I love this song and your arrangement. Your singing helps a great deal to locate where I am in the melody when learning it. Thank you for this great lesson. One thing I can’t find on UA-cam is how to transpose melody. Chords yes, all over UA-cam. Please can you do a lesson sometime on how to transpose this or another songs melody to a different key. I have to have the capo at the 7th fret to get the power in my voice for this song. I played around with it in F where it is much easier to sing but can’t figure out the melody on guitar very well. Should make an interesting idea for a future lesson. Thanks again
Sounded good, bro. I've been trying to learn this song with Ultimate Guitar, but I really like how you've enlarged the chordage. Haunting is the perfect description of this classic ballad of unrequited love. So powerful.
Nice job keeping it in the correct key. You might want to re-listen to the chorus, but to each his own. Bruce Hornsby's outro acoustic piano is just sublime. It might be mentioned he incorporates the Eb Lydian (An) scale like a good jazzer does on those riffs, and also grabs a few taste-y blues licks on the Gm7 & Cm9s. I guess if I was that cool, I could play with the "Dead" too. I think the two just "hitch-up and cry" chords are the two last ones... (also subject to interpretation) arpeggiated downward (two-handed) Abj7 2nd inversion, followed by an Ebj7 2nd inversion in the right hand over a Bbj7 2nd inversion in the left. One could just play the Bbj7 in root alone as the last chord if desired.
I love this song and your arrangement. Your singing helps a great deal to locate where I am in the melody when learning it. Thank you for this great lesson. One thing I can’t find on UA-cam is how to transpose melody. Chords yes, all over UA-cam. Please can you do a lesson sometime on how to transpose this or another songs melody to a different key. I have to have the capo at the 7th fret to get the power in my voice for this song. I played around with it in F where it is much easier to sing but can’t figure out the melody on guitar very well. Should make an interesting idea for a future lesson. Thanks again
My mom is the former singer of Wally cleaver and the beavers here in Salt Lake she has tasked me with this song… thanks brother appreciate it
!🔥🔥🔥
Awesome tutorial, sounds beautiful on guitar, and nice vocals, Kudos ;-)
An amazing lesson....thank you very much!
You Sir are an amazing instructor!!!
Loved the singing and playing
Really like your arrangement of this song
Thankyou I appreciate your attention to detail. Just beautiful playing my friend. Guitar sounds amazing due to your talent behind it. Really nice job
Great lesson, really well constructed!
Very nice arrangement sir… picking up my Martin immediately…love that!
Earned a subscriber with this vid. Great work!
Thank you for this wonderful lesson and how you sing it. As an intermediate retired player, it will be challenging to learn. GT
Sounded good, bro. I've been trying to learn this song with Ultimate Guitar, but I really like how you've enlarged the chordage. Haunting is the perfect description of this classic ballad of unrequited love. So powerful.
Absolutely stunning 🤩
Thanks so much! :)
Beautifully done! Thank you!
Thanks Frank my main man!
Love this.
What a voice u have!! 👏👏 guitar chops too!
Thanks so much! :)
Such a nice arrangement. Thank you for share!
Thanks!
So amazing! Well done 👌🏻
Thanks Julia! :)
Many thanks for sharing this video. I am loving every second of being able to play this song now. Thank you!
Great to hear!! Thanks!
Such a good lesson! You have me breaking out my guitar
Thanks Blair! Nice
Best version I’ve heard yet…Thanks for sharing…
Thank you!
Noticed you are missing this one in your Bonnie playlist. Great version thank you!
I had no idea thanks so much for pointing this out! Just added it now :)
Nice job keeping it in the correct key. You might want to re-listen to the chorus, but to each his own. Bruce Hornsby's outro acoustic piano is just sublime. It might be mentioned he incorporates the Eb Lydian (An) scale like a good jazzer does on those riffs, and also grabs a few taste-y blues licks on the Gm7 & Cm9s. I guess if I was that cool, I could play with the "Dead" too. I think the two just "hitch-up and cry" chords are the two last ones... (also subject to interpretation) arpeggiated downward (two-handed) Abj7 2nd inversion, followed by an Ebj7 2nd inversion in the right hand over a Bbj7 2nd inversion in the left. One could just play the Bbj7 in root alone as the last chord if desired.
Awesome observations. Thanks!
that right hand tecnique looks classical, Christopher ParkeningISH.. good job
Great lesson . Would it be possible for
You to do Ole Red by Blake Shelton
Thanks for the help! It would have taken years to learn otherwise 😅
Dammn ur Bass vocal is so good ❤
Thank you very much!
Think Im gonna make this a special goal of mine, to learn.
That’s great to hear, best of luck!
@@MTGuitar Thanks, Got a great start today.
The strumming pattern part is honestly the hardest part for me. Does it matter that much that I get it down accurately?
Nope, as long as you keep the form going with 4 beats per par you can strum however you feel it :)
your interpretation was quite similar to Kacey Musgraves and Katy Perry I CANT MAKE YOU LOVE ME COVER.
K
Are you married? 😅
Play, don't sing.
I sing because it helps the students know where in the song they are in
@@MTGuitaras someone trying to learn this while singing, your singing is much appreciated!! and you have a lovely voice. thank you!
@@1zye125 Thanks!