Bruch: 'Acht Stücke, nr. 2, 6 & 7' - Martin Fröst - Live concert HD
Вставка
- Опубліковано 29 чер 2016
- Klarinettist Martin Fröst, altviolist Amihai Grosz en pianist Itamar Golan spelen werken van Bruch tijdens het Internationaal Kamermuziek Festival Utrecht 2016.
Het programma
Max Bruch: uit 'Acht Stücke, opus 83':
- Nr. 2 in b klein. Allegro con moto
- Nr. 6 in g klein. Nachtgesang. Andante con moto
- Nr. 7 in b groot. Allegro vivace, ma non troppo
Opname: woensdag 29 juni 2016 in de Grote Zaal van TivoliVredenburg, tijdens het Openingsconcert van het Internationaal Kamermuziek Festival Utrecht 2016.
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Gorgeous viola playing too.
Martin Fröst's simply phenomenal musicianship is never more apparent than in his unflashy, incredibly precise and sensitive chamber music performances.
Der Dialog zwischen den drei Solisten ist sehr intim und zugleich perfekt synchronisiert. Der tiefe Ton der Bratsche ist besonders eindrucksvoll.
Perfect,thanks lot for your post.I never think that viola can so beautiful like this,
Bravo!!
Good to hear such a rare repertoire performed with great finesse.
Beautifully written, beautifully played. These pieces are some of the best examples of instruments having conversations.
Viola Power!
super👍
Klasse
one of the best violists in the world🖒
I would once like to see him in the concert in Korea.
whether it is ensemble ,orchestra or solo recital
I'm sure he will one day come to Korea. European&Israeli classical musicians know well how much this music is appreciated in East Asia, and also how many fantastic musicians come from your part of the world! Warm greetings from Romania
@@ArtVandelay99 Is Art Vandelay your real name? Did I finally find you out?
Beautiful!!!
Superbe mélange de sonorités !
Outstanding 🎉
Superbement musical!!!
Half the fun of hearing Martin is seeing him in action....
Martin Fröst plays fantastic, we've heard him with the" Klezmer Dance" live in the MÜPA.
Bravo!!!
❤❤❤❤❤
Inspiring
große Klavier Begleitung!
❤️
DANKE - DANKE - DANKE- - - - !
💿💿💿💿
The violist isn't Lawrence Power... it's Amihai Grosz
Thank you Mark, our mistake. We changed it!
+AVROTROS Klassiek Thanks for posting this marvelous performance! I also think that both Amihai and Itamar should be in the title of the video, since they are of equal importance.
+Mark Hatlestad IMO, Martin Frost's name is in the title because he's so well known. (He's as good at showboating as he is at playing the clarinet.)
Well, davehshs. I checked with other professional clarinetists about this video and they say he is not so well respected as Maestro Golan anyway. (internationally that is).
I wish he was Power
Did the page turner not get the dark attire memo?!😮
Beautiful set however; gorgeous!🙏🙏🙏
Grosz and Fröst are a dream team. Golan is out of this world too.
6:09
3:07 NO.6 9:42 NO.7
3:07
6:09 6:09
Clarinet in A ?
Both
0:04
3:08
9:41
If a clarinetist can breathe silently and not disrupt the music, why can't a violist?
I think the breathing is part of expression and we learn us to breathe .
Die 3 Musikanten mögen sich aber besonders gerne . . . , schade, weil wenn´s so wäre könnte tatsächlich Musik entstehen, so aber sind es Stücke für 3 Solisten die halt nun man zusammen musizieren müssen, warum auch immer ;-)
If you can find Harold Wright's performance of this with Nobuko Imai you'll hear something superior in every respect.
Now those are some sour grapes.
Unglaublich schlecht die Klarinette....
Trio Berlin mit A.Brandhofer....
Bratsche und Klavier - Super!
Schöne Grüße
Nice we can leave comments, right? So I will just say that violist Mr. Grosz would benefit by learning musical phrasing from Mr. Fröst whose connection of the notes in the phrase is exceptional. Mr. Grosz is much to disjointed for an enjoyable listen. (we don't care about vibrato on every note more than good phrasing). Mr. Golan should learn about pitch relationships produced by the other two and search out a genuine tuning technician for the piano and not rely on the obsolete equal temperament which chokes the expressive quality of his fine playing. This audio engineer is the crazy one . . . using small diaphragm microphones for serious musical instruments? The viola sounds like a 3/4 size student model and the clarinet sounds like one of those cheep Chinese plastic French imitations. Overall I did give it a 'thumbs up' for a basically well performed concert.
Phillip Shearman still waiting for your outstanding recording to appear! Seems your only keyboard is for writing
???
3:07 NO.6 9:42 NO.7