20. Aliens Attack - Ripley Rescue Sequence | Aliens - Complete Soundtrack
Вставка
- Опубліковано 21 вер 2024
- Aliens (1986)
Music Composed & Conducted by James Horner
Perfomed by London Symphony Orchestra
Orchestrations: Greig McRitchie
Music Editors: Robin Clark, Michael Clifford
Music Scoring Mixes: Eric Tomlinson
"Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use."
The movie is so quiet up until this point and then it gets intense immediately, incredible movie.
Best sequel to a film ever
Terminator 2 enters the chat with empire strikes back and godfather 2 it’s right behind hahahahaha there are many really good sequels, oh I forgot top gun maverick all of them aliens including are better than the original.
@@ANM149 fds
" I'm telling you, man, there's something moving around and it ain't us. " So funny for Hudson.
Apone: Talk to me Hudson!
Ripley´s Rescue finally sounds exactly like the music in the film!!!!! Great news that the awesome score of James Horner is edited exactly like in the film!!!!
I wonder if this an audio rip from the isolated score from the Blu Ray where you can listen to it as it was edited in the film versus the original soundtrack release.
@@alucard624 Is from the special edition (I buy one copy) www.tanikal.com/wp-content/uploads/2017/12/87ca1ed34388cc4ae2bb9c8c4612b018.jpg
@@alucard624 It is lol I have the same download.
you're telling me... this is an awesome track how it really is!
how can we get it on the amazon music/ itunes .... this needs to be done!@@CrashHeadroom
I can match the movie with this track in my head
me too
The first two (and ONLY two films of the franchise IMO) may have many differences, but one thing they both had in common. Scott and Cameron both edited and re-edited so much that they ended up butchering the scores of Goldsmith and Horner. This could NOT have been an easy task, especially THIS edit. My compliments!
They are both the product of being made under a tight budget, production problems and heavy editing, both film's crew were under a lot of stress but somehow both worked very well! It shows heavy post-production editing can be a double-edged sword the negative example being Alien 3...
@@Nicholas_Chen_ Alien 3 is a textbook example of having way too many cooks in the kitchen and no clear vision of what the finished product should be. Frankly it's a miracle anything ended up on screen given all the drama and nonsense that went on making it.
"How much adrenaline do you want in the music?"
"All of it."
I've seen _Aliens_ thousands of times and rewatching this scene, I always want to jump under the bed. It is such perfectly executed tension, in no small part due to the score.
2:28 The moment Ripley takes charge and kicks some major xenomorph ass. I wish this sequence had been included on the CD or original LP release.
It technically is as the soundtrack itself in the finished film is edited and chopped to pieces all over the film with tracks showing up in different spots where Horner originally didn't score them for. That being said, the score as heard in the film is amazing when mashed together.
@@alucard624 The 2:28 mark is not included on any 'Aliens' soundtrack I own; not the LP, not the original CD release or even the re-release with extended or extra cues. I'm talking specifically about the portion with Ripley taking charge; that little segment. The rest is available for sure.
@@TorontoJon I swear that's part of Futile Escape on the soundtrack.
@@alucard624 It is. Part of Futile Escape and part of Ripleys Rescue went into making the film version. Little bit more indepth explanation, James Horner was given barely any time to compose the OST ((which is why it sounds so much like star trek 3, he just winged it and used hooks from that)), and was even more angry it was cut up and not how he presented it. Caused a rift between him and cameron for awhile too.
@@alucard624, I stand corrected. Yes, that part is in the 'Futile Escape' track which I've heard many, many times. It's odd that I know it well from the movie, but did not recall it properly in my much-loved CD soundtrack collection.
Anyway, thanks for pointing out the track. Cheers. :)
2:28 "This is where the fun begins."
Back when James Cameron was still a hungry filmmaker.
Thank you, James Horner.
"LETS ROCK!" 💥🔫
0:00 0:05 0:25 0:38 0:50 1:25 2:15 2:29 2:38 2:52 2:58 3:12 3:14 3:27 3:33 3:38 5:15 5:21 5:28 5:34
3:38
"DRAKE, WE ARE LEAVING!!!!"
I get chills every time I see this scene!
2:29 best part
"Ripley what the hell are you doing!"
"Saving the teams ass..you useless dumass" is what ripley should have said!
2:29 for the W
Serious props and respect for DRAKE. He covered the retreat, never gave up. He was a lot like Hicks - tough but real.🫡
2:29 “Ripley, WHAT THE HELL ARE YOU DOING?!”
2:15- 2:23 I've been looking for this. Thanks Ghost.
"Where's Apone? Where's Apone?
"The Sarge is gone. Let's get the fuck outta here!"
MARINES, WE'RE LEAVING!!!
DRAKE, WE'RE LEAVING!
US Colonial Marines leave no one behind. Until they do because we are leaving!!!