Choir of King's College, Cambridge - Gloria(Vivaldi).wmv
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- Опубліковано 26 сер 2024
- 'Gloria in excelsis Deo'; 2- 'Et in Terra pax'; 3 - 'Gratias agimus tibi'; 4 - 'Propter magnam gloriam'
Sir David Willcokcs, dir.
Antonio Vivaldi wrote several settings of the Gloria. RV 589 is the most familiar and popular piece of sacred music by Vivaldi; however, he was known to have written at least three Gloria settings. Only two survive (RV 588 and RV 589) whilst the other (RV 590) is presumably lost and is only mentioned in the Kreuzherren catalogue. The two were written at about the same time (it is disputed which came first) in the early 1700s.
This is the better known setting of the Gloria, simply known as the Vivaldi Gloria" due to its outstanding popularity. This piece, along with its mother composition RV 588, was composed at the same time during Vivaldi's employment at the Pieta. Two introduzioni exist as explained in the aforementioned article.
RV 589 is more mature and original than its predecessor, however evidence of obvious inspiration (and plagiarism) still exist. The first movement's chorus shares similar key modulations to that of the first movement of RV 588, only modified to fit a duple meter instead of the triple meter of RV 588; the orchestral motifs are also shared, including octaval jumps in the primal motives of the piece. The second movement is much more dramatic in RV 589, but nevertheless shares with RV Anh. 23 in that the second movement of both employ the use of repetitious semiquavers underneath choral progressions. The "Qui Tollis" movement of RV 589 is rhythmically similar to the first few measures of RV 588 (and ultimately RV Anh. 23). The last movement, "Cum Sancto Spiritu," is essentially an "upgraded" version of Ruggieri's movement - that is to say, updated to fit the standards of the emerging late Baroque style, with the addition of accidentals not present in RV Anh. 23 and RV 588. (Wiki)
www.kings.cam.a...
I havent been interrupted by an ad during this music. UA-cam has respect and hats off
ah, yes... finally found the version with the perfect tempo of this piece - I knew King's College choir wouldn't let me down. :-P
I had the privilege of singing this at Dutchess Community College in 1979 under the direction of Prof. Helen Baldwin. We were accompanied by the Hudson Valley Philharmonic Chamber Orchestra . I never forgot being part of such heavenly music, and it remains one of my favorite compositions.
It,s a great pleasure to hear this performance of Vivaldi's great Gloria.
The conducting of David Willcocks is so tasteful and so musically.
This record was one of the first ones I bought when I was a boy.....
How wonderful it would be to bring Vivaldi back to life to prove to him that his music still is performed, and performed so beautifully.
Always gets the blood flowing in the early morning hours.....
Magnifique performance du Choir of King's College! Merci pour ce splendide partage.
Stunningly beautiful and majestic. Strangely, I feel the same awe when listening to the amazing countertenor Andrey Nemzer and soprano Charlene Canty singing CANTICUM FRATRIS SOLIS, Such humility and inspiration!.
Just perfect in every way.Sang the bass part several years ago.
Gloria to God in the Heaven and Peace to men on Earth!
La música, el violín, el coro, rozan el alma
Beautiful!!!!! It is just beautiful! This literally MADE my day!
Extraordinaria composición del maestro Vivaldi. Lo de los 2 afectados de amusia lo dejamos correr, pobrecitos.
Believe it or not, whether the two met in their lifetime, both men have contributed enormously to music.
It is a High Prayer of the older Christian Churches.: "Glory to God in the Highest, and peace to His people on earth. Lord God, Heavenly King, Almighty God and Father. We praise you for Your Glory.
Wow what a great work. And a nice sound of the Kings College Choir.
Great!! I am listening to this music on Saturday morning. Thank you for sharing.
+박은주 Much appreciated
So beautiful!
Simply magnificent!! Thanks Denis!!
Awesome...glorious!
I agree, music is wonderfully powerful!!
Simply elevating.
I know how to play it at the piano and I was going to sing it in a choir, but the teacher canceled it!!!! It's so nice to listen ta it!!!
It is the liturgical song in the Christian Mass celebration! One of the longest ever composed is the one by Antonio Vivaldi.
I love the surround of chamber music
Such an Comfort.....
Музыка великолепна! Но нет чувства нежности в выступлении хора, свойственно прекрасной музыке Вивальди! Может потому более нравятся классические выступления Лондонского хора Либера, зачаровывающего своими ангельскими неземными голосами!
Hearing in 2016!!!
Hearing in 2021!!!
superb
So looking forward to singing this in concert. I get fired up just practicing on You Tube!
I love to sing it too.
Amazing!
beautiful.i remember when my school did this it was so beautiful:)
THE GLORY OF GOD
Easter Day. Happy.
soooo bruuutal !!!!!!!!!!!!!!!!!!!!!
A restful Saturday afternoon.
Magnifiqué
King's College with David Willcox. I have heard it said that there other choirs!
Love the pronunciation 'Gloria' not 'Glaario' with the wide open mouth that is too often with 'the other choirs'. The choir master I sang under used to belabour that point. But this is King's College. 'Nuff said.
"Gloria in excelsis Deo" is Latin for "glory to God on high". It's a common text used in early vocal music, comes from the traditional Roman Catholic mass.
gloria in high heels!
Very good question.
@aUdReYfAiThWeDdInG its understandable studies show that its easier to hear louder notes than lower. so as a science magazine said if you are at a gym full of people screamin make sure you bring a soprano to get your point across
M'bi téné : Yé so a on n'do ti mbi, N'zapa !
Amen. Alleluia
@loupblanc26 Ce sera le dernier vidéo jusqu'à la fin de mes vacances Loupblanc.
@lovemusic7733 Very happy, really.
what a amazin'
Why are they using a harpsichord for the basso-continuo. This is sacred music. It should be with organ not harpsichord.
oh thanx a lot..where u from
conversions from orchestra to band when with chior is bad enough but clarinets and saxaphones are playing that violin part in the beginning -_- .......well it's really awesome on violin :p
I looked this up a while ago, and found no evidence. It is such a tempting thought, as Vivaldi was a violin virtuoso, while the older Stradivarius was the virtuoso violin maker.They even had the same first name. They lived about the same time, with Vivaldi dying in Vienna as a pauper a few years before Stradivarius died as a much older man in Cremona. I understand that Stradivarius did not move from his home town, while Vivaldi clearly travelled. Perhaps you should write a story about it.
NEW POPE! YAY!!!
Although they were both Antonios, I don't think so. But I could find nothing definitive. Stradivarius was born in Cremona in 1644, where I believe he lived all his life. Vivaldi was born 34 years later (1678) in Venice. Stradivarius died at the age of 93 in 1737, and Vivaldi died in Vienna in 1741 at only 63. Cremona is only 221 km from Venice. You would imagine they must have known about each other, as they were both famous during their lifetimes. does anyone know any more?
more the glory of Vivaldi...
It means Glory to God in the Highest.
is classical music recorded from vivaldi ? or is people only making songs and recording it out from his notes like remaking it ? :P
what is the meaning of this song......
¿URL of iTunes for part I?
@lovemusic7733 moderns have the tendency to rush thru, don't they ?:)
@pappigentil Ça et le Ciel, divin.
@ marocconit this is a rendition of a Vivaldi piece, not an original ;)
If you know of Antonio Vivaldi. It is the sacred or religious music. We talk about God.
Have you tried the new Sherlock Holmes story about the discovery of Vivaldi's manuscripts - The Red Priest's Treasure Trove by Orlando Pearson on Kindle Direct Publishing. A real eye opener and there's a great theory about Bach's Brandenburg concerti in the story as well
www.amazon.co.uk/Red-Priests-Treasure-Trove-Redacted-ebook/dp/B015AHJPUS/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1442259752&sr=1-1
What do you mean? The piece is certainly Italian!
I wonder if Vivaldi was acquainted with Stradivarius.
Sapranos are loud:(
Great, but quite slow.
+Jordi Belenguer Ferrer I like the tempo. Heard some other versions going at 90 mile per hour.
What I mean is this interpretation sounds too British.
Peerless..
Too british.
English, not British. Mind your manners.