Queen of the Night | The Magic Flute ǀ English National Opera
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- Опубліковано 19 гру 2023
- Rainelle Krause performs Mozart's classic aria from The Magic Flute with the ENO Orchestra.
Simon McBurney’s five-star production of The Magic Flute returns to the ENO in 2024, promising an evening of magic, romance and timeless music.
Mozart’s opera follows the adventures of Prince Tamino and the bird-catcher Papageno on their quest to rescue Pamina. Their search becomes one for truth and reason, love and enlightenment. Nothing is quite what it seems in this surprising, fantastical journey.
Find out more: www.eno.org/magicflute
The cast includes Norman Reinhardt making his ENO debut as Tamino alongside David Stout as Papageno. They are joined by former ENO Harewood Artist Sarah Tynan as Pamina and the fiery coloratura of ENO debutante Rainelle Krause as the manipulative Queen of Night. The ENO Chorus and Orchestra are conducted for the first time by Erina Yashima.
See The Magic Flute at the London Coliseum from 28 February - 30 March 2024
We offer brilliant opera experiences at a range of affordable prices. Tickets start at just £10 plus £3.25 booking fee per ticket.
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About English National Opera:
The ENO is the national opera company dedicated to one simple aim: making opera for everyone.
We sing in English to be accessible to the widest possible audience.
We offer free tickets to under 21s to every performance and at every level of the theatre, and for as little as £10 for everyone else.
We create opera that feels different, theatrical, and creatively daring.
And we've been doing it since 1931.
The ENO is for everyone, and always will be. - Розваги
Saw this in person yesterday and it was stunning. Nailing both the music and the acting in this aria is so difficult it's next to never achieved, and I don't know if it was just a night when everything came together spectacularly well, but Krause just smashed it - and moreover did so while performing the whole thing from a wheelchair. One of the most impressive things I've ever seen. Gave me goosebumps. Brought the house down. just wow.
Agreed! I don't think I've heard an audience so silent before as during the aria - absolutely stunning.
Agree 🔥
Saw her in Nashville awesome octaves above all I was the second row. 😅
Visited last night, oh wow, the whole production was fanststic, Rainelle Krause brough the house down with this
I dislike that the English is barely understandable.
This is why I prefer Pop singers who don’t perform “perfect Opera” but modified Opera in order to give it the emotion and enunciation that allow the words to penetrate
No point in singing in English if it's totally unintelligible
I hate opera sung in the wrong language.
@@JulesCreativityPersonified it's English national Opera.
That's the actual mission statement/purpose of its Inception: opera in English.
@@XPRT10R Thanks. I didn't realise that. I hate opera sung in English. Love Italian the best with those lovely long vowel endings. Won't be buying tickets at all then.
@@JulesCreativityPersonified they've actually mounted some works class productions over the decades with top notch singers. Italian opera in English can be hit and miss sometimes, but it all depends on the ability of the translator/librettist.
But it works superbly well with all Mozart, with German operas, Czech opera, russian operas, not to mention the numerous ones actually conceived inn English, or with an original double libretto.
@@XPRT10R Thanks. I might try some in that case. Really began appreciating opera about four years ago now. I am becoming very fussy over the performers and listen to the cast before I attend. Just back from Guilio Cesare in Monaco - Cecelia Bartoli was the draw. It was okay but a bit disappointing. I saw Peter Mattei and Ling Fang in Don Giovanni last year which was superb. I am off to Paris tomorrow actually to see Alceste and another Gulio. I am disappointed at the Glyndebourne choice of Queen of the Night in this years festival. Just got tickets for the Bayreuth Baroque Festival later in the year. A bit addicted really Ha ha. Joyce Di Donata is a must next! Went to La Scala to see Marriage of Figaro. Paid a fortune for the seats in the boxes and couldn't see half of the stage. Then I read the reviews of the theatre LOL! So much more to hear......
nooooooooooo. Speed all over the place, just not good. Sorry. Pronunciation bad. English didn't help at all. Won't be buying a ticket for this.
Then remain at your house your we don't need toxic people at the concert.
@@Justforcruise240 Your one of those 'wokers' who think an opinion is toxic? I don't like it and I don't agree with you and I am therefore toxic? Are you a narcissist? Just asking cos they think anyone whose opinion differs from theirs is toxic. LOL I won't remain in my house though. I will go to performances this year where the opera is unmolested - like the Monteverdi Festival,
The Bayreuth Festival. La Scala Milan and the Royal Opera House.
No point trying to sing in French if you come from Ukraine either
It was written in German so that's what it should be sung in. The libretto and the music are in synergy and I don't think that should be messed with.
@@JohnSmith-lk8cy Yes but English mess with everything 😅🥵