Bach, Matthäus Passion: Erbarme dich, Lidia Vinyes Curtis, Helmuth Rilling, Rahel Rilling.

J.S.Bach Erbarme dich, Conductor Helmuth Rilling, mezzo Lidia Vinyes Curtis, violin Rahel Rilling,Moscow Tchaikovsky Concert Hall, November 2014.

[@barbellerch4223]

Wie schön, Herrn H. Rilling mit seiner Tochter Rahel zu sehen! Danke.

[@Ednaldo5591]

Erbarme dich, mein Gott,

[@ALBICOMUS1954]

Das Violinspiel von RAHEL RILLING ist zum Weinen schön und erinnert an das Violinspiel das großen OTTO BÜCHNER. The violin playing of RAHEL RILLING is beautiful to cry and reminiscent of the violin playing of the great OTTO BÜCHNER. Le jeu de violon de RAHEL RILLING est beau à pleurer et rappelle le jeu de violon du grand OTTO BÜCHNER.

[@ristobass]

What a wonderful and moving interpretation! Such clarity and cleanliness.

[@f.w.2054]

Always loved Rillings Bach! He's not afraid to bring emotion to the forefront. After all it is a passion!

[@gentildasilvabarbosa6516]

Meu café da manhã... Meus parabéns 🎊... 2023 sempre a melhor...

[@vnekliaev]

I was at that concert. It was splendid. Happy 90th Birthday, Professor Rilling!

[@SuperMarina1802]

thank you for the learned pleasure! I've been listening to this version for a few days now. great voice, thanks!❤️

[@retf054ewte3]

Helmuth Rilling is fantastic

[@donnrutkoff922]

very nice performance of this great music

[@isahevras]

La fille de Rilling démarre Erbarme Dich au violon d'une façon que je n'ai jamais entendue ailleurs. Et la Mezzo Lidia Vinyes Curtis, c'est du haut niveau. Bach sur instruments modernes, avec Rilling, c'est possible, à mon avis. L'emotion est puissante.

[@silviorodrigues7160]

Que maravilha de voz!!! 2022 até 3000 se ouvirá ...

[@antoninopirrone2541]

👏👏👏👏🌺💐❤️💕💕

[@HugoBolívar-Contratenor]

Qué maravilla...

[@MaximoDelaCruznoni]

Beautifull !!!

[@unknownnewyorker_1818]

Bravo!

[@carlespertegaz6488]

Quina meravella d´interpretació!

[@insookcho6246]

아름답고 은혜로운 시간에 감사합니다♡

[@JorgeGonzalez-zq3rh]

Menuda alto, ¡madre mía!

[@germanchris4440]

Are there still musicians who believe what they are performing when they perform J. S. Bach's sacred music? And an audience that believes what it hears?