The Shadows did not replace the Drifters as Cliff Richard's backing band: they WERE the Drifters. They changed name to avoid obvious complications with a certain Motown band.
Gerry and the Pacemakers didn't "fizzle out". They were the first act to have UK number one singles with their first three releases (the second was Frankie Goes to Hollywood - also from Liverpool). Their hit "You'll Never Walk Alone" became the anthem of Liverpool FC.
Tommy Steele went on to be a huge musical star, in films and in the London musical theatre. He's a multi-talented singer, dancer and actor. He was given the Freedon of the city of London in 2019, he has an OBE and was knighted in 2020 becoming Sir Thomas Hicks (Hicks being his real surname). He's a sculptor and has exhibited at The Royal Academy. He's also published a number of books, bith fact and ficton and he's published children's books. There's no denying his still boundless energy, ability, creativity and capacity for shear hard work. If you want cheering up watch him in 'Half a Sixpence' (I saw him in the original stage version at Wimbledon Theatre before it went to London, it was a breath-taking performance) or singing 'Little White Bull'. He's still working in his 80s.
I’m from the USA and have been a fan of Sir Cliff Richard for over 42 years! I bought an album in 1982 and that was it. I scoured record shops, etc for his older works. I have since acquired all his movies on DVD and most all his concerts in DVD. I have been able to find most that I was missing from over seas via online stores. John Lennon said before Move It and Cliff there was nothing worth listening to in Britain. Move it was the 1st legitimate BRITISH rock and record/song. It made it to #2 in the charts. Everyone , including his band mates the Drifters/Shadows ( same folks, had to change their name) said he had that special something and could really work an audience. He just finished a concert last year at age 83! He also writes his own songs but rarely records them… though most are very good…the ones he does record he said he put I. The b sides of 45’s or now are bonus tracks on CD’s. He has done movies and stage work as well as several Tv series. He has authored quite a few books as well. Some have called him a force of nature! He has subtly changed his look and sound over the decades and his music always sounds fresh. He has been recording since 1958 at age 17. ( someone called him the Justin Bieber of his day.) I can listen to his music all day and not be bored, I can’t say that about any other artist I know of. I don’t think the British really understand what a gem he is! I wish I could have physical seen him live…the live shows are the best!
Shakin' All Over is a classic rock n roll song. The Shadows, Cliff Richards backing band, are my favourite, and Hank Marvin, their lead guitarist is so influential.
He has had a top 5 album in the UK in 8 consecutive decades. He has sold 250 million records world wide and is the third best selling artist in the UK, behind Elvis and the Beatles. he has had 8 US top 40 singles, but never really broke through there. Devil Woman and We Don't Talk Anymore both sold a million in the US.
Radio Luxembourg wasn't a pirate station, it was a perfectly legal continental station that you could pick up in the UK and so a lot of their programming was aimed at Britain (and presented in English).
@@Dave062YTRadio Luxembourg was entirely legal, it had been broadcasting a service to Britain at night since the 1930s. There were two Radio Caroline’s - South, broadcasting off Felixstowe, and North from off the Isle of Man (North was my favourite radio station when I was a kid!). Lots of well-known DJs got started on Caroline. When I was at uni in the late 70s, one of the students I knew had been a part-time DJ on Caroline (under a pseudonym), and he lived in permanent fear of someone from the Home Office coming to arrest him!
And people mistakenly think Neil Young’s song From Hank to Hendrix is about Hank Williams but of course in was Hank Marvin. If you hear Neil and the Squires local hits in the early sixties they are mostly Shadows style instrumentals
One of the reasons that Liverpool had a budding rock scene were the "Cunard Yanks", the sailors and cabin crew that sailed from Liverpool to the States - and brought back loads of records with them.
Until 1959, importing US made instruments into the UK was banned by the government. The only way was by private import, which is how Hank Marvin got his 1958 Fiesta Red Fender Stratocaster (with the gold hardware). Though technically Cliff Richard still owns it, as he bought it for Hank to use, Bruce Welch is the current custodian having borrowed it for the last 40 odd years. Hank is the reason I first picked up the guitar. Hank didn't just use 1 echo, he used a twin channel echo so he could have syncopated echoes, like he uses in Apache.
Don't usually get to the end of 'reaction' videos but this was so excellently presented and produced. In my very early teens I'd regularly slip into London pubs to experience The Pirates and I suggest Mick Green deserves a reaction video all to himself
The tv programme was not called the Six Point Five Special, just the Six- Five Special. The pre-Beatles rock and roll years were the first golden age of pop music for me. The Beatles when they emerged in 1963 were better at it than most of the others and succeeded in pulling together existing strands of music to create a composite sound. They opened the way for many bands from all over the UK though. Liverpool bands, Manchester bands, Birmingham bands etc. On a nostalgic note I saw the Pirates (without Johnny Kidd who had died) performing live in our local clubs in the 70s and 80s. They were a superb live band.
Billy Fury is a musical icon now pretty much forgotten, whilst Johnny Kid and the Pirates were the Adam and the Ants of their day. As for Cliff Richard...he goes on forever.
At last someone has mentioned the greatest rocker from that era. The late brilliant Ronald Wycherley aka Billy Fury from Liverpool. Billy was huge in the late 50's the 60's and early 70's. Not only was he a great singer but also wrote a lot of his own songs. The girls loved him and the boys wanted to be him. Sadly we lost him in 1983 at just 42 years old (same as Elvis) check out his album The Sound Of Fury.. a classic..
My mum was related to Cliff Richard. He's is a cousin of hers through the Webb side of her family (his real name is Harry Webb). She liked his music, she was the same age as him. Cant say i ever liked any of his music except the 'Comiic Relief' version of living doll with the Young Ones when i was a kid. We always knew we had a familial relation to "Cliff" but also due to someone undertaking a DNA family tree aswell as historic family research we have discovered a distant relation, to the actor/comedian Robert Webb. Plus American and Canadian family members we didnt jnow we had. Weve hit a bit of a roadblock on my great grandmas side who was indian, and we know she cane to England with her British husband, my scottish great grandad in around 1902-03 but we dont have any records of her to be able to begin tracing her background before then. With Cliff, we do know he was born whilst his parents were in India. But my great nan however, we have no idea wherein india to start, because we only know she wasnt bom in the area my great grandad met her. She was among the first group of indian Asians to settle in Birmingham in the early 20th century. Time will tell. I'm hoping the DNA work will give us an idea where to start.
Several points: - It's VERY unfair to say British people didn't know much music during the 1800s. Every pub had a piano! The British music halls were also insanely popular and had a sound that was distinct from the US. Unfortunately the American influence diluted a lot of our unique sound, but some Beatles songs like "Penny Lane" and "When I'm 64" capture the essence perfectly, as well as some of the Sherman Brothers' songs (one of them was stationed in the UK while in the army and loved our unique sound- "Me Ol' Bamboo" is a good example). The TV movie "Miss Marie Lloyd: Queen of the Music Hall" is a good place to start with understanding the music halls, it's on UA-cam. - Lonnie Donegan was so huge, The Beatles supported HIM on tour. I met him, he was the loveliest, most down-to-Earth man you could meet. I could have just been talking to someone's nice old granddad. - It mentioned British artists covering American music before it was officially released in the UK by the original artist. That's exactly why Liverpool became such a centre for rock n' roll- it's a port and the records were fresh off the boats! - Tommy Steele is still going, aged 88. There is something so sparkling in his eyes and smile even now, but back in the day he was a proper teen heartthrob. I urge everyone to watch the movie "Half a Sixpence"... it's not on a par with some of the big budget American musicals, but Steele's presence is completely infectious (the song "Flash, Bang, Wallop"- available on UA-cam- also harks back to the music hall sound).
Tommy Steele was and is still loved by us oldies. He saw the way the music industry was going and went into musicals, while most of his contemporaries stayed in the pop genre, some of whom are still doing the circuit with the same old style of music as when they were at their peak, nothing wrong with that. Tommy on the other hand was up there a lot longer than most and is still very, very popular. If you look up 'The Bermondsey Boy' you will be able to chart his success and popularity
@@carolfuller-tt7vo Thank you that's interesting. I was only born in 1984 but my grandmother raised me on old music and movies, from "Long Way To Tipperary" to well... anything Doris Day (Nan was a completely fangirl lol). She taught me how to waltz and how to do the Lambeth Walk. Sometimes I despair at what my generation have to pass on to our future grandchildren.
"The British music halls were also insanely popular" from the 1850s onwards - Weerth made that statement in the 1840s! "and had a sound that was distinct from the US" Not sure why we're talking about the US in the context of the 1840s/1850s? or even 1918 when Music Halls rebranded to Variety Shows!
Fun fact: Hank Marvin, lead guitarist for The Shadows is also the Cockney rhyming slang for “Starving” “I’m bleedin’ Hank Marvin geeza, I can’t wait for me Lilly & Skinner”
'Move it' and 'Shaking all over' are great songs. I remember at school the big sister of a friend of mine won a prize in a teenage magazine. It was to go to London - we lived in Scotland - to meet Marty Wilde!!! We were all terribly jealous.
I voted for him too. My parents told me if you don't vote you have no right to complain about the government. I voted for him to take votes away for the big partys.
As a Cliff Richard fan for over 40 years from the USA I would like to share a perspective about British music that you were not able to pick up from this excellent documentary. I once owned a copy of a book that listed the top ten songs on the British music charts for every week from 1954 to 1977. What I am about to say is based on my interpretation from what I remember from this book as well as other things I have heard about Cliff Richard. 1954 was the year that the British music charts were based on the sales of 45 records. Before 1954 the British music charts had been based on the sales of sheet music. In the 1950s the British record companies had complete control over the artists who had a contract with them and would dictate to them what song they would record for the record label. The song that the record label would select for their artist to record was always a cover of an American song. The music chart would give the name of the song, the person or group who performed it, and the song’s composer. I forgot if it was 1954, 1955, or perhaps it was in 1956 but for one week the same song written by the same composer was in the top ten British music charts about six or seven times by different artists on different record labels. When Cliff Richard started his music career his record company treated him the same way and instructed him to do a cover version of the American song Schoolboy Crush. While Cliff Richard did as his record company instructed him to do he got their permission to record an original song for the flip side of the 45 record. It is said Ian Samwell wrote the song Move It on a bus. After making the 45 with Schoolboy Crush on the primary side and Move It on the flip side the record company sent the 45 record out to all of the radio stations in the UK. The people working at these radio stations listen to the song Schoolboy Crush but never considered playing it on the radio. Because of a promise Cliff Richard had made to his father this could have been the end of his music career. One man named Jack Goode listened to the song Schoolboy Crush and had the same opinion as everyone else who had heard the song. Jack Goode did something that no one else thought to do. He flipped the 45 record over and listened to the song on the other side. Jack Goode immediately started to play the song Move It on his show and highly praised it. Word of mouth quickly spread throughout the UK and other radio stations followed Jack Goode’s example and started broadcasting the song on the flip side on their stations. This in part might have revolutionized the British music industry allowing the record companies to see that did not have to dictate to their artists what song they were going to record, but could allow the artists to try their own hand at song writing or as in Cliff Richard’s case surround yourself with people who were excellent songwriters and musicians. Of course The Beatles should be given full credit for creating a completely new sounding type of music.
Great comments sir. It's such a shame that Cliff never really made it in America. He is hugely popular all over the world and he's been doing it for well over sixty years. He did have a hit in America with Devil Woman. I'm so glad that you are a fan and haven't missed out on some really great songs. His worldwide record sales speaks for itself.
In spite of both Cliff and The Beatles being enormously successful, the most successful LP of the 1960s was The Sound Of Music which was the best selling record of 1965, 1966 and 1968 in the UK and spent more than 100 weeks in the top 10 in the United States.
@@Home-lb7jr Cliff did have some chart success in the 1980s (at least 3 Top 20s), but it's true, he's not exactly a household name in the US, unfortunately.
Love cliff Richard , I went to see him in concert 2023 . I have been a fan of his since I was about 5 or 6 years old when I went to my first concert. The shadows are brilliant, Hank makes the guitar sing. cliff bought the guitar from America and it was the first one I'm the uk
This is very well put together to show the British context and legacy within the history of rock and roll. It's rarely made known, and most people outside the UK (and even sadly most British people themselves, if they're under a certain age) seem to think that popular music in this country only began with The Beatles. Although I'm only in my 50s, so too young to have experienced this, my parents educated me in this history, exposing me to this music as a kid (although I didn't appreciate much of it at the time) - and my mother in particular was a huge fan of Lonnie Donegan, Billy Fury, Adam Faith and a number of other British stars of the 1950s and early 60s (when she was one of that new breed of creatures called a "teenager"!) Although there were of course problems and pressures then too, as there are always are, it does seem that that was a great time to be growing up, as this optimistic new musical movement was beginning to burst through, with so many chances for experimentation and exploration. And as we know now, the 1960s were just around the corner with an explosion of creativity - film, music, fashion and all of what became the "Swinging" Sixties! But of course, as this video hints at with Vince Taylor, there were also many casualties along the way too. Most of those young early stars were naive to the commercial exploitation they would face, and there were not the protections there are today for recording artists and their original material, and noone to coach in you in how to cope with fame, fortune and success if it came along.
Thank you so much for this. I was born in 1955 and this was my dad's era so I remember so much of this music and I love it. I can probably remember the words better than the sixties onwards.
I'm pretty sure it wasn't the Six point Five special but the Six Five special and that was meant to be a hyphen on screen ! UK audiences would be familiar with the Wee Willie name from the nursery rhyme Wee Willie Winkie.
Part of the reason Liverpool became the centre of Britain's first rock boom was because it was a major port for trans-Atlantic ships. The Beatles and other Liverpool based bands had more access to any new influences coming into the country from America, so caught the rock music bug early. Amazingly, Cliff Richard is still going - and has had dozens of hits over the decades. Joe Meek is the perfect example of an insane genius - his life story is as bizarre as Phil Spector's - if you can find a video about his, it'd be worth a look.
Lonnie Donegan was born Anthony Donegan and was in the Chris Barber Band, who played Jazz, but had a fifteen minute bit in their show called "Tony Donegan's Skiffle time", which proved very popular. One night the band was playing a Jazz and Blues festival and on the bill was the legendary American bluesman Lonnie Johnson, The printers got the names mixed up on the poster and showed Tony as Lonnie Donegan - he liked it and from then on he was Lonnie Donegan.
Johnny Leyton was also an actor, he was in "The Great Escape" alongside many British and US icons, including Steve McQueen, last time I saw him on tv, he was talking to IoM TT legend Guy Martin, who was recreating Steve's barbed wire jump from the film. He was also in "Von Ryans Express" with Frank Sinatra. Marty Wilde has a daughter called Kim, who was very popular in the 80s/90s, and is one of a handful of British women to score a US No1.
I saw Johnny Leyton a few years ago on the same bill as Marty Wilde and Mike Berry. His singing wasn't on the same level as the other two. He is also extremely short, although next to Marty Wilde everyone is short.
As an 8 year old in 1960 my father took me to the London Palladium to see Cliff Richard & the Shadows. The UK was still living in the past. We had only just got a black & white TV, outside things around seemed so dull and dreary. When the curtains lifted Cliff & the Shadows with their bright red guitars were there in full "Technicolor" it was unreal. So started my life long love of rock
They missed out Joe Brown, a London lad who backed Eddie Cochrane and Gene Vincent. He was very successful and was voted Britain's top performer in 1960. His daughter, Sam, also had a very successful recording career as well as being much in demand as a backing singer. Joe was great friends with George Harrison and performed beautifully at the Concert for George. Both were huge ukulele fans.
Tommy Steele is still performing, having done numerous west end musicals. Cliff Richard is also still around, while Marty Wilde & hie daughter Kim have also lasted the years.
If you look at Cliff and the Shadows at 12.30 the guitarist with the glasses is Hank Marvin. He has played with The Highwaymen. You know - Johnny Cash, Waylon Jennings and Willie Nelson.
What a blast from the past! Tommy Steele used to live near me and he used to come and dance around in the school playground when picking up his daughter from school
You have to look at it from the aftermath of WW2. Britain was practically bankrupt, every industry had been turned over to war production and the conversion back was drawn out. Rationing didn't end until 1954, so not only was not much being produced but no one had money to buy anything. This was the background to the birth of Brtish music. America had so much production capacity that it was quick to convert, it's own rationing ended in Aug 1945, a full 9 years before Britain. By the time the Mid 50's came around the youth of the country were desperate for their own music, different from that of their parents
That was good + fun, JJ! Stuff I didn't know tho I lived through it in the UK. Got most of the EPs played from c. 1958 up in my loft, bought back in the day by my sister :)
Radio Luxemburg wasn’t a pirate radio station but a properly licensed station broadcasting from Luxemburg: the pirate stations, like Radio Caroline and Radio London, broadcast from ships in the North Sea. It wasn’t ‘Six Point Five Special’ but ‘Six Five Special’, the title song going, if I remember correctly, The Six Five Special’s coming down the line, the Six Five Special’s right on time.’
The only thing illicit about Radio Luxemburg was - because for reasons I don't recall it only started broadcasting in the evening - the thousands of British kids in their early teens secretly listening to it on their transistor radios hidden under the bedclothes, long into the night, while our parents fondly imagined us to be innocently sleeping, so as to be ready for school the next day...
@@papercup2517”208 the Station of the Stars”! It broadcast a night for the simple reason that medium wave radio signals travel further when the Sun isn’t in the sky.
@@papercup2517I think that they used to broadcast in French earlier on - I recall that Emperor Rosko used to appear on both the English and French broadcasts.
There's an interesting addendum here which is that one of the DJs in the burgeoning rap scene in New York in the 70s found a version of Apache and used it in his mixing sets. It had been covered a couple of times, by Danish guitarist Jorgen Ingman and also Seattle’s Ventures. Anyway, apparently the NY rap crowds loved it even though nobody knew what it was. Also, the Sugarhill Gang recorded Apache (Jump On It) in 1981.
Really interesting I do hope you get the chance to listen to one or two of the influential tracks in entirety particularly Shaking all Over and Apache. Excellent analysis thank you
I still listen to some of these records that came out over a decade before I was born, I grew up with it having boomer siblings. It was nice to see guitarist Joe Morretti get a mention, also worth mentioning would be Big Jim Sullivan and Vic Flick who played on many British pop records and film soundtracks during the 50's and 60's.
Lonnie Donegan wrote the hit song "I'll never fall in love again" for Tom Jones. His son Peter Donegan went on The Voice UK and sung the song along with judge Tom Jones. You can find it on UA-cam.
I'm old enough to remember seeing the Beatles for the first time on the TV. I was always a Billy Fury fan and the Beatles blew me away. I was thrilled to meet Billy in 1970 but he was very ill and has died. The Shadows and later Jet Harris and Tony Meehan did great instrumentals. With regard to Desmond Dekker and reggae, we all used to love Ska which was a sort of forerunner so reggae didn't phase us at all, we accepted it as the next step.
Lonnie Donegan's son appeared on The Voice, in the UK! The Shadows' lead guitarist was called Hank Marvin, which is now commonly used as rhyming slang for starving 😅
The rise of early guitar records from the likes of the Shadows, makes you realize how 'pop' John Barry's production of the James Bond theme from 1962 actually was at the time.
Not sure if anyone has mentioned or cares, but the soldier at 6:35 surrounded by kids, is Burgess Meredith who played the Penguin in the 60s TV version of Batman
What a great video! I always thought it strange that Rock around the clock was often described as the first rock tune, but when you drum to it, it has a swing beat and NOT a rock one. I still have all my old Shadows records and still bang away to them in the basement.
I once drunkenly argued with the roadies for the guitarist of The Shadows (Hank Marvin) about the colour of his strat. Which he had claimed was called Flamingo Pink (it's like a candy red that hasn't been applied enough) in a magazine interview but Fender never had that colour and had to mix it specially for his signature edition. No idea why. I was drunk and we'd just left the venue next door after seeing another band :) I also argued with The Damned about Captain Sensibles hat in a kebab house so I've got form :)
At 4.38 there is a picture of Nancy Whiskey, when I went to Lloret de Mar, a small fishing village, on the Costa Brava in Spain in 1954 or 1955, she had an open air bar on the main promanade with fairy lights all round it, I was 8 or 9 and thought it was beautiful. I saw the Searchers at a local venue and went backstage to meet them, it was the first time I spoke to someone from Liverpool and had trouble understanding them if they spoke too fast! I was very disappointed that they were just normal sweaty, spotty boys! I also saw Jeff Beck playing in a local band at one of our town's weekly dances before fame whisked him away. I really enjoyed this video and your comments, it brought back many happy memories, thank you 😊
I’ve still got my dad’s membership card for the 2i’s coffee bar in Soho, it was the birthplace of rock n roll in London. It’s a fish and chip shop now! In the 80’s I used to go to a little local jazz club, Tony Crombie was the regular drummer there - one of the most laid back drummers I’ve ever seen 😊
Skiffle was introduced by Alexis Korner playing guitar and singing in band intervals. Then he decided to go to Chicago electric blues and the band’s banjo player Terry Donegan asked could he still do it. Lonnie Donegan as he called himself was the king of skiffle. Korner went on to have Mick Jagger, Charlie Watts, Jack Bruce, Ginger Baker and Robert Plant in his bands among others .
This was my Mums era, she has a lot of singles from these times. She used to get her brother to buy them for her when he went into town on a Saturday. She wasn't allowed to go into town because she was a girl and had to stay home to help her Mother. She still has them and we used to play them on the record player when we were kids. So they are a part of my childhood. We recently found some when were were cleaning out and they immediately had to be safely stowed in her bedside cabinet.
I first saw Cliff Richard and the Shadows at the opening night of the ABC Theatre in Blackpool back in 1963. What a concert that was, the theatre was standing room only. Brian Bennett had just joined the Shadows as the drummer and it was his first 'live' performance with the group after replacing Tony Meehan the original drummer. Brian Bennett remained with the Shadows throughout the rest of their career and today has his own orchestra and released a hit album a few years ago called 'Shadowing John Barry' which included a track that had never been released by the Shadows which was released on this album with Brian Bennett as drummer and was probably the last time that the Shadows played together for a recording.
I was there for skiffle in the late 1950's: My brother and I had a cardboard envelope with 10 records in it, each on a single-sided thin vinyl floppy sheet, square, not round. To play it we had to touch the corners into slots on the cardboard envelope which gave it enough rigidity to play it on Dad's gramophone. I didn't realise at the time how much British music was just as young as I was.
There is a book on Tommy Steele called 'Bermondsey Boy' and it is a great read, all about his upbringing during the war years, his early years in the Merchant Navy, and the birth of his music and influences. Well worth a look.
What is amazing, is how many of those early British rockers are still with us. A couple, like Cliff Richard are still performing. Of the survivors I include Cliff of corse, along wit Mary Wilde (Kim's dad), Tommy Steel and Helen Shapiro.
Take a look at The Shadows' early hits. Some are quite beautiful with the huge reverb. Most bands cut their teeth on these while they were looking for a singer. We did whole gigs playing instrumentals at first.
In the 1950s I used to buy the charts newspaper Disc (rival to New Musical Express). In 1958 it profiled this new singer called Cliff Richard and his song Move It, saying how he would take the musical industry by storm. How right it was.
Really enjoyed this..watched a few times. "Teach You To Rock" is essentially sped up Bill Haley... more like swing than jazz to me, but they were jazz musicians so no doubt some influence. I had siblings nearly a decade older than me so grew up listening to what they played. I remember when I was little the family gathering around the television and everyone being very excited - the Beatles were going to be on The Ed Sullivan Show. I feel like I was lucky to grow up in a great era of musical evolution and societal revolution.
Ps. He went onto appear in musicals like Half A Sixpence on Broadway, and the Disney movie Finnian's Rainbow. Last toured the UK in his late 70s, too. What a legend. Check out his cover of Tallahassee Lassie... Banger.
Sir Cliff Richard and compare hadn't yet set eyes on Elvis, no one knew how he moved or looked, but many named here have had extremely long careers and sold hundreds of millions of records. Gerry And The Pacemakers never fizzled out, they had huge hits and one in particular still sung to this day You'll Never Walk Alone
Although You'll Never Walk Alone is American and was originally in the 1945 stage show of Carousel. Don't Let The Sun Catch You Crying, I'm The One and Ferry Across The Mersey were all big hits and all written by Gerry.
@@sandrabutler8483 I would have thought Americans would be more familiar with Don't Let The Sun Catch You Crying or Ferry Cross The Mersey as they were their two biggest hits in the States getting to number 4 and number 6 in the Billboard chart respectively. YNWA only just made the top 50.
@@ianz9916 I think it might be a generational thing, many of a certain age just don't recognise quite a lot, some do the reactions as they've seen others doing them and go by how many views that particular group or song has got. I have noticed quite a few doing Queen just to grow their channels, and loads say never heard of Queen or any songs until they listen and the look of surprise, it's as if they think we didn't have music more than half a century ago which is still known now and sells out stadiums
@@ianz9916Ferry Cross (not Across) the Mersey is kind of encouraging the ferry to cross the river "Cause this land's the place I love" and here I'll stay".
I'm from the UK but never really took to British music. I was the youngest of 7 kids, with a big age gap. My parebts loved Elvis Presley. My elder brothers followed on & loved Elvis , so that's what was played in our house. The beatles snook in when Elvis was making films. It would be interesting to see if they'd been so big if Elvis was still singing and not away. As John Lennon said .. "Before Elvis Presley, there was nothing"
That was really interesting! I was pretty familiar with it all, as I was a young kid at the time, with an older brother and two older sisters. I got Elvis and The Shadows from my brother, and Cliff and Buddy Holly from my sisters. Also, reading various Beatles books through the years, many of the artists drifted in and out of their story. As I say, fascinating.
The Shadows did not replace the Drifters as Cliff Richard's backing band: they WERE the Drifters.
They changed name to avoid obvious complications with a certain Motown band.
The American Drifters weren’t Motown though. They were on Atlantic Records and were around before Motown
Gerry and the Pacemakers didn't "fizzle out". They were the first act to have UK number one singles with their first three releases (the second was Frankie Goes to Hollywood - also from Liverpool). Their hit "You'll Never Walk Alone" became the anthem of Liverpool FC.
And if you travel across the RIVER MERSEY on the FERRY take your earplugs cos they play "FERRY CROSS THE MERSEY" constantly
@@Noseypoke-mr7th I Like It. 😆
"You'll never walk alone" was from the musical "Carousel". Rogers and Hammerstein.
Cliff Richard is crazy because he is still going and since the 50’s has had a top 40 hit at least once a decade. Yes even in the 2020’s
Only singer to have had a Number 1 single in the UK in five consecutive decades.
More than 150 UK singles from 1958 (Move It) to 2022 (The Most Wonderful Time of the Year). The man's a legend.
Legend
And his calendar every year. Yuck.
As does some of his band members ( Hank Marvin )
Tommy Steele went on to be a huge musical star, in films and in the London musical theatre. He's a multi-talented singer, dancer and actor.
He was given the Freedon of the city of London in 2019, he has an OBE and was knighted in 2020 becoming Sir Thomas Hicks (Hicks being his real surname).
He's a sculptor and has exhibited at The Royal Academy.
He's also published a number of books, bith fact and ficton and he's published children's books.
There's no denying his still boundless energy, ability, creativity and capacity for shear hard work.
If you want cheering up watch him in 'Half a Sixpence' (I saw him in the original stage version at Wimbledon Theatre before it went to London, it was a breath-taking performance) or singing 'Little White Bull'.
He's still working in his 80s.
I’m from the USA and have been a fan of Sir Cliff Richard for over 42 years! I bought an album in 1982 and that was it. I scoured record shops, etc for his older works. I have since acquired all his movies on DVD and most all his concerts in DVD. I have been able to find most that I was missing from over seas via online stores.
John Lennon said before Move It and Cliff there was nothing worth listening to in Britain. Move it was the 1st legitimate BRITISH rock and record/song. It made it to #2 in the charts. Everyone , including his band mates the Drifters/Shadows ( same folks, had to change their name) said he had that special something and could really work an audience. He just finished a concert last year at age 83! He also writes his own songs but rarely records them… though most are very good…the ones he does record he said he put I. The b sides of 45’s or now are bonus tracks on CD’s. He has done movies and stage work as well as several Tv series. He has authored quite a few books as well. Some have called him a force of nature!
He has subtly changed his look and sound over the decades and his music always sounds fresh. He has been recording since 1958 at age 17. ( someone called him the Justin Bieber of his day.) I can listen to his music all day and not be bored, I can’t say that about any other artist I know of. I don’t think the British really understand what a gem he is! I wish I could have physical seen him live…the live shows are the best!
Shakin' All Over is a classic rock n roll song. The Shadows, Cliff Richards backing band, are my favourite, and Hank Marvin, their lead guitarist is so influential.
Between 1958 and 2009 Cliff Richard has had 124 top 40 hit singles in the UK charts including 14 at number one.
He has had a top 5 album in the UK in 8 consecutive decades. He has sold 250 million records world wide and is the third best selling artist in the UK, behind Elvis and the Beatles. he has had 8 US top 40 singles, but never really broke through there. Devil Woman and We Don't Talk Anymore both sold a million in the US.
Wee Willie Harris is one of Ian Dury's 'Reasons to be Cheerful'
I knew him from that song, sadly Wee Willie passed away last year aged 90.
@QuiddDude
I done a couple of shows with Willie what a character he was..
Radio Luxembourg wasn't a pirate station, it was a perfectly legal continental station that you could pick up in the UK and so a lot of their programming was aimed at Britain (and presented in English).
The pirate stations weren't illegal until auntie had the law changed.
A lot of DJs on latter day radio started on Radio Luxembourg
Radio Caroline was the proper pirate station,being on a boat at sea ;Luxembourg was the forerunner of pirate radio but think it was legal
@@Dave062YTRadio Luxembourg was entirely legal, it had been broadcasting a service to Britain at night since the 1930s. There were two Radio Caroline’s - South, broadcasting off Felixstowe, and North from off the Isle of Man (North was my favourite radio station when I was a kid!). Lots of well-known DJs got started on Caroline. When I was at uni in the late 70s, one of the students I knew had been a part-time DJ on Caroline (under a pseudonym), and he lived in permanent fear of someone from the Home Office coming to arrest him!
@@MichaelOCallaghan-j7x I recall listening to a young whipper snapper on Luxembourg called Steve Wright. Whatever happened to him?
Hank Marvin is ludicrously underrated. He more than holds his own against Gilmour at the fender 50th anniversary gig
And people mistakenly think Neil Young’s song From Hank to Hendrix is about Hank Williams but of course in was Hank Marvin. If you hear Neil and the Squires local hits in the early sixties they are mostly Shadows style instrumentals
Truly brilliant guitar player. He now lives in Australia.
especially as his name is now rhyming slang for being hungry
Many British guitarists will cite Hank Marvin as their reason for picking up the instrument
@@blackcountryme "You must be Hank Marvin" (Starving)
ua-cam.com/video/cygzsMwGC70/v-deo.html
One of the reasons that Liverpool had a budding rock scene were the "Cunard Yanks", the sailors and cabin crew that sailed from Liverpool to the States - and brought back loads of records with them.
A brother was in the Merchent Navy and brought back records from America in the 1950's.
In my late 70s and the late 50s and 60s were a fantastic time for music and thankyou for this content. Happy memories.
That was really interesting. As a Brit, I sort of knew the story, but seeing the progression spelt out and precisely how things developed was great.
Until 1959, importing US made instruments into the UK was banned by the government. The only way was by private import, which is how Hank Marvin got his 1958 Fiesta Red Fender Stratocaster (with the gold hardware). Though technically Cliff Richard still owns it, as he bought it for Hank to use, Bruce Welch is the current custodian having borrowed it for the last 40 odd years.
Hank is the reason I first picked up the guitar.
Hank didn't just use 1 echo, he used a twin channel echo so he could have syncopated echoes, like he uses in Apache.
Marty Wilde is mentioned a few times - his daughter, Kim Wilde, was also a singer. Marty and his son wrote a lot of her songs.
Don't usually get to the end of 'reaction' videos but this was so excellently presented and produced.
In my very early teens I'd regularly slip into London pubs to experience The Pirates and I suggest Mick Green deserves a reaction video all to himself
Marty Wilde has a legacy, his daughter Kim Wilde was a massive pop star in the UK in the 80's. She was great.
Kim Wild, had a massive hit with Kids in America.
Managed by her dad.
Also, she was stunning.
@@camoTiaras Just didn't want to say it unless I got cancelled. Yeah, she was a fox.
Same with the sixties folk revivalist Ewan McColl & his daughter Kirsty who was taken from the world so tragically.
The tv programme was not called the Six Point Five Special, just the Six- Five Special. The pre-Beatles rock and roll years were the first golden age of pop music for me. The Beatles when they emerged in 1963 were better at it than most of the others and succeeded in pulling together existing strands of music to create a composite sound. They opened the way for many bands from all over the UK though. Liverpool bands, Manchester bands, Birmingham bands etc. On a nostalgic note I saw the Pirates (without Johnny Kidd who had died) performing live in our local clubs in the 70s and 80s. They were a superb live band.
Billy Fury is a musical icon now pretty much forgotten, whilst Johnny Kid and the Pirates were the Adam and the Ants of their day. As for Cliff Richard...he goes on forever.
At last someone has mentioned the greatest rocker from that era. The late brilliant Ronald Wycherley aka Billy Fury from Liverpool. Billy was huge in the late 50's the 60's and early 70's.
Not only was he a great singer but also wrote a lot of his own songs. The girls loved him and the boys wanted to be him. Sadly we lost him in 1983 at just 42 years old (same as Elvis) check out his album The Sound Of Fury.. a classic..
My mum was related to Cliff Richard. He's is a cousin of hers through the Webb side of her family (his real name is Harry Webb). She liked his music, she was the same age as him. Cant say i ever liked any of his music except the 'Comiic Relief' version of living doll with the Young Ones when i was a kid.
We always knew we had a familial relation to "Cliff" but also due to someone undertaking a DNA family tree aswell as historic family research we have discovered a distant relation, to the actor/comedian Robert Webb. Plus American and Canadian family members we didnt jnow we had.
Weve hit a bit of a roadblock on my great grandmas side who was indian, and we know she cane to England with her British husband, my scottish great grandad in around 1902-03 but we dont have any records of her to be able to begin tracing her background before then. With Cliff, we do know he was born whilst his parents were in India. But my great nan however, we have no idea wherein india to start, because we only know she wasnt bom in the area my great grandad met her. She was among the first group of indian Asians to settle in Birmingham in the early 20th century. Time will tell. I'm hoping the DNA work will give us an idea where to start.
Billy Fury and Ringo Starr were classmates at primary school for a short while when they were five years old.
And both plus David Essex went on to be in the 1973 film That'll Be The Day.
Several points:
- It's VERY unfair to say British people didn't know much music during the 1800s. Every pub had a piano! The British music halls were also insanely popular and had a sound that was distinct from the US. Unfortunately the American influence diluted a lot of our unique sound, but some Beatles songs like "Penny Lane" and "When I'm 64" capture the essence perfectly, as well as some of the Sherman Brothers' songs (one of them was stationed in the UK while in the army and loved our unique sound- "Me Ol' Bamboo" is a good example). The TV movie "Miss Marie Lloyd: Queen of the Music Hall" is a good place to start with understanding the music halls, it's on UA-cam.
- Lonnie Donegan was so huge, The Beatles supported HIM on tour. I met him, he was the loveliest, most down-to-Earth man you could meet. I could have just been talking to someone's nice old granddad.
- It mentioned British artists covering American music before it was officially released in the UK by the original artist. That's exactly why Liverpool became such a centre for rock n' roll- it's a port and the records were fresh off the boats!
- Tommy Steele is still going, aged 88. There is something so sparkling in his eyes and smile even now, but back in the day he was a proper teen heartthrob. I urge everyone to watch the movie "Half a Sixpence"... it's not on a par with some of the big budget American musicals, but Steele's presence is completely infectious (the song "Flash, Bang, Wallop"- available on UA-cam- also harks back to the music hall sound).
Anthony Newley and Lionel Bart responsibly for a lot of 1960s british stage shows.
Tommy Steele was and is still loved by us oldies. He saw the way the music industry was going and went into musicals, while most of his contemporaries stayed in the pop genre, some of whom are still doing the circuit with the same old style of music as when they were at their peak, nothing wrong with that.
Tommy on the other hand was up there a lot longer than most and is still very, very popular. If you look up 'The Bermondsey Boy' you will be able to chart his success and popularity
@@carolfuller-tt7vo Thank you that's interesting. I was only born in 1984 but my grandmother raised me on old music and movies, from "Long Way To Tipperary" to well... anything Doris Day (Nan was a completely fangirl lol). She taught me how to waltz and how to do the Lambeth Walk. Sometimes I despair at what my generation have to pass on to our future grandchildren.
"The British music halls were also insanely popular" from the 1850s onwards - Weerth made that statement in the 1840s!
"and had a sound that was distinct from the US"
Not sure why we're talking about the US in the context of the 1840s/1850s?
or even 1918 when Music Halls rebranded to Variety Shows!
@@franohmsford7548 I never mentioned the 1850s. The USA existed before 1900. No idea what you are getting at with the 1918 reference.
How good was that. Excellent documentary!! Just small transitions, that influence whole new sounds and genres.
Fun fact:
Hank Marvin, lead guitarist for The Shadows is also the Cockney rhyming slang for “Starving”
“I’m bleedin’ Hank Marvin geeza, I can’t wait for me Lilly & Skinner”
In Glasgow we call it Lee Marvin, not Hank Marvin.
Sometimes I say just I’m Hank and my husband knows 😂😂
'Move it' and 'Shaking all over' are great songs.
I remember at school the big sister of a friend of mine won a prize in a teenage magazine. It was to go to London - we lived in Scotland - to meet Marty Wilde!!!
We were all terribly jealous.
Screaming Lord Sutch founded the "Official Monster Raving Loony Party" and stood as a candidate in 40 elections.
I used to vote for the monster raving loonies party I wish something like that still existed. We need a decent protest vote.
@corringhamdepot4434 Sounds like he would have fit right in with any political environment on this planet.
I voted for him too. My parents told me if you don't vote you have no right to complain about the government. I voted for him to take votes away for the big partys.
@@74kmullins You'll be wanting to look up Count Binface
my sister has got his hat
As a Cliff Richard fan for over 40 years from the USA I would like to share a perspective about British music that you were not able to pick up from this excellent documentary. I once owned a copy of a book that listed the top ten songs on the British music charts for every week from 1954 to 1977. What I am about to say is based on my interpretation from what I remember from this book as well as other things I have heard about Cliff Richard. 1954 was the year that the British music charts were based on the sales of 45 records. Before 1954 the British music charts had been based on the sales of sheet music. In the 1950s the British record companies had complete control over the artists who had a contract with them and would dictate to them what song they would record for the record label. The song that the record label would select for their artist to record was always a cover of an American song. The music chart would give the name of the song, the person or group who performed it, and the song’s composer. I forgot if it was 1954, 1955, or perhaps it was in 1956 but for one week the same song written by the same composer was in the top ten British music charts about six or seven times by different artists on different record labels. When Cliff Richard started his music career his record company treated him the same way and instructed him to do a cover version of the American song Schoolboy Crush. While Cliff Richard did as his record company instructed him to do he got their permission to record an original song for the flip side of the 45 record. It is said Ian Samwell wrote the song Move It on a bus. After making the 45 with Schoolboy Crush on the primary side and Move It on the flip side the record company sent the 45 record out to all of the radio stations in the UK. The people working at these radio stations listen to the song Schoolboy Crush but never considered playing it on the radio. Because of a promise Cliff Richard had made to his father this could have been the end of his music career. One man named Jack Goode listened to the song Schoolboy Crush and had the same opinion as everyone else who had heard the song. Jack Goode did something that no one else thought to do. He flipped the 45 record over and listened to the song on the other side. Jack Goode immediately started to play the song Move It on his show and highly praised it. Word of mouth quickly spread throughout the UK and other radio stations followed Jack Goode’s example and started broadcasting the song on the flip side on their stations. This in part might have revolutionized the British music industry allowing the record companies to see that did not have to dictate to their artists what song they were going to record, but could allow the artists to try their own hand at song writing or as in Cliff Richard’s case surround yourself with people who were excellent songwriters and musicians. Of course The Beatles should be given full credit for creating a completely new sounding type of music.
Great comments sir. It's such a shame that Cliff never really made it in America. He is hugely popular all over the world and he's been doing it for well over sixty years. He did have a hit in America with Devil Woman. I'm so glad that you are a fan and haven't missed out on some really great songs. His worldwide record sales speaks for itself.
In spite of both Cliff and The Beatles being enormously successful, the most successful LP of the 1960s was The Sound Of Music which was the best selling record of 1965, 1966 and 1968 in the UK and spent more than 100 weeks in the top 10 in the United States.
Too much waffle.
@@Home-lb7jr Cliff did have some chart success in the 1980s (at least 3 Top 20s), but it's true, he's not exactly a household name in the US, unfortunately.
Tommy Steele still going strong at 87.
Sir Cliff Richard still kicking at 83.
I think my mum went to see him in a West End musical in the late 70s or early 80s. Never knew he was really a rock'n'roll pioneer
@@gwaptivaYes, I remember seeing him in Hello Dolly, but he was probably most famous for the film Half a Sixpence.
I remember him in Finian’s Rainbow with Fred Astaire and Pet Clarke.
Yep Tommy Steele went on to be a huge musical theatre star. You can see him in the movie, Half a Sixpence. He lives in Richmond and is a total legend!
Love cliff Richard , I went to see him in concert 2023 . I have been a fan of his since I was about 5 or 6 years old when I went to my first concert. The shadows are brilliant, Hank makes the guitar sing. cliff bought the guitar from America and it was the first one I'm the uk
This is very well put together to show the British context and legacy within the history of rock and roll. It's rarely made known, and most people outside the UK (and even sadly most British people themselves, if they're under a certain age) seem to think that popular music in this country only began with The Beatles.
Although I'm only in my 50s, so too young to have experienced this, my parents educated me in this history, exposing me to this music as a kid (although I didn't appreciate much of it at the time) - and my mother in particular was a huge fan of Lonnie Donegan, Billy Fury, Adam Faith and a number of other British stars of the 1950s and early 60s (when she was one of that new breed of creatures called a "teenager"!)
Although there were of course problems and pressures then too, as there are always are, it does seem that that was a great time to be growing up, as this optimistic new musical movement was beginning to burst through, with so many chances for experimentation and exploration. And as we know now, the 1960s were just around the corner with an explosion of creativity - film, music, fashion and all of what became the "Swinging" Sixties! But of course, as this video hints at with Vince Taylor, there were also many casualties along the way too. Most of those young early stars were naive to the commercial exploitation they would face, and there were not the protections there are today for recording artists and their original material, and noone to coach in you in how to cope with fame, fortune and success if it came along.
Thank you so much for this. I was born in 1955 and this was my dad's era so I remember so much of this music and I love it. I can probably remember the words better than the sixties onwards.
I'm pretty sure it wasn't the Six point Five special but the Six Five special and that was meant to be a hyphen on screen !
UK audiences would be familiar with the Wee Willie name from the nursery rhyme Wee Willie Winkie.
Lots of corrections pinned on the original vid.
Part of the reason Liverpool became the centre of Britain's first rock boom was because it was a major port for trans-Atlantic ships. The Beatles and other Liverpool based bands had more access to any new influences coming into the country from America, so caught the rock music bug early. Amazingly, Cliff Richard is still going - and has had dozens of hits over the decades. Joe Meek is the perfect example of an insane genius - his life story is as bizarre as Phil Spector's - if you can find a video about his, it'd be worth a look.
The Film "Telstar" is about Joe Meek, his private life and some of the acts he produced.
i lived through that, i forgot how it all started, thank you
Enjoy most of your reactions - but this is prob my no.1 so far. Really interesting video and your comments added to that. Thanks.
Lonnie Donegan was born Anthony Donegan and was in the Chris Barber Band, who played Jazz, but had a fifteen minute bit in their show called "Tony Donegan's Skiffle time", which proved very popular. One night the band was playing a Jazz and Blues festival and on the bill was the legendary American bluesman Lonnie Johnson, The printers got the names mixed up on the poster and showed Tony as Lonnie Donegan - he liked it and from then on he was Lonnie Donegan.
Johnny Leyton was also an actor, he was in "The Great Escape" alongside many British and US icons, including Steve McQueen, last time I saw him on tv, he was talking to IoM TT legend Guy Martin, who was recreating Steve's barbed wire jump from the film. He was also in "Von Ryans Express" with Frank Sinatra. Marty Wilde has a daughter called Kim, who was very popular in the 80s/90s, and is one of a handful of British women to score a US No1.
I saw Johnny Leyton a few years ago on the same bill as Marty Wilde and Mike Berry. His singing wasn't on the same level as the other two. He is also extremely short, although next to Marty Wilde everyone is short.
As an 8 year old in 1960 my father took me to the London Palladium to see Cliff Richard & the Shadows. The UK was still living in the past. We had only just got a black & white TV, outside things around seemed so dull and dreary. When the curtains lifted Cliff & the Shadows with their bright red guitars were there in full "Technicolor" it was unreal. So started my life long love of rock
They missed out Joe Brown, a London lad who backed Eddie Cochrane and Gene Vincent. He was very successful and was voted Britain's top performer in 1960. His daughter, Sam, also had a very successful recording career as well as being much in demand as a backing singer. Joe was great friends with George Harrison and performed beautifully at the Concert for George. Both were huge ukulele fans.
I saw Eddie Cochrane at the Liverpool Empire on the Sunday, four weeks before he died.
Check out Northern soul from north of England, in 60's and 70's.
Great idea, though the music is pretty much all from the US but the style and dancing is very much Wigan.
Tommy Steele is still performing, having done numerous west end musicals. Cliff Richard is also still around, while Marty Wilde & hie daughter Kim have also lasted the years.
If you look at Cliff and the Shadows at 12.30 the guitarist with the glasses is Hank Marvin. He has played with The Highwaymen. You know - Johnny Cash, Waylon Jennings and Willie Nelson.
I love Tommy Steel and have seen him 3 times in different shows. I've seen sir Cliff Richard 7 times. He's in his early 80's and still doing concerts.
The cast of the Young Ones and Sir Cliff Richard did a remake of "Living Doll" in 1986. 😅
With the Young Ones totaly fantastic, i rememer it and its video so well, very very funny.
FOR COMIC RELIEF
Shakin' All Over is one of the all-time classics - you should listen to it in its entirety!
What a blast from the past! Tommy Steele used to live near me and he used to come and dance around in the school playground when picking up his daughter from school
Lonnie Donegan wrote the song “I’ll never Fall in Love” for Tom Jones. His son sang it on the voice UK with Sir Tom himself!
The Sound of Fury is a great album. He was a brilliant writer and performer.
Cliff is still recording today and his last Number 1 was 1999 and was still number 2 in 2000
My favourite reaction of yours is this one. I, too, learnt a lot. Love your reactions by the way. Your honesty shines through. Thank you😊
His reactions and own knowledge are very refreshing.
Love how Tony Crombie just continues to play jazz and calls it rock 'n' roll to score an audience! All the rock hits you love, now jazzified!
You have to look at it from the aftermath of WW2. Britain was practically bankrupt, every industry had been turned over to war production and the conversion back was drawn out. Rationing didn't end until 1954, so not only was not much being produced but no one had money to buy anything. This was the background to the birth of Brtish music. America had so much production capacity that it was quick to convert, it's own rationing ended in Aug 1945, a full 9 years before Britain.
By the time the Mid 50's came around the youth of the country were desperate for their own music, different from that of their parents
That was good + fun, JJ! Stuff I didn't know tho I lived through it in the UK. Got most of the EPs played from c. 1958 up in my loft, bought back in the day by my sister :)
Radio Luxemburg wasn’t a pirate radio station but a properly licensed station broadcasting from Luxemburg: the pirate stations, like Radio Caroline and Radio London, broadcast from ships in the North Sea. It wasn’t ‘Six Point Five Special’ but ‘Six Five Special’, the title song going, if I remember correctly, The Six Five Special’s coming down the line, the Six Five Special’s right on time.’
The only thing illicit about Radio Luxemburg was - because for reasons I don't recall it only started broadcasting in the evening - the thousands of British kids in their early teens secretly listening to it on their transistor radios hidden under the bedclothes, long into the night, while our parents fondly imagined us to be innocently sleeping, so as to be ready for school the next day...
@@papercup2517”208 the Station of the Stars”!
It broadcast a night for the simple reason that medium wave radio signals travel further when the Sun isn’t in the sky.
@@papercup2517I think that they used to broadcast in French earlier on - I recall that Emperor Rosko used to appear on both the English and French broadcasts.
"Rock Island Line" was my favourite song; my dad had the 78rpm and I would play it over and over. Lonnie was a breath of fresh air.
There's an interesting addendum here which is that one of the DJs in the burgeoning rap scene in New York in the 70s found a version of Apache and used it in his mixing sets. It had been covered a couple of times, by Danish guitarist Jorgen Ingman and also Seattle’s Ventures.
Anyway, apparently the NY rap crowds loved it even though nobody knew what it was. Also, the Sugarhill Gang recorded Apache (Jump On It) in 1981.
Really interesting I do hope you get the chance to listen to one or two of the influential tracks in entirety particularly Shaking all Over and Apache. Excellent analysis thank you
I still listen to some of these records that came out over a decade before I was born, I grew up with it having boomer siblings. It was nice to see guitarist Joe Morretti get a mention, also worth mentioning would be Big Jim Sullivan and Vic Flick who played on many British pop records and film soundtracks during the 50's and 60's.
Lonnie Donegan wrote the hit song "I'll never fall in love again" for Tom Jones. His son Peter Donegan went on The Voice UK and sung the song along with judge Tom Jones. You can find it on UA-cam.
That was interesting, and JJ made it more so.
I love this channel, one of the best music commentary channels on UA-cam
More Music reactions would be great
I'm old enough to remember seeing the Beatles for the first time on the TV. I was always a Billy Fury fan and the Beatles blew me away. I was thrilled to meet Billy in 1970 but he was very ill and has died. The Shadows and later Jet Harris and Tony Meehan did great instrumentals. With regard to Desmond Dekker and reggae, we all used to love Ska which was a sort of forerunner so reggae didn't phase us at all, we accepted it as the next step.
Lonnie Donegan's son appeared on The Voice, in the UK! The Shadows' lead guitarist was called Hank Marvin, which is now commonly used as rhyming slang for starving 😅
The rise of early guitar records from the likes of the Shadows, makes you realize how 'pop' John Barry's production of the James Bond theme from 1962 actually was at the time.
Not sure if anyone has mentioned or cares, but the soldier at 6:35 surrounded by kids, is Burgess Meredith who played the Penguin in the 60s TV version of Batman
Lonnie, wrote I'll never fall in love again, for Tom Jones.
oh this is a great video! i grew up (in the 80s) with 50s rock and 60s beatles/stones, it was fun to dance to as a child!
What a great video! I always thought it strange that Rock around the clock was often described as the first rock tune, but when you drum to it, it has a swing beat and NOT a rock one. I still have all my old Shadows records and still bang away to them in the basement.
I once drunkenly argued with the roadies for the guitarist of The Shadows (Hank Marvin) about the colour of his strat. Which he had claimed was called Flamingo Pink (it's like a candy red that hasn't been applied enough) in a magazine interview but Fender never had that colour and had to mix it specially for his signature edition. No idea why. I was drunk and we'd just left the venue next door after seeing another band :) I also argued with The Damned about Captain Sensibles hat in a kebab house so I've got form :)
Yeah! Let me know next time you're going out on the town - and I'll stay in!
At 4.38 there is a picture of Nancy Whiskey, when I went to Lloret de Mar, a small fishing village, on the Costa Brava in Spain in 1954 or 1955, she had an open air bar on the main promanade with fairy lights all round it, I was 8 or 9 and thought it was beautiful. I saw the Searchers at a local venue and went backstage to meet them, it was the first time I spoke to someone from Liverpool and had trouble understanding them if they spoke too fast! I was very disappointed that they were just normal sweaty, spotty boys! I also saw Jeff Beck playing in a local band at one of our town's weekly dances before fame whisked him away. I really enjoyed this video and your comments, it brought back many happy memories, thank you 😊
I’ve still got my dad’s membership card for the 2i’s coffee bar in Soho, it was the birthplace of rock n roll in London. It’s a fish and chip shop now! In the 80’s I used to go to a little local jazz club, Tony Crombie was the regular drummer there - one of the most laid back drummers I’ve ever seen 😊
Haha about Wee Willie. I actually share a surname with old time "Fever" singer Little Willie John lol
Lonnie Domegan and his skiffle band and Cliff Richard and the Shadows were the blueprint for British Rock.
Skiffle was introduced by Alexis Korner playing guitar and singing in band intervals. Then he decided to go to Chicago electric blues and the band’s banjo player Terry Donegan asked could he still do it. Lonnie Donegan as he called himself was the king of skiffle. Korner went on to have Mick Jagger, Charlie Watts, Jack Bruce, Ginger Baker and Robert Plant in his bands among others .
Music reaction vids are the best...and we learn too. That was fascinating 👍
This was my Mums era, she has a lot of singles from these times. She used to get her brother to buy them for her when he went into town on a Saturday. She wasn't allowed to go into town because she was a girl and had to stay home to help her Mother.
She still has them and we used to play them on the record player when we were kids. So they are a part of my childhood.
We recently found some when were were cleaning out and they immediately had to be safely stowed in her bedside cabinet.
Hank Marvin played live at my university graduation ball. Amazing!
I first saw Cliff Richard and the Shadows at the opening night of the ABC Theatre in Blackpool back in 1963. What a concert that was, the theatre was standing room only. Brian Bennett had just joined the Shadows as the drummer and it was his first 'live' performance with the group after replacing Tony Meehan the original drummer. Brian Bennett remained with the Shadows throughout the rest of their career and today has his own orchestra and released a hit album a few years ago called 'Shadowing John Barry' which included a track that had never been released by the Shadows which was released on this album with Brian Bennett as drummer and was probably the last time that the Shadows played together for a recording.
Good old Radio Luxembourg ... in the 70s. My dad's cousin - Bert Weedon. One of my mum's favourites Telstar.
that was really good, I enjoyed that.....well done mate
I was there for skiffle in the late 1950's: My brother and I had a cardboard envelope with 10 records in it, each on a single-sided thin vinyl floppy sheet, square, not round. To play it we had to touch the corners into slots on the cardboard envelope which gave it enough rigidity to play it on Dad's gramophone. I didn't realise at the time how much British music was just as young as I was.
There is a book on Tommy Steele called 'Bermondsey Boy' and it is a great read, all about his upbringing during the war years, his early years in the Merchant Navy, and the birth of his music and influences. Well worth a look.
What is amazing, is how many of those early British rockers are still with us. A couple, like Cliff Richard are still performing. Of the survivors I include Cliff of corse, along wit Mary Wilde (Kim's dad), Tommy Steel and Helen Shapiro.
Tommy Steele was huge, he carried it on into musical theatre and films, he is still with us at 87 and performing until recently.
He was also a decent sculptor. He made the Eleanor Rigby statue in Liverpool.
@@ianharrison3662 He also sculpted one of the statues outside Twickenham (Rugby Ground)
Take a look at The Shadows' early hits. Some are quite beautiful with the huge reverb. Most bands cut their teeth on these while they were looking for a singer. We did whole gigs playing instrumentals at first.
What a fascinating video, loved it🤘
Pirate rock band? Check out Adam and the Ants. Brilliant, and they had two drummers which actually worked!
Staaaaaand and Deliver. Your money or you life!
Oh my God! Adam and the Ants were…and still are amazing. Years ahead of their time.
@Paul_Bond Adam and the Ants had hits in the US . I think the name of one was “ Goody Two Shoes” ? I love that song to pieces! They’re really good.
Adam covered Shakin all over by Johnny Kidd and the Pirates in the 90s. Can be found on live records of Adam and videos on UA-cam.
@@ebbhead20 Thanks ☺What is the 90?
My wife grew up in Hong Kong, a British colony, in the 1950’s and 60’s. She was surprised Cliff Richard wasn’t well known in the US, where I grew up.
In the 1950s I used to buy the charts newspaper Disc (rival to New Musical Express). In 1958 it profiled this new singer called Cliff Richard and his song Move It, saying how he would take the musical industry by storm. How right it was.
Apache by The Shadows was the first record I bought as a young teenager.
For goodness sake - mine was the Swinging Blue Jeans "Hippy, Hippy Shake", when I was 11 in 1964.
Shaking all over still gives me chills.
Really enjoyed this..watched a few times. "Teach You To Rock" is essentially sped up Bill Haley... more like swing than jazz to me, but they were jazz musicians so no doubt some influence. I had siblings nearly a decade older than me so grew up listening to what they played. I remember when I was little the family gathering around the television and everyone being very excited - the Beatles were going to be on The Ed Sullivan Show. I feel like I was lucky to grow up in a great era of musical evolution and societal revolution.
Happy Organ (snicker) reminds me of Keyboard Cat (RIP) 😿
Lonnie Donegan's son Peter tried out for The Voice
I love "Have I the Right"
Good ol’ lonny donegan brought to you from Glasgow 🏴 my mum loved him ❤
Tommy Steele was fantastic. Huge influence on David Bowie. Right up to his last recorded songs he was referencing him.
Ps. He went onto appear in musicals like Half A Sixpence on Broadway, and the Disney movie Finnian's Rainbow. Last toured the UK in his late 70s, too. What a legend. Check out his cover of Tallahassee Lassie... Banger.
Sir Cliff Richard and compare hadn't yet set eyes on Elvis, no one knew how he moved or looked, but many named here have had extremely long careers and sold hundreds of millions of records. Gerry And The Pacemakers never fizzled out, they had huge hits and one in particular still sung to this day You'll Never Walk Alone
Although You'll Never Walk Alone is American and was originally in the 1945 stage show of Carousel. Don't Let The Sun Catch You Crying, I'm The One and Ferry Across The Mersey were all big hits and all written by Gerry.
@@ianz9916 that's why I used the former song as they may have heard of it as quite a few American reaction channels hear the tune and sounds familiar
@@sandrabutler8483 I would have thought Americans would be more familiar with Don't Let The Sun Catch You Crying or Ferry Cross The Mersey as they were their two biggest hits in the States getting to number 4 and number 6 in the Billboard chart respectively. YNWA only just made the top 50.
@@ianz9916 I think it might be a generational thing, many of a certain age just don't recognise quite a lot, some do the reactions as they've seen others doing them and go by how many views that particular group or song has got. I have noticed quite a few doing Queen just to grow their channels, and loads say never heard of Queen or any songs until they listen and the look of surprise, it's as if they think we didn't have music more than half a century ago which is still known now and sells out stadiums
@@ianz9916Ferry Cross (not Across) the Mersey is kind of encouraging the ferry to cross the river "Cause this land's the place I love" and here I'll stay".
I'm from the UK but never really took to British music.
I was the youngest of 7 kids, with a big age gap. My parebts loved Elvis Presley. My elder brothers followed on & loved Elvis , so that's what was played in our house.
The beatles snook in when Elvis was making films. It would be interesting to see if they'd been so big if Elvis was still singing and not away. As John Lennon said .. "Before Elvis Presley, there was nothing"
You seem very knowledgeable about music and instruments do you play. Would be interesting if you reacted to more music related videos
That what so thoroughly researched and well documented. Great work
That was really interesting! I was pretty familiar with it all, as I was a young kid at the time, with an older brother and two older sisters. I got Elvis and The Shadows from my brother, and Cliff and Buddy Holly from my sisters. Also, reading various Beatles books through the years, many of the artists drifted in and out of their story. As I say, fascinating.