Timestamps: 0:20 The Art of Letting Go 5:00 Nothing More to Gain 11:43 Devil on the Wall 16:02 A Thousand Words 21:03 Mr. Downside 26:22 Tell It Like It Is 31:28 Behind the Veil 46:09 All Ends Well 51:50 Love Can Only Heal 57:55 Wake Me When It's Over 1:03:11 Miss You When You're Gone 1:07:30 Year of the Tiger 1:15:23 Get Along 1:21:15 In Stride 1:32:05 Say What You Will
Myles has been doing this his whole life. He’s still capable of going heavier and adding TA dominance to his top end, it’s just strategy. A baritone like him starts out with thick vocal folds and when they learn to sing head, they can lean into their chest voice or head voice. The higher the % of chest dominance in the high range, the more that “costs” vocally. Essentially, he’s trying to be careful to avoid blowing out his voice. It’s a very wise move considering what happened to people like Chris Cornell (his larynx disappeared).
@@DanielSmith-j8k He has a four octave vocal range. It’s kinda semantics, cuz different singing pedagogies use that term in different ways. I’m talking being a natural baritone. It’s largely about vocal fold thickness in my opinion. Someone with thicker vocal folds like him or Steven Tyler can sing low and high once they learn to stretch them with the proper muscles. They both use the technique “Bel Canto” to achieve this.
@@slatercarpenter6090 Myles Kennedy is not a baritone. That’s it and it’s hard to say if he has or had a 4 octave vocal range because his low register has changed and his high register may be falsetto
@@DanielSmith-j8k Depends on the definition of baritone. He chooses to do the things he does with his voice. He’s 55 years old. I’ve heard him say in interviews that he’s had to lean into the brighter sound to keep his higher voice. Singing in the way he does it is not like talking. There’s not really any effort involved. Myles describes it as “floating.” He also implies he’s in peak vocal condition for himself. He said in an interview a few years back that he would go and re-record his earlier records, because he “wasn’t doing it right,” in terms of his singing technique. Now he claims it’s easy as long as he’s rested and hydrated.
Timestamps:
0:20 The Art of Letting Go
5:00 Nothing More to Gain
11:43 Devil on the Wall
16:02 A Thousand Words
21:03 Mr. Downside
26:22 Tell It Like It Is
31:28 Behind the Veil
46:09 All Ends Well
51:50 Love Can Only Heal
57:55 Wake Me When It's Over
1:03:11 Miss You When You're Gone
1:07:30 Year of the Tiger
1:15:23 Get Along
1:21:15 In Stride
1:32:05 Say What You Will
What a great a concert, was only a few feet from him. Thanks so much for the full video of it
Nice video! Thanks 4 sharing!!
Been trying to find his full Manchester birthday show, came across this instead, great footage, great show
If ... I wasn't obsessed before.... I am 100% totally now!!!! 🖤 🎤
Myles!!❤
That's amazing. That's me and my son getting a stick and setlist at the very end. Lovely to see it ❤️
❤ thank you for sharing ❤
Dude thank you so much for this awesome recording
Jealous of the place of the yellow octopus offered to Myles in Paris lol
Thanks for the show different from the one in Paris
In Why can’t we all just get along, who is tearing that bass guitar the f^ck up?!?! Holy Moses!
Awesome quality on this video, what are you using to record this?
LUMIX TZ7
A shame his voice is sounding very tired and weak now
Myles has been doing this his whole life. He’s still capable of going heavier and adding TA dominance to his top end, it’s just strategy.
A baritone like him starts out with thick vocal folds and when they learn to sing head, they can lean into their chest voice or head voice. The higher the % of chest dominance in the high range, the more that “costs” vocally.
Essentially, he’s trying to be careful to avoid blowing out his voice. It’s a very wise move considering what happened to people like Chris Cornell (his larynx disappeared).
@ he’s not a baritone…
@@DanielSmith-j8k He has a four octave vocal range. It’s kinda semantics, cuz different singing pedagogies use that term in different ways. I’m talking being a natural baritone. It’s largely about vocal fold thickness in my opinion.
Someone with thicker vocal folds like him or Steven Tyler can sing low and high once they learn to stretch them with the proper muscles. They both use the technique “Bel Canto” to achieve this.
@@slatercarpenter6090 Myles Kennedy is not a baritone. That’s it and it’s hard to say if he has or had a 4 octave vocal range because his low register has changed and his high register may be falsetto
@@DanielSmith-j8k Depends on the definition of baritone. He chooses to do the things he does with his voice. He’s 55 years old. I’ve heard him say in interviews that he’s had to lean into the brighter sound to keep his higher voice. Singing in the way he does it is not like talking. There’s not really any effort involved. Myles describes it as “floating.” He also implies he’s in peak vocal condition for himself.
He said in an interview a few years back that he would go and re-record his earlier records, because he “wasn’t doing it right,” in terms of his singing technique. Now he claims it’s easy as long as he’s rested and hydrated.