Hey man awesome review i just ordered this . What affordable mic stand to u suggest i get ? Thanks. I got a neumann tlm 102 btw . Dont know if weight mattered
Any, really. Stands are stands as long as they are solid on the ground, quiet and lock correctly. You can go expensive and have better locks and materials but I've never had issues with cheap ones personally.
I don't really have any preferences. I'd go to Amazon and run a search then read reviews... if I were to buy one today though, I'd probably try the Amazon Basics stand for $20. It has an arm, wide legs and is adjustable. Seems like a good deal too. Here's an Associate link for you to look at it by: amzn.to/2YVYEMG
@@SoundSpeeds I have a fifine k678 and am trying to find a shock mount that will work well with it. This style might work, but ill have to mount it near the bottom of the microphoen, which makes me slighly nervous for it slipping
If you can disconnect the mic from the legs/stand, ad the diameter of the mic will fit in the shockmount, it'll hold great. You control the tension and it'll tighten up very effectively. If you make it tight, you won't be able to shake the mic out.
Honestly, I was surprised how weak the elastic is -- which might be OK for shock absorption, but it lets the microphone sag way over toward one side, depending on the angle you've set it up. If nothing else, it just looks bad that way. For my RE320 (admittedly a heavy mic), I replaced it with a far cheaper and sturdier model from Innogear. I'll find some other use for the Rycote, where it can sit straight up, which is the only way you don't notice it heaving over so much.
@@SoundSpeeds Thanks, Allen, for the follow-up. Admittedly the RE320 might be a sort of torture test, because it is both heavy and long, so that unless you place the shockmount well up along the barrel, the weight of the upper end puts a lot of "leverage" against the elastic. Also, I have it at about a 45 degree angle, which may be a type of stress that the design is less designed for. Each situation is unique I guess. Clearly the Rycote is built to last. This is what I'm using now, by the way, recommended recently on a different channel that you probably know: www.amazon.com/gp/product/B08G8GPL9W
Yeah, I know those. Not a fan personally. The Lyres come in light and heavy mic versions and for different widths. If you have a heavier mic, you'll want the correct combination for it to work properly or it will sag like crazy.
@@SoundSpeeds You're right, Allen, this was the Rycote 44901 Invision USM ($79), and although Amazon used all the right words to describe it as heavy-duty, etc, the Rycote site says this one is good for mics up to 750g vertical, 500g horizontal. Which makes it one of their medium-strength models (others say up to 400g, or up to 900g vertical -- although even the latter say 500g horizontal, same as mine. So my 45-degree angle use case is definitely a problem factor.). Ah well, I will definitely find use for it, where it can sit vertical.
You don't happen to know if the 55-65mm works flawless with an ev-re320? I'm a bit concerned with the weight of the ev since rycote says that the usm can only hold around 500g horizontally
Matthew Datcher I love the Inv-6 and Unv-7 depending on the mic. Those are my Universal options but for dialed in performance, I use Cinela Osix shockmounts. They are a lot more expensive and use the same plastic isolators but it's engineered for the exact weight of that mic. Very much not universal.
George O On MKH-416 is 20mm diameter if memory serves. This should work. If it's not able to grip a 416 strong enough, you can wrap a this stripe of tape or foam around the 416 to fatten it up just a hair without affecting performance. If you want something better for a shotgun, go for the Inv-7 Lyre.
George O The Rycote website boasts up-to 12 db less noise than elastic suspensions. 12 db is a lot. Maybe they mean the difference between -90db and -78db.
How do you feel about the pop filter vs the Håkan P110? I am considering the P110, but there is no proper mounting for it to my T2, but I am considering the Rycote USM and pop filter as well as it's a great mount and potentially a great pop filter too.
@@SoundSpeeds I was just hoping =) I see Bandrew really likes the P110, but I have no good way of mounting it to my T2 or its mount, but if the pop filter for the Rycote USM is good, that solves all the issues.
Thanks for watching! Keep in mind there are two different common sizes: 20-55mm and 55-68mm if memory serves. Something like that. They also make them for different weights so make sure you buy the version that will fit your mic and cover the weight range best. If you want to confirm your mic will fit for piece of mind, measure across the top of the AT2020.
Understandable... if it were 1) a booth and 2) all I was doing. In many videos I refer to this as a set piece or "booth set" however, I'm very knowledgeable of acoustics. My fundamental voice frequency is higher than most guys which is why I'm speaking directly into a wall of 4" OC703 which tames almost all reflections. The carpet below and 4" OC703 treatment above me along with the other treatments where you can't see tame my voice quite well. What you see looks much better than it would if I were talking in a regular room. I considered making the walls a green or blue screen or putting more OC703 on the back wall but it wasn't going to help me so I sold or gave away my extra OC.
There's a lot of truth in that, yeah. I give a lot of people that exact same advise but I tell people to put the mic 4 inches in front of their mouth, move it to one side in line with your ear then adjust it facing back to your mouth.
You just sold me!
Podcastage I use it whenever possible. Better to not risk a shockmount that comes with the mic.
Podcastage I use it whenever possible. Better to not risk a shockmount that comes with the mic.
Andrew M. Sheppard yes I have. He’s got some rad real world experience and expertise, and he’s willing to share it with us all!!!
Andrew M. Sheppard I'm on Podcastage's Discord server. Just saying.
Andrew M. Sheppard No worries. When ready, shoot me an email. Grats on picking out a mic.
Great review. I’m buying one. It’s exactly what I’m looking for and solid enough for my mini recording studio.
Make sure you get the correct model for the diameter and weight of your microphone(s). Glad to help.
Thanks man, I needed to clearly see and get a feeling for the dimensions. I'm buying it!
Cool beans. Glad to help.
I've been looking for a good universal shock mount.. Thanks for the video Allen!
Crosstalk This is my main choice for Large Diaphragm Mics but for film work, it's different.
YOU HAVE MY INTERESTS NOW I’M GONNA PURCHASE THIS ITEM
It's solid! I love mine.
thanks for the info!
Ben Caesar Anytime
another great video!
Thank you
Hey man awesome review i just ordered this . What affordable mic stand to u suggest i get ? Thanks. I got a neumann tlm 102 btw . Dont know if weight mattered
Any, really. Stands are stands as long as they are solid on the ground, quiet and lock correctly. You can go expensive and have better locks and materials but I've never had issues with cheap ones personally.
Sound Speeds ok any ones u would personally reccomend for a neumann tlm 102 ? Looking to spend around 25 -40 dollars
I don't really have any preferences. I'd go to Amazon and run a search then read reviews... if I were to buy one today though, I'd probably try the Amazon Basics stand for $20. It has an arm, wide legs and is adjustable. Seems like a good deal too. Here's an Associate link for you to look at it by:
amzn.to/2YVYEMG
Uhm. Aston didn't copy Rycote's design, they worked with them to make a shockmount custom for their product line!
Rycote does this with many manufacturers for different microphones however the USM clone...
I wish the tightening screws were offset a little more, there are often buttons directly in the front/back of microphones
They never bother me but I see how it could be bothersome on some mics.
@@SoundSpeeds I have a fifine k678 and am trying to find a shock mount that will work well with it. This style might work, but ill have to mount it near the bottom of the microphoen, which makes me slighly nervous for it slipping
@@SoundSpeeds do you feel that this holds onto your microphones sturdy enough? Or is there a chance of slippage?
If you can disconnect the mic from the legs/stand, ad the diameter of the mic will fit in the shockmount, it'll hold great. You control the tension and it'll tighten up very effectively. If you make it tight, you won't be able to shake the mic out.
Great review! How is this one compared to the Aston Swift shockmount?
Beats me. I'm a fan of Rycote and they first used the bow isolater technology so I'm not looking elsewhere.
Would it work with the Neat King Bee II? 🤔
There are different models. Measure the diameter of the KB2 and buy the one that fits that diameter.
Honestly, I was surprised how weak the elastic is -- which might be OK for shock absorption, but it lets the microphone sag way over toward one side, depending on the angle you've set it up. If nothing else, it just looks bad that way. For my RE320 (admittedly a heavy mic), I replaced it with a far cheaper and sturdier model from Innogear. I'll find some other use for the Rycote, where it can sit straight up, which is the only way you don't notice it heaving over so much.
I'm surprised. I gave some heavy mics but as long as I tighten it down, it doesn't move. The Lyre bows sagging a bit doesn't bother me.
@@SoundSpeeds Thanks, Allen, for the follow-up. Admittedly the RE320 might be a sort of torture test, because it is both heavy and long, so that unless you place the shockmount well up along the barrel, the weight of the upper end puts a lot of "leverage" against the elastic. Also, I have it at about a 45 degree angle, which may be a type of stress that the design is less designed for. Each situation is unique I guess. Clearly the Rycote is built to last. This is what I'm using now, by the way, recommended recently on a different channel that you probably know: www.amazon.com/gp/product/B08G8GPL9W
Yeah, I know those. Not a fan personally. The Lyres come in light and heavy mic versions and for different widths. If you have a heavier mic, you'll want the correct combination for it to work properly or it will sag like crazy.
@@SoundSpeeds You're right, Allen, this was the Rycote 44901 Invision USM ($79), and although Amazon used all the right words to describe it as heavy-duty, etc, the Rycote site says this one is good for mics up to 750g vertical, 500g horizontal. Which makes it one of their medium-strength models (others say up to 400g, or up to 900g vertical -- although even the latter say 500g horizontal, same as mine. So my 45-degree angle use case is definitely a problem factor.). Ah well, I will definitely find use for it, where it can sit vertical.
Thanks for confirming that Dan. Good to see you're still around and watching my videos.
You don't happen to know if the 55-65mm works flawless with an ev-re320? I'm a bit concerned with the weight of the ev since rycote says that the usm can only hold around 500g horizontally
I have no experience with it and an EV RE320, RE20 or RE27 N/D but I'd think that it could hold any mic that fits the diameter.
What kind of shockmount do you use at the end of your boompole? Is it a lyre type shockmount?
Matthew Datcher I love the Inv-6 and Unv-7 depending on the mic. Those are my Universal options but for dialed in performance, I use Cinela Osix shockmounts. They are a lot more expensive and use the same plastic isolators but it's engineered for the exact weight of that mic. Very much not universal.
Thanks for another helpful video. Quick question: Will this work with shotgun mics? A MKH416 is on my wish list, and I wondered if it'd be compatible.
George O On MKH-416 is 20mm diameter if memory serves. This should work. If it's not able to grip a 416 strong enough, you can wrap a this stripe of tape or foam around the 416 to fatten it up just a hair without affecting performance. If you want something better for a shotgun, go for the Inv-7 Lyre.
Thanks so much. I think this USM is a great piece of gear.
George O The Rycote website boasts up-to 12 db less noise than elastic suspensions. 12 db is a lot. Maybe they mean the difference between -90db and -78db.
Interesting. Quite a claim?! :)
George O Kinda hard to measure noise on a stationary mic.
How do you feel about the pop filter vs the Håkan P110? I am considering the P110, but there is no proper mounting for it to my T2, but I am considering the Rycote USM and pop filter as well as it's a great mount and potentially a great pop filter too.
I have no first hand experience with it. Sorry.
@@SoundSpeeds I was just hoping =) I see Bandrew really likes the P110, but I have no good way of mounting it to my T2 or its mount, but if the pop filter for the Rycote USM is good, that solves all the issues.
I haven't used it extensively but it seems to work well from my brief tests.
@@SoundSpeeds I can't buy anything until some time into February, so I have some time to decide. Thank you for the input :)
👍
Will this fit an at2020 XLR?
It should. It fits my AT3035.
Sound Speeds - Thanks! Want expecting a reply that quick! Great viewer experience, I’m watching from the United Kingdom 🇬🇧 !
Thanks for watching! Keep in mind there are two different common sizes: 20-55mm and 55-68mm if memory serves. Something like that. They also make them for different weights so make sure you buy the version that will fit your mic and cover the weight range best. If you want to confirm your mic will fit for piece of mind, measure across the top of the AT2020.
Is ok for u87?
Should be
sorry to be "that guy" but your "auralex booth" is very delegitimizing of your information
Understandable... if it were 1) a booth and 2) all I was doing. In many videos I refer to this as a set piece or "booth set" however, I'm very knowledgeable of acoustics. My fundamental voice frequency is higher than most guys which is why I'm speaking directly into a wall of 4" OC703 which tames almost all reflections. The carpet below and 4" OC703 treatment above me along with the other treatments where you can't see tame my voice quite well. What you see looks much better than it would if I were talking in a regular room. I considered making the walls a green or blue screen or putting more OC703 on the back wall but it wasn't going to help me so I sold or gave away my extra OC.
Regarding the pop-filter - do you agree with this annoyed individual: ua-cam.com/video/xpcHnjseZrU/v-deo.htmlm31s ?
I heard nothing about pop filters. What did I miss?
Sound Speeds how embarrassing -of me - this one: m.ua-cam.com/video/uO8p-SLGTKI/v-deo.htmlm27s
There's a lot of truth in that, yeah. I give a lot of people that exact same advise but I tell people to put the mic 4 inches in front of their mouth, move it to one side in line with your ear then adjust it facing back to your mouth.