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Everybody is different. Personally, I prefer Norman Groulx, because of his particular interpretation. He has something special in his voice. Charismatic personality.
Actually Dimash covered the version sang by Gregory Lemarchal, a guy from Star Academy (singing competition) who died very young. In one of his concerts, dimash had his photo in the background as an homage among other artists who influenced his career
Dimash came to this song through the story and the singing of Gregory. Then he made an interpretation of the music and the text and made his own song. New arrangement. Let's not forget that Dimash is not just a singer, he is an instrumentalist and a composer. He doesn't make covers, he interprets. If you've seen The Singer 2017 Round One behind the scene, you know what I am talking about. This is why you hear the pain in Dimash's version, while I don't hear it here.
Out of the older versions, to me, this is the best as far as atmosphere goes. Of course, it's not the same as Dimash, but in its own right, an unbelievably beautiful song, voice and performance. When listening to this, I try my very best not to compare with D, and just to enjoy. Thank you for the reaction.
When we watch a really fabulous singer do these redition, that's when the stratospheric difference in Dimash's performances shines through. There's no one in this world who can compare him. Cause it's not just a matter of vocal range, is also about the feeling conveyed by the artist and Dimash's artistry is immeasurable too.
No, the only thing Dimash has over them is vocal technique. In terms of emotions, he gets blown out of the water by any of these great french singers (Balavoine, Groulx, Pelletier, Lemarchal)
Норман исполняет эту песню, заставляя меня ронять слёзы. Каждый раз я слышу плачь мужчины. Боль в сердце! Невыносимая тоска разбившегося на жизненном пути романтика. Это падение со звёздных высот в самую глубину арктической стужи. В эмоциональный ад. Это крик и плачь души! У Димаша так не получается пока... Norman sings this song and makes me cry. Every time I hear a man cry. Heartache! The unbearable melancholy of a romantic who has lost his life. This is a fall from stellar heights into the very depths of the Arctic cold. To emotional hell. This is the cry and cry of the soul! Dimash can’t do this so far...
😢 Deberías reaccionar a la de Gregory un chico francés que murió muy jovencito de fibrosis creo, Dimash se baso en el para cantar SOS, para mi es la mejor después de Dimash
Boa noite Phil .Felizmente que Norman escreveu esta música para podermos apreciar a interpretação de Dimash ,que é única Qualquer professor de música sabe que é muito difícil cantar este tema .No cover de Dimash parece que estão 3 cantores em palco Um Barítono um Tenor e uma Soprano é alucinante ouvir SOS por Dimash Aqui de Portugal obrigada
No one has performed this magnificent aria better than Norman Groulx to this day ❤ Unfortunately, all subsequent attempts appear to be purely for the sake of competition. They lack soul, meaning, understanding of the work, and personal presence. It is a pity that the exquisite and incomparably powerful performance of Norman Groulx is being compared to showy acrobatics.
I can't believe one of my fav reactors reacted to one of my fav songs ( this is the best version of this song, more true, more raw, on point, the pain is there) ! Massive respect 🔥🔥🔥
Dimash hasn't manage to learn the lyrics fully and that means that he doesn't understand what he's singing. He's just presenting his singing skills. And don't forget that this isn't a song it is a part of a rock opera and it is extremely important to understand that character and what is happening.
I don’t think many people even realize that this is a theatrical performance. That SOS was performed almost at the end of the 2 hour show! The show that involved many difficult pieces before it, with intensive choreography. And the most important - Norman Groulx was not singing it for hype- he was singing as Michel Berger, the composer and the stage director of this production wanted!
@@klaraszabo2631no he did not and he pronounces the words very badly. A French that Don t know the lyrics, could not understand what he says most of the time
Интересная тема - Оригинал и Димаш. Но так же интересная тема - каверы на песни Димаша. Их поют и певцы, и любители, на языке оригинала или на языке своей страны.
Тоже об этом подумал, неплохо бы накидать ссылок, начну я )) Daneliya Tuleshova & Daniil Yun - SCREAMING (Dimash cover) ua-cam.com/video/PMFpBq9N8v4/v-deo.htmlsi=YlrXIiFIhA7V909o
Acho essa bonita, mas prefiro a de Gregory Lemarchal, que empresta outra coisa à canção e toca muito por sua história e com sua voz tão doce e bela. O modo como Dimash redesenha a música, além de emocionar de um jeito diferente, demonstra o respeito que ele tem por essa história, por esses artistas... O que Dimash mobiliza é uma mistura de muitas emoções, a mim sempre emociona mais profundamente, pra mim, impossível comparar, apenas desfrutar cada interpretação 🙏
Димаш, конечно, как совершенный инструмент и его исполнение идеальное, но душе иногда нужно совсем другое... В моем плей листе эта версия песни в исполнении Нормана Гру (я прослушала все, известные мне, версии, начиная с оригинального исполнения Даниеля Балавуана, далее Нораман Гру, Бруно Пельтье, Грегори Лемаршаль, Энтони Венд и Димаш Кудайберген). Все исполнители безусловно очень и очень талантливые люди, профессионалы и прекрасные вокалисты. Но Норман покорил меня абсолютно, ведь эту арию главный герой - Джони Рокфор исполняет уже в трагическом финале, возле погибшей возлюбленной, и здесь важны эмоции и переживания и Норман полностью их передает в своем исполнении (посмотрите всю рок-оперу "Стармания"). Dimash, of course, is like a perfect instrument and his performance is ideal, but sometimes the soul needs something completely different... In my playlist, this version of the song performed by Norman Groulx (I listened to all the versions known to me, starting with the original performance by Daniel Balavoine, then Noraman Groulx, Bruno Pelletier, Gregory Lemarchal, Anotine Wend and Dimash). All performers are certainly very, very talented people, professionals and excellent vocalists. But Norman absolutely captivated me, because the main character, Johnny Rockfort, performs this aria in the tragic finale, near his deceased beloved, and emotions and experiences are important here, and Norman fully conveys them in his performance (watch the entire rock opera “Starmania”).
Норман запредельный актер.Его как-будто Берже взрастил в эту роль, и она его так и не отпустила. Вы слышали запись с альбома «Стармании» 98 года ? На грани жизни и смерти.
I agree that it was a beautiful version. The main point for me was that a native speaker was singing, so you could tell the difference in the clarity of pronunciation. HOWEVER, I was cringing at some of his higher notes. The beauty and quality of Dimash's notes in ALL registers is simply unbeatable! That's why I return to listen to Dimash's version time and time again.
It's a shame Berger did not get to know Dimash, right? 🥴He would kick out all his lead singers from Starmania. He would surely invite Dimash to play Johnny Rockfort. In fact I would love to hear Dimash's take on "Quand On Arrive En Ville", "Banlieue nord" or "Quand on n'a plus rien à perdre". But he won't do them. That's why I return to listen to Starmania, with Norman Groulx, and with Daniel Balavoine, or even Robert Leroux who did not do any high notes on SOS but still made it sound poignant.
Honnêtement, je n'aime que la version de Dimash lui seul me donne des frissons et ça, à chaque fois que je l'écoute. Bien sûr, j'ai connu la version de Balavoine à l'époque et une autre version d'un autre chanteur français, Gregory Lemarchal (décédé trop jeune)en avait fait une jolie version .Mais seul Dimash m'a vraiment fait aimer cette chanson.
What you see here is a part of an awesome theatrical performance, at the end of the 2 hour show (Called Starmania, by the way and first performed in 1979 on stage), with many difficult arias and intensive choreography. It is performed as it was approved by the composer and the stage director of this production Michel Berger. Norman Groulx did not make a “cover” of this aria, his voice is on 4 official albums of the rock-opera “Starmania” (1986, 88, 89, 98). Dimash is NOT the original performer either. It is Daniel Balavoine whom you can listen to in albums of 78 and 79. If you love Dimash, why do you need to bring up somebody from the legacy cast to compare? Isn’t Dimash self - sufficient? Can’t you love him without finding “faults”with somebody else’s performance? I can’t really understand the purpose of this comparison.
All the originals that Dimash covers are good on there own merit. However once they get Dimashed, its over. Dimash puts his own feelings into them as well. Thank you for letting us hear the originals.❤🇺🇲
Есть такое ощущение, что я слушаю другую песню, она безусловна прекрасна и я особенно люблю версию Леморшаля, тот парень имел очень теплую, невероятно трогательную ангельскую энергетику 🕊️♥️🕊️, Димаш же просто за пять лет работы над этим Музыкальным Произведением Искусства, а трудолюбия, терпения и упрямства, ему не занимать, он решил ее довести до полного Совершенства от А до Я, чувствуя что именно этот Трек сделает не только успешной его последующую карьеру, как певца, но сможет довести его Вокальные данные до уровня, так ему ( невероятному перфекционисту от природы), важному, ведь там в Китае, после отпалировпнной до Брилианта SOS, ему уже стало Все, Все поплечу, это прям чувствовалось, он наконец допрыгнул до планки, той о которой мечтал, по части своего Вокала, в соответствии со своими Чувствами, которые вызывала в нем эта песня, ведь он ее прям таки проживает раз за разом 🕊️🕊️🕊️♥️♥️♥️ Никто из певцов даже не помыслит так долго трудится над одной песней, покрайне мере я с таким не сталкивалась, наверно, если бы кто то нашелся с такими человеческими качествами, как у Димаша, то у нас было бы значительно больше Гениальных Вокалистов, ну как то так 🥰🙏 Фил благодарю за Прекрасные Позновптельные Реакции, которые всегда наталкивают на какие то мысли 🙏🤓🫶🌹🌹🌹🙌
I agree that this was beautiful. I especially love the word and tone choices while sliding up the octaves. More individual note steps in the transitions whereas Dimash takes much bigger steps in his slide. And yeah, the french is better when native. I also love some of the additions of grit on some words. I did cringe in a few places because I am so acustomed to Dimash's purity and clarity at all octave ranges.. Excellent cover but yes, this is Dimash's song now. 🥰🥰🥰Hugs from a Canadian Dear🇨🇦
I think you didn't get goosebumps exactly because this version is haunting. At least it was so with me. The song is not supposed to be haunting; it's about the pain of losing a loved one, about the cruelty of our world, and a plea to heaven to be carried away and up, where his love goes now and where it is a brighter, freer and better place. This is why Dimash's interpretation is unbeatable, his high notes are just right and even his imperfect French brings added meaning to the suffering that words are weak and distorted to express. Have you tried talking through tears? Are your words intelligible? Dimash's drama is so palpable and I'm sorry, but this is now Dimash's song 💖💖💖🎶🎶🎶🤗🤗🤗
@@irenevassileva5586 The song HAS to be haunting. It's one of the last song of the rock opera "Starmania". The character, Johnny Rockfort, sings this song kneeling next to the dead body of his lover who was brutally murdered. The song must convey sorrow, extreme pain and has to reflect the existential crisis Johnny Rockfort is experiencing. Let's get it right : it's tragic to the core, hopeless and downright nihilistic. Knowing that, Dimash's version feels completelly out of place and is totally missing the point (but at the same time, it's very beautiful and absolutely amazing vocal-wise). Norman Groulx did a phenomenal job here (while not having a fourth of the talent and skills Dimash have).
@@kreiontresadenn5633 When one is alone with a brutally murdered loved one, parting forever, one is overcome with both the pain of loss and the rage of one's helplessness. These feelings are raw and vivid and I don't see anything haunting in them. But everyone deals with loss and grieves in their own way. That's why I was affected by Dimash's performance. I am not forcing this on anyone.
In my opinion Yes it is as good and in some respects even better...His rendition has a certain combination of power and sincerity that is inescapable. Also, I prefer the synthesizer work in this version. For sure, Dimash has a unique take on the song because of his ability to hit certain high notes that is great. However, just like Daniel, Norman's performance is as though he is just emerging from such great tragedy....
For me the difference between Dimash and other great singers, beside his voice range, his that he sing to my soul and even the high notes are pure, crystalline and don't hurt my ears like so many singers that go to that notes but for me is unpleasant to my ears. The stage presence, the voice, the emotion is another level with Dimash. I'm 62 years old and a fan of rock but I've never see or heard someone like Dimash in my life. The best singer ever!
Ce "chanteur" d'opérette en contreplaqué qui a osé massacrer les paroles de cette chanson emblématique ? Pitoyable. Il n' incarnera JAMAIS cette chanson, est ce clair ?. Seul un français peut comprendre...pas vous.
Hola hay una versión de Bruno Pelletier que me gusta mucho , el también participó en la ópera Rock 🎸 star manía. Esta versión también es hermosa pero se párese más a la original ,la Bruno Pelletier también tiene un toque más operístico.
Это звучит в рок-опере на сцене,а как Вы можете представить там Димаша?Я не представляю.Наверное у меня не такое богатое воображение как у фанатов Димаша😊
Fil, yes a good cover. Norman is, indeed, doing a cracking job. Yes, this has a more haunting atmosphere. #QcumberSquad #NormanGroulx - Fil, I'm off back to the study.
Nice version, nice..but the feelings..the abysm in a way to feel goosebumps.. I feel the lyrics in the magistral voice and performance only I feel with Dimash..
Ce "chanteur" d'opérette en contreplaqué qui a osé massacrer les paroles de cette chanson emblématique n' incarnera JAMAIS cette chanson. Est ce clair ?... Seul un français peut comprendre, pas vous.
@@isabellebonnet1145Si vous considérez que proposer une bouillie vocale est une performance, il est clair qu'il excelle dans cette discipline. Certains savent se contenter de peu...
@@eponine4349 Tellement risible... certains ont un immense talent, d'autres une immense frustration, mais entraînez vous, peut-être qu'un jour vous aurez aussi une telle reconnaissance internationale 😉
I like this version too to be honest...but with all the respect to the other singers...the original as well... Dimash did/ do justice to this song fo me..❤❤
Dimash, le roi de la bouillie vocale. Ce "chanteur" d'opérette en contreplaqué qui a osé massacrer les paroles de cette chanson emblématique... pitoyable.
@@irihangodiSeul un français peut comprendre...pas vous. Dimash est le seul à avoir massacré les paroles de cette chanson emblématique... lamentable. JAMAIS il n'incarnera cette chanson, est ce clair ?.
Dimash, ce "chanteur" d'opérette en contreplaqué est le seul à avoir massacré les paroles de cette chanson emblématique... pitoyable. Le roi de la bouillie vocale, c'est certain.
Dimash, le roi de la bouillie vocale. Seul "chanteur" d'opérette en contreplaqué qui a osé massacrer les paroles de cette chanson emblématique... pitoyable.
As a musician I hear many false high notes 1/4 tone lover than supposed to be. Also sliding from register to register is not smooth and i can hear this roughness. every time when he does the runs up I am afraid he won't make it. It why I love Dimash . He is perfect for musicians.
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Everybody is different. Personally, I prefer Norman Groulx, because of his particular interpretation. He has something special in his voice. Charismatic personality.
Actually Dimash covered the version sang by Gregory Lemarchal, a guy from Star Academy (singing competition) who died very young. In one of his concerts, dimash had his photo in the background as an homage among other artists who influenced his career
Dimash came to this song through the story and the singing of Gregory. Then he made an interpretation of the music and the text and made his own song. New arrangement. Let's not forget that Dimash is not just a singer, he is an instrumentalist and a composer. He doesn't make covers, he interprets. If you've seen The Singer 2017 Round One behind the scene, you know what I am talking about. This is why you hear the pain in Dimash's version, while I don't hear it here.
Es una cançó preciosa. No m'extranya gens ni mica que Dimash es fixes en ella. Amb ell la cançó ha pujat uns quants esglaons. 😊❤🎼❤🎼❤🎼❤🎼❤🎼🥰🥰
Out of the older versions, to me, this is the best as far as atmosphere goes. Of course, it's not the same as Dimash, but in its own right, an unbelievably beautiful song, voice and performance. When listening to this, I try my very best not to compare with D, and just to enjoy.
Thank you for the reaction.
Dimash👎
When we watch a really fabulous singer do these redition, that's when the stratospheric difference in Dimash's performances shines through. There's no one in this world who can compare him. Cause it's not just a matter of vocal range, is also about the feeling conveyed by the artist and Dimash's artistry is immeasurable too.
No, the only thing Dimash has over them is vocal technique. In terms of emotions, he gets blown out of the water by any of these great french singers (Balavoine, Groulx, Pelletier, Lemarchal)
Норман исполняет эту песню, заставляя меня ронять слёзы. Каждый раз я слышу плачь мужчины. Боль в сердце! Невыносимая тоска разбившегося на жизненном пути романтика. Это падение со звёздных высот в самую глубину арктической стужи. В эмоциональный ад. Это крик и плачь души! У Димаша так не получается пока...
Norman sings this song and makes me cry. Every time I hear a man cry. Heartache! The unbearable melancholy of a romantic who has lost his life. This is a fall from stellar heights into the very depths of the Arctic cold. To emotional hell. This is the cry and cry of the soul! Dimash can’t do this so far...
Это правда. Исполнение на этой записи 89 и 98 тоже, просто выворачивает. Просто не представляю, что бы со мной было услышать это вживую, в театре.
😢 Deberías reaccionar a la de Gregory un chico francés que murió muy jovencito de fibrosis creo, Dimash se baso en el para cantar SOS, para mi es la mejor después de Dimash
Boa noite Phil .Felizmente que Norman escreveu esta música para podermos apreciar a interpretação de Dimash ,que é única Qualquer professor de música sabe que é muito difícil cantar este tema .No cover de Dimash parece que estão 3 cantores em palco Um Barítono um Tenor e uma Soprano é alucinante ouvir SOS por Dimash Aqui de Portugal obrigada
No one has performed this magnificent aria better than Norman Groulx to this day ❤ Unfortunately, all subsequent attempts appear to be purely for the sake of competition. They lack soul, meaning, understanding of the work, and personal presence. It is a pity that the exquisite and incomparably powerful performance of Norman Groulx is being compared to showy acrobatics.
Just perfect ..By far the best version ....Dimash can go higher note but its text is incomprehensible. When you're French it ruins everything
I can't believe one of my fav reactors reacted to one of my fav songs ( this is the best version of this song, more true, more raw, on point, the pain is there) ! Massive respect 🔥🔥🔥
Dimash hasn't manage to learn the lyrics fully and that means that he doesn't understand what he's singing. He's just presenting his singing skills. And don't forget that this isn't a song it is a part of a rock opera and it is extremely important to understand that character and what is happening.
Dimash understand what he is singing.Leforditod,amit irok.Nem tudod helyesen felolvasni,de megérted.Greetings from Hungary
@edinaedina4340 Absolutly agree
I don’t think many people even realize that this is a theatrical performance. That SOS was performed almost at the end of the 2 hour show! The show that involved many difficult pieces before it, with intensive choreography. And the most important - Norman Groulx was not singing it for hype- he was singing as Michel Berger, the composer and the stage director of this production wanted!
@@klaraszabo2631no he did not and he pronounces the words very badly. A French that Don t know the lyrics, could not understand what he says most of the time
Very interesting version! And Gregory Lemarshal, the fantastic!
Version from Dimash the masterpiece!😂
Sensationnel Norman Groulx ! Merci
♥️♥️♥️
Интересная тема - Оригинал и Димаш. Но так же интересная тема - каверы на песни Димаша. Их поют и певцы, и любители, на языке оригинала или на языке своей страны.
Тоже об этом подумал, неплохо бы накидать ссылок, начну я ))
Daneliya Tuleshova & Daniil Yun - SCREAMING (Dimash cover) ua-cam.com/video/PMFpBq9N8v4/v-deo.htmlsi=YlrXIiFIhA7V909o
После двух ваших “SOS”, нужно срочно послушать Димаша, а то такое ощущение, что я кушала не настоящий “snickers” 😅
😂😂😂😂👌🇨🇦
Это потому что «Стармания» гениальная рок-опера, а не ширпотребный «Сникерс»
До чего любовь довела! Даже кеды (sneakers) непонятно зачем кушают.
@@edinaedina4340 а да, не правильно написала 🤣😂🤣😂🤣😂🤣😂
Димаш и рядом не стоял с исполнением Балавуана и Гру. Может в чем то другом он и хорош но явно не в исполнении этой песни.
Acho essa bonita, mas prefiro a de Gregory Lemarchal, que empresta outra coisa à canção e toca muito por sua história e com sua voz tão doce e bela. O modo como Dimash redesenha a música, além de emocionar de um jeito diferente, demonstra o respeito que ele tem por essa história, por esses artistas... O que Dimash mobiliza é uma mistura de muitas emoções, a mim sempre emociona mais profundamente, pra mim, impossível comparar, apenas desfrutar cada interpretação 🙏
So very beautiful so moving thanku wonderful Fil thanku both so much love an God bless x
❤️
Исполнение Норманом Гроу просто моё понимание трагедии этого персонажа!!!❤️❤️❤️❤️❤️😢
О персонаже тут вообще не знают. Норман Гру - космос и просто самородок, и роль он не спел, а прожил.
Nuestro Dimash es insuperaple, pero esya versión tambien bella❤ saludos desde Perú,🎉❤❤
Димаш, конечно, как совершенный инструмент и его исполнение идеальное, но душе иногда нужно совсем другое... В моем плей листе эта версия песни в исполнении Нормана Гру (я прослушала все, известные мне, версии, начиная с оригинального исполнения Даниеля Балавуана, далее Нораман Гру, Бруно Пельтье, Грегори Лемаршаль, Энтони Венд и Димаш Кудайберген). Все исполнители безусловно очень и очень талантливые люди, профессионалы и прекрасные вокалисты. Но Норман покорил меня абсолютно, ведь эту арию главный герой - Джони Рокфор исполняет уже в трагическом финале, возле погибшей возлюбленной, и здесь важны эмоции и переживания и Норман полностью их передает в своем исполнении (посмотрите всю рок-оперу "Стармания").
Dimash, of course, is like a perfect instrument and his performance is ideal, but sometimes the soul needs something completely different... In my playlist, this version of the song performed by Norman Groulx (I listened to all the versions known to me, starting with the original performance by Daniel Balavoine, then Noraman Groulx, Bruno Pelletier, Gregory Lemarchal, Anotine Wend and Dimash). All performers are certainly very, very talented people, professionals and excellent vocalists. But Norman absolutely captivated me, because the main character, Johnny Rockfort, performs this aria in the tragic finale, near his deceased beloved, and emotions and experiences are important here, and Norman fully conveys them in his performance (watch the entire rock opera “Starmania”).
Норман запредельный актер.Его как-будто Берже взрастил в эту роль, и она его так и не отпустила. Вы слышали запись с альбома «Стармании» 98 года ? На грани жизни и смерти.
Plus belle interprétation c’est celle de dimash bonne soirée fil 👍
this is another french-canadian (I forgot) ! Thanks, take care. From Quebec, Canada. ** my picture is when I was younger. Now, I am 69 !! ❤
We international fans can’t forget Norman Groulx. You have many talents in Quebec, but this is a rare gem. ❤️
I agree that it was a beautiful version. The main point for me was that a native speaker was singing, so you could tell the difference in the clarity of pronunciation. HOWEVER, I was cringing at some of his higher notes. The beauty and quality of Dimash's notes in ALL registers is simply unbeatable! That's why I return to listen to Dimash's version time and time again.
It's a shame Berger did not get to know Dimash, right? 🥴He would kick out all his lead singers from Starmania. He would surely invite Dimash to play Johnny Rockfort. In fact I would love to hear Dimash's take on "Quand On Arrive En Ville", "Banlieue nord" or "Quand on n'a plus rien à perdre". But he won't do them. That's why I return to listen to Starmania, with Norman Groulx, and with Daniel Balavoine, or even Robert Leroux who did not do any high notes on SOS but still made it sound poignant.
Honnêtement, je n'aime que la version de Dimash lui seul me donne des frissons et ça, à chaque fois que je l'écoute. Bien sûr, j'ai connu la version de Balavoine à l'époque et une autre version d'un autre chanteur français, Gregory Lemarchal (décédé trop jeune)en avait fait une jolie version .Mais seul Dimash m'a vraiment fait aimer cette chanson.
Son todas hermosas las versiones !!!!
What you see here is a part of an awesome theatrical performance, at the end of the 2 hour show (Called Starmania, by the way and first performed in 1979 on stage), with many difficult arias and intensive choreography. It is performed as it was approved by the composer and the stage director of this production Michel Berger. Norman Groulx did not make a “cover” of this aria, his voice is on 4 official albums of the rock-opera “Starmania” (1986, 88, 89, 98).
Dimash is NOT the original performer either. It is Daniel Balavoine whom you can listen to in albums of 78 and 79.
If you love Dimash, why do you need to bring up somebody from the legacy cast to compare? Isn’t Dimash self - sufficient? Can’t you love him without finding “faults”with somebody else’s performance? I can’t really understand the purpose of this comparison.
All the originals that Dimash covers are good on there own merit. However once they get Dimashed, its over. Dimash puts his own feelings into them as well. Thank you for letting us hear the originals.❤🇺🇲
written in the 70s for a rock opera by a French Canadian
Есть такое ощущение, что я слушаю другую песню, она безусловна прекрасна и я особенно люблю версию Леморшаля, тот парень имел очень теплую, невероятно трогательную ангельскую энергетику 🕊️♥️🕊️, Димаш же просто за пять лет работы над этим Музыкальным Произведением Искусства, а трудолюбия, терпения и упрямства, ему не занимать, он решил ее довести до полного Совершенства от А до Я, чувствуя что именно этот Трек сделает не только успешной его последующую карьеру, как певца, но сможет довести его Вокальные данные до уровня, так ему ( невероятному перфекционисту от природы), важному, ведь там в Китае, после отпалировпнной до Брилианта SOS, ему уже стало Все, Все поплечу, это прям чувствовалось, он наконец допрыгнул до планки, той о которой мечтал, по части своего Вокала, в соответствии со своими Чувствами, которые вызывала в нем эта песня, ведь он ее прям таки проживает раз за разом 🕊️🕊️🕊️♥️♥️♥️ Никто из певцов даже не помыслит так долго трудится над одной песней, покрайне мере я с таким не сталкивалась, наверно, если бы кто то нашелся с такими человеческими качествами, как у Димаша, то у нас было бы значительно больше Гениальных Вокалистов, ну как то так 🥰🙏 Фил благодарю за Прекрасные Позновптельные Реакции, которые всегда наталкивают на какие то мысли 🙏🤓🫶🌹🌹🌹🙌
Мне понравилось эта версия,браво.❤❤❤
I agree that this was beautiful. I especially love the word and tone choices while sliding up the octaves. More individual note steps in the transitions whereas Dimash takes much bigger steps in his slide.
And yeah, the french is better when native. I also love some of the additions of grit on some words. I did cringe in a few places because I am so acustomed to Dimash's purity and clarity at all octave ranges..
Excellent cover but yes, this is Dimash's song now.
🥰🥰🥰Hugs from a Canadian Dear🇨🇦
Groulx and Balavoine 👍 best
A great performance and a thank you again to Dimash for introducing us to this beautiful song❤
It seems like this is the version Dimash used for inspiration. 😊
Really beautiful, I liked this one over the original. His voice was more fuller, but of course, nothing like Dimash
This is how this song should be sung intentional or not
Dimash forever for me ❤❤❤
Красиво, но Димашик❤ роднее.
"Любовь похожая на сон" Димаш - Пугачева 100:1 :)))
The musical composition is great..this version is haunting, and it was beautiful, but I didn't get goosebumps...always get 'prickly skin' from our Di❤
Did you see the show ? Is Dimash can act ?
I think you didn't get goosebumps exactly because this version is haunting. At least it was so with me. The song is not supposed to be haunting; it's about the pain of losing a loved one, about the cruelty of our world, and a plea to heaven to be carried away and up, where his love goes now and where it is a brighter, freer and better place. This is why Dimash's interpretation is unbeatable, his high notes are just right and even his imperfect French brings added meaning to the suffering that words are weak and distorted to express. Have you tried talking through tears? Are your words intelligible? Dimash's drama is so palpable and I'm sorry, but this is now Dimash's song 💖💖💖🎶🎶🎶🤗🤗🤗
@@irenevassileva5586 The song HAS to be haunting. It's one of the last song of the rock opera "Starmania". The character, Johnny Rockfort, sings this song kneeling next to the dead body of his lover who was brutally murdered. The song must convey sorrow, extreme pain and has to reflect the existential crisis Johnny Rockfort is experiencing. Let's get it right : it's tragic to the core, hopeless and downright nihilistic. Knowing that, Dimash's version feels completelly out of place and is totally missing the point (but at the same time, it's very beautiful and absolutely amazing vocal-wise). Norman Groulx did a phenomenal job here (while not having a fourth of the talent and skills Dimash have).
@@kreiontresadenn5633 When one is alone with a brutally murdered loved one, parting forever, one is overcome with both the pain of loss and the rage of one's helplessness. These feelings are raw and vivid and I don't see anything haunting in them. But everyone deals with loss and grieves in their own way. That's why I was affected by Dimash's performance. I am not forcing this on anyone.
It is a very beautiful song. There's a completely different "feel" to it sung by him as compared to Dimash. I like them both.
In my opinion Yes it is as good and in some respects even better...His rendition has a certain combination of power and sincerity that is inescapable. Also, I prefer the synthesizer work in this version.
For sure, Dimash has a unique take on the song because of his ability to hit certain high notes that is great. However, just like Daniel, Norman's performance is as though he is just emerging from such great tragedy....
For me the difference between Dimash and other great singers, beside his voice range, his that he sing to my soul and even the high notes are pure, crystalline and don't hurt my ears like so many singers that go to that notes but for me is unpleasant to my ears. The stage presence, the voice, the emotion is another level with Dimash. I'm 62 years old and a fan of rock but I've never see or heard someone like Dimash in my life. The best singer ever!
You see , I speak French and I can't understand Dimash. This is a French song and I don't know if Dimash really understand the words.
Ce "chanteur" d'opérette en contreplaqué qui a osé massacrer les paroles de cette chanson emblématique ? Pitoyable. Il n' incarnera JAMAIS cette chanson, est ce clair ?. Seul un français peut comprendre...pas vous.
You've been Dimasi-spoiled. 😉
Hola hay una versión de Bruno Pelletier que me gusta mucho , el también participó en la ópera Rock 🎸 star manía. Esta versión también es hermosa pero se párese más a la original ,la Bruno Pelletier también tiene un toque más operístico.
This is most beautiful version also after dimas....
Это звучит в рок-опере на сцене,а как Вы можете представить там Димаша?Я не представляю.Наверное у меня не такое богатое воображение как у фанатов Димаша😊
Dimash le seul à avoir massacré les paroles de cette chanson emblématique... pitoyable.
Since you’re doing comparisons of Dimash versus original singer, please react to Confessa by Adriano Celentano.
Dimash 's version is more impressive but this version is more touching.
Originally written in 1978. So pretty old. Lol.
It was written in 1976, debuted in 1978 with a studio recording of the songs, before premiering on stage in 1979.
Eric carmen original "all by my self".....Next ❤❤❤
Fil, yes a good cover. Norman is, indeed, doing a cracking job. Yes, this has a more haunting atmosphere.
#QcumberSquad #NormanGroulx - Fil, I'm off back to the study.
Why are you guys calling it a “cover?” This is part of a theatrical performance, not a concert show, not a stand-alone “cover”. 😏
Muy parecida a la voz de Daniel Balavoi !!!
He sounds almost exactly like Daniel.
Nice version, nice..but the feelings..the abysm in a way to feel goosebumps.. I feel the lyrics in the magistral voice and performance only I feel with Dimash..
Dimash : his French is horrible.
♥️🙏♥️🙏♥️🙏♥️🙏♥️🙏♥️🙏♥️🙏♥️🙏♥️🙏♥️🙏👌👍🥰🫂
Hi from France, Dimash sublimates all the songs his own and thoses of others..but this version was nice !
Ce "chanteur" d'opérette en contreplaqué qui a osé massacrer les paroles de cette chanson emblématique n' incarnera JAMAIS cette chanson. Est ce clair ?... Seul un français peut comprendre, pas vous.
@@eponine4349 Ce chanteur d'opérette ? Ne soyez pas aussi frustré, la classe et le talent ne sont pas donnés à n'importe qui
@@isabellebonnet1145 En contreplaqué...
@@isabellebonnet1145Si vous considérez que proposer une bouillie vocale est une performance, il est clair qu'il excelle dans cette discipline. Certains savent se contenter de peu...
@@eponine4349 Tellement risible... certains ont un immense talent, d'autres une immense frustration, mais entraînez vous, peut-être qu'un jour vous aurez aussi une telle reconnaissance internationale 😉
No one can beat Dimash.
Пока Димаш ☝️💯🤴🤩остаётся недосягаем в исполнении этой песни 😍
It's from a show not a concert. His French is rotten.
Dimash le seul à avoir massacré les paroles de cette chanson emblématique... pitoyable.
cat meowing😄😄
I like this version too to be honest...but with all the respect to the other singers...the original as well...
Dimash did/ do justice to this song fo me..❤❤
Bien sûr dimash ❤
🤮
A beautiful performance no doubt but Dimash still moves me more.
Dimash le seul à avoir massacré les paroles de cette chanson... pitoyable.
Esta version es más parecida a la canción auténtica, no a la de Dimash, que siempre será mi favorita
Dimash, le roi de la bouillie vocale. Ce "chanteur" d'opérette en contreplaqué qui a osé massacrer les paroles de cette chanson emblématique... pitoyable.
Hello bro, plis review:
You Don't Own Me- Tamino.
Hounds- Puma Blue.
The First Discipline- Tamino.
Plis plis bro ❤😊
Bro?
Nobody could be better, than Dimash. God bless this gold child !
Dimash le seul à avoir massacré les paroles de cette chanson emblématique... lamentable.
Very nice, but in the very high notes Dimash's voice remains strong, and not with the other singers. But for me this song is also beautiful.
Dimash has no soul in it.
@@jolaod84 You dont know, what you say.
@@irihangodiSeul un français peut comprendre...pas vous.
Dimash est le seul à avoir massacré les paroles de cette chanson emblématique... lamentable. JAMAIS il n'incarnera cette chanson, est ce clair ?.
Dimash is the god, the others can be only under him
Dimash, ce "chanteur" d'opérette en contreplaqué est le seul à avoir massacré les paroles de cette chanson emblématique... pitoyable.
Le roi de la bouillie vocale, c'est certain.
This version don‘t touch my heart..sorry.. he is a good singer…but Dimash’s voice is magic..
Dimash don y know what he is singing, he pronounce word very vert badly, if you don't know the song you couldn t understand what he says
it didn't evoke any emotion in me 😐
Do you speak French ?
Not better from Dimash....good but Dimash is so unique the best always
Dimash, le roi de la bouillie vocale, c'est certain... le seul à avoir massacré les paroles de cette chanson emblématique... lamentable.
It is good, has emotion, sounds nice but not near the Dimash version.
Dimash, le roi de la bouillie vocale. Seul "chanteur" d'opérette en contreplaqué qui a osé massacrer les paroles de cette chanson emblématique... pitoyable.
Вообще после Димаша не захватывает. И ноты наверху звучат, как фальшивые.
Esta canción original en verdad no me llega nada, comprada con la versión de Dimash. Para mi sigue siendo mucho mejor la interpretación de Dimash.
You have to speak French to understand. Does Dimash speak French ?
As a musician I hear many false high notes 1/4 tone lover than supposed to be. Also sliding from register to register is not smooth and i can hear this roughness. every time when he does the runs up I am afraid he won't make it. It why I love Dimash . He is perfect for musicians.
Смените методичку уже 🙄
У вас нет слуха
A beautiful singer, but just like Daniel (original singer), his falsetto is very weak and feable sounding.
Good, but definitely not Dimash! 💞🦌
It’s okay, but his high notes are kinda strange not smooth like Dimash’s and very French sounding 🤷🏻♀️🇺🇸❤️🇰🇿
This is written in French and Dimash's French is not understandable.
Massacrer les paroles de cette chanson emblématique, il fallait oser... Dimash l'a fait... lamentable.