I'd love ur take. Pro/cons etc.. Based on ur videos it seems u appreciate mostly the Pro's. I'd say u know how proper HDR is wonderful thing when implemted well.. But I'm curious of both pro's & cons. 👍
I want to ask something. When grading in HDR, does the raw image out the camera automatically tonemap to HDR levels 0-1000 using ACES 1.3 in Resolve? Davinci YRGB Color management does tonemap my RAW DNG to HDR levels, but ACES doesn't. Is this normal?
@@JonPais is there a post on your blog about grading HDR in a technically correct way and examples to series/movies that were correctly done. I'd like to see good references so I can integrate that knowledge into my grading. I've just now become very comfortable in my ability to grade SDR but find that the dynamic range is very limiting, especially with Linear RAW.
@@JonPais I just implement what you told me and took a few tips from your blog on HDR and oh my god I'm blown away. I also figured out that UA-cam can actually interpret HDR10+ metadata and use the analysis you did in Davinci Resolve to tone map it to SDR. It looks almost exactly the same as the HDR version, preserving the creative intent but with less dynamic range.
I'd love ur take. Pro/cons etc.. Based on ur videos it seems u appreciate mostly the Pro's. I'd say u know how proper HDR is wonderful thing when implemted well.. But I'm curious of both pro's & cons.
👍
I want to ask something. When grading in HDR, does the raw image out the camera automatically tonemap to HDR levels 0-1000 using ACES 1.3 in Resolve?
Davinci YRGB Color management does tonemap my RAW DNG to HDR levels, but ACES doesn't. Is this normal?
In ACES, set the output transform to 1,000 nits and you’re good to go.
@@JonPais you mean in the project settings? As in Rec2020 ST2084 1000nits (P3 limited)
@@shueibdahir Yes, on the Color Management page.
@@JonPais is there a post on your blog about grading HDR in a technically correct way and examples to series/movies that were correctly done.
I'd like to see good references so I can integrate that knowledge into my grading. I've just now become very comfortable in my ability to grade SDR but find that the dynamic range is very limiting, especially with Linear RAW.
@@JonPais I just implement what you told me and took a few tips from your blog on HDR and oh my god I'm blown away.
I also figured out that UA-cam can actually interpret HDR10+ metadata and use the analysis you did in Davinci Resolve to tone map it to SDR. It looks almost exactly the same as the HDR version, preserving the creative intent but with less dynamic range.