Definitely one of the primary mix elements used for performances of 'Music for Sound-Joined Rooms', usually juxtaposed with that glorious phasing metalic drone as on the Ohm comp excerpt or the Music Gallery Toronto 1982 tape. Sounds wonderful as a standalone Character.
One of the most amazing composition I have ever heard... She was not here also when she was here...
Thanks for the adjacent we really needed another dimension
Thank you @Joaquin Izquierdo
As Amacher said: "You have to listen for the ghosts.
And then once you started hearing them, they were always there.”
Yeah it's like another world
how she imagine these sounds? (!) magic.
I agree but also : maybe she d o e s them at the same time as imagining them ?
Blessings
Great channel name
No.
Stupendo!!!
Sensibilità ai vertici
Bravo...
Pier Van Sax
Ambient music sperimentale
BEST
love it!!
Curious where this recording came from? It's not actually a recording of Maryanne Amacher's Adjacencies.
good question ! It sounds like one of her later (post 1980) 'Music for Sound Joined Rooms' pieces..
Definitely one of the primary mix elements used for performances of 'Music for Sound-Joined Rooms', usually juxtaposed with that glorious phasing metalic drone as on the Ohm comp excerpt or the Music Gallery Toronto 1982 tape. Sounds wonderful as a standalone Character.
Where did you find this recording?
OMG
But this is absolutely not Adjacencies.