2.26 and 3.35 She went FULL Kate Bush there like I've never seen before, all mysterious, coy and moody all at the same time. I've always adored this song. To be honest, I think that Lionheart was a fantastic follow up, her most explicitly theatrical album with the most dark humour. It didn't have the lightness of touch nor prog rock feel of The Saxophone Song but it was an expansion of what interested Kate Bush at that time or as a child, particularly campy British horror movies and humour and theatricalness.
[Verse 1] You'll find me in a Berlin bar in a corner, brooding You know that I go very quiet when I'm listening to you There's something special indeed There's something special indeed [Pre-Chorus 1] In all the places where I've seen you shine, boy There's something very real in how I feel, honey [Chorus] It's in me, it's in me And you know it's for real Tuning in on your saxophone Da-bah-da-bah-doo... [Verse 2] The candle burning over your shoulder is throwing Shadows from your saxophone, a surly lady in tremor The stars that climb from her bowels Those stars make towers on vowels [Pre-Chorus 2] You'll never see that you had all of me You'll never see the poetry you've stirred in me Of all the stars I've seen that shine so brightly I've never known or felt in myself so rightly [Chorus] It's in me, it's in me And you know it's for real Tuning in on your saxophone Da-bah-da-bah-doo...
Die computeranimierten Sequenzen hier stammen aus Disneys 'Fantasia 2000'. Dort bildet dieses Segment über Tod und Wiedergeburt den Abschluss zur Feuervogel Suite (Version 1919) von Igor Stravinski. Diese Szenen nun zu Kate Bushs 'Saxophone Song' zu sehen ist für mich als Trickfilmliebhaber doch etwas seltsam-befremdlich. Das Lied ist zweifelsohne eine traumhafte Nummer und die gespielten Saxophonlinien von Alan Skidmore begründen Kate Bushs Gefühle - dieses Lied ist wahrlich eine Liebeserklärung - jedoch eher in platonischer Form. Was Alan Skidmore hier spielt ist zwar fesselnd und mäandernd (ausufernd) - jedoch zu keinem Moment verführerisch-sexy, exstatisch-'schreiend' oder volltönend-laut, wie in anderen Liedern mit prägnanten und weltbekannten Saxophon Solis (z.B. 'George Michael - Careless Whisper', 'Al Stewart - Year of the Cat', ' oder 'Gary Rafferty - Baker Street').
This is incredibly good, one of the best fan video monatges I ahve ever seen..
Absolutely brilliant video. I am casually lost for works. Thank you so much for uploading this. Take care
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As a saxophone player, I have to say this video is definitely captivating! Thanks for posting!!
Debb Saxx
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always fresh to an open mind.
I love Katie for 35 years, your video tells me you feel the same way :) !!!
just for one month, but feel like 35 years
Such a brilliant song Kate.
2.26 and 3.35 She went FULL Kate Bush there like I've never seen before, all mysterious, coy and moody all at the same time. I've always adored this song. To be honest, I think that Lionheart was a fantastic follow up, her most explicitly theatrical album with the most dark humour. It didn't have the lightness of touch nor prog rock feel of The Saxophone Song but it was an expansion of what interested Kate Bush at that time or as a child, particularly campy British horror movies and humour and theatricalness.
Brilliant video....beautiful song... love voice Kate Bush ٠•●♥*♫•* ♫♪
This made me cry. So beautiful!
Amazing !!! Beautiful !!! Vraiment excellent !!! Grande créativité !!!! Félicitations ;-) ( in English) = congratulation !!!
Congratulations Mr Marrs, you did very good job on this video.
***** Thank you Atanas. Cheers.
Beautiful !
NICE job!!!!
Thank you for this. I needed some beauty today.
Stunning.
0:42 Why does that creature look exactly like Kate herself? Amazing 😄
Great song and thank you for creating this wonderful video!!!
unique voice!
and u know there is something special indeed
Magical
Stunning
[Verse 1]
You'll find me in a Berlin bar in a corner, brooding
You know that I go very quiet when I'm listening to you
There's something special indeed
There's something special indeed
[Pre-Chorus 1]
In all the places where I've seen you shine, boy
There's something very real in how I feel, honey
[Chorus]
It's in me, it's in me
And you know it's for real
Tuning in on your saxophone
Da-bah-da-bah-doo...
[Verse 2]
The candle burning over your shoulder is throwing
Shadows from your saxophone, a surly lady in tremor
The stars that climb from her bowels
Those stars make towers on vowels
[Pre-Chorus 2]
You'll never see that you had all of me
You'll never see the poetry you've stirred in me
Of all the stars I've seen that shine so brightly
I've never known or felt in myself so rightly
[Chorus]
It's in me, it's in me
And you know it's for real
Tuning in on your saxophone
Da-bah-da-bah-doo...
it's in me, and you know it's for real...
The ending... oh Lord... the end of this tune
A lot of those sax runs sound like the stuff played on a Caravan song called Can't Be Long Now from 1970. Beautiful playing on both tracks.
Die computeranimierten Sequenzen hier stammen aus Disneys 'Fantasia 2000'.
Dort bildet dieses Segment über Tod und Wiedergeburt den Abschluss zur Feuervogel Suite (Version 1919) von Igor Stravinski.
Diese Szenen nun zu Kate Bushs 'Saxophone Song' zu sehen ist für mich als Trickfilmliebhaber doch etwas seltsam-befremdlich.
Das Lied ist zweifelsohne eine traumhafte Nummer und die gespielten Saxophonlinien von Alan Skidmore begründen Kate Bushs Gefühle - dieses Lied ist wahrlich eine Liebeserklärung - jedoch eher in platonischer Form. Was Alan Skidmore hier spielt ist zwar fesselnd und mäandernd (ausufernd) - jedoch zu keinem Moment verführerisch-sexy, exstatisch-'schreiend' oder volltönend-laut, wie in anderen Liedern mit prägnanten und weltbekannten Saxophon Solis (z.B. 'George Michael - Careless Whisper', 'Al Stewart - Year of the Cat', ' oder 'Gary Rafferty - Baker Street').
1:52 - her handwriting? I've read somewhere that she puts circles above i
yes that's Kate Bush's hand writing of the lyrics to this song.