I could sit and listen to Rolf Lislevand play for hours and hours! Rolf is just fantastic! I absolutely adore his "remix" of the XVI-Century little ditty "Di, Perra Mora!" that no one knows who wrote the music/lyrics! (Rolf was wise titling it "La Perra Mora" and just having it instrumental!)
I'm not a knowledgeable aficionado of this music (yet). But this guy takes nearly ancient music and ROCKS it. And they mic'd it with sensitivity and separation so I can really hear what it is like there. THANK YOU SO MUCH!
liking it Ennah08 though I may never be blessed to perform it on any higher level. I can still enjoy every soulful note I can hear or squeeze out of an instrument
precioso! Rolfs es uno de los grandes exponentes de la cuerdas pulsadas renacentistas y barrocas del mundo.Mis respetos para El. cada vez que escucho sus piezas me inspira a seguir estudiando la guitarra barroca y la viruela y la guitarrista renacentista
The thumb under technique is a way of attacking the strings with the right hand from under rather than over the top as in. classical guitar.It was used in early renaissance lute and vihuela playing.The nails play no part in the attack at all,resulting in a soft mellow sound.Of course this would not be suitable in a modern concert hall!
Como.siempre, este intérprete está lleno de musicalidad., no sólo conoce el repertorio sino que nos lo ofrece lleno de sentido musical. Y maestría técnica, claro
Francesco Corbetta ou Francisque Corbett (nom francisé lors de sa carrière en France), Né vers 1615 à Pavie en Lombardie et mort en 1681 à Paris, est un guitariste et compositeur italien pour la guitare baroque Biographie Après avoir enseigné la guitare à Bologne, Francesco Corbetta est employé tour à tour par les cours du duc de Mantoue, de l'archiduc d'Autriche, puis au service du roi Louis XIV à la cour de France, où il travaille en collaboration avec Lully. Il enseigne ensuite à la cour du roi d'Angleterre, à qui il dédie le premier volume de sa Guitarre royale, et conserve un lien avec cette cour même après son retour en France, où il donne des cours au dauphin. Style punteado et razgueado La particularité de son style est le mélange entre deux techniques de jeu : le style razgueado et le style punteado. Le style razgueado est fait de l'usage d'accords joués en glissant un ou plusieurs doigts de la main droite sur toutes les cordes et en plaçant les doigts de la main gauche dans une position formant un accord consonant selon une notation appelée alphabet qui codifie ces accords sous forme de lettres (voir ci-dessous un alfabeto de Corbetta extrait de Varii capricii per la guittara spagnuola). Le style punteado correspond à des notes jouées de façon contrapunctique à deux ou trois voix. Francesco Corbetta ou Francisque Corbett (nom francisé lors de sa carrière en France), né vers 1615 à Pavie en Lombardie et mort en 1681 à Paris, est un guitariste et compositeur italien pour la guitare baroque.
You know how to read sheet music? Here i have tarantelas arrangment realise that its not the original composition by santiago de murcia, instead it is an improvovisation by Lislevand upon murcias piece you can call it variations too if you want. drive.google.com/file/d/1KTOgSpeHEq505dzaytrAH1BVnbhyMWqQ/view?usp=sharing
Actually we know pretty much exactly how the Batterie (rasgueádo) should be done. In fact Corbetta gave precise instructions for the Caprice de Chaconne in the introduction to his La guitarre royale (1671). Lislevand does not perform it according to the instructions of Corbetta - that is for sure.
Lyslevand es una leyenda y lo demuestra cada vez que pulsa un instrumento
so so good!
Beautiful!
This man is a myth. I've followed one of his masterclasses, he played us this music, and literally changed our lives.
Love his performance. When the camera zoom on the right hand you can see his fingers tremble for emotion...He plays with heart.
Hate to break it to ya, thems are nerves.
Marvelous and spirited rendering. Bravo!
I could sit and listen to Rolf Lislevand play for hours and hours! Rolf is just fantastic! I absolutely adore his "remix" of the XVI-Century little ditty "Di, Perra Mora!" that no one knows who wrote the music/lyrics! (Rolf was wise titling it "La Perra Mora" and just having it instrumental!)
Rolf Lislevand is a genius!
I'm not a knowledgeable aficionado of this music (yet). But this guy takes nearly ancient music and ROCKS it. And they mic'd it with sensitivity and separation so I can really hear what it is like there. THANK YOU SO MUCH!
+Frank Shopen agreed
+John Brown +Frank Shopen Agreed! - another good player of guitar and lute is Xavier Díaz-Latorre. Early music is really coming alive these years!!
liking it Ennah08 though I may never be blessed to perform it on any higher level. I can still enjoy every soulful note I can hear or squeeze out of an instrument
I play this music to my own guitars, hoping they will get the idea, and help me along.
Haha, good thinking, Jeremy! :D
Loved the phrasing and rubato in the preludio.
Tu mi svegli da ogni sonno, Rolf.
Un gran maestro.
sublime, Rolf, another fantastic tune!
That crushed. Pure and simple. Crushed.
precioso!
Rolfs es uno de los grandes exponentes de la cuerdas pulsadas renacentistas y barrocas del mundo.Mis respetos para El.
cada vez que escucho sus piezas me inspira a seguir estudiando la guitarra barroca y la viruela y la guitarrista renacentista
Love that "thumb under" technique! And with no nails!
Blue StarFractal can you please explain what thumb under technique is? thank you :)
The thumb under technique is a way of attacking the strings with the right hand from under rather than over the top as in. classical guitar.It was used in early renaissance lute and vihuela playing.The nails play no part in the attack at all,resulting in a soft mellow sound.Of course this would not be suitable in a modern concert hall!
Fantastic!
I really love this guy's guitar face.
Como.siempre, este intérprete está lleno de musicalidad., no sólo conoce el repertorio sino que nos lo ofrece lleno de sentido musical. Y maestría técnica, claro
Maybe the most complicated baroque guitar piece I have heard yet. Bravo
Génial!!!!!
fantastic
Helt fantastisk Lislevand. Du er intet annet enn et gitarinstrumentgeni.
Amazing
Francesco Corbetta ou Francisque Corbett (nom francisé lors de sa carrière en France),
Né vers 1615 à Pavie en Lombardie et mort en 1681 à Paris, est un guitariste et compositeur italien pour la guitare baroque
Biographie
Après avoir enseigné la guitare à Bologne, Francesco Corbetta est employé tour à tour par les cours du duc de Mantoue, de l'archiduc d'Autriche, puis au service du roi Louis XIV à la cour de France, où il travaille en collaboration avec Lully. Il enseigne ensuite à la cour du roi d'Angleterre, à qui il dédie le premier volume de sa Guitarre royale, et conserve un lien avec cette cour même après son retour en France, où il donne des cours au dauphin.
Style punteado et razgueado
La particularité de son style est le mélange entre deux techniques de jeu : le style razgueado et le style punteado. Le style razgueado est fait de l'usage d'accords joués en glissant un ou plusieurs doigts de la main droite sur toutes les cordes et en plaçant les doigts de la main gauche dans une position formant un accord consonant selon une notation appelée alphabet qui codifie ces accords sous forme de lettres (voir ci-dessous un alfabeto de Corbetta extrait de Varii capricii per la guittara spagnuola). Le style punteado correspond à des notes jouées de façon contrapunctique à deux ou trois voix.
Francesco Corbetta ou Francisque Corbett (nom francisé lors de sa carrière en France), né vers 1615 à Pavie en Lombardie et mort en 1681 à Paris, est un guitariste et compositeur italien pour la guitare baroque.
Bravo !
Great
Rolf can play circles around me.
incredible technique.
Bravo Rolf!
❤️
grande Rolf!
Rolf! I appoint you my court musician!
Мирный Атом 😂
Heaven
the baroque guitar looks like a lot of fun to play
This is a Stradivarius Guitar man !! the only he made, probably worth more than 50 millions
@viodio tutti, although he is one of the "few" who are allowed to play the original Stradivarius' Sabionari.
love his repertuar, do we can by from U sheet music?? and where, like tarantela de murcia, ??
You know how to read sheet music? Here i have tarantelas arrangment realise that its not the original composition by santiago de murcia, instead it is an improvovisation by Lislevand upon murcias piece you can call it variations too if you want. drive.google.com/file/d/1KTOgSpeHEq505dzaytrAH1BVnbhyMWqQ/view?usp=sharing
is the 5 course a d g b e on this? sweet music
The first STRAT Guitar!!!
Whos's still listening in 1695?
Phantastic Player.
Historical correctness of his Rasguedos? Nobody knows and we will never find out.
The correct spelling is rasgueádo. 😊
Actually we know pretty much exactly how the Batterie (rasgueádo) should be done. In fact Corbetta gave precise instructions for the Caprice de Chaconne in the introduction to his La guitarre royale (1671). Lislevand does not perform it according to the instructions of Corbetta - that is for sure.
@@ryebaborak3294 one example that corbetta gives is down medius, down thumb, up thumb, up index
I thought Stradivari only made violins.
rolfmao
What type of guitar or guitar like instrument is he playing? Definitely doesn’t have the tone of any average classical guitar
It's a baroque guitar
Edoardo Lambertenghi it sounds amazing, thank you!
@@matthewmayuiers The Sabionari guitar (1679) is one of the five surviving guitars made by Antonio Stradivari
@@lorigale99 This one is a replica of the Hill guitar by Stradivari. It's not the Sabionari, though Rolf did get to play it once, it's not his.