You're staying with mostly open chords. Go Dm7 open on the 5th string to G7 closed on the 4th string to Cmaj7 on 5th string. Common tone voicing...much smoother.
Hi Rene, thanks for bringing this to my attention! I didn't realise that was the case. Looks like I can add PayPal also, which I'll do. Glad you liked the video :)
Hey Andy, for minor, do I just invert the chart? I sorta remember something like the dim being on a different number || maybe? than the VII for minor scale Major Scale == 1-Maj | 2-Min | 3-Min | 4-Maj | 5-Maj | 6-Min | 7-Dim Minor Scale == ?? how best to think about it
Well the best thing to do is take the key of C. The relative minor is the Vi chord, so Am. Then just make Am chord 1, Bm7b5 chord ii and so on. This makes chord V a problem as it is Em7. Meaning a minor 251 would be Bm7b5, Em7 to Am7. In practice the Em7 gets swapped for E7. This has the all important leading note (G#) which leads up to A in the V > 1 movement. Does that make sense? Learn the easy keys first eg ones with less flats/sharps. A lot of the standards flip between major and relative minor and vice versa.
Andre Guitars sorry I think I misread your first question. You are talking about viewing the minor scale in parallel to the major scale. Yes you could look at a minor scale as being a major scale with a b3, b6 and b7.
Jazz guitar with Andy a natural American Standard and a white Professional. Nearly bought an American Original 60’s but they had 7.25” radius so bought the Professional instead. Have since bought an American Original Strat now they have 9.5” radius (also we n Olympic White)
Nice. That radius makes quite a difference. I’d really like a thinline but a lot of them are 7.25. They are just comfortable guitars to play, amazing how Leo Fender was on point with this model considering how early on it is in the history of the electric guitar.
Here’s a link to the pdfs mentioned in today’s lesson :
www.jazzguitarwithandy.com/blog/251-in-all-keys-resources
this is good for the previous video thanks Andy
Another great lesson my friend. Have a good day.
Thank you! Cheers!
You're staying with mostly open chords. Go Dm7 open on the 5th string to G7 closed on the 4th string to Cmaj7 on 5th string. Common tone voicing...much smoother.
Really a great lesson. Is it possible to buy something from your store without a Credit card? They aren't really common in germany.
Hi Rene, thanks for bringing this to my attention! I didn't realise that was the case. Looks like I can add PayPal also, which I'll do. Glad you liked the video :)
@@jazzguitarwithandy thank you very much that would be just awesome! I really enjoy your Videos and want to give something back.
Hey Andy, for minor, do I just invert the chart? I sorta remember something like the dim being on a different number || maybe? than the VII for minor scale
Major Scale == 1-Maj | 2-Min | 3-Min | 4-Maj | 5-Maj | 6-Min | 7-Dim
Minor Scale == ?? how best to think about it
nvm, i found your video, going to check it out. thx buddy:
ua-cam.com/video/6pGJWb9IdZ4/v-deo.html
Well the best thing to do is take the key of C. The relative minor is the Vi chord, so Am.
Then just make Am chord 1, Bm7b5 chord ii and so on.
This makes chord V a problem as it is Em7. Meaning a minor 251 would be Bm7b5, Em7 to Am7. In practice the Em7 gets swapped for E7. This has the all important leading note (G#) which leads up to A in the V > 1 movement.
Does that make sense?
Learn the easy keys first eg ones with less flats/sharps. A lot of the standards flip between major and relative minor and vice versa.
i get flatting the 3rd, but you also flat the 6th and 7th too looks like. interesting
Andre Guitars sorry I think I misread your first question. You are talking about viewing the minor scale in parallel to the major scale.
Yes you could look at a minor scale as being a major scale with a b3, b6 and b7.
@@jazzguitarwithandy Ohhhhhhh I love that shift and recount method from the relative minor! Thank you, thank you Andy
New Tele?
Yep 🎸😁
Jazz guitar with Andy Tele’s are addictive! I have two too
What sort do you have?
Jazz guitar with Andy a natural American Standard and a white Professional. Nearly bought an American Original 60’s but they had 7.25” radius so bought the Professional instead. Have since bought an American Original Strat now they have 9.5” radius (also we n Olympic White)
Nice. That radius makes quite a difference. I’d really like a thinline but a lot of them are 7.25. They are just comfortable guitars to play, amazing how Leo Fender was on point with this model considering how early on it is in the history of the electric guitar.