The Liszt Modulation
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- Опубліковано 21 вер 2024
- In this video, I explain what I believe to be one of the most beautiful modulations in classical music: the bridge between movements 1 and 2 of Liszt's Sonata in B Minor
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#musictheory #liszt
## CORRECTIONS
2:27: "C slash B double sharp" should be "C slash B sharp"
"Liszt" should be pronounced "list", not "least" :)
I'm pretty sure Hungarian doesn't have the vowel sound used in the word "list" (see en.wikipedia.org/wiki/Help:IPA/Hungarian). "Least" seems to be more accurate as it is written on the wiki page in IPA symbols (en.wikipedia.org/wiki/Franz_Liszt). Here are some supposed Hungarians speaking his name: forvo.com/word/ferenc_liszt/. For some more: en.wiktionary.org/wiki/liszt and www.ipachart.com/.
"least" is closer to the original
@@DottoreSM no it isnt
southern accent
Liszt never ceases to amaze.
Thanks for making this video, it was great to take a closer look at this key change. Here are some more corrections that might clear up some confusion:
1:02 - I think people would usually notate this as B7b9, not E7b9 (use the root of the chord, not the tonic)
1:22 - Similarly, this would be Go7 (or F-double-sharp o7), not G#o7.
2:55 - B#7b9, not E#7b9j. Also I don't quite buy this interpretation; although it can be viewed as the dominant in the key of E#, there are no other chords from E# major afterward.
3:19 - G# minor is usually denoted with a lowercase m (G#m), since capital M usually denotes major.
3:22 - Did you mean "first chord that is *diatonic* to the destination key of F# major"?
1:22 It must be Fxo7
I don’t know enough music theory to understand this, but it still was very interesting to watch hah
Voice leading. Done!
Wonderful video as always! Very accurate and interesting, thank you!
I didnt know the theory behind the piece but that modulation is one of the sweetest things in the piece or the world
Nice small yet high-quality channel!
So well done, beautifully explained
hi this will honestly blow up, this is really good channel, just need more people too see
Excellent, thank you.
Amazing analysis
Nice video! As I listened to the passage it ocurred to me that the chromatic pivot chord can also be heard as a Ger6 in Em (if in an unusual inversion), which stays in the previously established tonal center.
Another interesting detail I think smooths the passage is that the top C has a contrapuntal (as 9th of the chord) and tonal (as m6 of E) tendency to resolve down to B (5 of E). However, when it is reinterpreted chromatically as B# it becomes (in view of the whole phrase) a tone which still tends to resolve to 5 (C# in F#), but now from the opposite direction.
I feel these kind of fragments illustrate an important reason for the adoption of enharmonic equivalence in our tuning systems, since it allows for such expressive ambiguities!
V9 in Em is a B7b9.
lmao "Least"
Ha! The HTML warnings of musical sacrilege are pretty funny... Liszt would give Bach and his crustacean canon a run for their money.
liszt is just perfect
Graet video!
Edit: great*
Wow thanks
This video is amazing. From 3:30 on things get very hard. Could imagine writing a kind of formula?? Like (home key -> Chord X note y chord z new key. I know its longer but it would be super cool) That is also for dummies. Thanks a million.
That is what the Roman numerals are for!
never heard anyone say 'Liszt' like 'Leest' lol
leest? i thought you said “weest”
I mean it’s close to the original Hungarian pronunciation
Now tell me more about the most modulation.
S718???? Perhaps you meant S178
👌
Great, but please his name is not Least, it's Liszt.
You pronounce "Liszt" like the English word "list" and not "least", so with a short "i".
Not in hungarian
Leeast? Wut
Tabs too
That's the least modulation I've ever heard
The-MIN(E)' Doesn't-'Know' ... What-The-Ears-Cun't-HERE!!!??? >(*U^)< (Joke) *Wink* ie "I'-Wanna-'Hold'-Yur HAN [+] She's-Got-[R]-Ticket-To RYE-EYE ... The-BEATLES'-[1] ... Is-An-Absolute'-SCREAM In-The-Car When-Going-On HOLIDAY.