Jeff Mills - Live @ Wire, Saitama Super Arena (31/08/02) - FULL 3 HOUR SET
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- Опубліковано 3 тра 2018
- Full 3 hour set by Jeff Mills @ Wire, Saitama Super Arena in Japan on 31/08/2002.
All the other videos of this on UA-cam seem to be split into parts of different lengths so this definitely needed uploading in full with no interruptions... it's quite simply Jeff Mills at his best.
Enjoy!
Well, you have DJs that play one song after the next from CDs with autocue and beat match. Then you have Jeff who blows you away with up to 4 records (manual pitch and cue on each deck) and or live production from his TR909 at the same time. But for Jeff that's the beginning, just look at his hands, he's constantly going for the perfect sound and mix, he can't be still, always giving 110%. It was a privilege and honor to see him mix during the late 90s and early 2000s, the golden era of techno.
👌🏻 We’ll said.
Amen.. had the honor to witness his liquid room mix live.. it was like a spaceship landed and we were all abducted.
Yep. He was and is always the main man for me. Saw him loads in London at Lost and Final Frontier, basically, if Mills was on the bill in late 90's I was there and always in for a good night out. Happy days. I keep promising myself I'll drag my aged arse out to another proper techno night and see Mills again, but I'm pushing 50 now and I'm not sure it would be the same. I'd probably be the grumpy old man getting pissed off with all the yoof with their phones out all the time.
That said 4 or so years ago I did see DJ Bone who was great. It was funny, I saw him on the dance floor after his set and we had a bit of a middle-aged guy chat about having kids and fatherhood in general ..... nice chap!
Ben Simms and Dave Clark are right up there also if you like multideck wizards who present techno with lots of wizardry.
But most of today's DJs little to no skill and know how to use digital, I resisted taking on digital until 2010 but became impossible to get promoters to have turntables at events.
1985 Amherstburg, Ontario … just in reach of the 98-WJLB tower… an exchange student that didn’t know what hit him from across the river. Check out the uploaded tapes from ‘The Wizard’!
Because, because, because, because, because……..
Because of the WONDERFUL things he does ❤
For anyone who’s interested in getting a deeper understanding of what you're listening to… I’ve pulled together a mini-study of the set - demystifying the ‘art of DJing’
Overview
As noted in many of the other DJ studies that I’ve posted on UA-cam DJ videos - for successful storytelling the very top DJs will be conscious of the principles of unity (to create stability in the set) as well as the principle of movement (to create interest for the audience). With this in mind, the overall mood of the set is what I would describe as ‘dark with a driving intensity’, often straying into sounds that evokes paranoia or unsettling feelings. It is these overall ‘dark’ or ‘negative’ emotions that provide the unity to the set and allows cohesion to the story.
The movement in the set comes predominantly from changes to the BPM of the records that Jeff plays, but also from percussion intensity - this is achieved both from the tracks chosen (and the turntablism he uses to craft the intensity) but also his use of the Roland TR-909 drum sequencer as an additional ‘character’ to the story he’s telling.
Ordinarily in these mini-studies that I produce, I would talk about the various chapters of the DJ sets, but given this is a 3-hour set I think it more simple to note that there are what I see as 5 peaks/troughs that Jeff creates - in addition to effective use of brief moments of silence to reset the energy / create contrast. The peaks are largely driven by the changes in the BPM.
The other point to note (which is less related to the storytelling aspect of DJing and more related to the mix & blend skill) is the speed with which Jeff mixes tracks together - from the moment the needle hits the vinyl and he catches the beat of the current track there is often less than one phrase (16 beats) before Jeff starts to bring the track through - and simply rides the pitch to correct any tempo differences between the tracks. It makes for an exciting spectacle and also (to my count) mixing of 67 different tracks in total over 3 hours!
In terms of key observations and emphasising what was done very well:
Tempo (BPM)
BPM is the biggest driver in terms of changing the energy of the dancefloor (and as mentioned above) this is an area that Jeff exploits to create peaks & troughs of energy in the story.
If we look at a section near the start of the set as an example. The third track played (@08:00) is pitched at 143 BPM (already relatively fast!). However, by the next track (@10:00) the BPM has increased to 144. Two tracks later (@14:00) the BPM is moved to 145. The next track is pitched up to 146 (@16:00) and the following track (@18:00) is moved to 147 BPM.
While I’m not suggesting that Jeff knows the exact BPM he’s moving the tempo to (given he’s playing with vinyl) the upward movement of the tempo is clearly planned.
What he does next is move the next two tracks down to 146 BPM - and then the following track (@25:00) drops dramatically to 140 BPM. Over the following 5 tracks he then gradually moves the BPM back up, reaching 144 BPM (@34:00).
What we can draw from this is that he is purposefully moving the BPM up and then down and then up again. The crowd obviously won’t know that he’s doing this (nor should they) but he’s able to manipulate their energy on the dancefloor all the same with these tempo moves.
He crafts this increase/decrease action 5 times throughout this set. It’s a great illustration of how a DJ can use BPM to craft peaks and troughs - which helps to keep the set feeling interesting with this movement.
Percussion
While there are many things that Jeff does well which I could go into detail on, there are a couple of areas to this set which are unique to DJing.
The first is the use of the TR-909 drum machine - you can see the first example of this is @47:20. While it’s not completely unheard of to see producer/DJs finger-drum on production hardware and use hardware as a means of playing live, you have to consider that this set is from 20 years ago, when CDJs weren't commonly used (it was still a time when "real DJs use vinyl" was the common view). You may see a very small number of DJs today play hardware instruments - but certainly not while playing vinyl sets. Jeff performs with the TR-909 at the 47:00 for 3-4 minutes, then again @1:13:00 and then finally @2:16:00.
The use of the TR-909 is not simply ‘for show’ but aligns to a principle I have highlighted in many of the other DJ set analysis which I have done on Cercle, Boileroom videos - that of the power of percussion intensity.
Percussion intensity (the power of the kick drum, the snares, the hi hats) has a profound effect on the energy felt by the dancefloor. Often DJs will sequence their music and use tracks with higher intensity percussion to drive up the energy. At other times, DJs will use the layering of percussive elements over tracks to drive the energy up (Richie Hawtin uses this frequently and to great effect - I talk about this concept in the video analysis I provided on Richie's 2015 Tomorrowland set, if anyone cares to check that out)
Likewise, Jeff uses the TR-909 to layer percussion over the records he’s playing to increase the intensity. There are also moments where he exclusively plays the TR-909 - allowing him to freestyle and live-improvise with the percussive rhythms he uses. This was very unique and no doubt was/is an inspiration for many of the modern DJs who likewise use hardware for percussive layering and creating unique rhythmic patterns which act as a bridge between tracks.
The second unique element to mention in this set is the notion of the ‘takeaway & return’. Psychologically when you take something pleasurable away from someone it has the effect of making them want it more.
With this principle in mind, Jeff lowers the volume of tracks, removes frequencies as well as uses silence to create this ‘takeaway’ before returning the sound and effectively artificially boosting the feeling of energy.
If we take a look at just a few examples of this:
• We have a fairly bass-heavy tribal beat playing @6:55; Jeff then removes bass for 2 phrases @7:08 to return at 7:22. This has the effect of taking away the nice bass frequencies from the crowd before giving them back what they want!
• Jeff selects a detuned track @9:00 - this is to take the crowd away from the nice harmonic and easy-to-listen-to techno beats - another form of the takeaway & return. Once he returns the more harmonic track at 11:30 it feels much nicer. Taking people out of their listening comfort zone before returning them again.
• The high-pitched chimes playing @13:20, Jeff introduces the kick and then pulls the kick @13:44 to return again a few beats later. Pulling away the rhythm that the crowd are enjoying moving to…. and then returning again.
• @34:20 we can hear the 4-beat organ riff; Jeff pulls the beat @34:39… then volume at 34:55… then return at 35:05.
• The final example is with the fairly energetic track playing @40:30… and then @40:38 he pulls the volume completely - you can see in his face that he’s waiting for the reaction… and then returns the beat @40:48 - to a renewed energy.
There are perhaps 50-100 examples of this throughout; needless to say it’s a key facet to his playing style here - and rather feels like he is playing the records and the mixer more like an impromptu instrument. This is in acute contrast to many modern producer DJs who play one track almost all the way through and only start to mix the incoming tracks once the current track energy is starting to subside.
super solid summary... thank you for your service
Nice analytic
wow, just wow. thank you for this detailed and thorough explanation for those of us still learning. this is really helpful. i love the minds of musicians and people who understand the art of dj'ing.
@@Julsies7 no problem - glad you found it helpful! 🙂 ...and I'm still learning!... I find the best way to try to improve my ability in something is to closely study the people who are the best at what they do. And not simply observing 'what' they do but trying to understand 'why' they do it... which then allows you to follow the principle (and add your own personality / style), and not straight copy their actions.
@@DJPaulWest you’re thinking way to into it. I’ve warmed up and played with some top djs when I was younger and none think like this
I have been working at such events around that time period.
One thing that I always preferred: Those events had a more humble feel. Its dark, the lighting was more minimalistic, everything was less colorfull and intrusive .
It was also more about experiencing the music (anonymously) and less about beeing seen, showing off.
The Dj was 100% busy doing his job and had not much time for posing around. Its very hard to flawlessly mix multiple analog records at the same time, especially live on a big stage. Jeff Mills of course is a Master. Henrik B. for example also really impressed me with mixing old aphex twin records to his sets on 3 Turntables. Der Dritte Raum stood out for me as well.
So true. I remember club uk back room was so dark which meant the focus was on the music. Quite intense on final frontier nights
@@MrJustsaysean Final Frontier - what a club; Mills, Luke Slater, Garnier and Sven Väth et al, absolutely killing it in the Lunar Room, while we sweated half our bodyweight away; happy days!
I think the music nowadays lacks soul, yes Techno is heavy but its musical as well. Love Jeff
@@DaSkonk I've seen him a few times at The end club, absolute alien overlord ! it's funny how i never heard him stick that bloody The bells of his properly, ever.. lol.. its almost as if he has to play it for the crowd... but he'd rather not ..( cause he prob. had enough of it) :) Final Frontier? ...was that in angel? at complex? good times ! Seen Gayle San there at a silverfish event. RIP ALEX :) u're not forgotten ! that, trancecentral cloud 9 with the liberators and zebedee and UNSOUND next room, tyssen st wharehouse parties , and free parties with Lawry immersion or Stonka sound system. And Dave Clarke a few times...HA! if only more people would know how this music is so ideal for fun/weight loss ( basically aerobics, innit! lol), and also soothing to the soul and energising. Fuck i was so lucky. Sooo lucky. its a pity ppl tend to SlIGHtLY exaggerate with substances... but who can blame anyone for anything?
MrJustsaysean Club UK Wandsworth mid 90' was The Place to sweat 😵😨😱😰😰😰😰 je confirme 👏👍😎🔥
jeff mills the jimi hendrix of the electronics
I saw him in a Wagamama restaurant in terminal 5 heathrow eating soup, i decided not to bother him. LEGEND
*couldn't have how can you misunderstand your own language😥well at least you ubderstand Mill's set
@@blessedlion5329 i'd get terribly star-struck like an idiot....that's why i would not bother him...LOL
Genau auf den Punkt gebracht!! :-D
hoping Jeff never beat up any women...
I’ve been mixing for about 30 years and thought I was pretty, consistently, good … until I watched this. Holy fuck balls he can mix!
I was lucky enough to see him in Space in Ibiza earlier that month where he played 3 hours of absolute chaos. From what I remember the set was very similar, best club experience of my life, I've seen him many, many, many times over the years, but that night in Space was never matched or beaten by anyone. The setting, the sound system the way he played, what he played, it was all the perfect storm. He was 2 or 3 hours late and my mates were dropping like flies as the night went on, I stayed, alone, til Jeff arrived and danced for his full set! I wish I could hear that set again.
👍 👊
@@BobSayG i have seen him at shockers 2001 at the amsterdam rai here in the netherlands. damn what a set what a party also. Carl cox, ken ishii, jeff mills, james ruskin, luke slater, miss djax.
György Ligeti - Requiem
Jeff Mills - Utopia
Rino Cerrone - Rilis 7 (A1)
Rino Cerrone - Rilis 8 (A1)
Phase - Katino (B1)
Jeff Mills - Life Cycle
Aural Emote - Third Eye (A2)
Kaay Alexi - Club MCM (Steve Rachmad Remix)
Jeff Mills - Preview
Jeff Mills - The Bells
Chris Liebing - Analogon (Steve Rachmad Remix)
Rue East - Remove
Deetron vs Ben Sims - Hardgroove 3.5 (B1)
?
Jeff Mills - Punisher (Last Confession)
Jeff Mills - Actual (B1)
Aural Emote - Third Eye (B2)
Millsart - Step To Enchantment (Stringent)
?
?
Jeff Mills - Cycle 30 (A4)
Joey Beltram - Game Form (Mike Dearborn Remix)
?
Jeff Mills - Alarms (First Mix)
The Advent - Rosey Lee
?
Jeff Mills - Cubango
Jeff Mills - 909 Track (Live)
?
DJ Rush - Get On Up (Chris Liebing Remix)
?
WHAT A TRACKLISTING!!!
Dj Rolando- Knight of Jaguar
@@gabriguai aztec mystic?
@@donnos5108 Dj Rolando and Aztec Mystic is same person
No shit man?
if i was stuck on a deserted island and could only chose 1 DJ to listen to for the rest of my life it would be Jeff Mills.
I’d love Jeff to get a desert island discs episode on radio 4.
Just a small reminder to young producers out there: there's no MIDI or clock sync between that drum machine and 4 vinyl players that he's playing on.
When music was all about music...
Look my son...this is Jeff Mills!that is was i calling a dj🎉😅
Just a master at work
thats not Djing thats Art
serious DJing is art...
Millsart....
nobody use 909 like him i love it so mutch
Can we also talk about the camerawork? What professional and appropriate editing and angles, like the cameras in the crowd and the 2 remote controlled ones next to him, truely way ahead of its time.
Every body should respect this man no words can describe how good Jeff mills is 😎😎😎
leandro martins don' worry everybody does ... He's The MAN ...😉😎🔥
Word
Watching his set after 19 years still impress his talent and technique of mixing, perfect track selection, magic which he done with Roland 909. Tempo is so insane that pitch on Technics is at it's max :D Children educate what Techno was years ago - furious, energetic and parting friendly.
Not just techno but whole electronic dance music (not EDM)
It was about music. You were because you feel that in soul. Not because is cool to have f...cking selfie near CDJs and see stupid DJs which spit champagne all over crowd and play predefined songs/sets. Memories...tears :)
@ 🙏
for shurr
👌
Kids these days will never know
this is one of the best mixes iv'e seen recorded. Never got to Japan, but did see the wizard several times in the 90's in the UK. Just wish I could remember more of the events I attended.
The first time I saw him I went sober I swore someone dosed me as I was just so high from the atmosphere and tunes. The next 8 to 10 times I defo wasn't sober and it was life changing every time.
@@Lister81git's the most hypnotic techno ritual, the music really becomes the drug
O0p9p09popp00ppppppp99⁰ppp099po0ppp000 ooo por o PP opp0p0ppppppp0ppp0ppp0ppp00p0p00ppppp9pppp0 PP PP PP PP 000p PP 000ppppppp22b de 0000000 PP 00000⁰⁰⁰⁰⁰@@Lister81g
A masterclass . The man is an unstoppable techno force as relevant now as then . So lucky to of seen him many times
If Techno was a man it would be Jeff Mills.
haha, yep
HAHAHA .....but really eh ?!.., it is really something man .
I envy all of you that got to witness this god among man. 🫡💛
Old techno = Quality = Like
JEFF IS THE MAN. I'll never forget that bomb set he played at Twilo (NYC) in 1998, it was just incredible. In the morning I said hi to him outside the club as he was getting into his cab. It was raining, he smiled, mild-manneredly, and then he was gone.
Omg! I was there
@@ingridcepeda3230 lucky. People
@@daryldixon2064 Those were the times!!!!
Best Techno mix I've heard in my 30 years of listening to Electronic music... Speechless.
So inspirational. When I hear a Jeff Mills set , I need to mix also lol
Moi je look tes sets mon bro
BEST DJ ON THE PLANET.
BEST WIZARD IN THE UNIVERSE.
YEAAAH!
Indeed the GOAT of EDM period
1 - Requiem (György Ligeti cover)
2 - Utopia
3 - Rilis 7 (Rino Cerrone cover)
4 - Rilis 8
5 - Katino (Phase cover)
6 - Life Cycle
7 - Third Eye (Aural Emote cover)
8 - Club MCM (Steve Rachmad Remix) (Kaay Alexi cover)
9 - Preview
10 - The Bells
11 - Analogon (Steve Rachmad Remix) (Chris Liebing cover)
12 - Remove (Rue East cover)
13 - Hardgroove 3.5 (Deetron vs. Ben Sims cover)
14 - (Unknown)
15 - Punisher: Last Confession
16 - Actual
17 - Third Eye (Aural Emote cover)
18 - Step to Enchantment (Stringent) (Millsart song)
19 - (Unknown)
20 - (Unknown)
21 - Cycle 30
22 - Game Form (Mike Dearborn Remix) (Joey Beltram cover)
23 - (Unknown)
24 - Alarms (First Mix)
25 - Rosey Lee (The Advent cover)
26 - (Unknown)
27 - Cubango
28 - 909 Track (Live)
29 - (Unknown)
30 - Get On Up (Chris Liebing Remix) (DJ Rush cover)
31 - (Unknown)
Man just imagine the energy and vibe in that club that night 🔥
What club ? It was a fuckin 36000 people stadium
Authentic mixing without a cake! Japan knows how to party!
The creator is also its best manipulator. God Bless Jeff Mills! As be blessed us for the past 30 years! Still number 1 entertainer and DJ in the electronic scene! 🙌🏼
Creator was Juan Atkins, actually. And if we go further in the past, we could say the roots are on Kraftwerk and the European Electronic Music. But yeah, Mills on the top of the top, No. 1 on Techno in this planet.
T.S.O.B.
This is what it is all about, the mixing is perfect not one mistake, the track selection is excellent and it's simply a pleasure listening.
Saw him first at the "Globus" (Trésor) in Berlin in 2000 and then many times after. He had the ability to drive crowds completely insane. Bold DJing with tracks dropped on the fly at a time when there was no BPM monitoring or sync function.
Jeff mills The Magician this man does art with music
One of my favorite DJs
So much power and energy. Timeless
Thanks for the upload. This is so good
Wow, I'd never seen the full video. Thanks!
Even today, no one comes close to this man.
Hardwell blows him away
Carl Cox is known as the three deck wizard just like millsy, Techno rules the roost no school like the old school 🙂
@@SourDiesel69 hardwell, really? That's who you chose to say blows Jeff Mills away? The dude who DJs some of the cheesiest, most commercial EDM imaginable? Comparing apples and oranges, Jeff Mills is an originator and class act.
Facts Jeff Mills is the GOAT period of EDM
@@auburnkit dude. he's trolling
This is a class act! There's no one that will ever compare to Jeff Mills! Wow! What an ART!
Dave Clarke comes close
@@kvh303 no. Just no
Love mills. Have many of his albums and mixes,but he is a certified nutcase. Love you Jeff !
this intro gives me chills every time.
That was a hell of a night! Loved the venue, and awesome lineup. And then this guy finished it off into the sunrise. we walked out like zombies.
僕はまだ10代のクソガキですが、一瞬でJeff Millsのプレイに取り憑かれました。
Same here! Absolutely love his style and how he’s progressed.
Thx for this great mix!!!! he is killing it ...at this Time djing was hard work ...getting ready for the next track...no laptops...mixing at his best📣📣📣
.
oldschoooool Backflaaaaaaash 🎉🔥📣
Mad thanks for this.... would dig to see the 2004 set in full too... the fragment on UA-cam with the lights on is nuts, he's working some serious morning minimalism.
Amazing . Still best mix dj to ever live in my humble opinion
Listen jefff mills live hexagona à bourges...😘😘😍😍😍😍🙂
Totally agree
@@nicolaslardechois9479 can find it on my website www(.)t29(.)fr
yup
i listen this mix all ready for 20 plus years and always is super the best,regards from Croatia
thanks for this full mix of jeff , da king of 3 desks
4
All you festival dj's take note THIS IS REAL DJ'ing no pre mixed shit on memory cards and no lap tops REAL DJING
Old and good Jeff. One of my favourites djs these times
You're awesome for uploading this
Great set
Dj’ing was hard work back then. I watched Carl Cox up close a few times when he was 3 deck mixing he never stopped it was so fucking intense!
Perfect ❤❤ Love Jeff Mills 😍
Moi aussi j'adore Jeff c le boss avec d'autres ameticanos......., va voir sur you tube " d-jack" la promis t'auras du bon son, v'la mon num si la te dit de parler muzik ou autre 0483/030365 Emmanuel
AAAMAAAAZING SET!!!! Seems to be widely the BEST techno set in youtube. Jeff Mills at the top of djiing art. So crazy moments in this set and incredible tracklisting !!!
No boring moments instead of many nowadays techno sets
This... is art! Still beats dozens of present-day sets
From 49:10 that few second flow and that following drop is actually a modern mozart art , blown away!
❤
Wauw no commercials!!! +1 👍 Rrspeckt 🙏
For real, and not a single one till today
I'm a 46 year old genuine old skool acid house raver and I still love going to raves and having a top notch night and making my memories of the time I have been on the planet mental ium #70000. 000001!! My random guess in some kind of way... Anyways I'm just trying to keep it real and dance my way through my life and I will wing it to make it more fun and easy.. Peace and love and acieeeeed house ☮️ 💙 ☺️ once more and love knowing the score... 😉 😉 😉
Not many of Us. Still here. HOLD TIGHT
Le PHARAON de la techno!!!!!.....TOTAL Classe absolue....!!!!
Quel son !!! Reconnaissable entre tous. J'ai eu la chance de le voir mixer dans un club à Grenoble en 2004....J'avais alors 30 balais, mais excité comme si j'en avais 10 de moins !!
Sem dúvida o melhor DJ e Produtor dos anos 90 The besta DJ Jeff Mills sem palavras o Rei do Techno The King OF Techno Underground
lot of memories...best time I have ever had! love it
He reminds me of hearing THE CHIP E; for the first time at the WAREHOUSE in the CHI! THE JEFF MILLS IS...AGAIN...A MAESTRO!
Just makes me giggle, like hysterical laughter. I just can't get my head around what he does. It's like watching a "wizard" performing magic tricks, and i just can't see how it's done. lol..
Had the luxury of seeing him live a few years back, he was fantastic. Proper techno! Viva Jeff Mills. X
modern producers should take note of the BPM
What do you mean ?
most of techno produced these days is significantly slower in tempo than old-school. contemporary techno comes off as a bit flat and boring when compared to old-school fast-paced "rave" techno as heard above
Exactly, a lot of modern techno lacks energy, drive and that sense of excitement, its not all the bpm, but its a large part of it.
Of course it's a large part of it. But let's be honest. In the past years techno took a different path and there's loads of styles to be listened. It's not about high tempos anymore. Maybe it is but I don't see it like that. Anyways that's just my opinion, I know there are lots of artists out there who keep on pushing this 'rave' techno thing but it's not what used to be, let's say 20 years ago.
GUYS TECHNO IS GETTING FASTER AGAIN! GET OUT MORE YA BASEMENT DWELLERS
The Wizard! Even though I don't normally care for this tempo, his style in flawless and easy to listen to. Pure sickness! A true Detroit master indeed!
Siiickneeesss!!!!!!!!
Always. We Still have in here😊
Whoop! I was there. Fkn legendary upload 18 years later.
Listened and seen him live for around 20 years 🕺🕺🕺
orbit 48 morley leeds UK 🤘🤘🤘
Great to see there's space to dance and NO FUCKING PHONES! Hurray for 15 years ago
You would have loved the early nineties 😁
All gorgeous
2021... I miss life
@@YnseSchaap I sure did. Don't remember much but those were the days
@@jovdam 😎
Jeff Mills is a Producer! My favourite❤ I traveled to see you!!! In the 90ties❤❤❤
Thank you
The lord of the lords! Please never erase this treasure 🙏
Amazing!
jeff Mills fa Techno di un altro mondo, gli altri si mettano in coda, Fortunato di aver vissuto in pieno gli anni 90
This is what heaven looks like, I can't wait to go there.
It's just Jeff Mills on the decks for eternity, and the tracks never get boring, you never run out of energy, you never stop having a good time, you never come down, and there are infinite drugs.
Thanks to such a piece I'm listening techno, think real techno not a commercial imitation....
when you had to listen to beatmatch, no wave form syncing, this is real djing
Mike Gee the most fun way to dj also. Today only posers dj . All big money.
genuis, only seen once back in 94 Bristol lakota, throwing his records away after ! mental
Superb set and crowd 👌
thats the Techno i like and play... the today's techno might have fuller sound being enourmous, but it def. lacks the energy, drive and play-elements i simply love about techno... i want to move my body real hard to the music, not that hip shake techno that is gettin played right now... letz start a revolution for the sake of real energetic techno :) dj bookings -> in my direction ;) vinyl only, of course... peace from Germany!
As mentioned in other comments above, hard fast techno is making a comeback. Listen Dax J, Paula Temple and others; They are still not playing as fas a tempo as this but they are bringing variety to the stale techno world.
indyvinylz
Feel Ya.Lets try & plan a show.Lets get contact info.Very serious buy the way
i always like ideas like that, but i am located in north germany ;)
indyvinylz
I understand.Id still like 2 try & work with you even though you live in Germany?
Mr Wataru :) how can i reach you on Facebook?
Lightyears ahead 🚀
First heard Jeff was on his live set @ liquid rooms Tokyo in the mid 90’s , seen him live at privilege Ibiza in around 2000 what a set
loving this sped up version of changes of life!
what an absolute litteral wizard of music.
14 me minutos todos os DJS de Techno do Planeta já tocou essa obra de arte produção dele DJ Jeff Mills.
Wow what a ,he stands alone performance.
I havent heard a one man set that contains talent extensively as jeff has shown us here ! You jeff are a funk n #1 .
Top of my bucket list to see and dream#1 to learn just a fraction of your style.
Wish i had the means to get you to teach me sum.
Its a dream........
Keep on keeping on......
Yea man Jeff Mills is the greatest EDM artist that ever lived in EDM history there is no one better than him in EDM
Beyond amazing... life changing is the right adjective.
The Lost parties and final frontier ones are stuff of legend. Bring em back that’s what I say, and party le good ol fashion way. No one gives a funk what you look like, all about the musik and the vibe....... Can I get an Amen
Too damm right!!
The man is a absolute legend.
Even though I’m 47 now I still try and go and see him play when he is in London .
Bring back Lost !!❤️
Yes brother, great times & had the the craic proper at both lost & club UK in the early 90’s, proper order back then, banging DJs, banging venues, banging crowd & the best atmosphere, what more could you ask for......
😎
Lost was the best - Jeff was pretty much a resident there at one point.
the godfather of techno, holy shit this is amazing
absolutely yes to all of this.
Jeff is the mozart of Techno
A master at work, 👍
Imagine the amount of vinyl he had to travel with ?
about 10 kg of vinyl
@@AnP865 10kg? More like 50.
thank u
so CRAZY, i love this
oh gosh this excites me
WHAT AN ABSOLUTE MASTER !!!!!!!!!!
19:00 rue east-remove plays fast as now is the best, simply the best! Thx jeff
WAOW AMAZING TKS A LOT !!!