Beethoven - Piano Concerto No. 4 - Bernstein / Zimerman - Musikverein Vienna 1989 - REMASTERED
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- Опубліковано 9 вер 2024
- Ludwig van Beethoven - Piano Concerto No. 4 in G major, op. 58
00:37 I. Allegro moderato
20:01 II. Andante con moto
25:49 III. Rondo. Vivace
Conductor: Leonard Bernstein
Piano: Krystian Zimerman
Vienna Philharmonic Orchestra
Recording: Vienna, Musikverein, Großer Saal, September 1989
Remastered: 2024
#beethoven #leonardbernstein #pianoconcerto #remastered
Questa esecuzione del Concerto per pianoforte n. 4 di Beethoven è semplicemente straordinaria!
Krystian Zimerman riesce a esprimere con il pianoforte una gamma di emozioni incredibilmente ricca, mettendo in luce la bellezza e la complessità del brano. La direzione di Leonard Bernstein è impeccabile, e il suo lavoro con l'orchestra crea un equilibrio perfetto e una sintonia totale. Insieme, hanno dato vita a un'interpretazione che è un vero e proprio tributo al genio di Beethoven, rendendo questa esperienza musicale indimenticabile.
Un momento che esalta il valore artistico della musica, lasciando una profonda impronta nel cuore degli ascoltatori...
Hauntingly beautiful performance! Thank the gods this was recorded for posterity so that Leonard Bernstein will never be forgotten. ❤
Zimmerman’s interpretation is divine. Under Bernstein’s conducting, the whole orchestra is magnificent.
What a superb quality of video and sound recording! Masterfully played concerto, with much nuance, reflection and passion demonstrated by the soloist and the orchestra. It seems that there was a great chemistry between Zimerman and Bernstein.
What a combined virtuosic performance by perhaps the best combination of Beethoven piano sonatas expertese and phenomenal talent and skill - but a bove all filled with over brimming with delicious passion. I was blown away! Thank you. Rob
L’andante est absolument fabuleux! Pour moi un des plus beaux de toute la musique! Et que dire de Zimerman et de Bernstein? Un miracle!
Tocar assim ,pode se Dizer que è quando se Chega ao limite Máximo da Exatidão e Perfeição ,este Pianista Figura entre os Melhores do Mundo sem Dúvida .
Remastérisation éblouissante, de la photographie ! Interprétation magistrale, bref, Vienne en splendeur et Zimerman solaire !
Unique... nothing could be compared to this sublime interpretation
I went online (UA-cam) listened to scores of versions. This is, by far, the acme of perfection. It is worth all the finest superlative adjectives -- Majestic! The pianist’s Sturm and Drang, (extreme contrast of dynamics in the most lyrical and pellucid lake of joy reflecting the clouds and skies) at times skimming the surface, at times, trawling the unfathomable depths of our soul; the orchestra and the conductor, alike, are all in equal terms!
May I say that though I admire Rachmaninoff’s third piano concerto, I would say that Beethoven’s 4th concerto’s thematic cohesiveness is stunning…if not superior from a musical standpoint.
Yes, if you convert single notes into octaves, and could even interweave some simple chordal passages with some Rachamaninoffian chromatic binges, Beethoven’s concertos, may prove to be the raw materials for super-virtuosi, as yet unborn, with a knack for inordinate chromaticism.
F. Liszt, as we all know, transcribed some masterworks by J. S. Bach, and I can’t wait to hear that a new phenomenal pianist could take on the same challenge, not just by simply playing Beethoven’s 4th Concerto, but by rising to the same afflatus, and most ingeniously, let the pianist continue on the great tradition of the great-pianist-composers of yore.
What one composer has achieved through a mind-boggling juggernaut of chromaticism, the other one was able to express in a most succinct although immeasurably cogent, poignantly compelling range of human emotions.
For the pianist concerned with technical virtuosity, such appraisal could be deemed blasphemous, but we all know that Beethoven like Bach, had an uncanny knack for things verging on the realm of the sublime, dreadful, frightening and beautiful.
Rachmaninoff’s music could be said to be as profound as that of Beethoven, but the latter could hold a question mark, ever knocking on the portal-gate of “mysteriousness” from the beginning to the end in a most cohesive fashion. In other words, in Beethoven’s Fourth, few musical passages strike me as digressive or extraneous. This is the main reason why Liszt revered Beethoven as a master of masters.
Of course, as with any mortal, the power of inspiration may veer-off, every now and then, into some all too-human trivial, banal, hackneyed passages, but for the most part, there is to be found a genuine seriousness, naturalness and nobility of the highest order, which rightly so, should be held as one of the finest masterpieces by any human.
And Beethoven has left very few stones unturned in the Temple of Muse: tonality. Latter composers have simply plagiarized the lonely master of yore, and in some cases, even Richard Wagner seems to have followed on the heels of Beethoven’s ninth symphony.
We may agree that life is full of desultory moments, and so a great composer should be at liberty to going from one scene to the other without any underlying cohesiveness, but for serious composers the likes of Bach or Beethoven, the first striking chord is simply the gist of their subject-matter, and every part is a constituent part of the whole.
No doubt, if you are a pianist, you may relish the inordinate difficulties of treacherous chromatic passages, galore, but I think to express much with few bombastic or “turgid rigmaroles” has always won the highest praise of posterity.
Franz Liszt, who was a master of chromaticism, just like Sergei Rachmaninoff, well understood that Beethoven’s masterpieces, even when stripped of their sundry ornaments, grand engineering artifices or intricate chromaticism, are still very rich and musically expressive in essence!
Not surprising that it is reportedly the 2nd most performed piano concerto at Carnegie Hall, second only to B's Fifth. It is arguably considered one of the best composed of all of them
Excellent!
Have ever listened to the 3rd concerto, Chopin's 1 and 2 concertos, Mozart's 9, 20, and 24' Camille's 3 ect?
Il est si beau qu’il me met les larmes aux yeux à chaque fois!!!
Великолепная троица.....!!!!
Hermoso Concierto!!! Realzado por el eximio pianista.Felicitaciones❤❤
Exceptional!Pianist extordinar,inpecabil! Dirijor si orchestra de inalta tinuta artistica,un regal!
Multumiiri pentru postare!
Pianiste, chef, orchestre, sublime !!!
伟大的演奏！感谢分享！
Un placer inmenso escuchar este maravilloso concierto de mi autor favorito .. qué decir de la interpretación de zimmerman o la dirección del gran Bernstein al frente de esta gran orquesta ,, pues no hay palabras para describir mi gratitud .
Браво! Лучшие из лучших! В полной гармонии с Бетховеном❤
SUBLIME, EXTRAORDINARIO !!!!!!!
No way could it have been better! Thank you.
Великолепно!. Браво !
Fantastic music
Muchas gracias. Magnífico.
Quanta vitalitat, energia, expressivitat i força hi ha en la direcció de Bernstein, la qual transmet al gran pianista que és Zimermann.
Este Pianista ,apresentou ao Tocar o nível Máximo da Perfeição,junto ao desempenho do maestro e Orquestra ,com belo entrozamento .
Очень хорошо! Безупречно. И пианист, и оркестр великолепны!
СПАСИБО большое бравоооооо ❤️💐
Este concerto é uma obra prima e sublime ,um de meus Favoritos ,orquestra maravilhosa e maestro famoso , o Pianista é Excepcional ,bela postura ao tocar ,romantismo na medida e lindíssima interpretação.Amo ver Ele tocar ,e além disto é uma figura bonita ,parece um homem fino e elegante ,parabéns.
Я думаю, Бетховен был бы в восторге! Бернстайн великий дирижер! Пианист прекрасен! Благодарю.
Превосходнейшая органичная имплементация рояльных нот в обще оркестровой симфонии звучания! Инструментальные переливы Гармонии!
Дирижёр: Леонард Самуэлевич Бернстайн
Пианист: Кристиан Батькович Цимерман
Венский филармонический оркестр
Величний Бернштайн не тільки керує оркестром, кожен рух його тіло, міміка, навіть заплющені очі відтворюють музику!
There is a notion that late Bernstein (this is from the fall of 1989) is slower than earlier, but this version is slightly faster than the 1961 record with Gould. I think it is the best of the series made with Zimerman.
Бетовен,Бернстайн,Цімерман,Віденський оркестр- прекрасне поєднання у світі високої музики.
Sublime…..
wow! quality is out of thi s world !
Thank you for sharing feeling that we care by the burthen art of musicians.
MayRose.
Belíssimo Concerto com dois grandes mestres . Execução triunfal . Brilhante !
너무너무 멋있어요~~!!
사랑해요,베토벤!
ベートーベンピアノ協奏曲No,4のバーンスタインとツィンマーマン、この組合せは無敵。佐渡裕とツィンマーマンで再現してほしい。
Perfect...
It's 8:30 AM. Who could ask for anything better
Beethoven Bernstein Zimmerman 7:02
So Beautiful ❤️🙏🇨🇦
Бернстайн моя любовь
참 좋습니다(very good).
Et si vous aimez ce pianiste écoutez la fabuleux émission que Lionel Esparza lui a consacré dans son « RELAX » du 30 janvier 2022…
erkat@ ibrev drats er, xpir glxin, erkat@ mtav mej@... tents ubili
Dser mijov inch antsav?????
На редкость -аккомпанирующий без малейшей изюминки-не таперящий солист...
Another historic performance ruined by ADS !
I bought the box with high expectations…. too slow. 😢
Атсутствие у солиста-хоч какова звукоизвлечения-таки беспадобна...,Стейнвей в безисходнам смятении...