lighting and the food shoot at your Dad’s house. Was laughing at your joke about your Dad having a “Russian lady on his table” 😂. Cheers and stay safe!
I've been into all things photography for a solid 3 years. I'm a subscriber to many photography youtube channels. I'm a member of Dave Morrow photography (which I HIGHLY recommend) landscape photographer. I have 3 canon cameras, all the lenses, and all the studio gear needed to shoot just about anything on the planet. I have shot events, parties, studio portraits, fashion, landscape, wildlife, macro, etc. etc. I'm a member or subscriber to several Adobe Lightroom/Photoshop training channels. I'm having a lot of fun and learning a lot from many of these avenues. If I were to give advice to anyone serious about either their photography as an art or business...the #1 thing I would recommend, 90% out of 100% of the learning tools available on the planet, would be Karl Taylor's education system. There are many, many great and wonderful teaching tools available on the internet these days, and they all should be pursued. But in my opinion and experience photography requires a huge foundation be laid to become a true and great artist and/or a true and great photography business person. No one is addressing the FOUNDATION--the foundation of not only gear, and technique, and approach to various photography genre, but also of the attitude needed, the discipline, the hard work ethic needed, and the openness of mind and fortitude to pursue each student's artistic insight and taste. As a member of Karl Taylor Education I found Karl's teaching system to be the most comprehensive and complete foundational systems there is. Frankly, there is no other system designed to take you from kindergarten to graduation. Karl's experience and passion is obvious. His lighting techniques are artistic, whether he is teaching studio portrait, fashion, or food photography. His guests are experts and he uses them to help teach his students. All the teachings overlap to some degree. It is all important.....and frankly, it is all very interesting and entertaining to a degree that it doesn't matter if one is going to ever shoot in that genre--there is still something to learn there. I really think that Karl Taylor Education is the best tool available to the any photographer today.
Hi Stephen, thank you for this as we just can't beat testimonials like this directly from customers. I'm very happy to hear you are enjoying the platform, the team and I are working really hard making it better and better and we have some great new things in the pipeline coming soon for our members.
Another great video for some terrific tips mate. You are actually the first video i watched on youtube over 10 years ago teaching me landscape and fashion basics. Yowzah i feel old. Really enjoy your channel.
Its always a treat to watch your photography educational clips. You have got such command over your specialty. And its actually the knowledge of the camera, lens, lights, props, photoshop etc that results in this marvelous image at the end. You are the master.
You are such an ENORMOUS BLESSING!! Thank you so much for providing this valuable information for free to us! You are so incredibly experienced and teach so well!
Hi Karl great to see another of your "its not about having expensive gear" shoots - Im using speedlites and also LED lights for my work and Im often debating with myself per project the need for flash versus constant lights. Flash is great if one is not able to black out a room it gives that control oveer ambient, as well as being able to shoot at ISO 100 for noise free shots, whereas LED allows a what you see is what you get approach which can be easier and more fluid way of working, but with the lower power usually meeaning higher ISOs and higher noise. Today Im trying a whiskey bottle challenge and while its daytime Im going to use speedlites but later when dark will try LEDs and compare results for interest!
Hi John, you can do a lot with LED but for me it will always be flash because of the extra available power and the need to shoot people without blinding them. You can also apply a 'what you see is what you get' approach by using studio flash that have proportional modelling lights.
@@VisualEducationStudio thats a great point about blinding people with constant lights I have found that to be the case in my experience but it does make me wonder about those amazing old Hollywood shots from the likes of George Hurrell do you think the models/actors just had to accept and grin and bear the bright fresnel lamps back then or some technique that helped avoid
pretty sure i could duplicate the set up and shoot even without the modeling lamp feature of those speedlites, but holy CATS! i have no idea what you did in Ps afterwards. i really have no clue when it comes to that software (im primarily a Lr guy) and that 'quick overview' was certainly that!
love this video! yeah, im late to the game but still made it here! i couldnt follow what you did in PS because a) ive only ever tried using PS Elements (about 8 years ago) b) i wasnt sure what you were working on, it went so quickly except i DID see you cloned the bottling information from the cap. i know LR (although it seems a lot of people do HEAPS more work in post than what i do!) again, great video!
Have to give it to you, you take lighting to an extreme level. Love your eye for detail. IMO it's all about the knowledge where to put the lights , basically you have taken the shot already in your mind, this is merely the execution. Since you have a lot of equipment at your disposal, I wonder do you ever add lighting in post (PS or LR/C1) ? Thanks for sharing !!
Thank you RS and yes you are correct I've nearly always 'taken the shot in my mind'. Regarding adding lighting in post, no this isn't something I often do. Generally I only exaggerate or reduce what I already put there with B&D, or via a new layer and combined shot, the only shot I can remember where I 'fake' added a light was on the front right wing of the porsche shot on my commercial site. Cheers Karl.
Several things.. details. The spray on drops. Looks like only on the forward facing surface? I have an ancient decades old Norman system.. trying to use it more now, still works. Also have speed lights. I’m a little poor currently, but I think your lighting course is one I really see value in. Just trying to decide if I commit. I have some product ideas I’m working on and I want to push my limits and learn some professional level solutions. Need to try a few things then ask more detailed questions.
Awesome Karl as every time! Is there any info how much light is transmitted through frosted acrylic sheet? For example Lee 216 has 36% light transmission. Thanks you
Hi Tomas I'm afraid I'm not the sort of person who would have even known the transmission value of LEE 216 let alone a peice of frosted acrylic I'm the sort of person who just does everything by eye, I try it I assess the results and then I adjust it.
Thanks for the demonstration, Karl. I want to ask your opinion, is it better if I use white acrylic or clear acrylic with white sheet under it for product photo with white base? Does the type of acrylic matter to create the pure white base? Thanks in advance
Thank you for the confirmation! Just subscribed to your monthly education. It feels good to have knowledge in advance before I get into the more expert and complicated stuffs! Cheers and best of luck to you!
Great tutorial! I would love to see a tutorial how to shoot a transparent bottle like this on a dark/black background. I have trouble with getting nice and smooth reflections on the sides and lightning.
First of all, thanks to Mr. Taylor for sharing his vast experience. Secondly, after seeing the video, I noticed that I can´t seem to see the role played by the light located camera right, as well as the mirror, as I don´t see the reflections one would expect to have on both sides of the bottle. The roles of the other two lights is, on the contrary, quite evident. I am quite certain that the lack of reflections may be related to the angle of incidence/reflection in relation to the camera but then again: are they really necessary?
Hi, no problem thank you. If you look at the cap of the bottle you can see the lighting. The key reason there isn't a huge amount of light on the bottle is because a lot if it is diffused by the application of spray applied to the bottle and the base spray for the condensation to adhere to. The levels of light were also quite low but are still apparent on the sides of the label.
New photographers shouldn't let big brain ego enlist photographers get to them. You can still achieve high quality photos with $20 speed lights, a starter camera, and very well planned stage and background. This guy will always show you the way
👍
I just took on a big project based on what you wrote and presented in this clip. 98% of the pictures are old wine bottles that I wanted to present in a professional way and that can be sold.
Thanks for the help, I really appreciate it. 🖤
Simple tutorial without to much blabla, great job
Glad you liked it
King of Photography
Thank you.
Glad this pop up again. I can adapt most of it for personal work.
Incredible 👏🏽👏🏽👏🏽
You have a very good professional delivery style of presenting. Impressed with your videos.
Karl, u r the best teacher i am really inspired by your photography and tricks. i am following you in my photography....... blessings
That was incredible
Blessings Karl, I really love the fact that you used your 5D and not a high end medium format. Sometimes people feel that it's all about your expensive gear. You're a man that study and practice to get where you are. Much love!
Good point you make...Karl is really just trying to encourage people... ultimately it's not really about the gear you have but it's about principles surrounding photography that you use. I used to purchase so much gear it was insane but none of the gear did anything to make my images turn out better. I've been fortunate either to use or have been on set with some of the most expensive gear I could only imagine and it's pretty much all the same. It boils down to the higher end gear is going to be bullet proof built for production environments and anything that they can throw at it.... for strobes for instance Profoto built like a tank and can be used for ten hours a day everyday without failing. One of my favorite pieces of gear is my iPhone because I have it all of the time and if I can figure out how to compose an image with it... it makes it easier for when I have my gear to compose the image. Like you say just keep on studying... I didn't go to art school but I take excellent images..and what is helping me is going back and studying art history, typography, and graphic design history. Somehow studying the fundamentals has given me a fresh take on my photography and is teaching me that equipment is actually way down on the list... the creativity comes from the concepts and ideas you have. Keep up.the good work and keep studying.
Agree! But he does most often shoot on his hasselblad h system from what I can see on his website
.. wooooowwwww ... 👍😍
Breathtaking and magical!
Cheers
From Russia with love!!!
You're welcome Russia.
Expensive gear and a big studio helps, but it doesnt matter if you lack the creativity!
Really glad I stumbled over your channel! Thumbs up, and a great thanks for your effort in helping others!
I enjoy your videos here on UA-cam. It’s a great refresher for everyone. Thanks
Glad you like them!
Just amazing 😯👍💪
Thank you! Cheers!
I can't stop admiring your work, Karl. Thanks a ton for your lessons.
Best regards from Mother Russia
Nick
My pleasure mother Russia.
The Master of Light indeed
Cheers
Fantastic photography
Many thanks!
Wow just wow! 👌🏽👌🏽👌🏽
Thank you for having the video. This be great if your contract worker, personal work, or business for E Commerce.
This is great, Karl. I've been shooting product photos for years and use speedlites all the time. They are so versatile! (Tip: get a battery pack.)
Cheers Peter
Battery packs? For What?
Those speedlites have lithium battery , dont need battery pack.
Hi Karl,
A brilliant tutorial on how to shoot Professional Product Photography that could only be Karl Taylor, a True Professional in every sense of the Word.
Thank you for sharing this tutorial with us Karl, Truly as always a Pleasure watching a True Professional at Work
Thank you very much
Wow, impactful 👏🥰
Glad you think so!
Karl, your work is absolutely incredible, and you’re an excellent photography educator. If you produced a series of courses lighting entirely with speedlites, and affordable strobes similar to the Godox AD200 and AD400 pro and common affordable (let’s say Amazon acquired) modifiers, I for one would subscribe to your paid education and I’m sure many others would as well. Thank you so much for the time, energy, enthusiasm and careful technical detail you put into these UA-cam videos. Great job!
Thanks but what you don't realise is that many of the course on KTE are with speedlites and many of the others just use barebulb studio lighting with my own made modifiers so for the most part you simply have to imagine swapping those bare bulb lamp heads with any other brand or speedlites. The physics of what I'm teaching remains the same and it's interchangeable across any brand.
@@VisualEducationStudio Hi there. Not sure if it was really Karl who replied or one of his team, but I just subscribed to the annual plan. Karl's work is incredible and I'm sure I will learn a ton!
@@rbvan Hi, yes it was me that replied. I reply to 90% of the comments on youtube as they are often technical in nature. Thanks very much for signing up I'm sure you will enjoy the platform and do join us on some of the live shows. All the best Karl.
@@VisualEducationStudio Thanks so much Karl. I already watched your Intro to Lighting and the food shoot at your Dad’s house. Was laughing at your joke about your Dad having a “Russian lady on his table” 😂. Cheers and stay safe!
I've been into all things photography for a solid 3 years. I'm a subscriber to many photography youtube channels. I'm a member of Dave Morrow photography (which I HIGHLY recommend) landscape photographer. I have 3 canon cameras, all the lenses, and all the studio gear needed to shoot just about anything on the planet. I have shot events, parties, studio portraits, fashion, landscape, wildlife, macro, etc. etc. I'm a member or subscriber to several Adobe Lightroom/Photoshop training channels. I'm having a lot of fun and learning a lot from many of these avenues.
If I were to give advice to anyone serious about either their photography as an art or business...the #1 thing I would recommend, 90% out of 100% of the learning tools available on the planet, would be Karl Taylor's education system. There are many, many great and wonderful teaching tools available on the internet these days, and they all should be pursued. But in my opinion and experience photography requires a huge foundation be laid to become a true and great artist and/or a true and great photography business person. No one is addressing the FOUNDATION--the foundation of not only gear, and technique, and approach to various photography genre, but also of the attitude needed, the discipline, the hard work ethic needed, and the openness of mind and fortitude to pursue each student's artistic insight and taste.
As a member of Karl Taylor Education I found Karl's teaching system to be the most comprehensive and complete foundational systems there is. Frankly, there is no other system designed to take you from kindergarten to graduation. Karl's experience and passion is obvious. His lighting techniques are artistic, whether he is teaching studio portrait, fashion, or food photography. His guests are experts and he uses them to help teach his students. All the teachings overlap to some degree. It is all important.....and frankly, it is all very interesting and entertaining to a degree that it doesn't matter if one is going to ever shoot in that genre--there is still something to learn there. I really think that Karl Taylor Education is the best tool available to the any photographer today.
Hi Stephen, thank you for this as we just can't beat testimonials like this directly from customers. I'm very happy to hear you are enjoying the platform, the team and I are working really hard making it better and better and we have some great new things in the pipeline coming soon for our members.
You deserve the name of legend 🖤
That's right!!! It surely ain't the tool... Good job Karl!!!
Cheers Lem
Another great video for some terrific tips mate. You are actually the first video i watched on youtube over 10 years ago teaching me landscape and fashion basics. Yowzah i feel old. Really enjoy your channel.
Glad to help
Its always a treat to watch your photography educational clips. You have got such command over your specialty. And its actually the knowledge of the camera, lens, lights, props, photoshop etc that results in this marvelous image at the end. You are the master.
Thank you very kind.
Beautiful lighting
thank you
Well done! Great tutorial.
Fantastic content, concept, and conception!
Glad you liked it!
You are great Sir 👏👏
Very kind thank you.
@@VisualEducationStudio yor welcome Sir may! God bless you 🕉️
I just love how informations are simplified, and yet amazing and helpful. Thank you very much. 😊
Glad it was helpful!
Thank you. Nice demo.
You are such an ENORMOUS BLESSING!! Thank you so much for providing this valuable information for free to us! You are so incredibly experienced and teach so well!
You are welcome.
Hi Karl great to see another of your "its not about having expensive gear" shoots - Im using speedlites and also LED lights for my work and Im often debating with myself per project the need for flash versus constant lights. Flash is great if one is not able to black out a room it gives that control oveer ambient, as well as being able to shoot at ISO 100 for noise free shots, whereas LED allows a what you see is what you get approach which can be easier and more fluid way of working, but with the lower power usually meeaning higher ISOs and higher noise. Today Im trying a whiskey bottle challenge and while its daytime Im going to use speedlites but later when dark will try LEDs and compare results for interest!
Hi John, you can do a lot with LED but for me it will always be flash because of the extra available power and the need to shoot people without blinding them. You can also apply a 'what you see is what you get' approach by using studio flash that have proportional modelling lights.
@@VisualEducationStudio thats a great point about blinding people with constant lights I have found that to be the case in my experience but it does make me wonder about those amazing old Hollywood shots from the likes of George Hurrell do you think the models/actors just had to accept and grin and bear the bright fresnel lamps back then or some technique that helped avoid
great video as always. this is the very heart and core of photography: understanding the light. thank you!
My pleasure!
This was beautiful. Intricate lighting steps. Thanks a lot for sharing such invaluable techniques.
Glad it was helpful
Your videos are always diamond 💎💎💎💎 sir
Thanks
Sir a small doubt.. if I use godox X pro N trigger for canon mark iv... What is the problem sir.. nikon trigger to canon camera sir
Thanks Karl. Exceptional, as usual. Good to see you're safe and well.
Thanks, you too!
Hi from Jamaica. Always educational. Greatly appreciative of the lessons. Continue to teach and inspire Mr Taylor.
Thank you, I will
I REALLY LOVE YOUR VIDEOS.THANKS FOR SHARING!!!! :)
Glad you like them!
YAAAAAASSSSSS!!! You did that Karl!!
Are you ok 😂
This is fantastic!
Cheers
Amazing as always!
Thanks again
Amazing 🤩
Świetne materiały
Fantastic videos.
Glad you like them!
Your photography and presentation skilled are motivated me always
Happy to hear that!
It was a very useful video. Your shooting techniques are very nice. Thanks Mr. Taylor
I love your work and the passion with which he transmits his knowledge. Thank you!
My pleasure!
well done .like the set up thanks
Cheers Frank
Nice video, direct to the point.
Glad you liked it
Amazing! This is one of the best quick fire, flash gun tutorials Ive seen in a decade! Bravo
Thank you.
This was nice, enjoyed seeing how you pulled it together.
Cheers
Crazy! Top! Thanks a lot!!!
You're welcome!
cheapest lighting set up with Highly results ...Thanks Taylor Sir
You're welcome
pretty sure i could duplicate the set up and shoot even without the modeling lamp feature of those speedlites, but holy CATS! i have no idea what you did in Ps afterwards. i really have no clue when it comes to that software (im primarily a Lr guy) and that 'quick overview' was certainly that!
love this video! yeah, im late to the game but still made it here!
i couldnt follow what you did in PS because a) ive only ever tried using PS Elements (about 8 years ago) b) i wasnt sure what you were working on, it went so quickly except i DID see you cloned the bottling information from the cap.
i know LR (although it seems a lot of people do HEAPS more work in post than what i do!)
again, great video!
Awesome tutorial. Thank you.
You're very welcome
Have to give it to you, you take lighting to an extreme level.
Love your eye for detail.
IMO it's all about the knowledge where to put the lights , basically you have taken the shot already in your mind, this is merely the execution.
Since you have a lot of equipment at your disposal, I wonder do you ever add lighting in post (PS or LR/C1) ?
Thanks for sharing !!
Thank you RS and yes you are correct I've nearly always 'taken the shot in my mind'. Regarding adding lighting in post, no this isn't something I often do. Generally I only exaggerate or reduce what I already put there with B&D, or via a new layer and combined shot, the only shot I can remember where I 'fake' added a light was on the front right wing of the porsche shot on my commercial site. Cheers Karl.
Great and Excellent video 👍
Thank you 👍
Wicked as always Karl! Thank you!
My pleasure!
Awesome work, thank you for the tips and tricks.
No problem
That's a nice one, informative.
Glad it was helpful!
Savage tutorial as always dude
Thank you.
What was the liquid product you used for the condensation on bottle?
Mind blowing tutorial sir
Thanks and welcome
Excellent.....
Thanks you so much
you're welcome
nice simple setup
Cheers
Inspiring, indeed!
Thank you.
Thanks 👌
Welcome 😊
You're awesome!
You are!
Great video thank you
Very welcome
Brill!
Several things.. details. The spray on drops. Looks like only on the forward facing surface?
I have an ancient decades old Norman system.. trying to use it more now, still works. Also have speed lights. I’m a little poor currently, but I think your lighting course is one I really see value in. Just trying to decide if I commit. I have some product ideas I’m working on and I want to push my limits and learn some professional level solutions. Need to try a few things then ask more detailed questions.
Hi Gary, if you do decide to jump in on our platform we offer full customer support to training related questions. Cheers Karl.
Thanks for that tutorial,I only have speed lights,and try to keep um with the competition s, it's tricky but once again you showed it's possible ✌️✌️
Thank you.
What was he thickness of the frosted acrylic? Great as always!
it's not the equipment it's the knowledge of how light works which takes years of practice.
Excellent
Thanks
Awesome Karl as every time! Is there any info how much light is transmitted through frosted acrylic sheet? For example Lee 216 has 36% light transmission. Thanks you
Hi Tomas I'm afraid I'm not the sort of person who would have even known the transmission value of LEE 216 let alone a peice of frosted acrylic I'm the sort of person who just does everything by eye, I try it I assess the results and then I adjust it.
@@VisualEducationStudio Thanks you
Nice Loved the lighting in this simple but effective
Nice video. What did you do to put permanent sweat on the outside of the bottle?
Special mixture, ingredients and instructions can be found on our site.
Great
Thank you sir
you're welcome
Amazing video karl...can I please know the ingredients of magic solution for the frosting effect...?
Thank you and you can find out the magic solution on KTE
@@VisualEducationStudio thanks for a prompt reply karl...appreciate it....cheers
Great video for one more time!! If I may ask how do you create the droplets? Thanks in advanced!
Thank you. You can find the exact formula and preparation techniques for that on our site.
I used to be part of this education and I never found this tutorial...
Hi it can be found in 3 different product classes on our site.
in the past i have used white electrical tape down the side of a bottle then turn the bottle till its just highlighting like a rim light
Oh nice!
For a black transparent bottle right?
Black tape should work for white transparent bottle then
Thank you for showing a good example. btw, what is the filter for? what happens if you shoot without?
That was a Neutral Density filter (like a pair of sunglasses) as the light coming straight from the back was too bright.
What do you use to make the droplets? What is the exact mixture?
Well done. Thank you, This is a great video and very informative.
Glad it was helpful!
thank you, Karl!
No worries!
Thanks for the demonstration, Karl. I want to ask your opinion, is it better if I use white acrylic or clear acrylic with white sheet under it for product photo with white base? Does the type of acrylic matter to create the pure white base? Thanks in advance
White acrylic
Thank you for the confirmation! Just subscribed to your monthly education. It feels good to have knowledge in advance before I get into the more expert and complicated stuffs! Cheers and best of luck to you!
Great 👍
Thank you! Cheers!
Where can I buy one of these "amazon boxes found in a skip" ????
Probably on Amazon.
Great tutorial! I would love to see a tutorial how to shoot a transparent bottle like this on a dark/black background. I have trouble with getting nice and smooth reflections on the sides and lightning.
Thanks. Try this - www.karltayloreducation.com/class/wine-bottle-product-lighting-with-karl-taylor/
First of all, thanks to Mr. Taylor for sharing his vast experience. Secondly, after seeing the video, I noticed that I can´t seem to see the role played by the light located camera right, as well as the mirror, as I don´t see the reflections one would expect to have on both sides of the bottle. The roles of the other two lights is, on the contrary, quite evident. I am quite certain that the lack of reflections may be related to the angle of incidence/reflection in relation to the camera but then again: are they really necessary?
Hi, no problem thank you. If you look at the cap of the bottle you can see the lighting. The key reason there isn't a huge amount of light on the bottle is because a lot if it is diffused by the application of spray applied to the bottle and the base spray for the condensation to adhere to. The levels of light were also quite low but are still apparent on the sides of the label.