Once I Learned THIS, Jazz Became Simple and Easy
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- Опубліковано 12 чер 2024
- In this lesson, we will delve into the vital concept of triads. By applying this concept effectively, you can craft both simple and captivating melodies that are versatile enough to be played over a variety of harmonic backgrounds. Iconic musicians such as Charlie Parker and Wes Montgomery were adept at utilizing triads to enrich their music, highlighting the importance of this technique. Make sure not to miss out on learning this foundational musical element!
Outro backing track provided by Phil Wilkinson: www.playjazztracks.com
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Thank you for your support! - Розваги
Another masterful lesson. Thank you very much for making jazz simple, approachable and sounding great!
My pleasure!
Awesome lesson
Thanks! 😃
Excellent ideas here Nathan. Worth doing something on triad pairs? I think you did one on this a few years ago when you started.
Yes! That would be a good follow up lesson. I did do one, but I could redo it with better ideas and production!
A so very clear lesson on triad use improvising. Thank you Nathan !
Thanks so much!
This is one of my favorite channels for jazz guitar! Love the approach nice tone too, reminds me of Joe pass
Wow, thanks for your kind words!
Thank you!
You're welcome!
I have been struggling with this for years. This looks like a major step forward for me. Thanks as always.
Glad to help!
As always.. Best lesson. ❤️
Thanks so much! Always appreciate your support!
This is brilliant!
Appreciate that! Hope this helps!
Thanks Nathan:)
Thanks for watching!
C est bon ça merci pour le partage Nathan.
Thanks for watching and appreciate your support!
Some interesting ideas, however, you should point out that when you’re going through through your whole step up half step back pattern, you are using borrowed notes out of other keys, other than C
Hi mark, thanks for your comment. I’m not really thinking of it that way. I’m just thinking of it as an enclosure pattern. These type of chromatic patterns are very common in jazz and are meant to focus on the target not rather than on each note getting there
Hi Nathan, thanks for replying to my comment. I really appreciated your talk about enclosure patterns. I just made the observation I did because it really helped me understand what you were doing, and I thought, ok, he’s not just working off CAGED scales, where everything is related to the key you’re playing in. I appreciated the lesson and your playing.