Quang! Your son is ADORABLE! The interview was great, but your son stole the interview in my opinion... such a sweet little person. Thank you for your time interviewing some fabulous artists.. I watch while painting at the easel.
Wow! She's a brilliant artist. Love the interview, such well-thought questions and such a lovely conversation overall. Thanks for inspiring the world! 💟💕💞❣
To me, the high point of this conversation was the cameo appearance of Liam, where a child's spirituality clarified -- or expressed, or revealed or embodied -- the efforts of both Quang and Adrienne to capture something that lives behind their work, expressed in the color, brushwork, the warmth/coolness, and the brush strokes. If you've read Robert Frost's poem "For Once, Then, Something" you'll understand both the depth and the inherent inarticulateness of both the reality of this and the difficulty of ever fully expressing this underpinning.
Yes to Part II!🎉❤✨
Quang! Your son is ADORABLE! The interview was great, but your son stole the interview in my opinion... such a sweet little person. Thank you for your time interviewing some fabulous artists.. I watch while painting at the easel.
I'm huge fan of your and your wife's work and looking forward to next long interviews, thank you
Wow! She's a brilliant artist. Love the interview, such well-thought questions and such a lovely conversation overall. Thanks for inspiring the world! 💟💕💞❣
Thumbnails!! I always do thumbnails in fact I’m on thumbnail sketchbook number 37 after 20 years!!
Wonderful, fun starting out with the plan❤
thank you for this really detailed and inspirational conversation!
You both are contemporary Masters and beautiful humans! What was the movie Adrienne mentioned at the end?
A wonderful artist, and I didn’t realize that she was Quong’s wife until the very end when little Liam popped up on the screen!❤❤
To me, the high point of this conversation was the cameo appearance of Liam, where a child's spirituality clarified -- or expressed, or revealed or embodied -- the efforts of both Quang and Adrienne to capture something that lives behind their work, expressed in the color, brushwork, the warmth/coolness, and the brush strokes. If you've read Robert Frost's poem "For Once, Then, Something" you'll understand both the depth and the inherent inarticulateness of both the reality of this and the difficulty of ever fully expressing this underpinning.