Wished we could have had episode 3 of Sindhu Bhairavi classicsm extended. As the sea waves rise and greet the moon on every pournami, Jannal oram episodes always create mystique effects on my thoughts, mood and emotions. I have noticed myself becoming entranced like a transfixed bee in the air who has noticed a field full of clover flowers as Mr. Guru Charan presents every episode. The episodes infuse joy like the vision of a thousand million yellow monarch butterflies flying over a valley of fresh summer blooms. The episode announcements even bring the pleasant thrill of the sounds of thunder rumbling from far off mountains and deep forests bringing the promise of heavy showers. Some episodes feel like we are sitting by the dazzling warmth of a campfire on a cold wintery night, enjoying the bright red-orange flames blazing higher and higher as Guru Charan sings and sometimes we can even feel the deeply intoxicating fumes of burning wood as he touches certain specific information in the theme / movie/ the visual scene / audio song/ sound track/ bgm as he sings in coherence. Many episodes are as divine as a warn cup of tea prepared by our mother on a feverish day when we hardly have the energy to get up and face the world... Having said this much - Sikkil Guru Charan avgl himself knows better why am requesting episode 3. Or may be since Jannal oram is so close to my heart I feel like a 7 year old kid in a giant wheel merry-go-round asking "avlo dhaana - innoru round polama" on a very enthusiastic, childish note...
Sir, honestaa share panrane... naan oru sindhu neenga paada aarambichadhum, i was stunned a bit...andha song chitra ma'am voice la mattum dhaan feel panna mudiyum.. first time listening in a male voice, the pathos of suhasini character was felt 1% less intense. As you started delving deeper like thanni thotti song analysis, I wished deep at heart - what if someone sings the songs of this movie fully in swaras... lo and behold! Arahonathlaye sarali varisai idea was really great idea. When you touched that sa ri ga sa ri ga bit within kalaivaniye, believe me, I really wanted to share something with you... i didnt know what to share online except a zillion thanks to you. Every scene, every frame in this movie is tightly stitched to make a beautiful sculpture... Ilayaraja Sir kitterndhu evlo extract panna mudiyumo avlo panni irukkaar K. B. Sir. If all of Ilayaraja Sirs songs from all the movies ever are kept in a tharasu on one side and Sindhu theme/ bgm is kept on the other side, i think the latter would go down effortlessly. I generally sit and decode songs theoretically. Aanaa neenga adha analyse senju apram paadiyum kaamichadhunalaa naan romba sandhoshamaa irukkane... kodaana kodi nandrigal. 🙏
Forgot to mention... the layering of violins decoded along with demo and the decoding of veena bit was heavenly. I really dont know whom to appreciate - God or Sindhu Bhairavi ragam or the movie stakeholders or Ilayaraja or people who do such amazing analysis...!!! Part 3 is also needed, sir. Indha bgms analyse pannamaa vittutaa epdi? Bhairavi kozhandhaikkaga malai kovilla anga pradakshanam music, finally kozhandhaya accept pannum podhu irukkra music... how ilayaraja knows how a woman longing for years to get pregnant would feel and bring that out in music... chanceless! ua-cam.com/video/Y66ZBQx427k/v-deo.html
அற்புதமான விளக்கம். இந்த படத்தில் ஒரு வசனம் வரும், சிந்து jkb கிட்ட சொல்வது " இசையை பத்தி பேசறதே ஒரு சுகம் என்று". அது தான் ஞாபகம் வந்தது. ஒவ்வொரு ராக விளக்கங்களும் அருமை.
ua-cam.com/video/YmSV6GZ2UGc/v-deo.html My double acting role for sensitive common,music questions,and answering and kanakangi raga Tamil,malayalam Tamil film songs . No one have this brave to ask these questions or answering.. if u can watch and u will be surprised. Feed back is welcome. But no discourage pls. Bcs no any other benefits,expect spreading my own point of view and teaching some raga knowledge to music world. I put much hard work . In 8 mins I covered 5 topics
I grew up listening to Ilayaraja sir s music and i still listen to all his songs every day.. his brilliance in using carnatic ragas are mind-blowing and can't imagine how he could do such things.. one thing I want to highlight in Mari Mari song - in second charanam he used a very quick portion of thodi.. "sonnadhu thappa thappa".. thanks so much sir for your nuances.. very happy to listen to such videos..to wat i remember i watched this movie more than 50 times and everytime i watch i only look for such raga based nuances.. i feel very glad to say am one of the die hard fan of Ilayaraja..
Not only you I am listening raja malayalam and telegu movie songs. Please hear endharo mahanubhavulu which is a duet song. Film ashok chakravarthi telugu. Allipoove mallipoove malayalam song. Please hear both
Incredible Ilaiyaraaja! Your videos on movie Sindhu Bairavi’s music are two volumes of Carnatic music encyclopedia. Unbelievable to know how many innovations Ilaiyaraaja has used in Carnatic ragas and its swaras with such amazing ease and speed in his compositions. Ilaiyaraaja must be Sir Thyagarajar of flim music. I really wish the knowledgeable Carnatic musicians like you have a conversation with Ilaiyaraaja and make him talk about his inimitable uses and innovations of Carnatic music in his film compositions. Ilaiyaraaja never opens his mouth to talk anything about the intricate work of Carnatic base of his film music. The genius in Ilaiyaraaja needs to be explored more whilst he is living with us.
ua-cam.com/video/YmSV6GZ2UGc/v-deo.html My double acting role for sensitive common,music questions,and answering and kanakangi raga Tamil,malayalam Tamil film songs . No one have this brave to ask these questions or answering.. if u can watch and u will be surprised. Feed back is welcome. But no discourage pls. Bcs no any other benefits,expect spreading my own point of view and teaching some raga knowledge to music world. I put much hard work . In 8 mins I covered 5 topics
இந்த படத்தின் பாடல்களிலும் பின்னணி இசையிலும் Maestro இளையராஜா கையாண்ட ராகங்கள் பற்றியும் அவரது அணுகுமுறை பற்றியும் விரிவாக Analyse செய்துள்ளீர்கள். 40 வருடங்களுக்கு முன் வந்த இந்த படத்தின் இசையின் நுணுக்கங்கள் பற்றி இது வரை யாரும் இவ்வளவு விரிவாக பேசியதில்லை. கேட்கும் போதே மனம் நெகிழ்கிறது. வாழ்த்துக்கள் sir.
You have remembered again sindhu bharavi movie carnatic song and sindhu bharavi acted all character thanks for that gurucharan sir .Sindhu bharavi was my favorite movie in carnatic side for me.
just Wah ! By detailing the amount of effort going into making songs and BGM to reflect the context and characters, you make us wonder the genius of Raja sir more and more ! The tit bit on the choice of ragam Kaapi was as apt as humorous. Loved watching it ! God bless !
சொல்ல வார்த்தைகள் இல்லை😊🙏🙏... brings out the emotions buried deep underneath.... உங்களின் ஞானம் அபாரம்.🙏 Kalyani to thodi to Sindhu bairavi transition and picturisation brings tears ... 🥲
Was waiting to hear about the taanam he sings on the sea shore. Missed that. Moham ennum theeyil yen manam vendhu vendhu urugum. Again brilliant by Raja Sir and KJY
பாடல்களின் ராகங்களை வெகு பிரமாதமாக விளக்கி 👍👌கூடுதலாக பின்னனி இசைக்கருவிகளை பயன்படுத்திய விதம் பற்றியும்,👏👌படத்தின் மைய இசை (theme music) விளக்கிய விதமும் 🤝💪, இறுதியில் பாடகரின் சன்மானம் குறித்த தங்களின் கருத்தும் வெகு நேர்த்தி👏👌 நெஞ்சார்ந்த வாழ்த்துகள் Charan Sir 💐
Excellent insights on the music - making in Sindhubhairavi! The thought process of Ilayaraja sir in each song has been highlighted in such a simple & lucid manner! You are amazing!
ua-cam.com/video/YmSV6GZ2UGc/v-deo.html My double acting role for sensitive common,music questions,and answering and kanakangi raga Tamil,malayalam Tamil film songs . No one have this brave to ask these questions or answering.. if u can watch and u will be surprised. Feed back is welcome. But no discourage pls. Bcs no any other benefits,expect spreading my own point of view and teaching some raga knowledge to music world. I put much hard work . In 8 mins I covered 5 topics
SG.. what you hit is the emotion. Simply outstanding segment. I have felt every emotion without knowing the technicalities. you have certainly detailed it so clearly. Eternally grateful to your contribution. Thank you so much!!!
Once again brilliant analysis. Amazing to know how Raja has used graha bhedam in Kalyani to transform into sindhubhairavi. This is also a great example of a good story/situations that can inspire a composer to come up with such great and unique music. It is not normal to expect a brilliant transition from Kalyani to sindhubhairavi unless the story demands/ inspires such transformation. Hats off to Raja, KB and of course to Sikkil for bringing us such nuances without much sikkal 🙏
Also one thing from the movie... In the initial scene where bhairavi do babysitting for gurumurthy's kids, beautiful bgm in naatai ragam giving a hint to mahaganapatim song
ua-cam.com/video/YmSV6GZ2UGc/v-deo.html My double acting role for sensitive common,music questions,and answering and kanakangi raga Tamil,malayalam Tamil film songs . No one have this brave to ask these questions or answering.. if u can watch and u will be surprised. Feed back is welcome. But no discourage pls. Bcs no any other benefits,expect spreading my own point of view and teaching some raga knowledge to music world. I put much hard work . In 8 mins I covered 5 topics
All the best to get sucess in the wonderful carnatic sing side and in the youtube channel side and in the world and life and in the future sucessful work always sikkal gurucharan sir.
Legends are legends, but seriously movies like these are the last of their sort? Would anybody dare to do such creations in future? Like you rightly said, the respect for art will make these masterpieces live forever.. eventually your Jannal Oram as well...🙌 Waiting for the other two movies as well 😀
Scintillating and outstanding Gurucharan ❤️❤️❤️ Loved your treatise very much 👌👍👏 Superb demonstrations- amazing violin demo by Sayee Rakshith - thoroughly engaging and educational episode! Sabaash 👍👏👏👏👏
You are making me feel happy by posting wonderful carnatic movie song and character sharing experience from tamil movie for that i can five star rating always Gurucharan sir.🌟🌟🌟🌟🌟
Poomalai Vangi Vandhal..My favourite song tuned in the raga Dharbari Kanada..❤❤ Rather than KJ Yesudas's voice your voice sounded so pure in this song..Thanks for the few verses..❤❤
தங்கள் சங்கீதத்தைப் போலவே பேச்சும் வெகு ஜோர். கர்நாடக சங்கீத சாகரத்தின் கரையில் சற்று தள்ளியே நிற்கும் என்னைப் போன்ற பாமரத்தையும் அலையில் கால் வைத்து இரண்டு அடி உள்ளே நகர வைக்கிறது உங்கள் நிகழ்ச்சி. நீடூழி வாழ்க.
இளையராஜா அவர்கள் இசையமைப்பில் ஒப்பாரும் மிக்காரும் இல்லாத மகா மேதை என்றால் அதை மிக நுணுக்கமாக ஆராய்ந்து ரசித்து எங்களையும் ரசித்து வியக்க வைக்கும் நீங்களும் ஒரு மேதை தான்! வாழ்க உங்களின் இசைத் தொண்டு.
Oh! What a joy! This movie has bothered (in an extremely positive way) for years. I am just an ordinary commoner. But a lover of Karnatic. With amma, akka everyone singing, there is an inherent initiation into the world of classical music. But the nuances and genius of the director, the writer, the composer and the singer come together with the extra-ordinary abilities of a photographer (video) and the editor. Of course, the actors bring life to the combination. The "vaachaam-agOchara" experience is what I had been struggling to explain to anyone. You, Sir, with your great voice, superb knowledge of music and excellent language bring about a thoroughly enjoyable analysis. THANK YOU SO MUCH! Like the movie that has stayed in the hearts for over 25+ years, your analysis will be part of the movie for all lovers of movies and music like me. One small addition to the repertoire of information (from my own reading) - the fisherman part is somewhat a copy of a section from Ayn Rand's "Atlas Shrugged" where Hank Rearden creates a new metal that is beyond the strengths of normal metal. They make a chain out of it. His wife refuses to wear it (comparable to Bhairavi). The one who understands the value of it is Dagny Taggart who is comparable to Sindhu in some sense. ( Similes / Upamaas are not supposed to full but only a particular virtue). When I watched the reactions of Bhairavi and Sindhu to the sangumaalai that the fisherman gives, this came to my mind. AGAIN, A BIG THANK YOU.
Excellent analysis and info. கண்டிப்பாய் நம் இசை தெரியாதோர் புரிந்து கேட்க உங்கள் அறிவார்ந்த விளக்கங்கள் உதவும்..நான் முன்பே வேண்டியபடி நீங்கள் ராஜா சாரின் மேதமையை ஒரு கச்சேரி நிகழ்வாய் நடந்த முயலுங்கள்...ரஞ்சனி, காயத்திரி நடந்த முயலுகிறார்கள்..அவர்களுடன் நீங்களும் சேர ரசிகர்களுக்கு மிகப்பெரிய விருந்தாய் அமையும்🙏🙏 கர்நாடக இசை உலகிற்கு ராஜா சாரின் பங்கு அளப்பறியது...அவர் ஒரு சபாவிலும் பாடாமல் பட்டி தொட்டி எங்கும் ராகங்களின் ஆரோகண, அவரோகணத்தை கொண்டு சேர்த்தவர்...பலர் கல்யாணியையும், கானடாவையும் என்ன ராகம் என்ற பெயர் தெரியாமல் சுருதி சுத்தமாய் அவர் பாடல் மூலமாய் பாடக்கேட்டு வியந்திருகிறேன்..வாழ்த்துகள் பல உங்களுக்கு🙏
I saw the movie again today after say 25 to 30yrs watching both these videos thrice. Now the question is should I be wowed by KB/ Raja/ Sivakumar /Suhasini/ Sulokshana combo or Gurucharan analysis . The answer is both. What a movie way ahead of its time and what an analysis by Guru. I will recommend these videos atleast to 10 ppl and make them watch it
Dear Gurucharan......while I feel blessed to have born during the Era of Raja sir, now I feel more blessed to have understood the nuances of Carnatic music through your explanation ...thanks for the same and your attribute towards music.
பாடல்கள் பற்றிய உள்ளார்ந்த நுணுக்கங்களோடு மிக அற்புதமாக விளக்கும் தங்களுக்கு என் மனமார்ந்த நன்றிகள்..🙏 இந்த விளக்கங்கள் மீண்டும் அவற்றை ரசிக்கத் தூண்டுகிறது..🎼❤
ua-cam.com/video/YmSV6GZ2UGc/v-deo.html My double acting role for sensitive common,music questions,and answering and kanakangi raga Tamil,malayalam Tamil film songs . No one have this brave to ask these questions or answering.. if u can watch and u will be surprised. Feed back is welcome. But no discourage pls. Bcs no any other benefits,expect spreading my own point of view and teaching some raga knowledge to music world. I put much hard work . In 8 mins I covered 5 topics
Wonderful analysis You are a genius sir . Analyzing BGM is very tough and needs profound knowledge of swarasthanams . Thank you for the wonderful episode .
Superb analysis. Thank you. With bated breath, I was waiting for your exposition on KanakAngi (?)….let me share my thoughts which I had shared it with some of my friends few years back. There is a song situation in the movie *Sindhu Bhairavi*. The protagonist is torn between lust and his music career and he struggles to get out of the mire. He decides to shrug his thought by indulging in music. In Carnatic music, Ragam Tanam Pallavi is a popular presentation where the artiste picks up a raga, improvises it with aalap, then sings a short Pallavi based on that raga which is usually based on a particular deity after singing taanam. Taanam is an interesting portion of the RTP and is the rhythmic version of the raga aalap. In Kerala there is a practice of percussionists accompanying the taanam portion too. It sets the phase for the Pallavi presentation. For this situation Raaja composes a tune in a “taanam” style. And the raga he chose is KanakAngi, a road less travelled even in Carnatic music. Why he chose kanakAngi? Perhaps this is the first melakartha raga and the protagonist wanted to delve deep in to all melakarthas starting from KanakAngi to get rid of the bad thoughts that come in his way. But he fails in his attempt, his toxic thoughts prevail and his Tanpura string gets cut before he could finish KanakAngi. Raaja used similar idea of choosing a melakartha to convey the emotions in a particular scene and how it culminates to a climax. In movie Naan Kadavul he chose raga Rasikapriya for the melting song “kannil paarvai pona podhum”. Probably he chose Rasikapriya because it is the 72nd melakartha, the last one, alluding that this is the last hope of the poor blind lady who struggled right through her life.
ua-cam.com/video/YmSV6GZ2UGc/v-deo.html My double acting role for sensitive common,music questions,and answering and kanakangi raga Tamil,malayalam Tamil film songs . No one have this brave to ask these questions or answering.. if u can watch and u will be surprised. Feed back is welcome. But no discourage pls. Bcs no any other benefits,expect spreading my own point of view and teaching some raga knowledge to music world. I put much hard work . In 8 mins I covered 5 topics
ua-cam.com/video/YmSV6GZ2UGc/v-deo.html My double acting role for sensitive common,music questions,and answering and kanakangi raga Tamil,malayalam Tamil film songs . No one have this brave to ask these questions or answering.. if u can watch and u will be surprised. Feed back is welcome. But no discourage pls. Bcs no any other benefits,expect spreading my own point of view and teaching some raga knowledge to music world. I put much hard work . In 8 mins I covered 5 topics
I want tamil carnatic movie song sharing experience with sikkal gurucharan sir i am waiting for that wonderful video in your youtube channel side always .
After your analysis we are seeing the songs situation and Enjoy Rajas music, KB S Direction.... Thank you for your wonderful explanation. Sahana is now coming in Jaya TV.. at 9 pm.. wish to hear more from you... Bhuvaneswari Srinivasan
ua-cam.com/video/YmSV6GZ2UGc/v-deo.html My double acting role for sensitive common,music questions,and answering and kanakangi raga Tamil,malayalam Tamil film songs . No one have this brave to ask these questions or answering.. if u can watch and u will be surprised. Feed back is welcome. But no discourage pls. Bcs no any other benefits,expect spreading my own point of view and teaching some raga knowledge to music world. I put much hard work . In 8 mins I covered 5 topics
Pranams Sikkil Sir. My sangu maalai would be Sashtanga Namaskaram to you Sir. Genius touch - Kalaivaniye explained in a Carnatic way with sarali varisai. This further emphasizes your efforts to provide something new which others have not given Humble suggestion - thom thom thom tha nantha thom, moham ennum theeyil en manam was touched in your prior thanam episode, could have been detailed in this episode adding Kanakangi vivadhi ragam details We sincerely hope this continues amidst your busy Carnatic singing schedule into a full fledged worldwide concert. And hopefully Ilaiyaraja Sir comes with a statement of praise for you Sir as he did for Ranjani Gayathri in that concert.
It is a skill and a blessing to be able to convey and transfer one’s own passion, enjoyment and understanding on any experience to an audience just through words. You have that talent - through your words we are able to feel the same bliss that you have obviously felt experiencing Ilayaraja’s creations. Thank you!
ua-cam.com/video/YmSV6GZ2UGc/v-deo.html My double acting role for sensitive common,music questions,and answering and kanakangi raga Tamil,malayalam Tamil film songs . No one have this brave to ask these questions or answering.. if u can watch and u will be surprised. Feed back is welcome. But no discourage pls. Bcs no any other benefits,expect spreading my own point of view and teaching some raga knowledge to music world. I put much hard work . In 8 mins I covered 5 topics
ஆனந்த நடனம் ஆடினாள் சச்சிதானந்த நடனம் ஆடினாள் பராசக்தி நடனம் ஆடினாள் என்று ஸ்வாமி சுத்தானந்த பாரதியின் பாடல் ஒன்று இருக்கிறது. மிகவும் இனிமையாக இருக்கும்.
ua-cam.com/video/YmSV6GZ2UGc/v-deo.html My double acting role for sensitive common,music questions,and answering and kanakangi raga Tamil,malayalam Tamil film songs . No one have this brave to ask these questions or answering.. if u can watch and u will be surprised. Feed back is welcome. But no discourage pls. Bcs no any other benefits,expect spreading my own point of view and teaching some raga knowledge to music world. I put much hard work . In 8 mins I covered 5 topics
ua-cam.com/video/YmSV6GZ2UGc/v-deo.html My double acting role for sensitive common,music questions,and answering and kanakangi raga Tamil,malayalam Tamil film songs . No one have this brave to ask these questions or answering.. if u can watch and u will be surprised. Feed back is welcome. But no discourage pls. Bcs no any other benefits,expect spreading my own point of view and teaching some raga knowledge to music world. I put much hard work . In 8 mins I covered 5 topics
ua-cam.com/video/YmSV6GZ2UGc/v-deo.html My double acting role for sensitive common,music questions,and answering and kanakangi raga Tamil,malayalam Tamil film songs . No one have this brave to ask these questions or answering.. if u can watch and u will be surprised. Feed back is welcome. But no discourage pls. Bcs no any other benefits,expect spreading my own point of view and teaching some raga knowledge to music world. I put much hard work . In 8 mins I covered 5 topics
Thank you again for a wonderful episode ! I always felt that only a very small percentage of the intended music by the artist reaches the audience. You have helped close that gap today. This might apply to your music too. I don’t think the audience and the artist will be at the same level. It also can’t be far apart. Your analysis as usual is great. There is one scene early in the movie where JKB comes in search of Bairavi and she will be bathing the little kids. There is a small snippet of music there that has never left my head. Overall, your explanation is very good. We need more and more of LecDems to bridge the gap. Keep it coming
Great that someone like you did it. Not a Tamilian but I enjoyed the proceedings. You explained it with all the demonstrations as if everything happened so easily & automatically. Perhaps they didn't. Music was just a part of the movie. Imagine those brainstorming sessions that would have happened amongst KB, Raja, the lyricists & the actual artists who would live those emotions on screen. Very complex indeed. Even with all your knowledge of musical analytics, you may not be able to re create a "Sindhubhairavi- like" product. That's when we approach "whole is not equal to merely the sum of it's parts" Good work. Keep up. Please do concentrate on other related departments also while highlighting "music" & saying this with all love & devotion to Music
Absolutely brilliant explanation by sikkil. What a pleasure to listen to you . Enables common man to understand the nuances of Carnatic music and the genius of Ilayaraja 🎉
Mogam Enum ( Kanakangi ) discussed in another episode “Thaanam” - ua-cam.com/users/shortsDkYw6S_CmzE?feature=share
Wished we could have had episode 3 of Sindhu Bhairavi classicsm extended. As the sea waves rise and greet the moon on every pournami, Jannal oram episodes always create mystique effects on my thoughts, mood and emotions. I have noticed myself becoming entranced like a transfixed bee in the air who has noticed a field full of clover flowers as Mr. Guru Charan presents every episode. The episodes infuse joy like the vision of a thousand million yellow monarch butterflies flying over a valley of fresh summer blooms. The episode announcements even bring the pleasant thrill of the sounds of thunder rumbling from far off mountains and deep forests bringing the promise of heavy showers.
Some episodes feel like we are sitting by the dazzling warmth of a campfire on a cold wintery night, enjoying the bright red-orange flames blazing higher and higher as Guru Charan sings and sometimes we can even feel the deeply intoxicating fumes of burning wood as he touches certain specific information in the theme / movie/ the visual scene / audio song/ sound track/ bgm as he sings in coherence.
Many episodes are as divine as a warn cup of tea prepared by our mother on a feverish day when we hardly have the energy to get up and face the world... Having said this much - Sikkil Guru Charan avgl himself knows better why am requesting episode 3. Or may be since Jannal oram is so close to my heart I feel like a 7 year old kid in a giant wheel merry-go-round asking "avlo dhaana - innoru round polama" on a very enthusiastic, childish note...
Thank you for the link.
@@bharathimeenat8838 such an eloquent feedback and appreciation. Thank you!
Sir, honestaa share panrane... naan oru sindhu neenga paada aarambichadhum, i was stunned a bit...andha song chitra ma'am voice la mattum dhaan feel panna mudiyum.. first time listening in a male voice, the pathos of suhasini character was felt 1% less intense. As you started delving deeper like thanni thotti song analysis, I wished deep at heart - what if someone sings the songs of this movie fully in swaras... lo and behold! Arahonathlaye sarali varisai idea was really great idea. When you touched that sa ri ga sa ri ga bit within kalaivaniye, believe me, I really wanted to share something with you... i didnt know what to share online except a zillion thanks to you. Every scene, every frame in this movie is tightly stitched to make a beautiful sculpture... Ilayaraja Sir kitterndhu evlo extract panna mudiyumo avlo panni irukkaar K. B. Sir. If all of Ilayaraja Sirs songs from all the movies ever are kept in a tharasu on one side and Sindhu theme/ bgm is kept on the other side, i think the latter would go down effortlessly. I generally sit and decode songs theoretically. Aanaa neenga adha analyse senju apram paadiyum kaamichadhunalaa naan romba sandhoshamaa irukkane... kodaana kodi nandrigal. 🙏
Forgot to mention... the layering of violins decoded along with demo and the decoding of veena bit was heavenly. I really dont know whom to appreciate - God or Sindhu Bhairavi ragam or the movie stakeholders or Ilayaraja or people who do such amazing analysis...!!! Part 3 is also needed, sir. Indha bgms analyse pannamaa vittutaa epdi? Bhairavi kozhandhaikkaga malai kovilla anga pradakshanam music, finally kozhandhaya accept pannum podhu irukkra music... how ilayaraja knows how a woman longing for years to get pregnant would feel and bring that out in music... chanceless!
ua-cam.com/video/Y66ZBQx427k/v-deo.html
அற்புதமான விளக்கம். இந்த படத்தில் ஒரு வசனம் வரும், சிந்து jkb கிட்ட சொல்வது " இசையை பத்தி பேசறதே ஒரு சுகம் என்று". அது தான் ஞாபகம் வந்தது. ஒவ்வொரு ராக விளக்கங்களும் அருமை.
ua-cam.com/video/YmSV6GZ2UGc/v-deo.html
My double acting role for sensitive common,music questions,and answering and kanakangi raga Tamil,malayalam Tamil film songs . No one have this brave to ask these questions or answering.. if u can watch and u will be surprised. Feed back is welcome. But no discourage pls. Bcs no any other benefits,expect spreading my own point of view and teaching some raga knowledge to music world. I put much hard work . In 8 mins I covered 5 topics
I treat gurucharan sir as a part of my family members always .
I grew up listening to Ilayaraja sir s music and i still listen to all his songs every day.. his brilliance in using carnatic ragas are mind-blowing and can't imagine how he could do such things.. one thing I want to highlight in Mari Mari song - in second charanam he used a very quick portion of thodi.. "sonnadhu thappa thappa".. thanks so much sir for your nuances.. very happy to listen to such videos..to wat i remember i watched this movie more than 50 times and everytime i watch i only look for such raga based nuances.. i feel very glad to say am one of the die hard fan of Ilayaraja..
You are right! The same notes Dha and Ni would be used in a thodi-esque fashion.
Not only you I am listening raja malayalam and telegu movie songs. Please hear endharo mahanubhavulu which is a duet song. Film ashok chakravarthi telugu. Allipoove mallipoove malayalam song. Please hear both
Incredible Ilaiyaraaja! Your videos on movie Sindhu Bairavi’s music are two volumes of Carnatic music encyclopedia. Unbelievable to know how many innovations Ilaiyaraaja has used in Carnatic ragas and its swaras with such amazing ease and speed in his compositions. Ilaiyaraaja must be Sir Thyagarajar of flim music. I really wish the knowledgeable Carnatic musicians like you have a conversation with Ilaiyaraaja and make him talk about his inimitable uses and innovations of Carnatic music in his film compositions. Ilaiyaraaja never opens his mouth to talk anything about the intricate work of Carnatic base of his film music. The genius in Ilaiyaraaja needs to be explored more whilst he is living with us.
Thank you!
ua-cam.com/video/YmSV6GZ2UGc/v-deo.html
My double acting role for sensitive common,music questions,and answering and kanakangi raga Tamil,malayalam Tamil film songs . No one have this brave to ask these questions or answering.. if u can watch and u will be surprised. Feed back is welcome. But no discourage pls. Bcs no any other benefits,expect spreading my own point of view and teaching some raga knowledge to music world. I put much hard work . In 8 mins I covered 5 topics
I am so blessed to have sikkal gurucharan sir relationship through youtube channel side.
இந்த படத்தின் பாடல்களிலும் பின்னணி இசையிலும் Maestro இளையராஜா கையாண்ட ராகங்கள் பற்றியும் அவரது அணுகுமுறை பற்றியும் விரிவாக Analyse செய்துள்ளீர்கள். 40 வருடங்களுக்கு முன் வந்த இந்த படத்தின் இசையின் நுணுக்கங்கள் பற்றி இது வரை யாரும் இவ்வளவு விரிவாக பேசியதில்லை. கேட்கும் போதே மனம் நெகிழ்கிறது.
வாழ்த்துக்கள் sir.
நன்றி!
You have remembered again sindhu bharavi movie carnatic song and sindhu bharavi acted all character thanks for that gurucharan sir .Sindhu bharavi was my favorite movie in carnatic side for me.
I am the big fan of sikkal gurucharan sir carnatic singing it was my all time favorite in my life.
just Wah ! By detailing the amount of effort going into making songs and BGM to reflect the context and characters, you make us wonder the genius of Raja sir more and more ! The tit bit on the choice of ragam Kaapi was as apt as humorous. Loved watching it ! God bless !
😀
The kanada prelude swaram bought tears to my eyes.. You are genius, Sir 🙏
Raaja is divine🙏🙏🙏
சொல்ல வார்த்தைகள் இல்லை😊🙏🙏... brings out the emotions buried deep underneath....
உங்களின் ஞானம் அபாரம்.🙏
Kalyani to thodi to Sindhu bairavi transition and picturisation brings tears ... 🥲
Isaignani truly!
Gurucharan sir is heart touching peron for me always .
Was waiting to hear about the taanam he sings on the sea shore. Missed that. Moham ennum theeyil yen manam vendhu vendhu urugum. Again brilliant by Raja Sir and KJY
Yes. So much to dig. That is IR! Next time, hopefully.
This was already done in Thanam episode
பாடல்களின் ராகங்களை வெகு பிரமாதமாக விளக்கி 👍👌கூடுதலாக பின்னனி இசைக்கருவிகளை பயன்படுத்திய விதம் பற்றியும்,👏👌படத்தின் மைய இசை (theme music) விளக்கிய விதமும் 🤝💪, இறுதியில் பாடகரின் சன்மானம் குறித்த தங்களின் கருத்தும் வெகு நேர்த்தி👏👌 நெஞ்சார்ந்த வாழ்த்துகள் Charan Sir 💐
என்றுமே ராஜா !!
Take care of your beautiful voice and health and wealth and prosperity and happiness always sikkal gurucharan sir.
Excellent insights on the music - making in Sindhubhairavi! The thought process of Ilayaraja sir in each song has been highlighted in such a simple & lucid manner! You are amazing!
Thank you very much, Radha ji!
ua-cam.com/video/YmSV6GZ2UGc/v-deo.html
My double acting role for sensitive common,music questions,and answering and kanakangi raga Tamil,malayalam Tamil film songs . No one have this brave to ask these questions or answering.. if u can watch and u will be surprised. Feed back is welcome. But no discourage pls. Bcs no any other benefits,expect spreading my own point of view and teaching some raga knowledge to music world. I put much hard work . In 8 mins I covered 5 topics
We wouldnt have know the versatality of Raja Sir but for this analysis
SG.. what you hit is the emotion. Simply outstanding segment. I have felt every emotion without knowing the technicalities. you have certainly detailed it so clearly. Eternally grateful to your contribution.
Thank you so much!!!
Thank you. Emotion needs no technique. It is all heart :)
You have truly taken us through a magical journey to SindhuBhairavi ...absolutely brilliant !! Sooo beautiful !!
Thanks a ton
Once again brilliant analysis. Amazing to know how Raja has used graha bhedam in Kalyani to transform into sindhubhairavi. This is also a great example of a good story/situations that can inspire a composer to come up with such great and unique music.
It is not normal to expect a brilliant transition from Kalyani to sindhubhairavi unless the story demands/ inspires such transformation.
Hats off to Raja, KB and of course to Sikkil for bringing us such nuances without much sikkal 🙏
Thanks a ton
அபாரம் educative informative good job
Very well done, Gurucharan!
Also one thing from the movie... In the initial scene where bhairavi do babysitting for gurumurthy's kids, beautiful bgm in naatai ragam giving a hint to mahaganapatim song
That is a great find. Kudos!
ua-cam.com/video/YmSV6GZ2UGc/v-deo.html
My double acting role for sensitive common,music questions,and answering and kanakangi raga Tamil,malayalam Tamil film songs . No one have this brave to ask these questions or answering.. if u can watch and u will be surprised. Feed back is welcome. But no discourage pls. Bcs no any other benefits,expect spreading my own point of view and teaching some raga knowledge to music world. I put much hard work . In 8 mins I covered 5 topics
Blessed to be around in the era of Raja’s creation. True medicine is his music.
Well said
All the best to get sucess in the wonderful carnatic sing side and in the youtube channel side and in the world and life and in the future sucessful work always sikkal gurucharan sir.
aaha we were reminded of Sivakumar, Suhasini and all others also.
Legends are legends, but seriously movies like these are the last of their sort? Would anybody dare to do such creations in future? Like you rightly said, the respect for art will make these masterpieces live forever.. eventually your Jannal Oram as well...🙌
Waiting for the other two movies as well 😀
Thank you. Rajiv Menon is one such director with an eye for classical music in his movies. Others should hopefully take the cue
Wonderful yeah, how could one forget sarvam thala mayam.. 🙏
Scintillating and outstanding Gurucharan ❤️❤️❤️ Loved your treatise very much 👌👍👏 Superb demonstrations- amazing violin demo by Sayee Rakshith - thoroughly engaging and educational episode! Sabaash 👍👏👏👏👏
You are making me feel happy by posting wonderful carnatic movie song and character sharing experience from tamil movie for that i can five star rating always Gurucharan sir.🌟🌟🌟🌟🌟
It's my pleasure
Excellent analysis of an iconic thematic music score. The second interlude in Naan oru Sindhu sounds like Sitar preceded by classical guitar
Poomalai Vangi Vandhal..My favourite song tuned in the raga Dharbari Kanada..❤❤
Rather than KJ Yesudas's voice your voice sounded so pure in this song..Thanks for the few verses..❤❤
Wow. What a superb Violin play by Sayee Rakshith
Indeed!
Felt like heaven listening to both interludes in poo maalai song 👌🙏
Thank you Guru Charan for showing so much of inputs from Sindhu bhairavi.by your singing
I watched the movie (+1) after watching this episode. 4 decades old movie. No cringe feeling at all anywhere. The emotional quotient still feels.
Excellent ! Brilliantly presented!
Listening to the Explanation of the Songs makes us feel like watching the Movie again.
Hat's off to you.👍
🙂
all the songs take a brilliant shape through you, inimitable Sikkil.
தங்கள் சங்கீதத்தைப் போலவே பேச்சும் வெகு ஜோர்.
கர்நாடக சங்கீத சாகரத்தின் கரையில் சற்று தள்ளியே நிற்கும் என்னைப் போன்ற பாமரத்தையும் அலையில் கால் வைத்து இரண்டு அடி உள்ளே நகர வைக்கிறது உங்கள் நிகழ்ச்சி.
நீடூழி வாழ்க.
வருக வருக! நன்றி
Paahh! Kalaivaani's application. Too good!!
இளையராஜா அவர்கள் இசையமைப்பில் ஒப்பாரும் மிக்காரும் இல்லாத மகா மேதை என்றால் அதை மிக நுணுக்கமாக ஆராய்ந்து ரசித்து எங்களையும் ரசித்து வியக்க வைக்கும் நீங்களும் ஒரு மேதை தான்! வாழ்க உங்களின் இசைத் தொண்டு.
நன்றி !! 😊
Thanks a ton Sikkil Guru charan fir the wonderful treatise of treat called Raja sirs music
Complete analysis of the BGM of Sindhu bairavi . 👏👏👌
Very good interpretation. Great Sir... Wishes From Andhra.
Superb Superb all around. Well explained the Violin and Veena layering concept
Oh! What a joy! This movie has bothered (in an extremely positive way) for years. I am just an ordinary commoner. But a lover of Karnatic. With amma, akka everyone singing, there is an inherent initiation into the world of classical music. But the nuances and genius of the director, the writer, the composer and the singer come together with the extra-ordinary abilities of a photographer (video) and the editor. Of course, the actors bring life to the combination. The "vaachaam-agOchara" experience is what I had been struggling to explain to anyone. You, Sir, with your great voice, superb knowledge of music and excellent language bring about a thoroughly enjoyable analysis. THANK YOU SO MUCH! Like the movie that has stayed in the hearts for over 25+ years, your analysis will be part of the movie for all lovers of movies and music like me.
One small addition to the repertoire of information (from my own reading) - the fisherman part is somewhat a copy of a section from Ayn Rand's "Atlas Shrugged" where Hank Rearden creates a new metal that is beyond the strengths of normal metal. They make a chain out of it. His wife refuses to wear it (comparable to Bhairavi). The one who understands the value of it is Dagny Taggart who is comparable to Sindhu in some sense. ( Similes / Upamaas are not supposed to full but only a particular virtue). When I watched the reactions of Bhairavi and Sindhu to the sangumaalai that the fisherman gives, this came to my mind.
AGAIN, A BIG THANK YOU.
Thank you so much. Detailed analysis of that fisherman scene. Wonderful.
Excellent analysis and info. கண்டிப்பாய் நம் இசை தெரியாதோர் புரிந்து கேட்க உங்கள் அறிவார்ந்த விளக்கங்கள் உதவும்..நான் முன்பே வேண்டியபடி நீங்கள் ராஜா சாரின் மேதமையை ஒரு கச்சேரி நிகழ்வாய் நடந்த முயலுங்கள்...ரஞ்சனி, காயத்திரி நடந்த முயலுகிறார்கள்..அவர்களுடன் நீங்களும் சேர ரசிகர்களுக்கு மிகப்பெரிய விருந்தாய் அமையும்🙏🙏 கர்நாடக இசை உலகிற்கு ராஜா சாரின் பங்கு அளப்பறியது...அவர் ஒரு சபாவிலும் பாடாமல் பட்டி தொட்டி எங்கும் ராகங்களின் ஆரோகண, அவரோகணத்தை கொண்டு சேர்த்தவர்...பலர் கல்யாணியையும், கானடாவையும் என்ன ராகம் என்ற பெயர் தெரியாமல் சுருதி சுத்தமாய் அவர் பாடல் மூலமாய் பாடக்கேட்டு வியந்திருகிறேன்..வாழ்த்துகள் பல உங்களுக்கு🙏
நன்றி
What an excellent analysis!👏🙏
I saw the movie again today after say 25 to 30yrs watching both these videos thrice. Now the question is should I be wowed by KB/ Raja/ Sivakumar /Suhasini/ Sulokshana combo or Gurucharan analysis . The answer is both. What a movie way ahead of its time and what an analysis by Guru. I will recommend these videos atleast to 10 ppl and make them watch it
Fantastic ❤
Kanithatai, kavithaiyil eluthi patu isaithu Natiya anjali Seyum kalaingan.Sikkalana padalum sikkal atrathu aagum sikkal Guru Saranuku.❤
Thank you for the nice poetic words!
Dear Gurucharan......while I feel blessed to have born during the Era of Raja sir, now I feel more blessed to have understood the nuances of Carnatic music through your explanation ...thanks for the same and your attribute towards music.
So nice of you
பாடல்கள் பற்றிய உள்ளார்ந்த
நுணுக்கங்களோடு மிக அற்புதமாக
விளக்கும் தங்களுக்கு என் மனமார்ந்த நன்றிகள்..🙏
இந்த விளக்கங்கள் மீண்டும்
அவற்றை ரசிக்கத் தூண்டுகிறது..🎼❤
நன்றி !
Wonderful charan👏🏼👏🏼👏🏼👏🏼
ua-cam.com/video/YmSV6GZ2UGc/v-deo.html
My double acting role for sensitive common,music questions,and answering and kanakangi raga Tamil,malayalam Tamil film songs . No one have this brave to ask these questions or answering.. if u can watch and u will be surprised. Feed back is welcome. But no discourage pls. Bcs no any other benefits,expect spreading my own point of view and teaching some raga knowledge to music world. I put much hard work . In 8 mins I covered 5 topics
Stunning interpretation sir. Hats off
Wonderful analysis
You are a genius sir .
Analyzing BGM is very tough and needs profound knowledge of swarasthanams .
Thank you for the wonderful episode .
Superb analysis. Thank you. With bated breath, I was waiting for your exposition on KanakAngi (?)….let me share my thoughts which I had shared it with some of my friends few years back.
There is a song situation in the movie *Sindhu Bhairavi*. The protagonist is torn between lust and his music career and he struggles to get out of the mire. He decides to shrug his thought by indulging in music.
In Carnatic music, Ragam Tanam Pallavi is a popular presentation where the artiste picks up a raga, improvises it with aalap, then sings a short Pallavi based on that raga which is usually based on a particular deity after singing taanam. Taanam is an interesting portion of the RTP and is the rhythmic version of the raga aalap. In Kerala there is a practice of percussionists accompanying the taanam portion too. It sets the phase for the Pallavi presentation.
For this situation Raaja composes a tune in a “taanam” style. And the raga he chose is KanakAngi, a road less travelled even in Carnatic music. Why he chose kanakAngi? Perhaps this is the first melakartha raga and the protagonist wanted to delve deep in to all melakarthas starting from KanakAngi to get rid of the bad thoughts that come in his way. But he fails in his attempt, his toxic thoughts prevail and his Tanpura string gets cut before he could finish KanakAngi. Raaja used similar idea of choosing a melakartha to convey the emotions in a particular scene and how it culminates to a climax. In movie Naan Kadavul he chose raga Rasikapriya for the melting song “kannil paarvai pona podhum”.
Probably he chose Rasikapriya because it is the 72nd melakartha, the last one, alluding that this is the last hope of the poor blind lady who struggled right through her life.
Amazing insight. Thank you. I have mentioned that song in another episode on Thanam on Jannal Oram. Will upload it again as a short
ua-cam.com/video/YmSV6GZ2UGc/v-deo.html
My double acting role for sensitive common,music questions,and answering and kanakangi raga Tamil,malayalam Tamil film songs . No one have this brave to ask these questions or answering.. if u can watch and u will be surprised. Feed back is welcome. But no discourage pls. Bcs no any other benefits,expect spreading my own point of view and teaching some raga knowledge to music world. I put much hard work . In 8 mins I covered 5 topics
ua-cam.com/video/YmSV6GZ2UGc/v-deo.html
My double acting role for sensitive common,music questions,and answering and kanakangi raga Tamil,malayalam Tamil film songs . No one have this brave to ask these questions or answering.. if u can watch and u will be surprised. Feed back is welcome. But no discourage pls. Bcs no any other benefits,expect spreading my own point of view and teaching some raga knowledge to music world. I put much hard work . In 8 mins I covered 5 topics
அற்புதமான விளக்கம்.ராகதேவனின் இசை சாம்ராஜ்யம்
I want sindhu bharavi song experience sharing by sikkal gurucharan sir i am waiting for that in your youtube channel side always .
Had to go watch the movie again after this amazing analysis and explanation.
Super Sikkil. Very much enjoyed it. Please do these kind of episodes often when ever time permits
Will try!
I have no knowledge in Carnatic but I always love listening to you!
Thanks for listening
A very beautiful and enlightening episode Sir..thank you for the wonderful experience
I want tamil carnatic movie song sharing experience with sikkal gurucharan sir i am waiting for that wonderful video in your youtube channel side always .
Love it
Awesome & Thanks :)
Brilliant
Rathipathi priya....class
Super sir your way of explaining thanks
So nice of you
You have incredible knowledge ,love your explanations ❤
Thank you so much 😀
After your analysis we are seeing the songs situation and Enjoy Rajas music, KB S Direction.... Thank you for your wonderful explanation. Sahana is now coming in Jaya TV.. at 9 pm.. wish to hear more from you... Bhuvaneswari Srinivasan
ua-cam.com/video/YmSV6GZ2UGc/v-deo.html
My double acting role for sensitive common,music questions,and answering and kanakangi raga Tamil,malayalam Tamil film songs . No one have this brave to ask these questions or answering.. if u can watch and u will be surprised. Feed back is welcome. But no discourage pls. Bcs no any other benefits,expect spreading my own point of view and teaching some raga knowledge to music world. I put much hard work . In 8 mins I covered 5 topics
That Kalyani swara prastharam brought flashes of GNB and Madurai Mani Iyer
🙏🏾
Wow awesome explanation about kanada, kapi and kalyani. I really enjoyed with very enthusiasm. Great going. Charan
Hats off to KB and Raja Sir
Excellent Sir. Fantastic Anubavam.
B Venkatakrishnan
Triplicane
Pranams Sikkil Sir. My sangu maalai would be Sashtanga Namaskaram to you Sir.
Genius touch - Kalaivaniye explained in a Carnatic way with sarali varisai. This further emphasizes your efforts to provide something new which others have not given
Humble suggestion - thom thom thom tha nantha thom, moham ennum theeyil en manam was touched in your prior thanam episode, could have been detailed in this episode adding Kanakangi vivadhi ragam details
We sincerely hope this continues amidst your busy Carnatic singing schedule into a full fledged worldwide concert. And hopefully Ilaiyaraja Sir comes with a statement of praise for you Sir as he did for Ranjani Gayathri in that concert.
Thank you. Will re upload that bit on Kanakangi alone as a short!
It is a skill and a blessing to be able to convey and transfer one’s own passion, enjoyment and understanding on any experience to an audience just through words. You have that talent - through your words we are able to feel the same bliss that you have obviously felt experiencing Ilayaraja’s creations. Thank you!
Thank you so much!
ua-cam.com/video/YmSV6GZ2UGc/v-deo.html
My double acting role for sensitive common,music questions,and answering and kanakangi raga Tamil,malayalam Tamil film songs . No one have this brave to ask these questions or answering.. if u can watch and u will be surprised. Feed back is welcome. But no discourage pls. Bcs no any other benefits,expect spreading my own point of view and teaching some raga knowledge to music world. I put much hard work . In 8 mins I covered 5 topics
Beautiful 👍👍
Thank you! Cheers!
Very deep analysis sir love to watch the moovie after watching this episode.
Brilliant as always! Would love to hear your take on ‘ Mogam ennum theeyil en manam…’ another superb number in this movie.
In another episode, hopefully.
Beautiful analysis and well presented! Thoroughly enjoyed it. Thanks for this wonderful effort!!!
My pleasure!
ஆனந்த நடனம் ஆடினாள்
சச்சிதானந்த நடனம் ஆடினாள்
பராசக்தி நடனம் ஆடினாள் என்று ஸ்வாமி சுத்தானந்த பாரதியின் பாடல் ஒன்று இருக்கிறது. மிகவும் இனிமையாக இருக்கும்.
Thank you
ua-cam.com/video/YmSV6GZ2UGc/v-deo.html
My double acting role for sensitive common,music questions,and answering and kanakangi raga Tamil,malayalam Tamil film songs . No one have this brave to ask these questions or answering.. if u can watch and u will be surprised. Feed back is welcome. But no discourage pls. Bcs no any other benefits,expect spreading my own point of view and teaching some raga knowledge to music world. I put much hard work . In 8 mins I covered 5 topics
Simply brilliant. Loved it.
Excellent! God bless you Gurucharanji..
ua-cam.com/video/YmSV6GZ2UGc/v-deo.html
My double acting role for sensitive common,music questions,and answering and kanakangi raga Tamil,malayalam Tamil film songs . No one have this brave to ask these questions or answering.. if u can watch and u will be surprised. Feed back is welcome. But no discourage pls. Bcs no any other benefits,expect spreading my own point of view and teaching some raga knowledge to music world. I put much hard work . In 8 mins I covered 5 topics
Super..both parts excellent..kudos.
Keep itup👏
ua-cam.com/video/YmSV6GZ2UGc/v-deo.html
My double acting role for sensitive common,music questions,and answering and kanakangi raga Tamil,malayalam Tamil film songs . No one have this brave to ask these questions or answering.. if u can watch and u will be surprised. Feed back is welcome. But no discourage pls. Bcs no any other benefits,expect spreading my own point of view and teaching some raga knowledge to music world. I put much hard work . In 8 mins I covered 5 topics
Thank you again for a wonderful episode ! I always felt that only a very small percentage of the intended music by the artist reaches the audience. You have helped close that gap today. This might apply to your music too. I don’t think the audience and the artist will be at the same level. It also can’t be far apart. Your analysis as usual is great. There is one scene early in the movie where JKB comes in search of Bairavi and she will be bathing the little kids. There is a small snippet of music there that has never left my head. Overall, your explanation is very good. We need more and more of LecDems to bridge the gap. Keep it coming
Thank you. There is more for us to take away from such classic movies!
For your youtube channel also i can give five star rating always sikkal gurucharan sir.⭐⭐⭐⭐⭐
Thank you
VERY USEFUL KNOWLEDGE OF CARNATIC MUSIC RAGAS ĢOOD PROGRAM I LIKE 👌🏾👌🏾
Wow it's soo nice to hear the symphonies seperately thank you so much Gurucharan n Sayee Rakshit
Thanks for listening
இந்த திரைப்படம் மீண்டும் திரையிடபட்டால் தங்களுடன் சேர்ந்து காணும் பாக்கியம் கிடைக்க வேண்டுகிறேன்
😊
அருமை சிக்கல் இல்லாத சிக்கில்
மிகவும் நன்றாக இருந்தது. அருமை.
It's time ppl start teaching IR music to children of this generation, jus like carnatic music classes... u can take the initiative SG bro....
Thank you.
Join online for the UA-cam live on 20th June evening and celebrate 1 year of Jannal Oram with us. Thank you.
Bravo sikkil sir kalakkiteenga👍
Great that someone like you did it. Not a Tamilian but I enjoyed the proceedings.
You explained it with all the demonstrations as if everything happened so easily & automatically. Perhaps they didn't. Music was just a part of the movie. Imagine those brainstorming sessions that would have happened amongst KB, Raja, the lyricists & the actual artists who would live those emotions on screen. Very complex indeed. Even with all your knowledge of musical analytics, you may not be able to re create a "Sindhubhairavi- like" product. That's when we approach "whole is not equal to merely the sum of it's parts"
Good work. Keep up. Please do concentrate on other related departments also while highlighting "music" & saying this with all love & devotion to Music
Excellent analysis. Very educative.Enjoyed very much as i love this film very much.Thanks a lot for this enjoyable episode.
Our pleasure!
Absolutely brilliant explanation by sikkil. What a pleasure to listen to you . Enables common man to understand the nuances of Carnatic music and the genius of Ilayaraja 🎉
Many thanks
Excellent analysis. Lots of knowledge. Thx and very enjoyable. 🙏👌
Glad you enjoyed it!