" The Composition really is this dark/ light relationship. And as long as I have an interesting light/ dark pattern, the painting should work out." - Michael Chamberlain If I can get this, to the level that its instinctively how I see, I sense my painting will be so much more powerful. I had thought I needed to learn about Light and was hyper-focused on that; suddenly had that hit me that it is values, that explains light to the eye. Thanks for another fantastic share! Appreciate your generosity with what you've learned and your painting process.
Appreciate your sharing so much. I always look forward to the Sunday video!
‘’ Foreground right , A Crimson Queen beckons to the viewer ‘’ find my heart in the future city beyond ‘’. Viewers adventure into, exploring , drawn by complexity they heed the words, and , some do find ‘’ . Michael, this Beautiful Painting speaks ! This Masterpiece is for the Gallery 🏆.
You are so confident and make it look easy to paint this scene on site. Your comments are helpful and I appreciate your sharing your painting process. It's very inspiring and I agree with others that love this painting.
I has a painting session outside for the first time this week. It’s harder than I thought but also so much fun. Makes me appreciate the work you do so much more !
Not only are your videos enjoyable to watch but you make good use of the time. Many Other youtubes waste a lot of time in introductions or poorly organized. I always know yours will be concise, yet complete.
Really nice painting. You have the ability to take a fairly ho-hum scene and transform it into a scene of dynamism and interest a appeal! This is super appealing to me! Thanks!
I really liked the end result of this picture. I expected just another street scene and was delighted this one was different with great colours and atmosphere.
Michael, I've watched most of your videos, and joined Patreon as well. I think this painting is fantastic! Possibly my favorite painting of yours ever! Great job!
Bravo maestro! I'm practicing buildings now, I want to follow your steps because I think the bay area and west coast, USA, is one of the best places in the world to capture big city oceanic atmosphere. 😊
I have used solvent free gell and just got some of the fluid. As I was buying it, a friend said "be careful to use it only on the top layer because her paint didn't stick to it in bottom layers"!? That makes me nervous. I also mostly use water miscible oils, holbien, cobra, wn and max. They can be mixed with unmodified linseed oil paints with out problems if you want to use up paint you have, it just makes them less water soluable at clean up time (if i do that I use all solvent based mediums) The benefit for me: no worries of a toxic spill on location, no volatile solvents (0) inside, easier clean up than acrylics, faster drytime than unmodified linseed paints, same pigments, w/s mediums work just like solvent ones (WN fast dry is the same as liquin right down to the pink crap that settles out. What is that?)
Awesome painting with valuable tips! Is it possible to show longer video versions for Patreon subscribers? I would enjoy added segment portions that have no on-site narration or have voice over.
Awsome work.have learnt so much from you regarding just working with shapes and tone PS you have quite an infamous name sake in Australia namely Michael and Lindi Chamberlin ,baby Azaria and a dingo at Ayres Rock
I have been following you for over a year. I enjoyed watching you grow. Please keep it up. I particularly like the city scapes. I have a question, how do you video yourself in the field? Is someone filming for you, or do you have a tripod set up? Susan
looks great! Question - how do you achieve the scratchy look to your shadow block in? Are you using any medium or thinners at all? Whenever I attempt it, it just creates a wash, almost watercolour look rather than scratchy. thanks for the inspiration - ive learned more from your channel than any other!
" The Composition really is this dark/ light relationship. And as long as I have an interesting light/ dark pattern, the painting should work out."
- Michael Chamberlain
If I can get this, to the level that its instinctively how I see, I sense my painting will be so much more powerful.
I had thought I needed to learn about Light and was hyper-focused on that; suddenly had that hit me that it is values, that explains light to the eye.
Thanks for another fantastic share! Appreciate your generosity with what you've learned and your painting process.
Appreciate your sharing so much.
I always look forward to the Sunday video!
Spectacular!!
Excellent work Mike
Wow! I wasn’t too sure about the composition at the start but the finished work is captivating - fantastic work!
That’s a really amazing painting. A great video too.
The painting was amazing 🔝
Artist , teacher, with such skills , a rarity , well done Michael , brilliant work and what a valuable class .
Excellent video and a Beautiful painting too !!!!! Thanks for this !
‘’ Foreground right , A Crimson Queen beckons to the viewer ‘’ find my heart in the future city beyond ‘’. Viewers adventure into, exploring , drawn by complexity they heed the words, and , some do find ‘’ . Michael, this Beautiful Painting speaks ! This Masterpiece is for the Gallery 🏆.
Thanks Mark!
Another fantastic urban landscape - thank you 👏👏
Your urban landscapes are the best.
You are so confident and make it look easy to paint this scene on site. Your comments are helpful and I appreciate your sharing your painting process. It's very inspiring and I agree with others that love this painting.
I has a painting session outside for the first time this week. It’s harder than I thought but also so much fun. Makes me appreciate the work you do so much more !
I enjoy watching your videos. I like the way you simplify the scenes.
I love the direction you are going. The composition makes a very powerful painting. Congrats Mike.
This one is definitely a keeper. Nice simple design.
Really love this painting! Great video.
Not only are your videos enjoyable to watch but you make good use of the time. Many Other youtubes waste a lot of time in introductions or poorly organized. I always know yours will be concise, yet complete.
Soooo good. I love the colours in the buildings on the left.
Impressive! Considering that was done plein air, double impressive!
Really nice painting.
Really strong painting congrats
One of your best paintings. And a great narrated video!
Très beau travail !
Really nice painting. You have the ability to take a fairly ho-hum scene and transform it into a scene of dynamism and interest a appeal! This is super appealing to me! Thanks!
Fantastic painting Michael, love the shadows and the car highlights.
Love it. Thanks Mike.
I love it. Thank you for sharing. I wish I could be half as good. ❤
It’s superb- I love it!
Great painting.
I really liked the end result of this picture. I expected just another street scene and was delighted this one was different with great colours and atmosphere.
wow!!! congrats, loved it!!
Great painting. Color harmony is great!
Michael, I've watched most of your videos, and joined Patreon as well. I think this painting is fantastic! Possibly my favorite painting of yours ever! Great job!
Thanks!
Hey Michael, I love everything about it! That plum tree color is specifically beautiful 😊
Thanks Hailey!
Great job
Love the painting!
Bravo maestro! I'm practicing buildings now, I want to follow your steps because I think the bay area and west coast, USA, is one of the best places in the world to capture big city oceanic atmosphere. 😊
Another great video, keep it up.
Muy bien, genial artes un10 porque me encanta ❤❤❤❤❤❤❤❤❤❤❤❤
Gracias!
Nice work! I like using the #6 and nothing less.
iVE WATCHED A FEW OF YOUR DEMONSTRATIONS. I LIKE THE PRESPECTIVE HERE
Very nice indeed
I wish that I had your relentless energy when painting!
Nice work Michael !
I have used solvent free gell and just got some of the fluid. As I was buying it, a friend said "be careful to use it only on the top layer because her paint didn't stick to it in bottom layers"!? That makes me nervous. I also mostly use water miscible oils, holbien, cobra, wn and max. They can be mixed with unmodified linseed oil paints with out problems if you want to use up paint you have, it just makes them less water soluable at clean up time (if i do that I use all solvent based mediums)
The benefit for me: no worries of a toxic spill on location, no volatile solvents (0) inside, easier clean up than acrylics, faster drytime than unmodified linseed paints, same pigments, w/s mediums work just like solvent ones (WN fast dry is the same as liquin right down to the pink crap that settles out. What is that?)
That's super
Michael , 12:46 , Everybody loves this ❤️
Good Morning Michael 😎
Good morning Mark!
Awesome painting with valuable tips! Is it possible to show longer video versions for Patreon subscribers? I would enjoy added segment portions that have no on-site narration or have voice over.
Awsome work.have learnt so much from you regarding just working with shapes and tone
PS you have quite an infamous name sake in Australia namely Michael and Lindi Chamberlin ,baby Azaria and a dingo at Ayres Rock
Yes, I remember the movie from the 80s!
You make something aesthetic and elevated out of something banal and uninspiring.
Wow, amazing painting! For the scrub in phase do you thin out the paint with gamsol or liquin or anything else? What easel do you use?
Thanks! I'm thinning with Liquin in the beginning. I'm using an easel from takeiteasel.com
I have been following you for over a year. I enjoyed watching you grow. Please keep it up. I particularly like the city scapes. I have a question, how do you video yourself in the field? Is someone filming for you, or do you have a tripod set up? Susan
I film myself. I use a tripod for some shots but the for most I've got a brush in one hand and the camera in the other.
looks great! Question - how do you achieve the scratchy look to your shadow block in? Are you using any medium or thinners at all? Whenever I attempt it, it just creates a wash, almost watercolour look rather than scratchy.
thanks for the inspiration - ive learned more from your channel than any other!
Thanks! Yes, I'm using Liquin from Winsor & Newton. The natural bristle brush helps create the scratchy look as well.
Thanks for the class! Do you ever did plein air painting with gouache? what is the diference with do with oil? Thanks for any help!
I've never tried gouache!
Good morning Michael. This is awesome 👏🏽 can really appreciate the dark/light pattern and those big shapes. Thanks for the video🙂
Good morning Miriam. Thanks!
12:24
Is this over the Broadway tunnel?
No it's from Francisco and Leavenworth