POB is not one of the oldest ballet company in the world, it is the first and the oldest one ! Ballet and the whole classic dance vocabulary are in French because it was created in France, by the king Louis XIV in the 17th century; he was a "dancer" himself in his Versailles' palace (it is good to be the king !) the modern ballet as we know it was also pretty much French with Italian and Russian scenes developing also in the 19th century with the great ballets that we know now, Giselle, le Lac des Cygnes, etc ....and with the help of wonderful musicians (Tchaikovsky for exemple)
Não sei falar em francês nem inglês mas tem um pouco de espanhol sou brasileira amo ballet eu sinceramente amo meu sonho era para ir para alterar para dois mas não tenho não tenho condições de pagar mas se abrir uma bolsa de estudo eu faço de tudo para ir para lá consegui essa bolsa Eu amo ballet
I appreciate the excellent training and the reputation of the Paris Opera Ballet, for me it just doesn't translate on to the stage. For some reason the men are better than the women.
I agree. The women of the company used to be incredible, but for many years now their classical technique seems to have been slipping. They’ve also been promoting to etoile a number of ballerinas who seem to have been elevated based more on their reliability and lack of propensity towards injury than artistry. There are some exceptions - like the wonderful Dorothee Gilbert - but overall the current roster of female “stars” is quite dull. Some of them, such as Laura Hecquet and Alice Renavand, often look very exposed in the classics. I also agree with you about the men being much better. I can’t think of a better or more well rounded male dancer in the world than Mathias Heymann, for instance. He’s extraordinary.
@@kdub10009 Yes, we sadly regret the Pontois, Thesmar, Khalfouni, Loudières, Pietragalla, Guillem, Legrée, Letestu, Gillot of the 80's and 90's. Is it because of a lesser quality in the dancers' training at the école de Nanterre or in the company? A lot of current dancers don't seem to have much of a musical or artistic culture - when you hear interviews, most don't seem very articulate or knowledgable, even about dance history. I think this might be the real reason behind the lack of excellence in the current crop of étoiles. I love Alice Renavand in Le Parc but it is true that she does not seem at ease in most romantic or classical ballets.
Agree with KK concerning to the womens' level ; few dancers have the title "Etoile" without the level, except for D.Gilbert. The mens'level is much better.
Французы кого угодно готовы в балете вспоминать Дягилева, Людовика 14, Нуриева, Лифаря.. всех, кроме великого Петипа.. как будто это Нуриев придумал всю классику..
@@balletshoes ну так я француза Петипа и защищаю.. только от того, что он создал свои великие вещи, которые сейчас исполняют по всему миру, в России, он не перестал быть хореографом с французскими корнями.. а они своего земляка напрочь забыли.. 200-летие не отметили.. вот если бы Петипа в Америку уехал (откуда он кстати еле ноги унёс) и там бы все свои балеты создал, вот тогда да, французы бы его на вершину мира поставили бы.. а к русскому балету у них просто ревность.
And that’s what is called: judging a book by its cover… or a person by her clothing! Maybe you were expecting something like a princess dress with a tiara? 😅😂
Ce document est une merveille!
POB is not one of the oldest ballet company in the world, it is the first and the oldest one ! Ballet and the whole classic dance vocabulary are in French because it was created in France, by the king Louis XIV in the 17th century; he was a "dancer" himself in his Versailles' palace (it is good to be the king !)
the modern ballet as we know it was also pretty much French with Italian and Russian scenes developing also in the 19th century with the great ballets that we know now, Giselle, le Lac des Cygnes, etc ....and with the help of wonderful musicians (Tchaikovsky for exemple)
Amo el ballet de la ópera de París
Exquisite!! The documentary was so informative including the history, costumes, the dancers and spectacular building as well as passion. C 💝💝
Il y a des métiers pour lesquels il est nécessaire d être passionné
MERCI
find me in paris.❤
Wonderful
Não sei falar em francês nem inglês mas tem um pouco de espanhol sou brasileira amo ballet eu sinceramente amo meu sonho era para ir para alterar para dois mas não tenho não tenho condições de pagar mas se abrir uma bolsa de estudo eu faço de tudo para ir para lá consegui essa bolsa Eu amo ballet
me encanta
Je amour il!!💖
😅😅excellent du spirituel dans l’ avion?!!!😊
I appreciate the excellent training and the reputation of the Paris Opera Ballet, for me it just doesn't translate on to the stage. For some reason the men are better than the women.
I agree. The women of the company used to be incredible, but for many years now their classical technique seems to have been slipping. They’ve also been promoting to etoile a number of ballerinas who seem to have been elevated based more on their reliability and lack of propensity towards injury than artistry. There are some exceptions - like the wonderful Dorothee Gilbert - but overall the current roster of female “stars” is quite dull. Some of them, such as Laura Hecquet and Alice Renavand, often look very exposed in the classics. I also agree with you about the men being much better. I can’t think of a better or more well rounded male dancer in the world than Mathias Heymann, for instance. He’s extraordinary.
@@kdub10009 don't forget Pagliero, she is fantastic. But she was trained in Argentina.
@@kdub10009 Polunim es el mejor.
@@kdub10009 Yes, we sadly regret the Pontois, Thesmar, Khalfouni, Loudières, Pietragalla, Guillem, Legrée, Letestu, Gillot of the 80's and 90's. Is it because of a lesser quality in the dancers' training at the école de Nanterre or in the company? A lot of current dancers don't seem to have much of a musical or artistic culture - when you hear interviews, most don't seem very articulate or knowledgable, even about dance history. I think this might be the real reason behind the lack of excellence in the current crop of étoiles. I love Alice Renavand in Le Parc but it is true that she does not seem at ease in most romantic or classical ballets.
موسم هجرة الطيور البجع راح فرنسا
يالة نعيش بدون بجع والبحيرة باردة الان
Agree with KK concerning to the womens' level ; few dancers have the title "Etoile" without the level, except for D.Gilbert. The mens'level is much better.
Французы кого угодно готовы в балете вспоминать Дягилева, Людовика 14, Нуриева, Лифаря.. всех, кроме великого Петипа.. как будто это Нуриев придумал всю классику..
@@balletshoes ну так я француза Петипа и защищаю.. только от того, что он создал свои великие вещи, которые сейчас исполняют по всему миру, в России, он не перестал быть хореографом с французскими корнями.. а они своего земляка напрочь забыли.. 200-летие не отметили.. вот если бы Петипа в Америку уехал (откуда он кстати еле ноги унёс) и там бы все свои балеты создал, вот тогда да, французы бы его на вершину мира поставили бы.. а к русскому балету у них просто ревность.
M.m
ata exute ac guimlm maeros cassis loyer bus direct ebntremet tte la vile de oopign,e foule avs sakos new york r attente moi
cinq cartes elmbellmatqiyss cteurbras atasof mortbras lesdabnseurs ivolte t ballet royal danvsnoortje direct descnhampsbassort les prido,ns rann obeir
ATA TUE TT LE NBZLLET SARKO TOUS BRASS DIRET MLOI PRESUIEBTE PZRTOIUT
What is Aurélie Dupont doing dressed like she is at home doing handywork ! A total lack of Class, which speaks volumes about her as Dance Director.
And that’s what is called: judging a book by its cover… or a person by her clothing! Maybe you were expecting something like a princess dress with a tiara? 😅😂