My Favorite Bel Canto Neapolitan song Nun me scetà

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  • Опубліковано 14 лис 2024

КОМЕНТАРІ • 4

  • @christianroider118
    @christianroider118 Місяць тому +1

    ❤🎉I do adore all styles in here, but Pertile anyway is the milestone in tenoral singing

    • @lisaszxu1961
      @lisaszxu1961  Місяць тому

      Are you Italian? I feel that this song doesn't quite suit Pertile

    • @christianroider118
      @christianroider118 Місяць тому +1

      @@lisaszxu1961 ha,ha no, but his singing style is unique

    • @lisaszxu1961
      @lisaszxu1961  Місяць тому +1

      @@christianroider118
      You said he is unique, with a very interesting and distinct vocal production, something others don't have. At the end of every phrase, he forcefully expels the old breath and quickly inhales new breath. This characteristic isn't very noticeable in opera, but you pointed it out. This is not a strength. It's similar to Nino Piccaluga, who also sings this way. However, it gave me inspiration, and I learned something from it. Don't think that Pertile was perfect; in this regard, Caruso did it better. Do you know how? Caruso would inhale just the right amount of breath based on the length of each phrase, and by the time the phrase ended, the breath would be perfectly used up. He didn’t need to close each phrase with a chest 'a' like Pertile. Pertile used extra energy, not as cleverly as Caruso. Why close with 'a'? Because the breath was still strong, pushing the sound out, but the phrase had already ended, so Pertile had to use an 'a' to close in the chest. Caruso also closed some phrases this way, but not every one. That’s because he didn’t take a forceful breath for every phrase, whereas Pertile forcefully inhaled before every phrase, which is incorrect. Have you ever seen anyone in the world dare to criticize Pertile like this? No, everyone treated him like a god. But if Pertile were alive, he would listen to my advice and correct it.