Oistrakh plays Locatelli - Violin Sonata in F minor, Op. 6 No. 7
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- Опубліковано 30 вер 2024
- Pietro Locatelli (1695-1764)
arr. Eugène Ysaÿe (1858-1931)
Violin Sonata in F minor, Op. 6 No. 7:
I. Lento assai e mesto 0:01
II. Allegro moderato e con passione 4:30
III. Adagio 6:28
IV. Cantabile: Tempo molto moderato 8:40
Written c. 1720.
David Oistrakh, violin
Vladimir Yampolsky, piano
Released in 1955.
ClassicalRecords is a UA-cam channel where I upload some excellent performances from the LPs in my collection. I'm uploading these LPs because they are either not available on CD, out of print on CD, or just difficult to find.
This playing is out of this world with such beauty. David Oistrakh was a heavenly sounding violinist. I heard him live I will never forget. He was such a lovely humble man.
Все, что он играет - великолепно! Неподражаемый, вдохновляющий!
Thank you from the deep of my heart for such a treasure!! Listening his sound, time disappeared, we go into Eternity..such a Beauty!
aka " au tombeau ". I wanted to check, for which person he wrote this sonata, but I couldn´t find any information. Who knows ?
This sonata was written after the death of his wife
I agree, absoluntly haunting... Beautiful playing as almost never witness...
How lucky are we that it was possible to record this on tape. Can one just imagine if that wonderful playing was lost forever? Mr. Oistrakh made the most wonderful gift to everyone!
Forever thanks...
CKPNnKA
this strips you naked, such rare gems my father played like this. I wish our recordings had survived. thank you dear one.
'Strip you naked' İdiom?
This was a favourite recording during my formative years....nice memories. The photo at the beginning is not of Yampolsky at the piano, but of Prokofiev!
Έχω την εντύπωση πως η σονάτα γράφτηκε το 1737 στο Άμστερνταμ. Ευχαριστούμε για την υπέροχη ανάρτηση. Εξαιρετικά παίζει αυτήν τη σονάτα και ο Leonid Kogan σε ηχογράφηση του 1952 (αλλά σε αρκετά σημεία δεν ακούγεται πολύ καλά το πιάνο).
This is beatifull, both Kogan plays this Sonata like the Angels.
I need to listen this one time to time. For me the best version
The great, great Oistrach! Just another wonderful recording of his. What magic times of musical performance were those days with all the legendary players like Menuhin, Heifetz, Rabin e.t.c. AND Oistrach, my favourite of all of them. The piece could be considered as a kind of "romantic baroque music" (it is Ysaye's version). Piece and performer match perfectly. This - at least for me - is more espressive, deeper in total range and more true and moving than the socalled "authentic" approaches to baroque music of the many recent years. Up to this day my ears have not yet heared such a touching sound in any baroque music performed by any players of the younger generation. If anybody has, please let me know......
The matter of Authentic performances isnt't to agradde you.Of course , nowbody will never play like Oistrakh has done.
This is the moment when man instrument combine to give us peons nirvana. Plain and simple....
Какая чувствительность. Тонкость, как лёгкий слой льда, под которым большой вулкан. Плачет душа.
berückend schön! Thank you for posting!
I have the Schott Edition version of this sonata but is quite different.
Чудо
Christ I just had an experience
God... this breaks my heart.
So nice. So very, very nice.
This... this is "beauty" personified.
do you know if he also played Nardini? in d? I would love to find other recordings of it.
I know many Oistrach recordings. The Nardini D-major came never across me. There are yet two Tartini sonatas: "Devil's trill" and another one also in g-minor "Didone abbandonata"
Боже мой! Мир музыки не исчерпаем! Сколько красоты нежности. Жизни человека не хватит чтобы прослушать и проникнуться прекрасным. Спасибо! СПАСИБО! Я БЛАГОДАРНА ВСЕМ СОСТАВИТЕЛЯМ МУЗЫКАЛЬНЫХ ПРОГРАММ! СПАСИБО ЗА БЕСКОНЕЧНОЕ ЧУДО! УЗБЕКИСТАН
Geniusz Ojstracha jest inspiracja dla milosnikow skrzypiec i wykonawcow szukajacych glebi brzmienia i niezkazitelnej techniki. On a potem reszta swiata!
Oh Miron !
I feel so moved by this piece and performance. It's as if I witnessed a secret embrace of a forbidden love, by a pond where the pale reflection of the moon slowly drowns as the lovers bid their farewell to each others
Um deleite.