Good video. I switched from Lightroom to Darktable about a year back and I'd never move back. Much more powerful and much more control (and no dodgy AI nonsense! :D)
Thx for this Andy. With all the recent dramas with Adobe, this topic has been more than relevant. I'm trialing Peakto at the moment and since I'll be ditching Lightroom Classic as an asset manager/organiser, I gather it'll be pointless to import the LC catalogue, but import from disk directly. With that method, Peakto doesn't seem to recognise the JPG equivalent of Raw as sidecars but sees it as two separate pictures. As such I'm now trying Darktable too and currently importing my files there.
Have a look at the Instants feature in Peakto - desk.cyme.io/portal/en/kb/articles/understanding-instants . Been a while since I tried Darktable and probably high time I had another look.
Great video, Capture One seems well expensive these days. Looking at the costs if you were going to upgrade a perpetual licence every year you might as well pay the subscription, I think perpetual licences only pay if you plan on either not upgrading, or have a 2 year cycle. I usually try and take advantage of buying a year's Adobe subscription at a time (then cancelling the subscription), the apps will work until the subscription expires even when cancelled.
Thank you for the very honest and thorough video. I think I will stick with The Adobe Photography bundle for now since it seems to be good value. Subscribed to your channel. Glad I found you.
Hi from Brissy Andy, liked and subscribed. Excellent video on an issue that plagues many of us, not least those who started off with and were happy with Aperture, only to be forced to Lr. Recently I was hoping that Nitro might be the solution, your video predates its release. I got it and I like it so far, though maybe I wouldn't if I had seen your recent rather unflattering video on it! Am hoping its issues are addressed... Keep up the good work!
Thank-you kindly mate. If software works well for you that's all that matters. I went to answer your other question about Hazel but couldn't find the original reply so I'll put it here - no you don't need an empty card it will not import stuff twice - here is the options screen: share.cleanshot.com/R2KgTs49
Thank you, I guess my search for escaping Adobe is now over. You clearly explain that there is no real alternative for Lightroom which is one of my most important applications since... forever. I will just forget about bad business practises and bite the monthly bullet.
I just needed someone to do this comparsion. I have past month tried, cursed, and cursed more, while testing options. Long time Lightroom (earlier Apple Aperture). Just have to bite the 13e/month and try to keep all data locally stored. Lightroom Classic keeps me on that subscription, if (WHEN!) they do again things and move everyone to non-Classic cloud-crap, I'm out... Thanks for good info.
Great trip through options. If it helps anyone I use Fuji and after a lot of trial and exasperation have landed on DxO Photo Raw -> Lr Classic/Ps -> DxO Nik Collection for my time, life and sanity. Accepting I'll have to spend something somewhere. And wordpress for sure. Great stuff Andy
This was good. I'm still missing Aperture as well...have been pondering trying Mylio to DXOPhotolab over Lightroom but still not sure ...Thanks for sharing your preference and the excellent and thorough review Andy.
It doesn’t feel like Adobe has really wanted to invest in LR Classic at all and wants everyone on LR instead. Makes me think there’s a finite amount of time we have with Classic and that’s kinda a scary thought. I have no problems with the subscription model at this point. I just would rather it be with a good company.
Ooh, a timely video. Still tossing up as to what I should do. Currently it costs me $14/mth for 1tb cloud storage. As posted in the On1 thread, I'm an amateur photographer in retirement mode, so, do I really need the powerhouse that is LrC? Thing is, I run it on my Mac Mini M2 Pro (16GB RAM, 512 GB SSD, Macbook Air 15" M2 (8GB RAM, 512GB SSD) and Lightroom for iPad 12.9" M1. That works well, plus I can tether to LrC in the bedroom/studio for our annual Xmas postcard shoot. Thanks again, Andy, for your videos. It's appreciated.
Just came across this. I've long advocated separating DAM and processing for the very reasons you stated. DAM by it's nature should be long term. In my 2 decades of raw processing, editors have come and gone or been dumped for better. On Windows my DAM of choice is Imatch. Super powerful, reliable, and reasonable cost perpetual license with discounted upgrades at major releases. The developer is very responsive. One point of caution with separating DAM and processing/editing, metadata should only be written by the DAM. You can use the metadata in the processors and editors for filters and sorting, but all writing of it should be done in the DAM. There are standards for metadata, they aren't always followed so have one source of truth.
I tried dxo photo lab and hated it. You can't even COLOR GRADE without paying for their extra $100 add-on film pack which has a million features that I don't want. It doesn't have an import feature like Lightroom. You have to go through the files in the window explorer to cull them and then move them to the folder you want to keep them.
Looking at alternatives after the current Adobe dramas and exported all my RAW changes to sidecars. Already "subscribe" to most DXO products and have Affinity, but I guess it's the DAM I'm missing. Might try Bridge before I jump out of the Adobe ecosystem completely, I guess the question is whether DXO Photolab has enough DAM functionality to be worthwhile.
So I'm looking for something where I can see all my photos on the go, say if I want to show a photo on my iPhone, is there any alternative to Lightroom that will allow you to do that and use your own NAS (I have very fast upload)? - I tried Synology Photos but it's very poor.
Interesting. Personally, I’m very happy with Lightroom Classic. I know it well, it’s fairly simple and gets better every year. Tried Capture One and DXO. Found both unnecessarily complicated as editors and of course useless as asset management systems. I don’t like Adobe themselves a huge amount but that’s life. I do have a big Apple Aperture library gathering dust in an old Drobo. If it will boot ok I might see about getting Avalanche and Peakto to save it.
Great video Andy 👍🏻, Squaresoasce wich is not sponsoring this video killed me 😂😂. I use Adobe since the early ages, then stopped a couple years since then I did not much photography/video. Then with my iPhone 12 ProMax I started again to get interested in photography and it did not take that long I got myself a Mirrorless camera…. So the question was what use for editing? I found Neo and thought wow a great program until, well until Luminar started to push out update and feature after feature without making sure they worked properly. One1 is just not good (sorry folks) and DxO has great camera support but lacks in the masking otherwise it would be good really. Well so I returned to Adobe and I love it. Yes it’s subscription but considering the quality I am getting out of each Program is really great. It is not perfect, but you can find issues in every tool you use.
Wow, you covered a lot in a short presentation. Well done. I was an early Lightroom user and Photoshop pre-subscription buyer who also became an early adopter of Topaz and NIK software, which allowed me to become a Salon winner in Camera Club competitions. Then I found On1 Raw, which you do not like, to be a one size fits all program that provided non-destructive Topaz like effects as well as layered capability for compositing and I switched. For the few times I needed Photoshop type capability, I used inexpensive Affinity Photo. Yes, i have to pay for annual upgrades but with discounts it is only $60-70 per year to obtain the new features, including Brilliance AI in the 2024 release. Is it really better than Lightroom and Photoshop or Capture One? Probably not, but it is a lot easier to use for my non-commercial travel, landscape, and family photography. Final conclusion: Lots of great software out there and the one to use is the one you know how to use best.
Cheers Philip. I find I use Photoshop extremely rarely for post-processing these days. I find I can get everything done in Lightroom or Photolab. I think takes all of us a while to arrive at the solution that works for us and there certainly isn't any single solution. :)
Excellent video, Mr. Hutchinson. Very informative, and you explained everything rather nicely. What is your opinion on ON1 Photo Raw? It's a Raw editor and image manipulator, and the new version now seems to have DAM built in. It's also supposed to have excellent masking skills. Thanks again.
Thank-you. On1 wouldn't be my first choice of RAW editor. I think it has a great asset management engine, but the RAW decoding is lacking and the new AI features need a bit of work before they become useful. :)
Subscribed. Mate you are without a doubt one of the most HONEST presenters out there. Plus, you're a fellow Aussie! I am not a fan of what Adobe is doing, but .... I AM a fan of LRC, PS and Bridge, so, whilst I can afford it I'll hang in there. If I left Adobe, my choice would be either, DXO PhotoLab or Darktable! A question: Right near the end of the video, you offer your recommendations, one you mention is "Adobe Bridge with DXO PhotoLab ... or DXO PhotoRaw" PhotoRaw? surely can't compete with DXO PhotoLab, in fact itis merely a PART of Photolab? Not knocking PhotoRaw - I have it. But how can it replace a dedicated RAW Processor? Loved your shoot of Bombo Quarry! I'm travelling down to Bargo soon to meet up with an old mate for 2 or 3 days of photography. If we end up near your neck of the woods would love to meet and buy you a beer or two. Or tea, coffee juice.
Cheers mate. Yea - if you own Photolab then PureRAW isn't essential, because they essentially do the same job, but PureRAW's a great pre-processor to put in between a third party asset manager and whichever RAW editor you prefer to use. That said, even with Photolab it's useful since you can do a bulk import in PureRAW with all the baseline tweaks.
So after all the fuss about Lightroom costs I looked at ON1 which is AUD 1.50 Less per month than LR AND Ps...combined. Why would I bother given, amongst other things, the incredible amount of tutorials available for Adobe products? Excellent review, by the way.
Nikon's a brand I've had no experience with at all, but I've always found the editors that the manufacturers bundle with their cameras to be fairly rudimentary.
@@Andyhutchinson ah, the skate park guy! I loved YS when I was growing up - the way that it was only ever slightly about the subject matter was a considerable achievement. Glad you saw the light and became a photographer. Love the channel.
Thanks. I was always a photographer - started when I was 10. Those were some good days back then at Future - one day somebody will make a TV show about insanity of those 1990-1995 years. :)
@@Andyhutchinson it is a shame what happened to YS, but I think it was inevitable given the way the speccy market went. I read an interview you did about the demise of the speccy and C64 and the stunts you had to pull to put a magazine out each month. You did very well in the circumstances. I was rather surprised to learn about Andy Ide's change of career though. No wonder Future kept that one quiet...
Your video is confirming to me. I think I already have revealed my preferred combination: Darktable for raw, and Affinity Photo for the pixel based editing. I mention this combination, because it fits into a low budget and offers a lot of value for the money. As a curio I have a lifelong Photoshop 5 license from before Adobe lured its blood needle into our veins. Even the old ACR works as long as it is fed with DNGs. And yes, Bridge is a fair organizer, unfortunately my old version can't show the Affinity format as image thumb nails, but they often end up as TIFs anyway.
The current version of Bridge is free to download and use - no CC subscription required. Still not sure it would read the native Affinity format though.
@@Andyhutchinson Yes, Bridge can be downloaded and used without subscription. But the creative cloud follows, and on me that feels like being xrayed from two sides - Google and Adobe - at the same time. No, the newest Bridge still doesn't show the image behind the .afphoto thumb-nail, only the AF logo. But AF opens with a double-click on the thumb. Well, I guess Adobe just ignores Affinity, but the presentation of a real image would be a beautiful demonstration of generosity (Adobe!)
Timely topic, Andy. Thank you. I'm personally struggling with my workflow ... TL;DR - Would an alternative be possibly front-ending DxO PR3 into a hybrid PS / LR approach to take advantage of the demosaicing and denoising capabilities within DxO and then leverage LR for DAM and further processing? Or, perhaps just using Bridge (or Peakto or Mylio ... interesting options I've not really considered) for DAM and leveraging DxO PL7 for image processing? I don't foresee giving up my Adobe subscription since with the photo plan it's not much more than a trip to Starbucks once a month, but I have seen what other RAW processors can do out-of-the-box and I've generally been happier with the results from those tools. Going back to LR as my "only" one-stop approach depresses me.
Yea, what you're describing is kind of what I do. Convert my RAW files using PhotoRAW and then ingest into LR for editing. It's an extra step but the DNGs that PhotoRAW spits out are a better starting point than LR alone - even if you run them through LR's Enhance.
Very different apps though - Photoshop's a bitmap editor with a RAW editor bolted on in the form of the ACR filter - whereas Photolab is a 100% RAW editor.
Photolab was $129(AUD) during the Black Friday sales, but there's no escaping the Photography bundle is good value for money, given what you get with it.
@@Andyhutchinson It would be even more value for money if Adobe Camera Raw had a better demosaicing engine. I remember the convenience of both Lightroom & Photoshop in a bundle which is reasonably priced even here in Australia.
Very high quality video Andy. I've only just come across your youtube channel in the last 48 hours. You are an excellent presenter.
Thanks Jeff - and welcome :)
Thanks for putting this video together. Definitely the most honest and well thought out piece on this topic on YT. Much appreciated.
Glad it was helpful!
Good video. I switched from Lightroom to Darktable about a year back and I'd never move back. Much more powerful and much more control (and no dodgy AI nonsense! :D)
That's awesome - the main thing is to find an app that works for you, rather than just getting in the way. :)
Thx for this Andy. With all the recent dramas with Adobe, this topic has been more than relevant. I'm trialing Peakto at the moment and since I'll be ditching Lightroom Classic as an asset manager/organiser, I gather it'll be pointless to import the LC catalogue, but import from disk directly. With that method, Peakto doesn't seem to recognise the JPG equivalent of Raw as sidecars but sees it as two separate pictures. As such I'm now trying Darktable too and currently importing my files there.
Have a look at the Instants feature in Peakto - desk.cyme.io/portal/en/kb/articles/understanding-instants . Been a while since I tried Darktable and probably high time I had another look.
Great video, Capture One seems well expensive these days. Looking at the costs if you were going to upgrade a perpetual licence every year you might as well pay the subscription, I think perpetual licences only pay if you plan on either not upgrading, or have a 2 year cycle.
I usually try and take advantage of buying a year's Adobe subscription at a time (then cancelling the subscription), the apps will work until the subscription expires even when cancelled.
Yep - I'm the same. My annual Adobe sub runs out the week of Black Friday for good reason. :)
Thank you for the very honest and thorough video. I think I will stick with The Adobe Photography bundle for now since it seems to be good value. Subscribed to your channel. Glad I found you.
Cheers. Yea, I'm sticking with it too. :)
Hi from Brissy Andy, liked and subscribed. Excellent video on an issue that plagues many of us, not least those who started off with and were happy with Aperture, only to be forced to Lr. Recently I was hoping that Nitro might be the solution, your video predates its release. I got it and I like it so far, though maybe I wouldn't if I had seen your recent rather unflattering video on it! Am hoping its issues are addressed...
Keep up the good work!
Thank-you kindly mate. If software works well for you that's all that matters. I went to answer your other question about Hazel but couldn't find the original reply so I'll put it here - no you don't need an empty card it will not import stuff twice - here is the options screen: share.cleanshot.com/R2KgTs49
Thank you, I guess my search for escaping Adobe is now over.
You clearly explain that there is no real alternative for Lightroom which is one of my most important applications since... forever.
I will just forget about bad business practises and bite the monthly bullet.
Yea, I'm in there too.
I just needed someone to do this comparsion. I have past month tried, cursed, and cursed more, while testing options. Long time Lightroom (earlier Apple Aperture). Just have to bite the 13e/month and try to keep all data locally stored. Lightroom Classic keeps me on that subscription, if (WHEN!) they do again things and move everyone to non-Classic cloud-crap, I'm out...
Thanks for good info.
What did you go for?
@@WokeBroke1 Still on Lightroom, there is not real alternative for my thousands of photos...
Great trip through options. If it helps anyone I use Fuji and after a lot of trial and exasperation have landed on DxO Photo Raw -> Lr Classic/Ps -> DxO Nik Collection for my time, life and sanity. Accepting I'll have to spend something somewhere. And wordpress for sure. Great stuff Andy
Thanks mate - sounds like a great workflow. :)
This was good. I'm still missing Aperture as well...have been pondering trying Mylio to DXOPhotolab over Lightroom but still not sure ...Thanks for sharing your preference and the excellent and thorough review Andy.
Cheers Dana. Maybe give the trial versions a go - see if they click for you. :)
Another one who misses Aperture. Back, years ago, I had DVD with Aperture + license key. That were the good old days... before subscription crap.
Good info. Is it wrong for me to miss Aperture?
Absolutely not. I don't think there's any of us that used that app and loved it that doesn't still feel it in the bones that Apple shut it down.
As a non-pro, I ditched Adobe quite a while ago in favour of DxO and Affinity.
When you decided to switch did you consider on 1?
It doesn’t feel like Adobe has really wanted to invest in LR Classic at all and wants everyone on LR instead. Makes me think there’s a finite amount of time we have with Classic and that’s kinda a scary thought. I have no problems with the subscription model at this point. I just would rather it be with a good company.
If they ever do get rid of it, it'll definitely be the end of Adobe for me, because the Cloud version is no use to me.
Nice one Andy. Saved me heaps of research 🙏🏻
Glad it helped :)
Ooh, a timely video. Still tossing up as to what I should do. Currently it costs me $14/mth for 1tb cloud storage. As posted in the On1 thread, I'm an amateur photographer in retirement mode, so, do I really need the powerhouse that is LrC?
Thing is, I run it on my Mac Mini M2 Pro (16GB RAM, 512 GB SSD, Macbook Air 15" M2 (8GB RAM, 512GB SSD) and Lightroom for iPad 12.9" M1. That works well, plus I can tether to LrC in the bedroom/studio for our annual Xmas postcard shoot.
Thanks again, Andy, for your videos. It's appreciated.
If it's working well for you, then maybe it's worth sticking with, particularly if you use the iPad as well, since the alternatives are not great. :)
Just came across this. I've long advocated separating DAM and processing for the very reasons you stated. DAM by it's nature should be long term. In my 2 decades of raw processing, editors have come and gone or been dumped for better. On Windows my DAM of choice is Imatch. Super powerful, reliable, and reasonable cost perpetual license with discounted upgrades at major releases. The developer is very responsive. One point of caution with separating DAM and processing/editing, metadata should only be written by the DAM. You can use the metadata in the processors and editors for filters and sorting, but all writing of it should be done in the DAM. There are standards for metadata, they aren't always followed so have one source of truth.
Thank-you - hadn't heard of Imatch - I will check it out :)
I tried dxo photo lab and hated it. You can't even COLOR GRADE without paying for their extra $100 add-on film pack which has a million features that I don't want. It doesn't have an import feature like Lightroom. You have to go through the files in the window explorer to cull them and then move them to the folder you want to keep them.
Hope you find one that does the job for you. I'm not a fan of the masking in DxO - do wish they'd get with the times on that.
Looking at alternatives after the current Adobe dramas and exported all my RAW changes to sidecars. Already "subscribe" to most DXO products and have Affinity, but I guess it's the DAM I'm missing. Might try Bridge before I jump out of the Adobe ecosystem completely, I guess the question is whether DXO Photolab has enough DAM functionality to be worthwhile.
Depends how much metadata you use. In my case there isn't enough in Photolab to make the full transition.
So I'm looking for something where I can see all my photos on the go, say if I want to show a photo on my iPhone, is there any alternative to Lightroom that will allow you to do that and use your own NAS (I have very fast upload)? - I tried Synology Photos but it's very poor.
Check out Mylio - sounds like it'd be a good fit for you.
Ditched Lightroom for ON1 . No regrets
Interesting. Personally, I’m very happy with Lightroom Classic. I know it well, it’s fairly simple and gets better every year.
Tried Capture One and DXO. Found both unnecessarily complicated as editors and of course useless as asset management systems.
I don’t like Adobe themselves a huge amount but that’s life.
I do have a big Apple Aperture library gathering dust in an old Drobo. If it will boot ok I might see about getting Avalanche and Peakto to save it.
Yea I'm sticking with Lightroom too due to the asset management and the masking. But if DxO improved these I would definitely move.
Yes me too. Having been burned by the deletion of Aperture I’m very wary of moving from what is in essence the industry standard though.
Best video on the subject I’ve seen so far 👍🏼
Thank-you kindly :)
Great video Andy 👍🏻, Squaresoasce wich is not sponsoring this video killed me 😂😂.
I use Adobe since the early ages, then stopped a couple years since then I did not much photography/video. Then with my iPhone 12 ProMax I started again to get interested in photography and it did not take that long I got myself a Mirrorless camera….
So the question was what use for editing? I found Neo and thought wow a great program until, well until Luminar started to push out update and feature after feature without making sure they worked properly. One1 is just not good (sorry folks) and DxO has great camera support but lacks in the masking otherwise it would be good really.
Well so I returned to Adobe and I love it. Yes it’s subscription but considering the quality I am getting out of each Program is really great. It is not perfect, but you can find issues in every tool you use.
Cheers Armin. I've never had any issues with the Adobe suite, but I do like testing alternatives to see if there's ever anything better available. :)
Wow, you covered a lot in a short presentation. Well done.
I was an early Lightroom user and Photoshop pre-subscription buyer who also became an early adopter of Topaz and NIK software, which allowed me to become a Salon winner in Camera Club competitions. Then I found On1 Raw, which you do not like, to be a one size fits all program that provided non-destructive Topaz like effects as well as layered capability for compositing and I switched. For the few times I needed Photoshop type capability, I used inexpensive Affinity Photo. Yes, i have to pay for annual upgrades but with discounts it is only $60-70 per year to obtain the new features, including Brilliance AI in the 2024 release. Is it really better than Lightroom and Photoshop or Capture One? Probably not, but it is a lot easier to use for my non-commercial travel, landscape, and family photography.
Final conclusion: Lots of great software out there and the one to use is the one you know how to use best.
Cheers Philip. I find I use Photoshop extremely rarely for post-processing these days. I find I can get everything done in Lightroom or Photolab. I think takes all of us a while to arrive at the solution that works for us and there certainly isn't any single solution. :)
Excellent video, Mr. Hutchinson. Very informative, and you explained everything rather nicely. What is your opinion on ON1 Photo Raw? It's a Raw editor and image manipulator, and the new version now seems to have DAM built in. It's also supposed to have excellent masking skills. Thanks again.
Thank-you. On1 wouldn't be my first choice of RAW editor. I think it has a great asset management engine, but the RAW decoding is lacking and the new AI features need a bit of work before they become useful. :)
Subscribed. Mate you are without a doubt one of the most HONEST presenters out there. Plus, you're a fellow Aussie!
I am not a fan of what Adobe is doing, but .... I AM a fan of LRC, PS and Bridge, so, whilst I can afford it I'll hang in there. If I left Adobe, my choice would be either, DXO PhotoLab or Darktable!
A question: Right near the end of the video, you offer your recommendations, one you mention is "Adobe Bridge with DXO PhotoLab ... or DXO PhotoRaw" PhotoRaw? surely can't compete with DXO PhotoLab, in fact itis merely a PART of Photolab? Not knocking PhotoRaw - I have it. But how can it replace a dedicated RAW Processor?
Loved your shoot of Bombo Quarry!
I'm travelling down to Bargo soon to meet up with an old mate for 2 or 3 days of photography. If we end up near your neck of the woods would love to meet and buy you a beer or two. Or tea, coffee juice.
Cheers mate. Yea - if you own Photolab then PureRAW isn't essential, because they essentially do the same job, but PureRAW's a great pre-processor to put in between a third party asset manager and whichever RAW editor you prefer to use. That said, even with Photolab it's useful since you can do a bulk import in PureRAW with all the baseline tweaks.
@@Andyhutchinson That is how I use PureRaw, i put nearly every photo through PureRaw before taking any other actions.
Keep up the great work!
So after all the fuss about Lightroom costs I looked at ON1 which is AUD 1.50 Less per month than LR AND Ps...combined. Why would I bother given, amongst other things, the incredible amount of tutorials available for Adobe products? Excellent review, by the way.
Cheers Tim. I wouldn't switch from LR to On1 even if it was half the price. :)
Great video!
Thank-you kindly :)
NX Studio? (for us Nikon users)
Nikon's a brand I've had no experience with at all, but I've always found the editors that the manufacturers bundle with their cameras to be fairly rudimentary.
@@Andyhutchinson maybe with other brands, but Nikon break that with NX Studio - by far the best editor for Nikon raw files. Extremely good results.
Interesting. Got half a mind to download it and get a few sample .nef files to try it with.
Say! Did you used to edit Your Sinclair?
Yes.
@@Andyhutchinson ah, the skate park guy! I loved YS when I was growing up - the way that it was only ever slightly about the subject matter was a considerable achievement.
Glad you saw the light and became a photographer. Love the channel.
Thanks. I was always a photographer - started when I was 10. Those were some good days back then at Future - one day somebody will make a TV show about insanity of those 1990-1995 years. :)
@@Andyhutchinson it is a shame what happened to YS, but I think it was inevitable given the way the speccy market went. I read an interview you did about the demise of the speccy and C64 and the stunts you had to pull to put a magazine out each month. You did very well in the circumstances.
I was rather surprised to learn about Andy Ide's change of career though. No wonder Future kept that one quiet...
Your video is confirming to me. I think I already have revealed my preferred combination: Darktable for raw, and Affinity Photo for the pixel based editing. I mention this combination, because it fits into a low budget and offers a lot of value for the money. As a curio I have a lifelong Photoshop 5 license from before Adobe lured its blood needle into our veins. Even the old ACR works as long as it is fed with DNGs. And yes, Bridge is a fair organizer, unfortunately my old version can't show the Affinity format as image thumb nails, but they often end up as TIFs anyway.
The current version of Bridge is free to download and use - no CC subscription required. Still not sure it would read the native Affinity format though.
@@Andyhutchinson Yes, Bridge can be downloaded and used without subscription. But the creative cloud follows, and on me that feels like being xrayed from two sides - Google and Adobe - at the same time.
No, the newest Bridge still doesn't show the image behind the .afphoto thumb-nail, only the AF logo. But AF opens with a double-click on the thumb. Well, I guess Adobe just ignores Affinity, but the presentation of a real image would be a beautiful demonstration of generosity (Adobe!)
50% DXO discount only for new users.
No there's not.
Not anymore.
Timely topic, Andy. Thank you. I'm personally struggling with my workflow ...
TL;DR - Would an alternative be possibly front-ending DxO PR3 into a hybrid PS / LR approach to take advantage of the demosaicing and denoising capabilities within DxO and then leverage LR for DAM and further processing? Or, perhaps just using Bridge (or Peakto or Mylio ... interesting options I've not really considered) for DAM and leveraging DxO PL7 for image processing?
I don't foresee giving up my Adobe subscription since with the photo plan it's not much more than a trip to Starbucks once a month, but I have seen what other RAW processors can do out-of-the-box and I've generally been happier with the results from those tools. Going back to LR as my "only" one-stop approach depresses me.
Yea, what you're describing is kind of what I do. Convert my RAW files using PhotoRAW and then ingest into LR for editing. It's an extra step but the DNGs that PhotoRAW spits out are a better starting point than LR alone - even if you run them through LR's Enhance.
Trouble with DXO PhotoLab is it can’t see .psd files, so none of my files which were edited using Photoshop are viewable.
Very different apps though - Photoshop's a bitmap editor with a RAW editor bolted on in the form of the ACR filter - whereas Photolab is a 100% RAW editor.
I only use the minimum Adobe cloud subscription and it cost me less to have both LRs, Photoshop, Bridge etc. than Photolabs and NIK.
Photolab was $129(AUD) during the Black Friday sales, but there's no escaping the Photography bundle is good value for money, given what you get with it.
@@Andyhutchinson It would be even more value for money if Adobe Camera Raw had a better demosaicing engine. I remember the convenience of both Lightroom & Photoshop in a bundle which is reasonably priced even here in Australia.
@@Andyhutchinson Yup used it a fair bit and have used NIK for must be a dec add and a half now!
Every software made you pay for a new version, even Adobe. It costs money to keep feeding developers.
Fair enough, but were they starving before the trickle of subscription apps turned into a flood?