This explained more, if not everything, than the dozens of UA-cam videos I've watched about lighting recently. Showing real use examples just - changes everything. Thank-you!
Just wanted to thank you for getting straight to the point in all of your videos! Other channels have so much garnish and I always have to fast forward their videos.
One of the other advantages of a fresnel over a snoot or barn doors is that its focusing ALL the light, whereas the other methods work by masking OFF light, losing it- so its brighter with a fresnel. On another note, I do love the Aputure Lantern, partially because of the light control panels it comes with. Although, if you want to find out for very cheap whether you like the lantern effect, you can get quite close with a £2 iKea paper lantern and a few elastic hair bands to hold it on the end of the light. You'll probably only get a single use out of it before it gets ripped, but its still great value.
This is one of the best UA-cam channels for filmmakers who have just started buying their gear. Nice quality of production and this channel is gonna grow real fast. My best wishes to you and lots of love from India. Cheers
Speaking over easy to use parabolic softboxes, take a look at the Angler Boombox. It opens like an umbrella. I love it! I guess the only draw back is the ability to use gels with it.
I'm not new to all of these but still often need to contemplate the differences and am curious about a couple like the lantern. Your video had to be the most illustrative and concise description of essential light modifiers I've seen. As a primarily stills photographer I still found it incredibly relevant.
Thank you so much for sharing that info. Spot on, exactly what I was looking for. Have watched so many videos over the years and I really mean it; your channel is GREAT! 💪💪💪
I'm new to videography and through the research that I've done you are the best at explaining shapes and sizes and what they are used for. Thanks! You're a good teacher and I would like to see more on what and when to use different types of lighting.
Great question! I've not yet tried one besides the Aputure one. I know Godox makes one, but it's kinda tricky looking, so I'm not fully sure about it. Sorry I couldn't be more help at this time. :/
Ooooo yes flashes!! Like how to use them and sync them to a camera or use it as an off camera flash? I’ve been watching other UA-cam tutorials but they’ve been pretty dull and hard to understand. Ooo and maybe the different types of mounts like bowens? Thanks in advance!
@@FellowFilmmaker I'm in the midst of moving but once that is sorted I'm taking the dive into a YT Channel - a review of the Angler is on my list for content because there's not a whole lot of stuff out there on it
I like your videos, you are one of the best who can present direct information for the right audience. I think you deserve more subscribers and you will own thousands soon.
Thank you for such a great video. I was just thinking about what modifier to buy and your video helped me a lot. My aim is to find LED replacement to Dedolights. Can it be possible with Amaran 60D and Aputure Fresnel mount?
Most happy to hear I helped you out! I've not used Dedolights, so I'm not sure in particular what to say. Can you be more specific what you'd want it to do?
Concentration implies an increase of density. It's not a good word to describe modifiers that merely shade light, such as barndoors, grids, honeycombs, snoots, blades, or even simple focusing devices such as a moving LED mechanism in an open face fixture. These devices merely limit the light to an area by shading, they do not concentrate it. Reflectors do concentrate the light but only to a small degree. A lens system does concentrate the light effectively. A fresnel or a planoconvex is quite good at the wide end, within a 2x to 3x maximum zoom ratio and only becomes less efficient on narrow angles. A dedicated lens, such as that found on PARs is much more efficient. The new LED models can change lenses. Concentration is important because open face lights are only good for flooding a scene or softboxing. Even at that, flat panels typically outperform them. They are practically useless when distance increases. Their 3x or 4x power advantage over smaller power lights disappears with a doubling of distance. Most lights work for flooding and panels are the best at it. Most fresnels work at medium distances. Some fresnels work at long distance with a serious hit on output. PARs and profile lights with dedicated wide angle lenses are the right tool for long distances.
So happy to hear that! I'm considering doing a video that elaborates further on modifiers :) Any in particular you've come across you're still stumped on?
@@FellowFilmmaker Hi Heather, sorry for the delayed reply. I am stumped on many things at the moment as I am planning to start a UA-cam channel from scratch and need to get the right equipment and learn how to execute videos. I would like to send you a message on your website contact form sometime in the next week or so, where I will explain in more detail what I am stumped on. In the meantime, I have a question. Why did you not choose a video aspect ratio of 18:9 for your UA-cam videos? As a new UA-camr just getting started, shouldn’t I publish videos in that ratio to give viewers the widest viewing video experience?
Very good! I’ve been doing this for a long time, and it was great to hear everything put into a nutshell. I’m particularly interested in the quick set up lights.
I haven't found a great one yet, I've tried the Aputure one on the SL60w and it does actually hold nicely and do a decent fresnel, but not perfect. I'll be making a video as soon as I find a good one!
I certainly could look into doing that type of video. Is there anything more specifically you'd like to know beyond the main difference in useage choice?
@@FellowFilmmaker the parabolic dome costs almost twice as much as an octagonal softbox with grid. (Godox P120L vs SB-GUE 120). So why would you choose parabolic dome over softbox? Is there a difference in quality/softness of light? Are there specific use cases for one over the other? I get that parabolic is more rounded due to more ribs in the umbrella vs. Octagonal softbox, but are there any other differences? I watched some people commenting on difference in contrast, or light having both soft + hard characters but they were all very vague expmaonaitons) Also found this article in dpreview that said most parabolic softboxes didn't have an advantage over regular softboxes: www.dpreview.com/forums/thread/4234131
I'd say in general there really is no big differences. Each softbox will have a different light quality and softness due to the materials used for the diffusion panel, which really you don't know what that is till you get it. The biggest factor is in size of the dome. Smaller ones will be less soft while bigger ones will be more soft. This has to do with distance from light source to end of dome.
It's a minimal floor lamp actually. Here's a link: bit.ly/32rqq4Q If you're interested in purchasing I've even got a discount code that could be of help: $20 Off discount code: FFM20
Thanks! Didn't know about the snoot or fernel modifiers :) You should have mentioned octagon softboxes as well, since they are close to parabolic softboxes with a lower price tag.
Awesome video and I'm learning alot. What would you say us the absolute necessity when it comes to light modifiers? For someone getting their first COB light, what's the one modifier they need need?
Hey ma'am, Your videos are always informative. What sizes does snoot comes in ? Which size snoot should I use for Godox Ad 600 pro, AD 300 pro and VL 300 ?
would you recommend the aputure 60d with a lantern softbox or the GVM bi-colour 100w lighting kit (also has a lantern softbox)? I will be using the set up as an upgrade to my ring light for self tape auditions. I am after the most soft ,flattering lighting :)
What modifier you need great question.. in reality you need all of them you just cannot buy and store all of them so it is always a compromise. The size of the object defines the size of the light sources so you need small and middle and very big softboxes as well... and everything else like barn doors and honey comb filters and those honeycombs that you can attache to softboxes etc..... you need very well defined hard light and soft light and in between... and there are things you can use if you don't have exactly you need. Oh and you need not just one but more sometimes you need three lights all with snoots or softboxes and if the object is a group of people you need huge softboxes (I use 1,8m parabolic umbrella with softener)
I believe in this video it was a cheap blue gel I put over a regular COB daylight light. But I do have RGB lights that I use now (Mixpanel 150 or Godox SZ150R are nice)
Very helpful video. Newbie question, how do we know if a modifier will fit our light? In my case I have a couple of godox SL100BI and want to buy barn doors for them. Will godox barns work?
When choosing a key light, would you recommend a daylight or bi-color COB? My space has warm colors, so I am considering a bi-color so I have flexibility while realizing I’ll be giving up some brightness. For me it is Amaran 100d vs 100x or 60x or 60d.
If you know you'll be matching to other lights often, go bi-color. It's not that much of a sacrifice in brightness if you're going with a higher output light to begin with. So get the 100X and you'll be doing good. :D
Thanks for sharing.. good info.. if i have to do top lighting for a large living room, what options do i have for a small budget film maker. can you please make a video or share comments.
Hmm, good question. Depends on how much space you for the overhead rigging. You could always try bouncing a light into the ceiling. Or you could use a lantern.
Well definitely a softbox of some type, you'll need it for nearly anything that has a person in it. After that I'd say you could do alot with a spotlight mount (you might check out my updated video on light modifiers) it has alot of versitility. If you want something useful but not high in price then you'll be looking at a fresnel, it's used alot in the industry. Great for faking daylight in a realistic way.
Thank you very much for this video and all others you make. Very helpful. I just got the Godox SL150 ii, and I would like to kindly ask for your advice about which tripod and softbox I should buy to complete this kit. Thank you for your attention.
@@FellowFilmmaker No worries. I do have an Aputure 2X, which I bought thinking it would work. Now I know to do more research :) . Your videos are very helpful, thanks.
I have heard about Parbolic reflectors, yesterday I heard about Parabolic softboxes and today I hear about Parbolic domes. whats the difference... thanks...
Reflectors are more for bouncing the light toward a subject without diffusing it. A parabolic softbox is the same thing as a dome. I say dome since it really is dome shaped vs a box shape. :D But a parabolic dome is using the dome shape to direct the light at a subject and then diffuse it like you would any softbox. Really no big benefits to a parabolic dome over other round diffused sources, except that it might be considered a bit easier to travel with. Hope that makes sense/helps.
Great video as always, Q: what’s the difference between the parabolic and normal softbox, assuming both is the same round shape and same diameter so what the more depth useful for? Thanks for all your educational videos
Sometimes the added depth can give a more soft appeal, but it does require a more intense light since light intensity is lost with the more space and fabrics it must either go through or travel.
Hi, I’m starting in photography and I want to buy a Godox vl300, my question is can I mount a godox softbox on that light and use it for photos? Btw great videos 😊👌🏻 Thanks
Happy I could help with that! :D If it helps at all, I've only noticed the issue on the VL series of lights, the fresnel works with Godox SL60w and even SZ series (at least the ones I have). And no, I've not get found one that works with Godox (or rather made by Godox) might be soon they come out with one tho...
@@FellowFilmmaker wow thanks for the quick reply! I've got the SL200ii and UL150 lights. Would it be possible for you to check with them in case you have them? 😅 Yesss, definitely waiting for Godox to bring one out.
Hi. What you recomend for kitchen, food making videos. In kitchen with white walls. One camera on food preparing and another one wide shoot, for presenter. Up to now we use two white umbrelas for each side and one softbox on top of table, with regular led bulbs :(. We will buy ledlights and wondering about light defusers. What defusers you recomend and what arangment. Thank you for great content.
There's many ways you could do it depending on your needs. You could get a bright LED light and bounce if off the walls since they are white as a way to diffuse the light and spread it throughout the room. You could always do a really large source of diffusing by using a white shower curtain with bright lights shining through for big diffusion. Or you could grab 1-2 lights and put lanterns on them to evenly light the kitchen.
I've not done it myself, but there may be a way to gel it internally. Externally I'm not aware of a method. Might be better off using a COB RGB light like the Godox SZ150r or Orion 300
@@FellowFilmmakerthank you for your feedback, yes one rgb light would solve the problem but i've already 2 godox sl 150 II ... then i think i'll use a color correction in post production, bye
It feels far beyond amazing to see a girl's channel about video making!
Happy to hear :D
You’re such an underrated creator :’)
Super kind of you to say! :D
Agreed
1000%
This explained more, if not everything, than the dozens of UA-cam videos I've watched about lighting recently. Showing real use examples just - changes everything. Thank-you!
Very happy to hear that! It was my goal, since I couldn't find anything when I was searching for answers :D
Just wanted to thank you for getting straight to the point in all of your videos! Other channels have so much garnish and I always have to fast forward their videos.
You are most welcome! I know I hate doing the same thing with others' videos, so that's why I try to keep it to the point.
One of the other advantages of a fresnel over a snoot or barn doors is that its focusing ALL the light, whereas the other methods work by masking OFF light, losing it- so its brighter with a fresnel.
On another note, I do love the Aputure Lantern, partially because of the light control panels it comes with. Although, if you want to find out for very cheap whether you like the lantern effect, you can get quite close with a £2 iKea paper lantern and a few elastic hair bands to hold it on the end of the light. You'll probably only get a single use out of it before it gets ripped, but its still great value.
Nice tip with the cheap lantern idea, thanks for sharing! :)
There are many advantages to each modifier, so hard to cover them all in a video!
1:00 so cute when triplets coordinate matching outfits
invite them on more!
Haha, thanks for letting me know!
The best UA-cam creator in this domain.👏
Thank you very much :D
Literally just bought two Godox VL300s yesterday, this video is hitting the spot. Thank you
Glad I could help! :D
So helpful and straightforward. Thank you!
Glad it was helpful!
I was wondering if barn doors worked similarly to a round reflector, and then BOOM you answered it! Perfect video- thank you!
Glad I could help!
This is one of the best UA-cam channels for filmmakers who have just started buying their gear. Nice quality of production and this channel is gonna grow real fast. My best wishes to you and lots of love from India. Cheers
Thank you very much! And thanks for watching :D
This channel is so underrated!! You really have a lot of knowledge and the ability to explain. Carry on!! Subscribed!!
Super kind of you! Perhaps it will blow up in the new year and I can help so many others! :D
Yep
Such a great introduction with all kinds of light accessories!
Hope it helped! :D
Excellent information. Probably the most clear and easy to watch explanation of light modifiers. Great job!
Glad you enjoyed it! :D
Speaking over easy to use parabolic softboxes, take a look at the Angler Boombox. It opens like an umbrella. I love it! I guess the only draw back is the ability to use gels with it.
I'll have to check it out!!
I keep bumping into your videos all the time Heather, I'm loving this channel !!!
Happy to hear that! :D
I'm not new to all of these but still often need to contemplate the differences and am curious about a couple like the lantern. Your video had to be the most illustrative and concise description of essential light modifiers I've seen. As a primarily stills photographer I still found it incredibly relevant.
Happy to hear that :D
I love this channel, and this is just my second video of yours that I am watching!
Welcome aboard! Glad you're enjoying the channel :D
So glad to found your channel!! It's so straightforward, easy to listen to, clear, and great setup!!!
Awesome, thank you! Glad you enjoy the channel
Thanks for taking time to create this video. It's great to see comparisons and examples of using different modifiers.
My pleasure!
I’ll never ever skip ur ads and always love ur consistent content 😎
Thank you so very much, you are the best! :D
It’s such a pleasure watching and learning from your tutorials. So insightful
Very happy to hear that :D
@@FellowFilmmaker awesome!
Thank you so much for sharing that info. Spot on, exactly what I was looking for. Have watched so many videos over the years and I really mean it; your channel is GREAT! 💪💪💪
You are most welcome 😁
Happy to hear how much you love the channel
This is the most helpful video i’ve seen so far, thank you and i’m a supporter as long as you going on miss
Awesome! Thank you! :D
I'm new to videography and through the research that I've done you are the best at explaining shapes and sizes and what they are used for. Thanks! You're a good teacher and I would like to see more on what and when to use different types of lighting.
Thank you very much! I've got lots of videos planned and coming out soon! Stay tuned :D
One of the best content out there! Wish you girl the best.
Thanks! It's just me, myself, and I - no guys, haha! But thank you
@@FellowFilmmaker ohhhh Sorry! Your content is suberb. Much love from Brazil, gonna follow your IG too
No problem, haha! And thank you! :D
Just love your explanations! All simple. All clear!!! Keep it up!!!
Happy to hear that! :D
That was very well explained! Thank you very much! 🙂
You're very welcome!
Great video, thank you! Any recommendations for fresnels that work with Godox?
Great question! I've not yet tried one besides the Aputure one. I know Godox makes one, but it's kinda tricky looking, so I'm not fully sure about it. Sorry I couldn't be more help at this time. :/
@@FellowFilmmaker No worries, appreciate the response! I didn't realise they made one but I'll look into it! Thanks again.
I've always been so intimidated by lighting but thank god for this vid to make it so easy to understand! NEW SUBBBB!
Yay! Thank you! Happy to hear it was helpful! More videos coming soon that are indepth. Anything in particular you struggle with?
Ooooo yes flashes!! Like how to use them and sync them to a camera or use it as an off camera flash? I’ve been watching other UA-cam tutorials but they’ve been pretty dull and hard to understand. Ooo and maybe the different types of mounts like bowens? Thanks in advance!
Very nice and concise! Thanks, because I had no clue before. Good thumbnail too!
Appreciate it, thanks!
This is really helpful
I’ve been looking for a comprehensive guide for ages
Glad to hear!
Great insight Heather. I really like the Angler parabolic - sets up in seconds, comes in a decent bag and includes two diffusions and grid
You're the second person to mention it! I'll have to take a look and maybe try it!
@@FellowFilmmaker I'm in the midst of moving but once that is sorted I'm taking the dive into a YT Channel - a review of the Angler is on my list for content because there's not a whole lot of stuff out there on it
Oooh good to know! Is there just one type or multiple? Cuz if so, which do you want a review on?
@@FellowFilmmaker I have the 36" so that's the one I'll be reviewing
Nice!
I like your videos, you are one of the best who can present direct information for the right audience. I think you deserve more subscribers and you will own thousands soon.
I appreciate that! Hoping more come soon! :D
Thank you, Heather. You're the best. Great vid as usual.
You're welcome, glad you enjoyed!
Cool edit/effect at 1:03 with the triplets. Awesome video, very informative.
Glad you liked it!
Superb quality content. You deserve way more subscribers!
I appreciate that!
Thank you for such a great video. I was just thinking about what modifier to buy and your video helped me a lot. My aim is to find LED replacement to Dedolights. Can it be possible with Amaran 60D and Aputure Fresnel mount?
Most happy to hear I helped you out!
I've not used Dedolights, so I'm not sure in particular what to say. Can you be more specific what you'd want it to do?
Concentration implies an increase of density. It's not a good word to describe modifiers that merely shade light, such as barndoors, grids, honeycombs, snoots, blades, or even simple focusing devices such as a moving LED mechanism in an open face fixture. These devices merely limit the light to an area by shading, they do not concentrate it. Reflectors do concentrate the light but only to a small degree. A lens system does concentrate the light effectively. A fresnel or a planoconvex is quite good at the wide end, within a 2x to 3x maximum zoom ratio and only becomes less efficient on narrow angles. A dedicated lens, such as that found on PARs is much more efficient. The new LED models can change lenses.
Concentration is important because open face lights are only good for flooding a scene or softboxing. Even at that, flat panels typically outperform them. They are practically useless when distance increases. Their 3x or 4x power advantage over smaller power lights disappears with a doubling of distance. Most lights work for flooding and panels are the best at it. Most fresnels work at medium distances. Some fresnels work at long distance with a serious hit on output. PARs and profile lights with dedicated wide angle lenses are the right tool for long distances.
Good point! Thanks for sharing that :)
This video is phenomenal. So practical and clear. Thank you!
Glad you enjoyed it!
Great videos! Thank you so much! Since I never had the opportunity to use some of these modifiers this is really insightful!
Glad it was helpful!
Wow, great video, interesting and thorough explanation!!
Glad it helped!
Beautifully explained!! A lot of things got cleared after watching this video!!
Glad to hear that! :D
Great video! Literally every question I had was answered :D Are you able to add timestamps? This would help a lot :D
Good point, I will do that! :D
Great video! You do such a nice job of explaining things so clearly and you cover all the bases.
So happy to hear that! I'm considering doing a video that elaborates further on modifiers :)
Any in particular you've come across you're still stumped on?
@@FellowFilmmaker Hi Heather, sorry for the delayed reply. I am stumped on many things at the moment as I am planning to start a UA-cam channel from scratch and need to get the right equipment and learn how to execute videos. I would like to send you a message on your website contact form sometime in the next week or so, where I will explain in more detail what I am stumped on.
In the meantime, I have a question. Why did you not choose a video aspect ratio of 18:9 for your UA-cam videos? As a new UA-camr just getting started, shouldn’t I publish videos in that ratio to give viewers the widest viewing video experience?
Very good! I’ve been doing this for a long time, and it was great to hear everything put into a nutshell. I’m particularly interested in the quick set up lights.
Glad it was helpful!
I think this is by far the most well made video I've seen on this. Instant subscribe :D
Well thank you very much! So happy that you subscribed, hope you enjoy all the future content! :D
Just in time... I'm about to purchase my first COB and modifier... thanks for the info!
so happy to hear it's in time! Hope it helped :D
Thanks for this great advice, Heather!
Efficient and easy to understand. This is a well made video. Subscribed.
Great to hear! :D Thanks for subbing
This was INCREDIBLY HELPFUL! Thanks.
Glad it was helpful! :D
Straight to the point with no BS! Thank you so much for doing such a great job!
It's the way I like it, no BS!
Is there a suitable fresnel for the Godox sl60? Thanks for the great videos!
I haven't found a great one yet, I've tried the Aputure one on the SL60w and it does actually hold nicely and do a decent fresnel, but not perfect. I'll be making a video as soon as I find a good one!
So helpful I watched it twice (and will refer to this video again, I’m sure). Thank you!
Glad it was helpful!
Softbox (octagonal) vs. Parabolic dome? Would be great if you could cover that as I haven’t seen a good video on this subject.
I certainly could look into doing that type of video. Is there anything more specifically you'd like to know beyond the main difference in useage choice?
@@FellowFilmmaker the parabolic dome costs almost twice as much as an octagonal softbox with grid. (Godox P120L vs SB-GUE 120). So why would you choose parabolic dome over softbox? Is there a difference in quality/softness of light? Are there specific use cases for one over the other? I get that parabolic is more rounded due to more ribs in the umbrella vs. Octagonal softbox, but are there any other differences? I watched some people commenting on difference in contrast, or light having both soft + hard characters but they were all very vague expmaonaitons)
Also found this article in dpreview that said most parabolic softboxes didn't have an advantage over regular softboxes: www.dpreview.com/forums/thread/4234131
I'd say in general there really is no big differences. Each softbox will have a different light quality and softness due to the materials used for the diffusion panel, which really you don't know what that is till you get it. The biggest factor is in size of the dome. Smaller ones will be less soft while bigger ones will be more soft. This has to do with distance from light source to end of dome.
Great video
Q which tube light are you using for the backlight ? Astera Titan tubes?
It's a minimal floor lamp actually. Here's a link: bit.ly/32rqq4Q
If you're interested in purchasing I've even got a discount code that could be of help:
$20 Off discount code: FFM20
Thanks for your videos! It's refreshing to see quality content here :)
Glad you enjoy it!
This was SO HELPFUL thanks for the info🙆
You are most welcome!!
Great video! Is there a fresnel lens made for GODOX VL-UL series lights?
Not at this time, sadly
@@FellowFilmmaker Thanks for taking time to answer :)
Very nicely done!
Thank you very much!
Great video … covered so many questions and gave new ideas to viewers.
Glad it was helpful!
Your videos are a great help really appreciate your hardwork!!! Keep inspiring 🙌🏻🙌🏻✨🌟
Thank you so much!!
Thanks!
Didn't know about the snoot or fernel modifiers :)
You should have mentioned octagon softboxes as well, since they are close to parabolic softboxes with a lower price tag.
I could have, yes, but just didn't have any to show and really they do the same things. :D
Really enjoy your videos. Thank you.
Glad you like them!
Awesome video and I'm learning alot. What would you say us the absolute necessity when it comes to light modifiers? For someone getting their first COB light, what's the one modifier they need need?
Well the easiest one would be a diffusor of some sort. The next would probably be either a projection unit or a fresnel.
@@FellowFilmmaker I appreciate you. You always respond and its always helpful. Thank you. I'll look into those 2.
You're welcome :D
Hey ma'am,
Your videos are always informative.
What sizes does snoot comes in ?
Which size snoot should I use for Godox Ad 600 pro, AD 300 pro and VL 300 ?
I've just been using a really basic snoot and it does alright. You can find it on my kit: kit.co/fellowfilmmaker
would you recommend the aputure 60d with a lantern softbox or the GVM bi-colour 100w lighting kit (also has a lantern softbox)? I will be using the set up as an upgrade to my ring light for self tape auditions. I am after the most soft ,flattering lighting :)
What modifier you need great question.. in reality you need all of them you just cannot buy and store all of them so it is always a compromise. The size of the object defines the size of the light sources so you need small and middle and very big softboxes as well... and everything else like barn doors and honey comb filters and those honeycombs that you can attache to softboxes etc..... you need very well defined hard light and soft light and in between... and there are things you can use if you don't have exactly you need. Oh and you need not just one but more sometimes you need three lights all with snoots or softboxes and if the object is a group of people you need huge softboxes (I use 1,8m parabolic umbrella with softener)
yeah, it certainly gets crazy quickly
The animation at 2:06...well done!!
Thanks!! I actually didn't do it myself tho :D It's part of a pack I've purchased.
Hey, love your videos, they are really helpful in choosing a light. I had a question: how do you mount an overhead light as shown at 0:57 ?
I use a C-stand with some knuckles, a baby pin, and a c stand arm. :D
Great video! Love the detailed breakdowns and visuals!!
Happy to hear that! :D
What a great vid! Explained everything really well and had great examples, keep up the awesome work 😁
Thank you! Glad it was well laid out for you and helpful at that :D
Hi Heather. What did you use to make your wall blue (as in 01:48)? Does this color come from a powerful RGB LED?
I believe in this video it was a cheap blue gel I put over a regular COB daylight light. But I do have RGB lights that I use now (Mixpanel 150 or Godox SZ150R are nice)
Very helpful video. Newbie question, how do we know if a modifier will fit our light? In my case I have a couple of godox SL100BI and want to buy barn doors for them. Will godox barns work?
Typically you can assume the same brand will fit on your light. So Godox barndoors should fit fine. :D
When choosing a key light, would you recommend a daylight or bi-color COB? My space has warm colors, so I am considering a bi-color so I have flexibility while realizing I’ll be giving up some brightness. For me it is Amaran 100d vs 100x or 60x or 60d.
If you know you'll be matching to other lights often, go bi-color. It's not that much of a sacrifice in brightness if you're going with a higher output light to begin with. So get the 100X and you'll be doing good. :D
@@FellowFilmmaker thank you 😊
I ordered the Amaran 100x and Aputure light dome SE (since I won’t be tearing it down a lot)
Thanks for sharing.. good info.. if i have to do top lighting for a large living room, what options do i have for a small budget film maker. can you please make a video or share comments.
Hmm, good question. Depends on how much space you for the overhead rigging. You could always try bouncing a light into the ceiling. Or you could use a lantern.
What 2 modifiers would you recommend for a starter kit for shooting a wide variety of things. (Product Video, corporate, Short films, etc)
Well definitely a softbox of some type, you'll need it for nearly anything that has a person in it.
After that I'd say you could do alot with a spotlight mount (you might check out my updated video on light modifiers) it has alot of versitility.
If you want something useful but not high in price then you'll be looking at a fresnel, it's used alot in the industry. Great for faking daylight in a realistic way.
Fantastic video well done
Thank you very much!
Just found your channel. Golden stuffs going on here 👏🏼👏🏼. Subbed!
Awesome! Thank you!
Thank you very much for this video and all others you make. Very helpful. I just got the Godox SL150 ii, and I would like to kindly ask for your advice about which tripod and softbox I should buy to complete this kit. Thank you for your attention.
You can find the gear I use and recommend on my kit, that would make it easy for you to get the exact ones I recommend: kit.co/fellowfilmmaker
@@FellowFilmmaker Thank you !!!
Great video showing the differences of each. Thank you...and it's well lit! :)
Glad you liked it!
Love them all! Thank you!
Glad you like them!
Awesome like always!
Thank you! :D
Hi Heather. What Fresnel would you suggest to use with the Godox SL60 or VL150?
You know, I haven't yet tried one yet that works with the Godox. Im hoping to soon, but just haven't yet. Sorry I'm not much help there
@@FellowFilmmaker No worries. I do have an Aputure 2X, which I bought thinking it would work. Now I know to do more research :) . Your videos are very helpful, thanks.
Glad I could help out at least a little :D
very useful information, thanks for making
My pleasure
if it weren’t for you, i wouldn’t have known fresnals were a thing, i just bought 4 lmao, THANK U
Well I'm glad I could help!
I have heard about Parbolic reflectors, yesterday I heard about Parabolic softboxes and today I hear about Parbolic domes. whats the difference... thanks...
Reflectors are more for bouncing the light toward a subject without diffusing it. A parabolic softbox is the same thing as a dome. I say dome since it really is dome shaped vs a box shape. :D But a parabolic dome is using the dome shape to direct the light at a subject and then diffuse it like you would any softbox. Really no big benefits to a parabolic dome over other round diffused sources, except that it might be considered a bit easier to travel with. Hope that makes sense/helps.
Great video, want to ask if you've tried using the Godox FLS8 or FLS10 Fresnel lens on the Godox or Amaran 100/200x lights?
I have not tried that no
what kind of stand is the best to use for a light using a lantern diffuser
I've used it on a c-stand and a regular heavy duty light stand, so really there is no wrong. Just be sure to secure it really well with weight.
Great video as always, Q: what’s the difference between the parabolic and normal softbox, assuming both is the same round shape and same diameter so what the more depth useful for? Thanks for all your educational videos
Sometimes the added depth can give a more soft appeal, but it does require a more intense light since light intensity is lost with the more space and fabrics it must either go through or travel.
Can you recommend a fresnel lens for the godox ml60 & the godox vl300?
Godox has made some (per my request) and you can find them on amazon and other places you buy gear
Here's one of them that I own: amzn.to/3PqB4iF
Very very good to watch... great information.. loved it
Glad you liked it, thank you!
Appreciate the videos on all this lighting stuff. Super helpful for learning about all this :)) THANKS!
Glad it was helpful!
Hi, I’m starting in photography and I want to buy a Godox vl300, my question is can I mount a godox softbox on that light and use it for photos? Btw great videos 😊👌🏻 Thanks
Yes you can :)
Great video!! - Really helpful, thanks!!
Glad it was helpful!
YOU saved me that fresnel money with that aputure vs godox point. Thank you so so much!
Would you know any fresnels for the Godox lights?
Happy I could help with that! :D If it helps at all, I've only noticed the issue on the VL series of lights, the fresnel works with Godox SL60w and even SZ series (at least the ones I have). And no, I've not get found one that works with Godox (or rather made by Godox) might be soon they come out with one tho...
@@FellowFilmmaker wow thanks for the quick reply! I've got the SL200ii and UL150 lights. Would it be possible for you to check with them in case you have them? 😅
Yesss, definitely waiting for Godox to bring one out.
Just tried it on my UL150, doesn't work at all.
@@FellowFilmmaker thank youu 😭
Hi. What you recomend for kitchen, food making videos. In kitchen with white walls. One camera on food preparing and another one wide shoot, for presenter. Up to now we use two white umbrelas for each side and one softbox on top of table, with regular led bulbs :(. We will buy ledlights and wondering about light defusers. What defusers you recomend and what arangment. Thank you for great content.
Light dome? Hm...and kitchen is not so big.
There's many ways you could do it depending on your needs. You could get a bright LED light and bounce if off the walls since they are white as a way to diffuse the light and spread it throughout the room. You could always do a really large source of diffusing by using a white shower curtain with bright lights shining through for big diffusion. Or you could grab 1-2 lights and put lanterns on them to evenly light the kitchen.
@@FellowFilmmaker thanks. Will see when light arrive. For now lanterns looks best solution. Thanks.
Glad I could help! :D Hope it goes well for you
Your videos are awesome!
I appreciate that!
Hi thank you for your video, is there a way to gel the exterior part of lantern? Thank you 🎨🎈
I've not done it myself, but there may be a way to gel it internally. Externally I'm not aware of a method. Might be better off using a COB RGB light like the Godox SZ150r or Orion 300
@@FellowFilmmakerthank you for your feedback, yes one rgb light would solve the problem but i've already 2 godox sl 150 II ... then i think i'll use a color correction in post production, bye
Instant subscribe. Great video and energy!
Awesome! Thank you!