It would look quite uncomfortable actually, because although there are many triplet 8th in the sheet, you still count with the core note is [Quarter Note] ( try it in your head, count with 546 BPM 8th note for 12/8 is stupid ) So let's just say you go with 12/8, you have to add dot to everysingle note that is not a triplet, which looks ugly ( since you already add too much dot right at the beginning, it would make the reader feel uncomfortable ) If anything to complain with the sheet I would say it didn't labelled the name of the composer.
Changing time signature at bar 58-76 ( which is full of triplet 8th ) also not so idealish, because that part is still in the section , changing time signature in the middle of section doesn't look so good either ( unless you want to make it complicate for reader ), changing time signature should be after the section end, which is after 2 double thin lines ( for example at bar 86th ).
右手「ウォォォオオ！（反復横跳び）」って感じ
いつも素晴らしい…
這首的調性聽起來很古典，但帶出來的情緒和旋律的漸進感卻是現代的樂曲，真的美
My dream is to master this song in a year. Hope I can play this song perfectly next year!!!
You can do it!
Sooo... how did it go?
How'd it go bucko?
Update?
also want to know about your progress
I have played this song successfully! Thank you!
Very impressive...
俺も要所要所にラフマニノフ見を感じだけど、同じこと思ってる人いてよかった
0:42からのとことか
I love you.... thank you for your sheet music!
와 지린다.. 악보까지 감사합니다!
me: *sees key signature* sigh fine, maybe it'll be alright
also me: *hears how fast the piece is* okay nevermind
The key signature rarely makes a piece harder or easier, and if anything, C major is the toughest to play
@@eitanhiram403 I usually find C Major where I test put new chords to transpose to other pitches but you do you. ✨️
@@TPCMusicYT C major is one of the easiest to transpose having no accidentals but its not related
@@eitanhiram403 yep.
OMG...love it so much! Thank you!
Those 2 octaves triplet in bar 16, 87 are just devilish .... If you have small hands then RIP, this piece isn't for you
いいね
awesome!
So hard that I can't play this........
oh... It's too hard to me... I think I can't play this song before dead...
i can play it ^.^
I'll take your hands
Start easy them climb slowly to being a hardcore player, that's probs how it works
I love you
誰が引けるんだよ
最初ラフマニノフだな
Please be my wife
you know... with how many triplets are in this piece, you'd imagine that it'd probably be easier to just write the piece in 12/8 instead of 4/4
It would look quite uncomfortable actually, because although there are many triplet 8th in the sheet, you still count with the core note is [Quarter Note] ( try it in your head, count with 546 BPM 8th note for 12/8 is stupid )
So let's just say you go with 12/8, you have to add dot to everysingle note that is not a triplet, which looks ugly ( since you already add too much dot right at the beginning, it would make the reader feel uncomfortable )
If anything to complain with the sheet I would say it didn't labelled the name of the composer.
Changing time signature at bar 58-76 ( which is full of triplet 8th ) also not so idealish, because that part is still in the section , changing time signature in the middle of section doesn't look so good either ( unless you want to make it complicate for reader ), changing time signature should be after the section end, which is after 2 double thin lines ( for example at bar 86th ).
Can make pianoboy- 第105天(105 days)?
대충 1년동안 이것만 죽어라 해야 겨우 될듯
왜 클래식이 있지?
Feels more like 12/8 time, could've written all these triplet notes as 8th notes and the quarters as a dotted quarter