Great video, thanks. I was somewhat aware of these concepts but it was really useful to see them all practically demonstrated in one video and now I have a much firmer understanding. The only thing I can think of that would've also been worth mentioning is the "correlation meter" reading that we see in for example Voxengo Span.
Hey thanks for your comment and I’m glad it was helpful! That’s a good point, I’ll look into it and maybe make a video on it. I do use span in my course as a way to reference with a free plugin.
I actually usually use the s1 imager but in this video used the ozone imager since it’s a free option. I honestly don’t use them that often except for on the piano.
when you describe that EQ move as "adding some Christmas" I felt a complete epiphany of how EQ can shift a song's whole vibe *chef's kiss*
Lol. I meant to say “crispness” which I’m realizing now might not have been the correct word to use 😂
Great video, thanks. I was somewhat aware of these concepts but it was really useful to see them all practically demonstrated in one video and now I have a much firmer understanding. The only thing I can think of that would've also been worth mentioning is the "correlation meter" reading that we see in for example Voxengo Span.
Hey thanks for your comment and I’m glad it was helpful! That’s a good point, I’ll look into it and maybe make a video on it. I do use span in my course as a way to reference with a free plugin.
Great content, thanks. Do you prefer mode 2 of Ozone 9 for a reason? I use mode 1 (Haas effect), more potent but easy to overdo it vs mode 2 it seems
I actually usually use the s1 imager but in this video used the ozone imager since it’s a free option. I honestly don’t use them that often except for on the piano.
Don't make it stereo huge and you'll get wider mixes.
This is no secrets at all. Clickbait title.
Good call.
@@Lucassnydermusic lol