"Get a haircut! Get a haircut! If you can't get a shave, get a haircut!" There was a fashion in the UK eighty or more years ago for inventing words which fitted tunes in well-known pieces. This is one that my mother passed down to me.
@@Enri45100 Yes, but I can only remember "Oh, Mr Waldstein" for the sonata. I need to hear the pieces to trigger the memories, but I'll come back and add them here when I do.
Wunderschöne Interpretation dieses spätromantischen und perfekt komponierten Konzertstücks mit klarem doch anmutigem Klang des technisch fehlerlosen Soloklaviers sowie gut vereinigten und perfekt entsprechenden Tönen der anderen Instrumente. Der intelligente und erfahrene Dirigent leitet das ausgezeichnete Orchester im lebhaften Tempo und mit möglichst effektiver Dynamik. Wundervoll vom Anfang bis zum Ende!
"Get a haircut! Get a haircut! If you can't get a shave, get a haircut!" There was a fashion in the UK eighty or more years ago for inventing words which fitted tunes in well-known pieces. This is one that my mother passed down to me.
Oh,how interesting))
Hilarious! Do you know others?
@@Enri45100 Yes, but I can only remember "Oh, Mr Waldstein" for the sonata. I need to hear the pieces to trigger the memories, but I'll come back and add them here when I do.
I’m starting to get the sense that there is way more excellent Franck floating around out there than I realized.
franck is one of my all-time favorites - so many gems, and his harmonic language is some of the most unique ive ever heard.
It's AMAZING how great of a composer this misunderstood genius really was.
Thank you so much for the score.
Wunderschöne Interpretation dieses spätromantischen und perfekt komponierten Konzertstücks mit klarem doch anmutigem Klang des technisch fehlerlosen Soloklaviers sowie gut vereinigten und perfekt entsprechenden Tönen der anderen Instrumente. Der intelligente und erfahrene Dirigent leitet das ausgezeichnete Orchester im lebhaften Tempo und mit möglichst effektiver Dynamik. Wundervoll vom Anfang bis zum Ende!
I liked the contrast between the lyricism of the piano and the decisiveness of the strings.
The opening smacks of Beethoven’s 4th piano concerto, second movement.
Absolutely.
Everybody smacked of Beethoven
Bravo
Nice, the Samezuillh transcription would also be nice, if you upload it :)