Antonio VIVALDI (1678-1741) Sacred Music. *Click to activate the English subtitles for the presentation* (00:00-04:21) O QUI CAELI, RV 631 Motet for soprano and string orchestra 00:00 I. RV 631 Allegretto 05:26 II. RV 631 Recitativo 06:12 III. RV 631 Largo 11:54 IV. RV 631 Allegro (Alleluia) Uta SPRECKELSEN, Sopran DIXIT DOMINUS, RV 595 for soli, choir, orchestra and continuo 13:33 I. Dixit Dominus RV 595 15:55 II. Donec ponam RV 595 21:02 III. Virgam virtutis RV 595 23:32 IV. Tecum principium 25:53 V. Juravit Dominus RV 595 28:36 VI. Dominus a dextris RV 595 30:31 VII. Judicabit RV 595 34:25 VIII. De torrente RV 595 38:56 IX. Gloria Patri, Sicut erat RV 595 41:28 X. Et in saecula saeculorum RV 595 Uta SPRECKELSEN, Verena SCHWEIZER, Soprane Hanna SCHAER, Alt // Jean-Pierre MAURER, Tenor Michel BRODARD, basse/Bass // Danielle GROSGURIN, Cello Christiane JACOTTET, harpsichord (Dobson) Philippe CORBOZ, organ (Füglister) ENSEMBLE VOCAL DE LAUSANNE ORCHESTRE DE CHAMBRE DE LAUSANNE Conductor: Michel CORBOZ GLORIA in D Major, RV 588 44:58 I. Gloria 47:32 II. Et in terra pax 52:37 III. Laudamus te 55:05 IV. Gratias agimus tibi 56:01 V. Domine Deus 58:14 VI. Domine Fili unigenite 59:35 VII. Domine Deus 1:01:45 VIII. Qui tollis 1:03:15 IX. Qui sedes 1:06:26 X. Quoniam tu solus sanctus 1:08:07 XI. Cum sancto spiritu Jennifer SMITH, Anna BERNARDIN, Soprane Edmund BARHAM, Tenor // John TOLL, Organ Michael LAIRD, trumpet Clare SHANKS, Sophie WILSON, Oboe Jeremy WARD, bassoon Charles MEDLAM, cello ENGLISH BACH FESTIVAL CHORUS Cchorus master: Nicholas CLEOBURY ENGLISH BACH FESTIVAL BAROQUE ORCHESTRA Leader: John HOLLOWAY Conductor: Michel CORBOZ The motet, o QUI CAELI RV 631, has an inward and contemplative character with a decided bias in favour of tender and lyrical colours, though with an occasional tinge of melancholy. The text is a meditation on the fragility and evanescence of this world where all things have an end ("the rose that dies, the wave that subsides") - represented in the middle section of the opening aria, and especially in the second aria, a 3/4 Largo in C minor. Here once more the Prete Rosso achieves a mode of expression that anticipates later developments in music. The tonal atmosphere of certain passages is that of Mozart's Abendempfindung an Laura, that pioneer of the Romantic Lied. The DIXIT DOMINUS RV 595 is known to us from a rather late copy (1738), and indeed the assurance and maturity of the style suggest that this may be one of Vivaldi's last works for the institution. In the opening and closing choruses the string orchestra is enriched by two oboes and a genuinely concertante trumpet. The brilliant sonority of D major is admirably suited to this psalm with its affirmation of the messianic kingship of Christ. *Click to activate the English subtitles for the presentation* (00:00-04:21) Antonio Vivaldi PLAYLIST (references recordings): ua-cam.com/video/GOlF9BElJwY/v-deo.html
The motet, o QUI CAELI RV 631, has an inward and contemplative character with a decided bias in favour of tender and lyrical colours, though with an occasional tinge of melancholy. The text is a meditation on the fragility and evanescence of this world where all things have an end ("the rose that dies, the wave that subsides") - represented in the middle section of the opening aria, and especially in the second aria, a 3/4 Largo in C minor. Here once more the Prete Rosso achieves a mode of expression that anticipates later developments in music. The tonal atmosphere of certain passages is that of Mozart's Abendempfindung an Laura, that pioneer of the Romantic Lied. The DIXIT DOMINUS RV 595 is known to us from a rather late copy (1738), and indeed the assurance and maturity of the style suggest that this may be one of Vivaldi's last works for the institution. In the opening and closing choruses the string orchestra is enriched by two oboes and a genuinely concertante trumpet. The brilliant sonority of D major is admirably suited to this psalm with its affirmation of the messianic kingship of Christ. *Click to activate the English subtitles for the presentation* (00:00-04:21)
Even ordinary music interests me , while glorious music inspires me to be a better man whereas sacred music ( like great maestro Vivaldi's here) reassures me of the future of mankind! You may not believe me: I had to undergo hospitalisation only once in my lifetime of 59 years Plus a few months - for seizure in 2018 , but that was a great escape as I was subjected to seizure three times in a day. I pray to God that you all complete at least sixty years of life in this beautiful world.Thanks for uploading this fantastic and sacred music of Vivaldi! Bravo and gracias.
Io ho sempre immaginato , da ciò.che ho letto, che appena riscoperto, si è cercato di ridurre la grandezza di Vivaldi, emanando a livello mondiale le 4 stagioni, così che la massa, fu influenzata, e la scelta cadde su Bach, eletto dal mondo protestante " padre della musica"! Assurdo! Ciò creò inizialmente una totale indifferenza nei confronti del PRETE ROSSO e soprattutto delle composizioni.sacre, che sono meravigliose! Chi ama Vivaldi, come me, sa benissimo che è l'unico compositore barocco! Non c'è strumento musicale che gli sia.sconosciuto! Ciò che mi indispone e che nelle messe cattoliche, in Italia è completamente ignorato! Vergogna! Io per protesta e perché lo amo ascolto.solo sue composizioni, e al diavolo Bach, che ha subito l'influenza.di.Vivaldi e il resto del mondo fa lo gnorri! Eppure è scritto nero su bianco! Ringrazio UA-cam, che ha diffuso una gran parte delle sue generali composizioni . Ancora mille grazie.a tutti i collaboratori, Grazie mille!
Wunderschöne und detaillierte Interpretation dieser fein oder perfekt komponierten Meisterwerke mit herrlichen Stimmen aller genialen Solisten und gut harmoniserten Stimmen aller ausgezeichneten Chöre sowie gut vereinigten und perfekt entsprechenden Tönen aller Instrumente. Der intelligente und unvergleichliche Dirigent letet alle ausgezeichneten Orchester in verschiedenen Tempi und mit perfekt kontrollierter Dynamik. Alles ist wundervoll!
Tuli itu penurut masuk buku itu buka pikir julius tulis :TUH ATARIXA MILIONER JUGA PAS JIKA DIA BANYAK TAKUT BUTA HURUF KARENA BUTA UANG AKAN SUSAH BUTA MODAL AKAN GOYAH NASIP BETA BETA YANG BUTS VERTUL CASERT CUL VASE VASERTAV MANGGARAIIIII ITE AKU RUTENG KOLE NEOLITICUM TAE DATA KO TOE EEE MODEREN POST JULIUS EEE
Che dolcezza! Vivaldi è veramente sensibile! Capisco perché JS Bach contemporaneo si è sentito capito e ha creato quasi un gemellaggio. Non si sa però se Vivaldi ne fosse a conoscenza. Oggi tutti o quasi tutti sanno il grandissimo ruolo che Vivaldi ha avuto su Bach.
Oui, pour moi également Michel Corboz chef de Chœur durant 50 ans sait parfaitement diriger choristes, solistes, son orchestre également. J'ai eu le bonheur de le voir diriger la passion selon Saint-Jean de J S BACH en l'église Saint Séverin à Paris. Certains autres enregistrements sont certes beaux avec de grands interprètes mais sont plus proches de l'opéra que de la musique sacrée dans leur interprétation. le Et in Terra Pax du gloria RV589 est magnifique. Que ce soit avec l'ensemble de Lausanne ou la fondation Gulbenkian. Michel Corboz est effectivement une référence en ce domaine qu'est la musique sacrée. Cordialement
@@christianhumbert9102 Merci pour votre réponse. Je n'ai pas eu votre chance concernant Michel Corboz, mais en qualité de nordiste, j'ai assisté à de nombreux concerts de Jean-claude Malgloire, et pour ainsi dire vu naître Philippe Jarousky . De véritables moments de bonheur. Bien Cordialement.
@@chtidede Oui, je connais également Jean-Claude Malgoire, il est d'ailleurs un des premiers à avoir enregistré, dirigé un ensemble sur instruments d'époque. Puisque vous êtes nordiste(moi vosgien) j'aime également le travail qu'a réalisé Jean-Claude Casadesus len portant le philharmonique de Lille au niveau d'orchestre national, en organisant les concerts pour enfants comme l'a créé Léonard Bernstein à New-York, ( il fut le premier) imité en suite de par le monde vu le succès rencontré par de ces concerts pédagogiques). D'autre part, dans la famille Casadesus, l'oncle de Jean-Claude, Robert Casadesus, grand pianiste dont j'aime les enregistrements des concertos de Mozart avec l'orchestre de Cleveland sous la direction de Georges Szell. Particulièrement le concert 21 second mouvement...on a l'impression qu'il délivre les notes comme à regret . Magique. Cordialement
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Antonio VIVALDI (1678-1741) Sacred Music.
*Click to activate the English subtitles for the presentation* (00:00-04:21)
O QUI CAELI, RV 631 Motet for soprano and string orchestra
00:00 I. RV 631 Allegretto
05:26 II. RV 631 Recitativo
06:12 III. RV 631 Largo
11:54 IV. RV 631 Allegro (Alleluia)
Uta SPRECKELSEN, Sopran
DIXIT DOMINUS, RV 595
for soli, choir, orchestra and continuo
13:33 I. Dixit Dominus RV 595
15:55 II. Donec ponam RV 595
21:02 III. Virgam virtutis RV 595
23:32 IV. Tecum principium
25:53 V. Juravit Dominus RV 595
28:36 VI. Dominus a dextris RV 595
30:31 VII. Judicabit RV 595
34:25 VIII. De torrente RV 595
38:56 IX. Gloria Patri, Sicut erat RV 595
41:28 X. Et in saecula saeculorum RV 595
Uta SPRECKELSEN, Verena SCHWEIZER, Soprane
Hanna SCHAER, Alt // Jean-Pierre MAURER, Tenor
Michel BRODARD, basse/Bass // Danielle GROSGURIN, Cello
Christiane JACOTTET, harpsichord (Dobson)
Philippe CORBOZ, organ (Füglister)
ENSEMBLE VOCAL DE LAUSANNE
ORCHESTRE DE CHAMBRE DE LAUSANNE
Conductor: Michel CORBOZ
GLORIA in D Major, RV 588
44:58 I. Gloria
47:32 II. Et in terra pax
52:37 III. Laudamus te
55:05 IV. Gratias agimus tibi
56:01 V. Domine Deus
58:14 VI. Domine Fili unigenite
59:35 VII. Domine Deus
1:01:45 VIII. Qui tollis
1:03:15 IX. Qui sedes
1:06:26 X. Quoniam tu solus sanctus
1:08:07 XI. Cum sancto spiritu
Jennifer SMITH, Anna BERNARDIN, Soprane
Edmund BARHAM, Tenor // John TOLL, Organ
Michael LAIRD, trumpet
Clare SHANKS, Sophie WILSON, Oboe
Jeremy WARD, bassoon
Charles MEDLAM, cello
ENGLISH BACH FESTIVAL CHORUS
Cchorus master: Nicholas CLEOBURY
ENGLISH BACH FESTIVAL BAROQUE ORCHESTRA
Leader: John HOLLOWAY
Conductor: Michel CORBOZ
The motet, o QUI CAELI RV 631, has an inward and contemplative character with a decided bias in favour of tender and lyrical colours, though with an occasional tinge of melancholy. The text is a meditation on the fragility and evanescence of this world where all things have an end ("the rose that dies, the wave that subsides") - represented in the middle section of the opening aria, and especially in the second aria, a 3/4 Largo in C minor. Here once more the Prete Rosso achieves a mode of expression that anticipates later developments in music. The tonal atmosphere of certain passages is that of Mozart's Abendempfindung an Laura, that pioneer of the Romantic Lied.
The DIXIT DOMINUS RV 595 is known to us from a rather late copy (1738), and indeed the assurance and maturity of the style suggest that this may be one of Vivaldi's last works for the institution. In the opening and closing choruses the string orchestra is enriched by two oboes and a genuinely concertante trumpet. The brilliant sonority of D major is admirably suited to this psalm with its affirmation of the messianic kingship of Christ. *Click to activate the English subtitles for the presentation* (00:00-04:21)
Antonio Vivaldi PLAYLIST (references recordings): ua-cam.com/video/GOlF9BElJwY/v-deo.html
Maestro Corboz eternal!
Musica Classica e Sacra ! Magnifico! Wonderful! It "s Amazing grace ! Brasil.
Thank you as always, bringing joy to many all across the globe
The motet, o QUI CAELI RV 631, has an inward and contemplative character with a decided bias in favour of tender and lyrical colours, though with an occasional tinge of melancholy. The text is a meditation on the fragility and evanescence of this world where all things have an end ("the rose that dies, the wave that subsides") - represented in the middle section of the opening aria, and especially in the second aria, a 3/4 Largo in C minor. Here once more the Prete Rosso achieves a mode of expression that anticipates later developments in music. The tonal atmosphere of certain passages is that of Mozart's Abendempfindung an Laura, that pioneer of the Romantic Lied.
The DIXIT DOMINUS RV 595 is known to us from a rather late copy (1738), and indeed the assurance and maturity of the style suggest that this may be one of Vivaldi's last works for the institution. In the opening and closing choruses the string orchestra is enriched by two oboes and a genuinely concertante trumpet. The brilliant sonority of D major is admirably suited to this psalm with its affirmation of the messianic kingship of Christ. *Click to activate the English subtitles for the presentation* (00:00-04:21)
👍👍👍👍👍
Even ordinary music interests me , while glorious music inspires me to be a better man whereas sacred music ( like great maestro Vivaldi's here) reassures me of the future of mankind! You may not believe me: I had to undergo hospitalisation only once in my lifetime of 59 years Plus a few months - for seizure in 2018 , but that was a great escape as I was subjected to seizure three times in a day. I pray to God that you all complete at least sixty years of life in this beautiful world.Thanks for uploading this fantastic and sacred music of Vivaldi! Bravo and gracias.
I love classic music. Vivaldi is my Favorit classic. ❤
Io ho sempre immaginato , da ciò.che ho letto, che appena riscoperto, si è cercato di ridurre la grandezza di Vivaldi, emanando a livello mondiale le 4 stagioni, così che la massa, fu influenzata, e la scelta cadde su Bach, eletto dal mondo protestante " padre della musica"! Assurdo! Ciò creò inizialmente una totale indifferenza nei confronti del PRETE ROSSO e soprattutto delle composizioni.sacre, che sono meravigliose! Chi ama Vivaldi, come me, sa benissimo che è l'unico compositore barocco! Non c'è strumento musicale che gli sia.sconosciuto! Ciò che mi indispone e che nelle messe cattoliche, in Italia è completamente ignorato! Vergogna! Io per protesta e perché lo amo ascolto.solo sue composizioni, e al diavolo Bach, che ha subito l'influenza.di.Vivaldi e il resto del mondo fa lo gnorri! Eppure è scritto nero su bianco! Ringrazio UA-cam, che ha diffuso una gran parte delle sue generali composizioni . Ancora mille grazie.a tutti i collaboratori, Grazie mille!
Scusate!!!.. volevo s.dire. 'GENIALI COMPOSIZIONI "generali è errato!
Venezia:A.Vivaldi:Marvellous! GREAT!
Wow!
Toujours Magnifique 👍 Musique Merci
Troppa pubblicità. Davvero sgradevole
sounds so goooooood
Hermoso!!
..escape charming for ever sensitive italia
@@abdeljabbarkacir8803 así es amigo!!
Wunderschöne und detaillierte Interpretation dieser fein oder perfekt komponierten Meisterwerke mit herrlichen Stimmen aller genialen Solisten und gut harmoniserten Stimmen aller ausgezeichneten Chöre sowie gut vereinigten und perfekt entsprechenden Tönen aller Instrumente. Der intelligente und unvergleichliche Dirigent letet alle ausgezeichneten Orchester in verschiedenen Tempi und mit perfekt kontrollierter Dynamik. Alles ist wundervoll!
Questa è musica!
This is music!
31:00
Tuli itu penurut masuk buku itu buka pikir julius tulis
:TUH ATARIXA MILIONER JUGA PAS JIKA DIA BANYAK TAKUT BUTA HURUF KARENA BUTA UANG AKAN SUSAH BUTA MODAL AKAN GOYAH NASIP BETA BETA YANG BUTS VERTUL CASERT CUL VASE VASERTAV MANGGARAIIIII ITE AKU RUTENG KOLE NEOLITICUM TAE DATA KO TOE EEE MODEREN POST JULIUS EEE
Tout simplmeent Maginifique ! Merci beaucoup. 😊😊
So sensibile and peacefuly music !Thank you Classical Music !😊😊😊❤❤❤
I always enjoy the beautiful sounds it soothes my soul every time
Celestial thank you ! This GREAT Vivaldi is illuminating !
💎 ABSOLUTELY BEAUTIFUL & TOUCHING
💎
🙏💜🙏
💜🎵💜
Che dolcezza! Vivaldi è veramente sensibile! Capisco perché JS Bach contemporaneo si è sentito capito e ha creato quasi un gemellaggio. Non si sa però se Vivaldi ne fosse a conoscenza. Oggi tutti o quasi tutti sanno il grandissimo ruolo che Vivaldi ha avuto su Bach.
@@luisagarau638
🙏💖🙏
Très belle version de Michel Corboz. Des œuvres qui donnent un avant-goût de paradis....🧚♀️🧚♂️
Oui, pour moi également Michel Corboz chef de Chœur durant 50 ans sait parfaitement diriger choristes, solistes, son orchestre également. J'ai eu le bonheur de le voir diriger la passion selon Saint-Jean de J S BACH en l'église Saint Séverin à Paris. Certains autres enregistrements sont certes beaux avec de grands interprètes mais sont plus proches de l'opéra que de la musique sacrée dans leur interprétation. le Et in Terra Pax du gloria RV589 est magnifique. Que ce soit avec l'ensemble de Lausanne ou la fondation Gulbenkian. Michel Corboz est effectivement une référence en ce domaine qu'est la musique sacrée. Cordialement
@@christianhumbert9102 Merci pour votre réponse. Je n'ai pas eu votre chance concernant Michel Corboz, mais en qualité de nordiste, j'ai assisté à de nombreux concerts de Jean-claude Malgloire, et pour ainsi dire vu naître Philippe Jarousky . De véritables moments de bonheur. Bien Cordialement.
@@chtidede Oui, je connais également Jean-Claude Malgoire, il est d'ailleurs un des premiers à avoir enregistré, dirigé un ensemble sur instruments d'époque.
Puisque vous êtes nordiste(moi vosgien) j'aime également le travail qu'a réalisé Jean-Claude Casadesus len portant le philharmonique de Lille au niveau d'orchestre national, en organisant les concerts pour enfants comme l'a créé Léonard Bernstein à New-York, ( il fut le premier) imité en suite de par le monde vu le succès rencontré par de ces concerts pédagogiques). D'autre part, dans la famille Casadesus, l'oncle de Jean-Claude, Robert Casadesus, grand pianiste dont j'aime les enregistrements des concertos de Mozart avec l'orchestre de Cleveland sous la direction de Georges Szell. Particulièrement le concert 21 second mouvement...on a l'impression qu'il délivre les notes comme à regret . Magique. Cordialement