Definitely! It is not only contrapuntally ingenious, but gorgeously poetic. I love to play it (but can't as well as the performer of this video, I hasten to add. But no matter.).
The first time I heard the harpsichord I stayed in trance listening to it in the Brandenburg concert from Bach (Bach: Brandenburg Concerto No. 5 in D major), I feel is the only instrument that makes me feel something strange inside...
Listening through this, loving it. One issue: 'Double' is not a dance, but a variation, and he stops the Air as if he finished the movement entirely. Just a minor nitpick to something incredibly good
Considero a Johann Sebastian Bach como el ser más supremo en la Historia de la Música, un DIOS, pero el Preludio y Fuga de esta Suite del gran Haendel son impresionantes!!
@@talastraalso I feel like the instrumentations were a bit tasteless and too slow at points, and just misfitted, being in places they shouldn't be and vice versa. Also the weird pacing and pauses disillusioned me. Too bad he can't make up for it. I much prefer Christiano holtz's version.
@@ilayohana3150 Yes, there are numerous places where he refuses to play the quarter note melodies. It's not like Handel is so precious and clever that he wants his principal melodic lines distorted.
@@talastraActually, I would say it's because he's so precious and clever he engineers his principal notes like that. Not always though. For example, you can see it's basically insufferable in the allemande here, but in his performance of hwv 432 passacaille, he mostly does it in places that are drier and it doesn't feel exaggerated.
1:06 - Fugue
3:30 - Allemande
8:15 - Courante
10:06 - Air
14:26 - Double
- - - - - II. - 15:55
- - - - - III. - 17:18
- - - - - IV. - 18:44
- - - - - V. - 19:34
20:33 - Presto
Gracias Señor
One of the finest finest interpreters of Handel's music on the harpsichord that I've ever encountered!
My book of Handel Suites is one that I come back to again and again, and this particular suite is one of the main reasons for that.
Чем больше слушаешь Генделя,тем яснее понимаешь:это на самом деле музыка будущего.Говорю это как джазовый пианист.
This Allemande is one of the best i've ever heard.
Definitely! It is not only contrapuntally ingenious, but gorgeously poetic. I love to play it (but can't as well as the performer of this video, I hasten to add. But no matter.).
Yes, correct me if I’m wrong but this five notes remind me of an Bach allemande?
It’s one of mine too. Something about the first few notes makes my heart ache.
This is one hell of a suite. I would consider it one of the best pieces of Händel. This air is just fucking badass
A tip: you can watch series at Flixzone. Me and my gf have been using it for watching all kinds of movies recently.
@Stephen Kelvin yup, I've been using flixzone for months myself :D
Why do you compare this masterwork to a not too much elegant part of the human body?🤔
@@newton1372 because that’s what people do when they think something is cool?
@@newton1372 Look, don't be jealous if you don't have an elegant ass. Händel did.
The first time I heard the harpsichord I stayed in trance listening to it in the Brandenburg concert from Bach (Bach: Brandenburg Concerto No. 5 in D major), I feel is the only instrument that makes me feel something strange inside...
Yes! The harpsichord grabs one in such a way that is totally different from that of the piano! 😊😊😊😊
Try the tambour in Indian classical music then.
18:44 and 19:34 goosebumps
Listen to Perahia's version on the piano, it will absolutely give u goosebumps
Shredding
Totally wonderful, thank you!
Superb harpsichord playing
Allemande starts in a very similar way to that from Bach's c minor partita
I never heard this harpsichordist before. Excellent performance! Here is his biography (in German):
de.m.wikipedia.org/wiki/Ludger_Rémy
Listening through this, loving it.
One issue: 'Double' is not a dance, but a variation, and he stops the Air as if he finished the movement entirely.
Just a minor nitpick to something incredibly good
I just realized that the presto was used in one of Händel's organ concertos.
Which one?
@@wiaamhaddad8550 I completely forget, but it is the finale of one of them. I with I could remember, lol
Yes, thank you. I knew this sounded familiar! I believe it's Concerto Grosso in D Major op.3 #6.
@@markmcauliffe6667 there you go! So glad you knew it, I forgot what from Händel's it was from, lol
Handel recycled many of his works
Keen ornamentation - very good
Considero a Johann Sebastian Bach como el ser más supremo en la Historia de la Música, un DIOS, pero el Preludio y Fuga de esta Suite del gran Haendel son impresionantes!!
Bellissima eseguita al clavicembalo.
where can i get the sheet?
Here: imslp.org/wiki/Suite_in_D_minor%2C_HWV_428_(Handel%2C_George_Frideric)
What happens in 1685 ?? DS. GFH. JSB... What happens ??
DS GFH JSB, obviously.
where is the sheet music from?
increible
Where do you find the music sheet please?
IMSLP
@@GNGianopoulos I know but what did you choose
Remys performance of air bored and dissapointed me.
The infinite variations on the D Minor chord progression is gradually wearing and not saved by acceleration.
@@talastraexactly.
@@talastraalso I feel like the instrumentations were a bit tasteless and too slow at points, and just misfitted, being in places they shouldn't be and vice versa. Also the weird pacing and pauses disillusioned me. Too bad he can't make up for it. I much prefer Christiano holtz's version.
@@ilayohana3150 Yes, there are numerous places where he refuses to play the quarter note melodies. It's not like Handel is so precious and clever that he wants his principal melodic lines distorted.
@@talastraActually, I would say it's because he's so precious and clever he engineers his principal notes like that. Not always though. For example, you can see it's basically insufferable in the allemande here, but in his performance of hwv 432 passacaille, he mostly does it in places that are drier and it doesn't feel exaggerated.