He's right and wrong at the same time IMO. Amazing video, but, those two shots are not necessarily wrong or fake. If you know the dogs are coming, then the camera should? follow them and end with the reaction of the policeman. And the door to the broken car. It's designed to focus the attention on the actor and his surprise. If you put a Bale or whatever coming out that door that changes things a bit doesn't it. I found most of his analysis great though. Inspiring ...
This was truly an excellent exposition on the art of Directing. Clint Eastwood's simplicity is brilliant and Spielberg's synchronization of the camera movement and actor blocking always pulls the viewer to exactly where he wants you to be. As a martial arts enthusiast, I must say I HATE the quick cut, shaky cam, close up fight scenes. They show us nothing. Thanks Dan Fox for a fine piece of work.
I am film student learning how to direct I watch this video more than 50 times in deferent time everytime I watched I understood more, All I am trying to say you can’t test the knowledge that this video teaches you, I really appreciate the creator if this 4 years university knowledge in less than fifteen minutes I promise I will make shoutouts on big stage as I am your student, Thanks again
Thank you very much! Good luck with your studies and make sure you don't take anything for granted - particularly the hard work and stomaches of your cast and crew. No joke, treat them well and feed them well and they'll love you forever. Same with dogs.
Zsht I enjoy Abrams more as a writer than a director because I don't think he has yet figured out how to match his powerful characters with a shot that is just as powerful.
daniel Moulton This is a poor response to criticism. You don't need to be as good as someone else to be able to criticise what they're doing. Isn't that the point of giving the highest ranking jobs only to select well trained professionals? They're supposed to be able to do it better than everyone else, and we're supposed to hold them to a high standard, because that's the point of their being put in that position to do that job. To put it another way, we don't need to be hatted chefs to criticise a bad meal, or politicians to criticise the decisions of the president.
Yep. JJ Abrams can tell a good story, but this is a BIG reason why he hasn't been able to become a great storyteller. It's still early in his career and he's only directed 5 movies so far. So, we'll see. He'll probably improve somewhat. But he certainly has potential.
Excellent! I cracked up at the Taken 2 and the guy on the left walking into the light in Snowpiercer. Great stuff. You've earned one more subscriber sir!
Excellent and to the point-this video on blocking was more instructive than entire hour-long "masterclasses" by established directors! Kudos to you Mr. Fox and thank you!
Great points , I agree every great film has a flow throughout the film . Many of the greats understand this . I really apreciate your analysis! Keep it up
Dan you're awesome, you shed light on the true art of composition and blocking. I will never understand how filmmakers can be happy shooting 20-30 cuts on an action scene.....yes I'm talking to you TAKEN2! haha, more videos please Dan....Dan the man!:)
It is a matter of perception; if you as the director want a fight to feel like"i don't know exactly what the hell all happened , but in 10 seconds the opponent was on the floor" then make fast and chaotic cuts. If in contrast you want to emanate the feeling "I am a martial arts specialist , I am always in control and all moves are in slow motion for me, I exactly knew how to block and hit the opponent.. in 10 seconds" then you want more long shots, more overview, more control. It is a choice. Not a mistake.
I get that argument, but its also the same kind of logic that deifies every decision a director makes and says there's no bad decision any director can ever make. Sure art is subjective, but a film like TAKEN 2 is literally using that technique to hide its lack of stuntwork even more than it is trying to show its frenzy of energy and flurry of punches
Amazing video. I think this video should be shown at film school when teachers are trying to teach their student how to direct a movie. Nice Man! Keep up the good work.
Merry Christ-mas, Dan Fox. A hearty well done for this essay. What we found most entertaining was the manner of your presentation. All too often one finds the odd essay presented in a grave manner as to sound un-agreeable to the palate. Cicero would have been pleased with your method. Well done, sir.
That video is awesome for my learning experience! Thank you for showing me completely new aspects to look at when watching movies! Great editing and explaining.
Thank you so much for this. You have opened up my Direction mind once again. This gentle reminder to be a conscious director in shot choice is a great need. Regards Maro Zimbabwean film Director
This is great. Fantastic analysis. Make me want to create! Comics, movies... stories. Well done Dan Fox. Keep it up, and make a Patreon campaign maybe? If you need any animation, let me know. :)
First off let me say this is down right brilliant. Dan I love lessing to ya. Your ideas are clear and comments very smart. With that said. Something to keep in mind when talking about GoG is it was in 3D. Things that look dull and flat in 2D suddenly pop out in 3. Once you add 3D to a shot placing something in the center of the screen does not become such a sin. In fact it gives the Audience room for their eyes to wonder around the scene. What I call soaking up scenery. Depth of field a real must have in 2D makes the audience feel trapped. and confined in 3D, as is if there head was strap to the chair. This can be a real problem in today market. It can be a lot like slow transitioning from driving on right side of the road to the the left. Movies that did really well at the box off sudden fall flat at home. This is why 3D took off so fast and has now faltered. It reminds me of the day of 4x3. People would go to the movies love every minute then come home and watch the same movie and scream what are these black bars on the top and bottom of my screen.! It is a new technology. Is takes time for people to get used to the change. Something to think about. Thanks again love the videos Dan. Please make more. I for one will be watching.
Saw this and subscribed right away. That shot of the woman being carried out on the litter had me screaming fuck off at my screen ahahah, great video mate !
Great analysis on how to view Mise en Scene or, said here, composition and blocking. Great examples. I do not know about all the claims. Though it will get you thinking!
I love this video, although I do disagree with how you explained shaky cam in Snowpiercer. The shaky cam in Snowpiecer serves to highlight the chaotic nature of the fight scenes, as opposed to Chris Evan’s character’s fight scene towards the end, where you see him in a much more composed state than you would in the shaky cam fight scene. But overall, lovely video, and makes me more interested in directing than ever.
Hello Dan. This is my first watch of your videos. Very good work man, I will be subscribing. One thing though, when you talk about that scene in Guardians, the crisis scene, I think James Gunn prefered to make it that way because it is a comedy, and the scene plays out some jokes. Maybe he didn't wanted for us to feel that rise of a tension just for it to break right after with a comedic beat, but this is just my opinion. Anyways, great work. :D
+Douglas Reginaldo Yeah I originally had a line that also said it was also a comedic beat as well, but I ran it past a few people and got the advice to cut it, since all the examples after that aren't from comedic films, but from more tense moments. I agree with you though, that's one thing I wish I'd fixed. Cheers!
Exactly - there's a self-conscious element running throughout GOTG - taking aim at the things we take for granted / tend to take too seriously in sci-fi films. The director makes the characters look slightly absurd standing in a pack facing the camera full frontal in their flamboyant make-up and costumes. I think on that level the blocking, colours and compositional elements work well.
You may well of given me reason to think the forthcoming Star Wars films will be a 'watch once' experience. Very well done. You making ripping a film to shreds such an elegant exercise! It is also great to see someone appreciate what an artist Speilberg. He is a very, very clever film maker and that's what watching film like Jaws and Close Encounters is a joy time and time again. Nice to See Fincher in there too. You learn how to be ergonomic when you make adverts and music videos, just look at Ridley Scott. Do you like Paul Thomas Anderson?
3:58 'The camera motivates the action, rather than the action motivating the camera...which is why it looks fake'- Brilliantly put!
He's right and wrong at the same time IMO. Amazing video, but, those two shots are not necessarily wrong or fake. If you know the dogs are coming, then the camera should? follow them and end with the reaction of the policeman. And the door to the broken car. It's designed to focus the attention on the actor and his surprise. If you put a Bale or whatever coming out that door that changes things a bit doesn't it. I found most of his analysis great though. Inspiring ...
This was truly an excellent exposition on the art of Directing. Clint Eastwood's simplicity is brilliant and Spielberg's synchronization of the camera movement and actor blocking always pulls the viewer to exactly where he wants you to be. As a martial arts enthusiast, I must say I HATE the quick cut, shaky cam, close up fight scenes. They show us nothing. Thanks Dan Fox for a fine piece of work.
+Paul Campanella Thanks Paul! I'm glad you liked it.
I am film student learning how to direct I watch this video more than 50 times in deferent time everytime I watched I understood more,
All I am trying to say you can’t test the knowledge that this video teaches you,
I really appreciate the creator if this 4 years university knowledge in less than fifteen minutes
I promise I will make shoutouts on big stage as I am your student,
Thanks again
Thank you very much! Good luck with your studies and make sure you don't take anything for granted - particularly the hard work and stomaches of your cast and crew. No joke, treat them well and feed them well and they'll love you forever. Same with dogs.
'Slick with nothing gained' perfectly sums up JJ Abrams directing.
Such an impatient director who doesn't know how to tell a story through the lens.
I'd like to see you do a better job
Zsht I enjoy Abrams more as a writer than a director because I don't think he has yet figured out how to match his powerful characters with a shot that is just as powerful.
daniel Moulton This is a poor response to criticism. You don't need to be as good as someone else to be able to criticise what they're doing. Isn't that the point of giving the highest ranking jobs only to select well trained professionals? They're supposed to be able to do it better than everyone else, and we're supposed to hold them to a high standard, because that's the point of their being put in that position to do that job.
To put it another way, we don't need to be hatted chefs to criticise a bad meal, or politicians to criticise the decisions of the president.
Yep. JJ Abrams can tell a good story, but this is a BIG reason why he hasn't been able to become a great storyteller. It's still early in his career and he's only directed 5 movies so far. So, we'll see. He'll probably improve somewhat.
But he certainly has potential.
Directors need to know DP work as well as Editing...
Excellent! I cracked up at the Taken 2 and the guy on the left walking into the light in Snowpiercer. Great stuff. You've earned one more subscriber sir!
Excellent and to the point-this video on blocking was more instructive than entire hour-long "masterclasses" by established directors! Kudos to you Mr. Fox and thank you!
This is a criminally under viewed video. Great work!
So so so so great! Great humor, great voice, great comparisons. Brilliant!!!!!
"...Camera is motivating the action rather than the action motivating the camera." Very important line!
i'm working on a short film myself and I must say this insipired me to change many of my shots. thank you dan for that well-spoken video :)
Dude, this was great!
+KriscoartProductions Hey man, I have a channel just like this, perhaps you like to check it out??
Great juxtaposition of what works and what doesn't. I am a huge Steven Spielberg fan so this was especially fun to watch.
Hugely helpful please make more as an aspiring filmmaker and mainly a director the composition part was something I didn't even think about thanks
Great points , I agree every great film has a flow throughout the film . Many of the greats understand this . I really apreciate your analysis! Keep it up
Great video dude! Well put together and really interesting
Great, great video essay. Exactly the kind I'm looking for.
One of the best videos about directing on the net,thank you!
Dan you're awesome, you shed light on the true art of composition and blocking. I will never understand how filmmakers can be happy shooting 20-30 cuts on an action scene.....yes I'm talking to you TAKEN2! haha, more videos please Dan....Dan the man!:)
It is a matter of perception; if you as the director want a fight to feel like"i don't know exactly what the hell all happened , but in 10 seconds the opponent was on the floor" then make fast and chaotic cuts. If in contrast you want to emanate the feeling "I am a martial arts specialist , I am always in control and all moves are in slow motion for me, I exactly knew how to block and hit the opponent.. in 10 seconds" then you want more long shots, more overview, more control.
It is a choice. Not a mistake.
I get that argument, but its also the same kind of logic that deifies every decision a director makes and says there's no bad decision any director can ever make. Sure art is subjective, but a film like TAKEN 2 is literally using that technique to hide its lack of stuntwork even more than it is trying to show its frenzy of energy and flurry of punches
It really shows when a director takes his time with the material in hands! This is an amazing video! Thanks a lot!
+Ivan José Hurtado Barón Thanks mate!
Thanks for taking the time to share Dan - BRILLIANT Stuff!!!
Amazing video. I think this video should be shown at film school when teachers are trying to teach their student how to direct a movie. Nice Man! Keep up the good work.
You make me want to watch even more films thanks :)
+z Haxeu Thanks mate!
Merry Christ-mas, Dan Fox. A hearty well done for this essay. What we found most entertaining was the manner of your presentation. All too often one finds the odd essay presented in a grave manner as to sound un-agreeable to the palate. Cicero would have been pleased with your method. Well done, sir.
You made me so inspired:)) Thank you very much! You are doing amazing creations!!!
That video is awesome for my learning experience! Thank you for showing me completely new aspects to look at when watching movies! Great editing and explaining.
This is amazing! Thank you so much for making this video
Hi there, I also have a couple of video's about filmmaking, perhaps you would like to check it out? Cheers
@7:31 I had to stop the video to laugh. That line about the cameraman was hilarious. Well done young man lol
This was a brilliant video! Thanks a lot for this.
really helpful in understanding many aspects of filming, especially about composition, thank you so much
+Dan Fox Wow man this was really great. I wish you had continued to make more videos.
You make such amazing videos! You taught me so much in this one. Please keep on making such great content. I definitely subscribe!
What a lovely video! Especially loved your advice at the very end. Thanks for this, Dan - It's one of the best filmmaking "how-to's" out there 🤘
Thank you so much for this. You have opened up my Direction mind once again. This gentle reminder to be a conscious director in shot choice is a great need.
Regards
Maro
Zimbabwean film Director
Great, great video. Thank you for uploading!
Nice work! I hope you continue with more of these.
Murphington Cheers!
Dan...You are the man!!! I hope you continue to make more : )
+George Michael Bluth Thanks George Michael. I'm still sorry about that banana stand fire
Watched it again. This is great. Never gets old :)
Best video on the topic I've seen so far.
Marvelous,marvelous piece of work.
Art Vandaley Thanks mate
I love that closing credit. Clever.
Fantastic. Thanks so much for this.
Liked the little jab at "Taken 2" in the credits
loved it! one of the best essays I ever saw!
Brilliant. Just brilliant.
Love your avatar!
Cheers VDSW!
you deserve more subscribers, much better than everyframeapainting, nerdwriter, and much much better than channel criswell.
WOW you are brilliant in your presentation!
superb teaching, truly excellent !
Good video man! I love the comparisons
Brilliant brilliant brilliant brilliant
What a way to learn directing so informative thanks mate
Fanatic video and humor. Wish I met you sooner.
This is great. Fantastic analysis. Make me want to create! Comics, movies... stories. Well done Dan Fox. Keep it up, and make a Patreon campaign maybe? If you need any animation, let me know. :)
Excellent study! Thank you.
Wow I loved this I'll be checking out what more you got
Awesome info!!! Cant wait for more.
Amazing! Thank you for putting this together.
Thanks Javier! Glad you enjoyed it.
This Breakdown was brilliant
Thanks a lot for this video.
Awesome Work, Please keep on More :)
Amazing!!!!! Well done!!!!!
First off let me say this is down right brilliant. Dan I love lessing to ya. Your ideas are clear and comments very smart. With that said. Something to keep in mind when talking about GoG is it was in 3D. Things that look dull and flat in 2D suddenly pop out in 3. Once you add 3D to a shot placing something in the center of the screen does not become such a sin. In fact it gives the Audience room for their eyes to wonder around the scene. What I call soaking up scenery. Depth of field a real must have in 2D makes the audience feel trapped. and confined in 3D, as is if there head was strap to the chair. This can be a real problem in today market. It can be a lot like slow transitioning from driving on right side of the road to the the left. Movies that did really well at the box off sudden fall flat at home. This is why 3D took off so fast and has now faltered. It reminds me of the day of 4x3. People would go to the movies love every minute then come home and watch the same movie and scream what are these black bars on the top and bottom of my screen.! It is a new technology. Is takes time for people to get used to the change. Something to think about. Thanks again love the videos Dan. Please make more. I for one will be watching.
Great presentation brother
Cheers!
this is yeoman's work, much appreciated
thank you for the advice and detailed explanations x
Saw this and subscribed right away. That shot of the woman being carried out on the litter had me screaming fuck off at my screen ahahah, great video mate !
+dav 2one Thanks mate! I love that shot to bits
With the separated head the video become pouring jokes out of nowhere. Loving it.
Well done - bravo. And thank you.
Great channel Dan!
You have an awesome page mate!
Thanks! Great work!
Wow! That was awesome! Especially the old guy ruining the shot on the left. :D
7:12 that was really clever. That character switch had the right line.
Awesome video, sir.
***** Thanks Martin.
Great analysis on how to view Mise en Scene or, said here, composition and blocking. Great examples. I do not know about all the claims. Though it will get you thinking!
omg i learn so much only in 1 video. thx!!!
Very informative video. Thank you.
Excellent, thank you.
more videos like this please!
Amazing work!
That was incredibly helpful! Keep up with the good work!
I love this video, although I do disagree with how you explained shaky cam in Snowpiercer. The shaky cam in Snowpiecer serves to highlight the chaotic nature of the fight scenes, as opposed to Chris Evan’s character’s fight scene towards the end, where you see him in a much more composed state than you would in the shaky cam fight scene.
But overall, lovely video, and makes me more interested in directing than ever.
Awesome sir, video.
GREAT JOB SIR!
Just subbed, keep up the good work man!
This is outstanding.
Great work!! kee it up.
Very inspiring.. Thank you very much!
Amazing! Definitely subscribed!
Hello Dan. This is my first watch of your videos. Very good work man, I will be subscribing. One thing though, when you talk about that scene in Guardians, the crisis scene, I think James Gunn prefered to make it that way because it is a comedy, and the scene plays out some jokes. Maybe he didn't wanted for us to feel that rise of a tension just for it to break right after with a comedic beat, but this is just my opinion.
Anyways, great work. :D
+Douglas Reginaldo Yeah I originally had a line that also said it was also a comedic beat as well, but I ran it past a few people and got the advice to cut it, since all the examples after that aren't from comedic films, but from more tense moments. I agree with you though, that's one thing I wish I'd fixed. Cheers!
Exactly - there's a self-conscious element running throughout GOTG - taking aim at the things we take for granted / tend to take too seriously in sci-fi films. The director makes the characters look slightly absurd standing in a pack facing the camera full frontal in their flamboyant make-up and costumes. I think on that level the blocking, colours and compositional elements work well.
WOW!!!! GREAT ANALYSIS!!!! GREAT ANALYSIS!!!! :)
This was an excellent video.
Wow, this is great!
I learnt a lot thanks!
At minute 11:50 ish theres a hot of Ben Mendelsohn, what movie is that from?
Great Breakdown and advice, thanks!
Excellent video, I learn't a lot from it!
AC Films Thanks mate! I'm glad you got something out of it.
A very interesting look at directing! Thank you (:
awesome work!
Amazingly explained, thanks!
You may well of given me reason to think the forthcoming Star Wars films will be a 'watch once' experience. Very well done. You making ripping a film to shreds such an elegant exercise! It is also great to see someone appreciate what an artist Speilberg. He is a very, very clever film maker and that's what watching film like Jaws and Close Encounters is a joy time and time again. Nice to See Fincher in there too. You learn how to be ergonomic when you make adverts and music videos, just look at Ridley Scott. Do you like Paul Thomas Anderson?
thank you for such a wonderful video :)