I know a surprisingly beautiful harpsichordist and have nothing to dare to express. I also pay tribute to Frescobaldi, who opened the door to baroque keyboard music for his outstanding work on harpsichord music. Thanks, David!
Wunderschöne und tiefempfundene Interpretation dieses kompakten und perfekt komponierten Tastenwerks im gut analysierten Tempo mit klar artikuliertem Anschlag und sorgfältig kontrollierter Dynamik. Ganz sprachlos!
In a strange kind of way, this Sartori's excellent performance from the mid 20th cen., is much much better than more advanced historically 'authentic' approach towards early music's interpretation, played on historical replicas of harpsichords. Sartori knew how to use this instrument's registers (was it a William de Blaise harpsichord?) in her interpretation, intended to catch as much as possible the authentic intentions of the composer. Brava! - and thank you so much, David, for your much appreciated efforts to make a whole archive of rare recorded performances, included this wonderful upload. I'm sharing.
Great comments, thank you so much. FWIW I’ve cannot listen to contemporary recordings of this sort of music. People these days do not know what musicianship is. Regards.
I know a surprisingly beautiful harpsichordist and have nothing to dare to express. I also pay tribute to Frescobaldi, who opened the door to baroque keyboard music for his outstanding work on harpsichord music. Thanks, David!
Wonderful, interesting liner notes. Style and form of composition fascinating. Lovely dynamics and varying sounds of harpischord quality. Primo.
Wunderschöne und tiefempfundene Interpretation dieses kompakten und perfekt komponierten Tastenwerks im gut analysierten Tempo mit klar artikuliertem Anschlag und sorgfältig kontrollierter Dynamik. Ganz sprachlos!
Nice music 🎶
In a strange kind of way, this Sartori's excellent performance from the mid 20th cen., is much much better than more advanced historically 'authentic' approach towards early music's interpretation, played on historical replicas of harpsichords. Sartori knew how to use this instrument's registers (was it a William de Blaise harpsichord?) in her interpretation, intended to catch as much as possible the authentic intentions of the composer. Brava! - and thank you so much, David, for your much appreciated efforts to make a whole archive of rare recorded performances, included this wonderful upload. I'm sharing.
Great comments, thank you so much. FWIW I’ve cannot listen to contemporary recordings of this sort of music. People these days do not know what musicianship is. Regards.