I love it. I use it with the Benidub Spring Amp just to have a different texture of Spring reverb on another track. I wouldn't rely strictly on the 636 to do all my Spring Reverb stuff but it is a nice side tool to have. I wish it had a filter built in but I suppose you can hook it up to a wah pedal and maybe get a little extra out of it. Still a nice tool to have.
Probably not good for all vocal types. For bluesy, edgy vocals I think it can work. Listen to Hoziers debut album which uses similar spring reverb on his vocal
Thanks for your comment. I don't believe it works like a wet / dry control from what I have read. Some forum posts are saying they would have liked that adding as a feature.
@@tothefinlandstation I've had another look at the Behringer website and launch video. It does actually say "Wet/dry mix control for adjusting the amount of reverberation effect" so I would assume that 10 is fully wet. It certainly sounds like that's the case when I'm testing it! However, without knowing exactly how the unit was designed and produced I can't be 100% sure. Maybe someone else can comment to to clear this up!
It's a valid point! I probably wouldn't use it across lots of instruments in one track. The demo track I used was just to show off the individual sounds really. I see it more as a character reverb to put on certain sounds. thanks for commenting 😀
The guy is not using any real instruments that form an impedence relationship with the unit, he is feeding it a line level signal from his daw. Sounds way better using it with an actual guitar etc.
Really useful review. Great demo tune as well! :)
@@JaseLovesDub thank you 🙏
I love it. I use it with the Benidub Spring Amp just to have a different texture of
Spring reverb on another track. I wouldn't rely strictly on the 636 to do all my
Spring Reverb stuff but it is a nice side tool to have. I wish it had a filter built
in but I suppose you can hook it up to a wah pedal and maybe get a little extra
out of it. Still a nice tool to have.
Thanks for commenting… some good ideas there !
Is it any good for vocals in your opinion? I haven't seen any review to convince me that it is yrt.
Probably not good for all vocal types. For bluesy, edgy vocals I think it can work. Listen to Hoziers debut album which uses similar spring reverb on his vocal
When the reverberation knob is at 10 is it 100% wet?
Thanks for your comment. I don't believe it works like a wet / dry control from what I have read. Some forum posts are saying they would have liked that adding as a feature.
@@thehomerecordingstudio so is that a yes or a no?
@@tothefinlandstation I've had another look at the Behringer website and launch video. It does actually say "Wet/dry mix control for adjusting the amount of reverberation effect" so I would assume that 10 is fully wet. It certainly sounds like that's the case when I'm testing it! However, without knowing exactly how the unit was designed and produced I can't be 100% sure. Maybe someone else can comment to to clear this up!
you're missing a trick by using a sampled snare with no tonal variation.. that's where the spring magic happens
Really nice demo and composition!
Thanks
Maybe not a popular opinion, but i really don't like it's sound at all
It makes every sound ringing, must be hell to mix a track with that thing
It's a valid point! I probably wouldn't use it across lots of instruments in one track. The demo track I used was just to show off the individual sounds really. I see it more as a character reverb to put on certain sounds. thanks for commenting 😀
The guy is not using any real instruments that form an impedence relationship with the unit, he is feeding it a line level signal from his daw. Sounds way better using it with an actual guitar etc.
Because It can drip. (sigh) Springs are too short