That's exactly what I do Gregg. I would also use cane for a band rehearsal. The American cut is good, particularly at the top and bottom, but playing a Rigotti Gold afterwards shows that cane has that fizzy middle that adds an extra dimension.
Initially I thought 1, then maybe 3. Honestly it's difficult to tell Jay. I think YOU could strap a Doctor's tongue deporessor stick or a popsicle stick on a mouthpiece and still sound wonderful
@@almanac520 so do you throw them out after each use? My son has always used cane and just mentioned plastic on his way out the door to marching band so of course now I’m researching
For the past 3 years I play Legere Signature reeds strength 2 to 2.75 on either soprano, alto or tenor saxophones. No going back to cane D’Addario Select Jazz for me! I may give those American cut a try though. Thanks Jay, great video as always, look forward to Better Traxx channel 😉
So... it was going from brighter to darker and warmer sound.. then: 1- was a normal legere 2- american cut legere 3- bamboo cane. All 3 sounds very good with your excellent m.p. I prefer the 3rth a little bit more.. BUT, it's because i feel that legere sounds sometimes a little bit to plastic.. AND if you try a fiber carbon like Fiberreed hemp, or carbon, you will realize that his sound is realy natural.. with all the advantages of the sinthetyc canes like Légere and others. Many thanks and congrats for your great video, as usual, Jay! Greatings from Argentina! P.d today is the 5 aniversary for the pass away from "Gato" Barbieri. I have upload Europa in his version like a tribute for him. Sory for my english. Regards!👍🙂
i do a lot of outdoor gigs (not lately though lol) so for me the legeres are fantastic/ no warping or drying out/ instant playability/and have consistent sound quality im sure some will disagree. just my opinion nothing beats a real good cane reed but in the fast paced world legere reeds are my go too 😎
OK I guessed wrong. I've been using Legere, for several years, but not exclusively. I bought the American cut for Tenor a couple of months ago and really like it, using a 2.25 or 2.5 depending on mpc.Still using the Legere Signature on Alto and Soprano. 100 years ago, when there were gigs, the Legeres always came with me to outdoor gigs since I use multiple horns and the climate here is dry. I do prefer cane for the warmth of sound, when I can find a good one. Great video Jay. Now shower me with free stuff.
I watched the last synthetic reed after I recently got my saxophone and am learning. One of the biggest thing I struggle with is the reed / mouth piece , whether it be knowing is I'm blowing it correctly or if I've got a bad reed (everybody I've watched has gotten different reasons and methods to correct / fix this.... But personaly I love to watch your guide on everything and I've been following all the lessons, and feel I've gotten more help and knowledge from them, so thank you so much for being slow in your teachings and having sections instead of a blast of overwhelming info I and I think others see and may put them off from learning this beautiful instrument!) . overall I have gotten over the reeds taste 😂 and I feel like its not much of a issue but I have this feeling of if I get a synthetic reed I feel like it could get easyer and give me more help in focusing on practice and would be able to learn without worrying about a reed chipping (has happened to me sadly... Had to order more witch was trouble in its self as I didn't know which brands suited what and overall just loosing practice time 😅), but yeah overall I'd like to thank ya for being a great saxophone sensei !!!
Jay,... great vid. It's all about the comfort zone. If it's a gig or record session, I only use what's in the comfort zone, don't want to sweat details when concentrating on performance. Love the Yani. great scale and balance,,I play on 50 yr. old super 20. best wishes.
I like synthetic reeds when I'm doubling in musical theatre orchestras, especially if I haven't played the clarinet/sax in a few minutes and need to put down the flute/oboe/whatever and play the clarinet/sax with only a few seconds in between. I also recommend synthetic reeds to younger students who have a hard time determining whether or not cane reeds are good out of the box or if they will be auditioning for their county's or state's concert band. It's one less thing to worry about right before that very stressful audition. Synthetic reeds are so good now, it's incredibly difficult to tell the difference. Having said that, I still use cane reeds when I can. Keep making these videos, Jay!
The sound of synthetic reeds Legere and Venn is very clear. Although I have the same issue with stiffness. Two of both brands cracked early. They have a long way to go to compete with natural cane reeds. I'm returning to natural cane Hemke reeds, they are made by the same maker as Venn - D'Addario.
Been using Legere Signature off and on since your video way back. Been trying the American Cut 1 7/5. For two weeks. I like it. Synthetic reeds have everything I want, yet lack the soul of cane.
I thought 1 and 3 were synthetic and 2 was cane, because of the slight buzz that it felt the second had, but when you mentioned it was a little stronger than what you would like, that made sense listening to the recap. I've got a Legere studio and classic cut for tenor, and a classic cut for alto. With the Alto (first one I got) I followed their comparison chart, and went with 2.5 instead of the 3 I normally do for my cane reeds. Ended up going through their exchange to get a 2.25 instead. They're a lot stiffer than cane seems to be to me
1 sounds completely different from 2 and 3. I have to say that 2 is definitely more compact though, 1 is more of a spread out *messy* sound that sounds really good, while 2 is more compact and neat. I think 2 is the American cut.
It took me awhile to get the right strength but I love them. I'm definitely into just picking the sax up and playing! Responds is great and they give me the sound I'm looking for and everything else to boot🎷
I clicked like no3 before you did a re run because I liked the sound. I have a different brand of synthetic and have similar problem with my lip and reverted back to a no2 cane reed without problems. Just an old bloke learning but putting up to 3 sessions a day of 40 minutes each on the basics as per your program.
That was the best choice that I did. Sounds just like the cane or even better for a bright sound. Not so sure for dark. More resistant and you just set it up on your mouth piece e start to play!
Hi Jay - I've tried their Classic, Signature and American cuts for both tenor and alto, including different strengths. My preferred is the Signature with American cut in 2nd.
AWESOME!!! I lit right up at 6:59. I play a Legere Signature 2.5 for practice and noodling but when I am "in the mood" I use a Rigotti Gold 3, there is a just a little more magic to it. Thank you Jay!
I just thought the 2nd one didn’t sound as good as 1 and 3. I feel you on the preference for cane. For me it’s about convenience. I have my sax next to my desk. When I have a break between calls I pick up my horn and it’s always good to go. I don’t have time for prepping or re-wetting a reed.
I actually just purchased some Legere American Cut reeds earlier this week. I'm trying out some new mouthpieces and wanted a reed that would give me some consistency as I try out them out. Haven't gotten them yet, but I'm looking forward to giving them a try!
For soft, warm songs, i prefer the 3rth (bamboo cane).. for all other, a sinthetyc, BUT, a carbon fiber reed like Fiberreed, because his realy natural sound. Thanks for all Jay.. great sound all the 3 with your m.p👏👏👏
Having experimented with synthetic reeds recently I could identify the synthetic sound relatively easily, and I agree that there’s a kinda “ahhhhh” when you go back to cane (especially on tenor), but there’s definitely a time and a place for them. Great for pit work where you can just pick up any horn and go, or in situations where humidity etc is an issue etc. I also like having a synthetic sitting in my horn so I can grab my sax anytime and just play without getting the reed geek out and putting the reed on blah blah. I’m gonna do a Legere vid soon - I guess I need to be careful with my thumbnail now! 😉
Before you posted which reed you played, my order of favorites was 1 - 3 - 2. Reed 1 sounded the most lively and brilliant to my ears, and Reed 2 was darker. Reed 3 was close to 1 but 1 edged it out. I guessed that Reed 1 was cane, Reed 2 was synthetic (based on my listening experience with synthetic reeds) and that Reed 3 was maybe a different cane. What a surprise that Reeds 1 & 2 were the American cut a quarter strength apart! 3 months ago I switched to the Legere American Cut as an acceptable compromise to my cane reeds. And I'm playing a higher baffle mouthpiece for more of a contemporary sound and the synthetics darkened the tone a little. I found the same experience with strengths, I usually play a 3 soft on alto and tenor in cane, and I had to go 2.5 on alto, 2.25 on tenor on the Legere American cut. So Jay....last time you did a comparison between can and synthetic, you favored cane. Sounds like you still favor cane.
I used to use synthetic reeds for a while then I switched back to cane reeds. I now am a huge fan of using cane reeds over synthetic because I try to get a darker sound when playing my alto. I also like the ability to use a reed geek to shape my cane reeds so that they are exactly how I want them. I've never used the reed geek on a synthetic reed; I don't think it would work but I've never tried it.
#3 was my favorite overall…I’m not usually able to hear differences when people do playing test comparisons…but I clearly liked the 3rd one over the other two…
We got our second child and I drastically reduced practice time. I switched to synthetic because it was less about playing feel but more about being able to pick up a reed and just go without any hassle. For these, American Cut are great and I even wonder if it would be worth going back to can now. They are very bright and speak well, altissimo is perfect and I even get low Bb subtoned on my tenor.
Number three is wood. You can hear the extra saliva 'gurgle' on the synthetics. I had to learn not to 'slobber' when I started playing synth reeds. They're are all I ever play now. My last reed lasted a few years, until I chipped it one night, on my music stand.
This is exactly what happened, my legere reed lasted so long, then when I pulled it out of the box I accidentally pulled it by the tip of the reed and cracked it a little. Hurt my soul, but all the money I saved I just got another one and the new one came and played exactly like the last one. These things are awesome.
I have played the Signature for some years for my tenor. Cane reeds I’m done with - no more cutting and filing and inconsistencies. The American cut I have tried as well. I’m using Signature #2 and ordered two American Cut #2, but the American Cut is too stiff and a little rough. My mouthpiece is an Otto Link NY, 7*.
So after hearing American cut reeds on a few videos and liking their sound, I bought a tenor sax #2, American cut. It is very controllable and I like the sound but it hurt my mouth. I sanded off the outer corners where they contact my lip using 600 grit sandpaper. I barely took any off and the problem is solved. With that minor adjustment, I think this is my favourite reed.
i didn't know which was which when listening, but my preferences would be 2, 1, 3. I could really hear the "darker" tone on the second reed and the third reed, the cane reed, seemed very breathy, but I would prefer the first reed over the third reed.
I am playing the American Cut now as my main reed. I prefer them WAY better than the original Signature from Legere which never totally convinced me. In fact the American Cut has converted me from cane. I still think cane is slightly better, but the difference has been reduced so much, that at this point I prefer the trade-off of easy handling and no-maintenance of synthetic reeds. Funny reference to Saxologic on the starting thumbnail :D
Same here, the American Cut is a step above the Signature in my opinion. It also speaks more easily, great reed. The important thing is really to find the correct strength, I play a 2 on a 8+ tip opening Vandoren mpc and that just works.
I'm a brand new player, but I always use the American cut 1.5 as it's still soft enough for me to work with but it takes away all the maintenance and the inconsistency that you would find with a natural reed. Plus the upside that that the synthetic reeds last much longer.
So here's how I preferred it in the past, I haven't played it for a while but I'm planning on doing it again soon. When I was doing pep rally band or instrumentation that would have me in the elements, the synthetic read would be my best friend due to them just mostly lasting longer in general in the elements and from repeated use and louder use. But in a more classical or jazz setting I would 100% stick my neck out all the time for wooden reeds
The best way of explaining the legere reed size goes like this. So whenever you buy a wood reed, it takes a bit of playing till it gets to that comfortable spot. It's almost as if you're breaking in the reed, and wood reeds basically never play how you want them to straight out of the box. So if you think about it, maybe you bought a size 3 wood reed, but after breaking it in, it's possibly a 2.75? So whenever you buy a legere reed, go down .25 to get that sweet spot you want. This allows them to play exactly how you want to right out of the box, and it will stay that way for an eternity. For example, I used to use a 2.5 on alto, so I currently use a 2.25 legere reed. On tenor I used to use a 3, so I use a 2.75 legere reed. I luckily had someone tell me this info before I ordered the wrong sizes, so I'll pay it forward.
I love your review Jay. I love Legere reeds however, I find that they are edgy on my already bright Yamaha. Cane reeds can be frustrating sometimes. I absolutely love your content brother. I’ve learnt a lot from you. Thanks.
Those sythetic reeds are bright. Nice. whats crazy is reeds are about the same price now as they were back in the 90s when i stopped playing. Man there is just so many more choices now. back then if your local shop didnt carry em you didnt get em. I was a van Doren guy. Its funny to look back at what ya had to do to get by back then vs now. We were at a state jazz competition and i smashed my well worn favorite reed on my tenor and didnt have anything else to use. Had to use an alto reed, it was a rough day as i had a solo number to perform. For the first time ever i had stage fright that day.
Legere reeds are a little darker, muted, but saved me on stage as i am ROUGH on reeds and kept splitting 4 bamboo ones. Saying that, they do get “tired” so I switch out during breaks...kinda like running shoes they need time to rebound. And...no maintenance! It stays on the mouthpiece in my practice area! Guessed # 3 not by sound but how much your ombrochure was working. Synths are a workout.
Hi Jay,, i was turned on to synthetic reeds over 25 yrs ago when i met a Sax teacher in a music store who said he needed to switch from alto to tenor in a show .. Synthetics as you know dont need to be kept wet .. Big plus for club dates with interruptions . I found my comfort zone with synthetics using # 2 MED strength with # 7 opening metal mouth piece on a Mark IV 1954 model that plays every note from Bb To high F with precision ..My Yanakasawa tenor is no match for my Selmer .. My selections/choices after years of trying to get the sound i wanted . yes years ..Bobby G..
3 has a nicer combination of frequencies and overtones sound more natural. Thicker synth reed is too low mid range frequency focused and softer synth reed is more high mid frequency focused which tends to perceive not very multi dimensional. In my opinion If player’s objective is delivering notes tuning and response synth reed is great to take good reed bad reed out of the question but if you fall in love with a good wet reed as Dexter said then you gotta keep your reed work as part of the equation. Thanks Jay! 👍🏽
I bought two American Cut reeds a few weeks ago, one got a split after only two or three sessions. They both bother my lower lip to the point where I have to stop practicing after an hour. I'm thinking of shaving it with my Reed Geek, but will likely stick with my Boston Sax reeds because a feel the low notes are richer
Hey Jay, I don’t know if you noticed, but Jean Paul released their own “professional” mouthpieces. They are around 70 USD. Very interesting considering the level of quality that has come from that company. It would make an interesting video!
I think (before watching the end) that #2 is the synthetic reed. It has a brighter sound than the other two to me. but, I'm just getting interested in learning sax.
I agree the synthetic is harder on my lip. I also can’t quite get used to the “dryness “ of the reed after playing a while. Really like brightness and intonation though.
I'm guessing the cane reed is number 3 and the legere is number 2. It's kind of a shot in the dark because you don't say what brand , cut the cane reed is. There are a million different sounds based on different cuts. I have been playing legere on alto and bari for 8? years or so. On tenor I haven't found a strength that plays well. I use a boston sax shop 3. They are in that vein (Francois Louis etc) of a thicker tip, longer vamp and thicker center so I'm super excited that legere is making a cut like that. I will definately be trying them out. It's a relief on a gig with two or three horns not to have to worry about your reed drying out!! and they're consistent and they last a long time!!!
Uhh... I hear an incredible sax player..? Seriously though, this is a great demonstration of why it might be good to own even just one synthetic reed for the days you’re feeling a bit lazy or you want that consistency!
I have been playing the American cut since it was launched and I am very pleased. However I recently tried the D’addario Venn reed and I must say that It plays very well , though it results in a darker sound than the American cut one.
I've been using fibracell reeds for over 10 years and never going back. I'd say number 2 is the synthetic one because of the projection of the sound. Edit : 3 is cane.
1. Dark quality; 2. Much brighter; 3. Brighter than the first, a bit fuller than the second. I think the cane reed is either 2 or 3... leaning toward 3.
Lol. Love the lowkey saxologic shout-out in the beginning.
I've used synthetic reeds for practice and save cane reeds for gigs.
That's exactly what I do Gregg. I would also use cane for a band rehearsal. The American cut is good, particularly at the top and bottom, but playing a Rigotti Gold afterwards shows that cane has that fizzy middle that adds an extra dimension.
Initially I thought 1, then maybe 3. Honestly it's difficult to tell Jay. I think YOU could strap a Doctor's tongue deporessor stick or a popsicle stick on a mouthpiece and still sound wonderful
3 is definitely the best sounding in my opinion. It's a lot darker
Personally, it sounded a lot more flat. Could also be the mouthpiece.
i’ve switched over to legere signatures on all my horns haha. I mostly play classical and it’s honestly just made my life so much easier haha
Yeah, love these. So much more hygienic. I wish I had these in high school
@@almanac520 so do you throw them out after each use? My son has always used cane and just mentioned plastic on his way out the door to marching band so of course now I’m researching
@@leahkohman3881 since they are non absorbent, you can easily clean them off. Traditional reeds can absorb things and overtime become dirty
For the past 3 years I play Legere Signature reeds strength 2 to 2.75 on either soprano, alto or tenor saxophones. No going back to cane D’Addario Select Jazz for me! I may give those American cut a try though. Thanks Jay, great video as always, look forward to Better Traxx channel 😉
So... it was going from brighter to darker and warmer sound.. then:
1- was a normal legere
2- american cut legere
3- bamboo cane.
All 3 sounds very good with your excellent m.p.
I prefer the 3rth a little bit more.. BUT, it's because i feel that legere sounds sometimes a little bit to plastic.. AND if you try a fiber carbon like Fiberreed hemp, or carbon, you will realize that his sound is realy natural.. with all the advantages of the sinthetyc canes like Légere and others.
Many thanks and congrats for your great video, as usual, Jay! Greatings from Argentina!
P.d today is the 5 aniversary for the pass away from "Gato" Barbieri. I have upload Europa in his version like a tribute for him.
Sory for my english. Regards!👍🙂
I’ve been playing one for several weeks on the American cut and I like enjoy playing it
i do a lot of outdoor gigs (not lately though lol) so for me the legeres are fantastic/ no warping or drying out/ instant playability/and have consistent sound quality
im sure some will disagree.
just my opinion
nothing beats a real good cane reed but in the fast paced world legere reeds are my go too 😎
OK I guessed wrong. I've been using Legere, for several years, but not exclusively. I bought the American cut for Tenor a couple of months ago and really like it, using a 2.25 or 2.5 depending on mpc.Still using the Legere Signature on Alto and Soprano. 100 years ago, when there were gigs, the Legeres always came with me to outdoor gigs since I use multiple horns and the climate here is dry. I do prefer cane for the warmth of sound, when I can find a good one. Great video Jay. Now shower me with free stuff.
I actually enjoy the Synthetic Reed....
They're really not bad
@@tylersharkey4727 yes, I have a really great sound with them....
I watched the last synthetic reed after I recently got my saxophone and am learning. One of the biggest thing I struggle with is the reed / mouth piece , whether it be knowing is I'm blowing it correctly or if I've got a bad reed (everybody I've watched has gotten different reasons and methods to correct / fix this.... But personaly I love to watch your guide on everything and I've been following all the lessons, and feel I've gotten more help and knowledge from them, so thank you so much for being slow in your teachings and having sections instead of a blast of overwhelming info I and I think others see and may put them off from learning this beautiful instrument!) . overall I have gotten over the reeds taste 😂 and I feel like its not much of a issue but I have this feeling of if I get a synthetic reed I feel like it could get easyer and give me more help in focusing on practice and would be able to learn without worrying about a reed chipping (has happened to me sadly... Had to order more witch was trouble in its self as I didn't know which brands suited what and overall just loosing practice time 😅), but yeah overall I'd like to thank ya for being a great saxophone sensei !!!
Definitely 3 is more to my liking!
Jay,... great vid. It's all about the comfort zone. If it's a gig or record session, I only use what's in the comfort zone, don't want to sweat details when concentrating on performance. Love the Yani. great scale and balance,,I play on 50 yr. old super 20.
best wishes.
Thanks. That’s not a Yanagisawa it’s the BetterSax alto 😉
I like synthetic reeds when I'm doubling in musical theatre orchestras, especially if I haven't played the clarinet/sax in a few minutes and need to put down the flute/oboe/whatever and play the clarinet/sax with only a few seconds in between. I also recommend synthetic reeds to younger students who have a hard time determining whether or not cane reeds are good out of the box or if they will be auditioning for their county's or state's concert band. It's one less thing to worry about right before that very stressful audition. Synthetic reeds are so good now, it's incredibly difficult to tell the difference. Having said that, I still use cane reeds when I can. Keep making these videos, Jay!
The sound of synthetic reeds Legere and Venn is very clear. Although I have the same issue with stiffness. Two of both brands cracked early. They have a long way to go to compete with natural cane reeds. I'm returning to natural cane Hemke reeds, they are made by the same maker as Venn - D'Addario.
Been using Legere Signature off and on since your video way back. Been trying the American Cut 1 7/5. For two weeks. I like it.
Synthetic reeds have everything I want, yet lack the soul of cane.
I liked Reed 2 but all sounded great to me😀
I thought 1 and 3 were synthetic and 2 was cane, because of the slight buzz that it felt the second had, but when you mentioned it was a little stronger than what you would like, that made sense listening to the recap. I've got a Legere studio and classic cut for tenor, and a classic cut for alto. With the Alto (first one I got) I followed their comparison chart, and went with 2.5 instead of the 3 I normally do for my cane reeds. Ended up going through their exchange to get a 2.25 instead. They're a lot stiffer than cane seems to be to me
@4:09 I'd say #2, it is the only one that has a little buzzing sound on it.
Jay is super inspiring man. Watching this channel got me back into playing sax again and it’s been a great decision thanks better sax
great to hear!
#3 sounds like the cane reed to me. It definitely had a different sound from the first two.
1 sounds completely different from 2 and 3. I have to say that 2 is definitely more compact though, 1 is more of a spread out *messy* sound that sounds really good, while 2 is more compact and neat. I think 2 is the American cut.
I concur with your conclusion. You sounded really comfortable with the 3rd and 1st reed
I have a couple of years playing and recording with Legere reeds and I’m never coming back to cane …. They are better in every way!!!!
It took me awhile to get the right strength but I love them. I'm definitely into just picking the sax up and playing! Responds is great and they give me the sound I'm looking for and everything else to boot🎷
I clicked like no3 before you did a re run because I liked the sound. I have a different brand of synthetic and have similar problem with my lip and reverted back to a no2 cane reed without problems. Just an old bloke learning but putting up to 3 sessions a day of 40 minutes each on the basics as per your program.
I got an American Cut 3.2 last year for my alto which I use a Jumbo Java a45 mouthpiece on and have not looked back, I love it!
Tried them, and they crack easily. I'm now trying out Venn reeds. Love the sound!
That was the best choice that I did. Sounds just like the cane or even better for a bright sound. Not so sure for dark. More resistant and you just set it up on your mouth piece e start to play!
I like #1 for the brightness but the other 2 sound great. All are good.
Hi Jay - I've tried their Classic, Signature and American cuts for both tenor and alto, including different strengths. My preferred is the Signature with American cut in 2nd.
I love your sound with no.2 and even more with no.3.
AWESOME!!! I lit right up at 6:59. I play a Legere Signature 2.5 for practice and noodling but when I am "in the mood" I use a Rigotti Gold 3, there is a just a little more magic to it. Thank you Jay!
Dear Jay, thank you so much for staying honest in these reviews. Great job!
Before you reveal, I liked the sound of reed 3 the most.
I just thought the 2nd one didn’t sound as good as 1 and 3. I feel you on the preference for cane. For me it’s about convenience. I have my sax next to my desk. When I have a break between calls I pick up my horn and it’s always good to go. I don’t have time for prepping or re-wetting a reed.
I actually just purchased some Legere American Cut reeds earlier this week. I'm trying out some new mouthpieces and wanted a reed that would give me some consistency as I try out them out. Haven't gotten them yet, but I'm looking forward to giving them a try!
For soft, warm songs, i prefer the 3rth (bamboo cane).. for all other, a sinthetyc, BUT, a carbon fiber reed like Fiberreed, because his realy natural sound. Thanks for all Jay.. great sound all the 3 with your m.p👏👏👏
Having experimented with synthetic reeds recently I could identify the synthetic sound relatively easily, and I agree that there’s a kinda “ahhhhh” when you go back to cane (especially on tenor), but there’s definitely a time and a place for them. Great for pit work where you can just pick up any horn and go, or in situations where humidity etc is an issue etc. I also like having a synthetic sitting in my horn so I can grab my sax anytime and just play without getting the reed geek out and putting the reed on blah blah. I’m gonna do a Legere vid soon - I guess I need to be careful with my thumbnail now! 😉
Before you posted which reed you played, my order of favorites was 1 - 3 - 2. Reed 1 sounded the most lively and brilliant to my ears, and Reed 2 was darker. Reed 3 was close to 1 but 1 edged it out. I guessed that Reed 1 was cane, Reed 2 was synthetic (based on my listening experience with synthetic reeds) and that Reed 3 was maybe a different cane. What a surprise that Reeds 1 & 2 were the American cut a quarter strength apart! 3 months ago I switched to the Legere American Cut as an acceptable compromise to my cane reeds. And I'm playing a higher baffle mouthpiece for more of a contemporary sound and the synthetics darkened the tone a little. I found the same experience with strengths, I usually play a 3 soft on alto and tenor in cane, and I had to go 2.5 on alto, 2.25 on tenor on the Legere American cut. So Jay....last time you did a comparison between can and synthetic, you favored cane. Sounds like you still favor cane.
I used to use synthetic reeds for a while then I switched back to cane reeds. I now am a huge fan of using cane reeds over synthetic because I try to get a darker sound when playing my alto. I also like the ability to use a reed geek to shape my cane reeds so that they are exactly how I want them. I've never used the reed geek on a synthetic reed; I don't think it would work but I've never tried it.
#3 was my favorite overall…I’m not usually able to hear differences when people do playing test comparisons…but I clearly liked the 3rd one over the other two…
We got our second child and I drastically reduced practice time. I switched to synthetic because it was less about playing feel but more about being able to pick up a reed and just go without any hassle. For these, American Cut are great and I even wonder if it would be worth going back to can now. They are very bright and speak well, altissimo is perfect and I even get low Bb subtoned on my tenor.
I currently play with an american cut bigger sound and easy like a jet, super nice with a jody jazz mouthpiece too
Number three is wood. You can hear the extra saliva 'gurgle' on the synthetics. I had to learn not to 'slobber' when I started playing synth reeds. They're are all I ever play now. My last reed lasted a few years, until I chipped it one night, on my music stand.
I've yet to wear out a Legere even after a year+ lol; they always just end up getting damaged eventually.
This is exactly what happened, my legere reed lasted so long, then when I pulled it out of the box I accidentally pulled it by the tip of the reed and cracked it a little. Hurt my soul, but all the money I saved I just got another one and the new one came and played exactly like the last one. These things are awesome.
I have played the Signature for some years for my tenor. Cane reeds I’m done with - no more cutting and filing and inconsistencies. The American cut I have tried as well. I’m using Signature #2 and ordered two American Cut #2, but the American Cut is too stiff and a little rough. My mouthpiece is an Otto Link NY, 7*.
So after hearing American cut reeds on a few videos and liking their sound, I bought a tenor sax #2, American cut. It is very controllable and I like the sound but it hurt my mouth. I sanded off the outer corners where they contact my lip using 600 grit sandpaper. I barely took any off and the problem is solved. With that minor adjustment, I think this is my favourite reed.
I use the Synthetic American Cut (2) on both my Alto & Tenor horns with a J-Jazz HR*6 on both, fits nicely or me...
i didn't know which was which when listening, but my preferences would be 2, 1, 3. I could really hear the "darker" tone on the second reed and the third reed, the cane reed, seemed very breathy, but I would prefer the first reed over the third reed.
Hi Jay! You said it yourself, the easiness of playing made your sound warm and lush, thus #3 was easy pick!
I am playing the American Cut now as my main reed. I prefer them WAY better than the original Signature from Legere which never totally convinced me. In fact the American Cut has converted me from cane. I still think cane is slightly better, but the difference has been reduced so much, that at this point I prefer the trade-off of easy handling and no-maintenance of synthetic reeds. Funny reference to Saxologic on the starting thumbnail :D
Same here, the American Cut is a step above the Signature in my opinion. It also speaks more easily, great reed.
The important thing is really to find the correct strength, I play a 2 on a 8+ tip opening Vandoren mpc and that just works.
I'm a brand new player, but I always use the American cut 1.5 as it's still soft enough for me to work with but it takes away all the maintenance and the inconsistency that you would find with a natural reed. Plus the upside that that the synthetic reeds last much longer.
#2 sounded the best to me. The darker sound was appealing. #3 was also a nice fit between the sharper #1 and the darker #2.
So here's how I preferred it in the past, I haven't played it for a while but I'm planning on doing it again soon. When I was doing pep rally band or instrumentation that would have me in the elements, the synthetic read would be my best friend due to them just mostly lasting longer in general in the elements and from repeated use and louder use. But in a more classical or jazz setting I would 100% stick my neck out all the time for wooden reeds
I love The the legere American cut reeds because I love a bright sound
The best way of explaining the legere reed size goes like this. So whenever you buy a wood reed, it takes a bit of playing till it gets to that comfortable spot. It's almost as if you're breaking in the reed, and wood reeds basically never play how you want them to straight out of the box. So if you think about it, maybe you bought a size 3 wood reed, but after breaking it in, it's possibly a 2.75? So whenever you buy a legere reed, go down .25 to get that sweet spot you want. This allows them to play exactly how you want to right out of the box, and it will stay that way for an eternity. For example, I used to use a 2.5 on alto, so I currently use a 2.25 legere reed. On tenor I used to use a 3, so I use a 2.75 legere reed. I luckily had someone tell me this info before I ordered the wrong sizes, so I'll pay it forward.
3 is warmer that 1&2.. all very nice.
I would love to have one of those mouthpieces, they sound very good
My guess is that 2 is the cane reed based on the first time through. After the ones closer together my guess is still the 2nd one.
Another great session. Thank you keeping things exciting.
beginner here and never tried plastic reeds. Sounds nice.
I love your review Jay. I love Legere reeds however, I find that they are edgy on my already bright Yamaha. Cane reeds can be frustrating sometimes. I absolutely love your content brother. I’ve learnt a lot from you. Thanks.
Those sythetic reeds are bright. Nice.
whats crazy is reeds are about the same price now as they were back in the 90s when i stopped playing. Man there is just so many more choices now. back then if your local shop didnt carry em you didnt get em. I was a van Doren guy. Its funny to look back at what ya had to do to get by back then vs now. We were at a state jazz competition and i smashed my well worn favorite reed on my tenor and didnt have anything else to use. Had to use an alto reed, it was a rough day as i had a solo number to perform. For the first time ever i had stage fright that day.
Reed 1 has sweet deep low sounds
Legere reeds are a little darker, muted, but saved me on stage as i am ROUGH on reeds and kept splitting 4 bamboo ones. Saying that, they do get “tired” so I switch out during breaks...kinda like running shoes they need time to rebound. And...no maintenance! It stays on the mouthpiece in my practice area!
Guessed # 3 not by sound but how much your ombrochure was working. Synths are a workout.
Hi Jay,, i was turned on to synthetic reeds over 25 yrs ago when i met a Sax teacher in a music store who said he needed to switch from alto to tenor in a show .. Synthetics as you know dont need to be kept wet .. Big plus for club dates with interruptions . I found my comfort zone with synthetics using # 2 MED strength with # 7 opening metal mouth piece on a Mark IV 1954 model that plays every note from Bb To high F with precision ..My Yanakasawa tenor is no match for my Selmer .. My selections/choices after years of trying to get the sound i wanted . yes years ..Bobby G..
Sounds professionally cool
“On my new mouthpiece” 😂 I thought it was just a new mouthpiece add it to your collection but this is literally your brand featuring mouthpiece 🙏
3 has a nicer combination of frequencies and overtones sound more natural. Thicker synth reed is too low mid range frequency focused and softer synth reed is more high mid frequency focused which tends to perceive not very multi dimensional. In my opinion If player’s objective is delivering notes tuning and response synth reed is great to take good reed bad reed out of the question but if you fall in love with a good wet reed as Dexter said then you gotta keep your reed work as part of the equation. Thanks Jay! 👍🏽
I bought two American Cut reeds a few weeks ago, one got a split after only two or three sessions. They both bother my lower lip to the point where I have to stop practicing after an hour. I'm thinking of shaving it with my Reed Geek, but will likely stick with my Boston Sax reeds because a feel the low notes are richer
Hey Jay, I don’t know if you noticed, but Jean Paul released their own “professional” mouthpieces. They are around 70 USD. Very interesting considering the level of quality that has come from that company. It would make an interesting video!
3 has the best tone, nice and dark great for jazz. I think 3 is cane.
in order of preference: 2, 1, 3. Number 3 sounded very different from the rest, must be the cane reed.
I’ll give a try
You are the best! Love you man!
#3 certainly sounded best to me.
I think (before watching the end) that #2 is the synthetic reed. It has a brighter sound than the other two to me. but, I'm just getting interested in learning sax.
When the bettersax Tenor is going to be available??
I agree the synthetic is harder on my lip. I also can’t quite get used to the “dryness “ of the reed after playing a while. Really like brightness and intonation though.
2 is the cane I think...
I'm guessing the cane reed is number 3 and the legere is number 2. It's kind of a shot in the dark because you don't say what brand , cut the cane reed is. There are a million different sounds based on different cuts. I have been playing legere on alto and bari for 8? years or so. On tenor I haven't found a strength that plays well. I use a boston sax shop 3. They are in that vein (Francois Louis etc) of a thicker tip, longer vamp and thicker center so I'm super excited that legere is making a cut like that. I will definately be trying them out. It's a relief on a gig with two or three horns not to have to worry about your reed drying out!! and they're consistent and they last a long time!!!
I preferred Reed # 1. It seems to speak a little better. Reed #2 was a bit too dark. Reed # 3 was somewhere in between the first two for me.
I think I like Reed 3 the best. Seems to be a good blend of both.
I thought the 3rd Reed sounded better but not by a lot.
Very impressed
Nailed it!…Should probably give one a shot….Thx!👌
Very nice, I heard about these but have not tried them yet!
Early ur the best thanks for showing saxologic i watch him always
Jay, I actually liked the tonal quality of #2!
I tried the American cut and knew in 10 seconds that I had played my last wood reed.
2&3 sounded most similar to me & best, interesting that you felt more comfortable 1 than 2.
Uhh... I hear an incredible sax player..?
Seriously though, this is a great demonstration of why it might be good to own even just one synthetic reed for the days you’re feeling a bit lazy or you want that consistency!
I'm going with 3. The other two sounded similar.
I have been playing the American cut since it was launched and I am very pleased. However I recently tried the D’addario Venn reed and I must say that It plays very well , though it results in a darker sound than the American cut one.
I've been using fibracell reeds for over 10 years and never going back. I'd say number 2 is the synthetic one because of the projection of the sound.
Edit : 3 is cane.
Ive been playing legere for a few years now.I love them
I think 3 is the cane Reed. But I liked the sound of #2 the best.
number 3 was the best sounding I think the second and third were synthetis and the first was cane
I liked the 1st one out of the 3.
1. Dark quality; 2. Much brighter; 3. Brighter than the first, a bit fuller than the second. I think the cane reed is either 2 or 3... leaning toward 3.