You're welcome! Entrelace is a fantastic step: there are maaaaany ways to do it. (Battu, split, suspended, double, with one leg passe or the other, en tournant, with a rotation to exit efface, etc. etc. etc. etc.) So, if you learn the basic step, then learn the variations, you can choose the best version to suit the character of the piece you are dancing at that time. :)
wow...what a powerful performance...strong and elegant...........its going to sound maybe a bit pedantic but If I were to find one thing not 100%...if I were able to dance like you ( and were as good looking ) in Basilio's variation I think I would smile just a little he is not Albrecht or Siegfried so no need to be to serious and even though you are going for "Spanish Attitude " I think a Dazzling smile here would make it 150% !! bravo I would love to see you dance live
Some people call it "double revoltade", but (and I'm going to get criticized for saying this!) It's actually not a revoltade at all. It's entrelace double. (vaganova method) The reason it's NOT a revoltade, is that it changes legs (take off leg and landing leg are different), whereas all true revoltades jump from and land on THE SAME leg (e.g. a form of temps leve)
Let me start by saying that you were flawless at :30....but why only at :30? I know why. Never forget that dance is nothing more then a series of INDIVIDUAL MOVEMENTS designed to create an emotion,a story,a viewpoint, the illusion of ease, and at it's highest level PURE MAGIC. You finished the the movement completely before :30 and you fully completed your movement at :30 before starting your next movement. Misha himself would not have been ashamed to claim :30 as his very own!!
Very nice. You dance it like Misha!! A little more flourish and a touch more emphatic power in the crispness of your arm and hand flourishes and you sir would be all the way there. I loved it. I am going to watch whatever there is to be found of you on video. I need to watch your drunk solo dance from this same ballet to see what you are really made of..but I am excited to find out. I hope you are not one of those dreadful travelers * shudder* Very nice entrance you set the tone immediately!
Bravo. Just simply fantastic. Love this Jeremy and your natural musicality and effortless execution.
You're welcome! Entrelace is a fantastic step: there are maaaaany ways to do it. (Battu, split, suspended, double, with one leg passe or the other, en tournant, with a rotation to exit efface, etc. etc. etc. etc.) So, if you learn the basic step, then learn the variations, you can choose the best version to suit the character of the piece you are dancing at that time. :)
wow...what a powerful performance...strong and elegant...........its going to sound maybe a bit pedantic but If I were to find one thing not 100%...if I were able to dance like you ( and were as good looking ) in Basilio's variation I think I would smile just a little he is not Albrecht or Siegfried so no need to be to serious and even though you are going for "Spanish Attitude " I think a Dazzling smile here would make it 150% !! bravo I would love to see you dance live
the first time saw this step was in 75 when micha in florence did in his albrecht variation with fracci as giselle ,great time
Your Entrelaces are as magnificent as Baryshnikov's. Only dancer I have ever seen to match them. :)
woow very well done jeremy
jeremy is very good imo and is not afraid going for the difficult tricks
Wow! I'm humbled by your comment! Thank you.
Some people call it "double revoltade", but (and I'm going to get criticized for saying this!) It's actually not a revoltade at all. It's entrelace double. (vaganova method)
The reason it's NOT a revoltade, is that it changes legs (take off leg and landing leg are different), whereas all true revoltades jump from and land on THE SAME leg (e.g. a form of temps leve)
Let me start by saying that you were flawless at :30....but why only at :30? I know why.
Never forget that dance is nothing more then a series of INDIVIDUAL MOVEMENTS designed to create an emotion,a story,a viewpoint, the illusion of ease, and at it's highest level PURE MAGIC.
You finished the the movement completely before :30 and you fully completed your movement at :30 before starting your next movement. Misha himself would not have been ashamed to claim :30 as his very own!!
Very nice. You dance it like Misha!! A little more flourish and a touch more emphatic power in the crispness of your arm and hand flourishes and you sir would be all the way there. I loved it. I am going to watch whatever there is to be found of you on video.
I need to watch your drunk solo dance from this same ballet to see what you are really made of..but I am excited to find out. I hope you are not one of those dreadful travelers * shudder*
Very nice entrance you set the tone immediately!