STOP Practicing Scales!
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- Опубліковано 8 кві 2022
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How to adjust guitar strings action very low 🔴
Good evening sir ...
Sir you teach online ?
I want to learn ..sir .. seriously
Plz guide me sir ..
Thankyou sir
🔥🤘
Thankyou so much sir for this trick❤️
How would this apply on a 7 string?
I've been learning scale shapes and forgetting them two days later for the last 20 years.
you to huh? been doing the pentatonics for that long and still f^*k them up
@@apisdude maybe some people are just born dumb
I cannot remember actual scale shapes for the life of me.
Have you tried learning the formula? As bass player I started with shapes but I was the same way. Then I learned the major and minor formula and it was so much easier. Major is; Root - T - T - ST - T - T - T - ST. T= Tone, ST = Semi- tone. Or whole step and half step. After learning, that I was able to play the entire fretboard
Hey that's my personal tactic lol
Thanks for the lesson!
Lorain 6 4:01
Ionian #5 5:05
Dorian #11 5:53
Phrygian Dominant 7:06
Lydian #2 8:06
Super Locrian bb7 8:41
❤❤❤❤❤
nice
Ha, the joke's on you, I haven't even started practicing scales.
This is the best lesson I have seen on UA-cam on how to practise scales. I have been following you for a long time and have learnt a lot..Thanks Bernth for all the hard work you are putting in to transform this community to metalheads 🤟🤟🤟
Finally!!! I WAS WAITING FOR THIS LESSON FOR A LOOOONG TIME! Thanks Bernth!
Patreon Download mode activated!
Cool, this is what I've been learning lately. For anyone interested this is a good place to start. There's 5 unique scales that have 7 modes, that make up most well known and exotic scales.
7 modes just means 7 different '3 note per string' scale positions as Bernth showed. It becomes that mode when you make the first note of that shape the root note, but it's also a great way to remember 35 different scales.
1. Natural minor, which is Aeolian
2. The harmonic minor
3. Melodic minor
4. Byzantine, which includes Hungarian minor. My personal favourite.
5. Neopolitan
BERNTH!!! Thank you for all your hard work. I have been following you for a while now and as a teacher you have influenced my teaching style and helping create shredders all over the world. 🙏
Imagine being new to playing guitar and being smart enough to know from the get how effective bernths content actually is.... You guys have it easy!
I’ve just started learning and am so excited to have found this channel
I noticed that after 15 years of guitar playing. When I stopped to look at modes as "phrigian is the 3rd shape of the natural major scale" and started to look as "a scale" over a matching harmony.
I could understand the relationship of the altered intervals over the chord and that made all the difference!
Awesome explanations. So cool how they all work together
Bernth: How long have you been playing for?
Me: On and off 30 years
Bernth: Okay, forget everything you've learned.
Me: (1 second later) Done
Your lessons are awesome! So motivational and inspirational
As a beginner this us honestly 110% one of the most helpful videos to help with scales but also informs me of what mode they relate to. I'm learning a lot from this and from your content in general, thanks so much man.
Back to practicing I go!!!
\m/
Loved the Humour dude . You ofcourse always were a great teacher with great content
Talk about an on-time lesson. I've been going back to the basics and fundamentals that I skipped when I first picked up the guitar and I've just started uncovering scales from another online lesson website so I've only learned the C Major Scale. Though I'll have to take time to understand the terms, the shapes will definitely help in practice!
This is absolutely amazing. Ive never seen the fret board like this.
your videos are awesome. now if I can just get my skill level up to your quality of teaching!
Love your stuff, Bernth. Again, I have another great video to digest.
Man, still love the cool look of your studio. Totally jelly.
I Did Play Lisa’s Melody After Lunch. Ionian Dorian Phyrigian Lydian Myxolydian Aeolian Locrian.
Dude, this rocks. So inspirational. Thanks.
Thank you for your lessons ❤
If I had a dollar for how many times I see ads trying to sell you stuff like this. Got a like a sub here for not gatekeeping it and instead sharing the knowledge, thank you!
OMG this is so amazing !!! Love this Thank you for sharing .
This drummer here wants to learn guitar, and you're my starting point. Thank you for your lesson!
I get confused because of the modulation, but it makes sense to better hear how the modes stand out with the same tonal center vs all the same notes of the same key. Thx for the great content Bernth!
Thank you so much for your Lesson
seriously been having the worst last few weeks and that A, B, C, D, E, F, U line was in fucking credible. I haven't laughed that hard in a long time. Thank you
could you make a separate video explaining all of this again but in a beginner way?
Dude, I'm looking for the exact same thing. I had no idea what he was talking about, except for new scales. Also all of the scales he presets are ont he same 5 frets, while the original scale goes through all frets, so wouldn't it be more advantageous to practice the whole scale learning positions accross the whole board instead of just the same 5 frets?
The thing is : We have to know what our alterations of our A scale are.
So our first scale is A Harmonic minor A - B - C - D - E - F - G# or 1 - 2 - b3 - 4 - 5 - b6 - 7. This one is straight forward when he explains it. We start on A to play A harmonic minor. I'll call ''recipes'' the numbering.
We can understand these ''recipes'' when we know what are the alterations in our A major scale (which are F#-C#-G#)
Whats confusing is that he doesnt speaks about those alterations in our A Major scale. The ''recipes'' are linked to the alterations (natural, b, #) in our Major scale to understand how our ''recipes'' impacts our notes.
in those recipes, numbers may be glued to a ''b''
b = half-step down.
It does NOT, I REPEAT, it does NOT imply that it becomes a flat note. It only means that our note is a half-step down.
Ex : 3 = C#
b3 = C
When playing Locrian 6, he STILL starts from A to encourage us to know every scale with their ''recipes''
Which for this one is 1 - b2 - b3 - 4 - b5 - 6 - b7 or A - Bb - C - D - Eb - F# - G.
So, A Major is : A - B - C# - D - E - F# - G#
Locrian 6 notes are A - Bb - C - D- Eb - F# - G
The recipe 1- b2 - b3 - 4 - b5 - 6 - b7
Hope this helps!
@@NiXtaeM It would be overwhelming. If you want to learn every scale in the entirety of your guitar neck, it takes some hardcore dedication. At least with this exercise, you can hear how each mode sounds and know the alterations you need to change to play it faster from memory.
the thing is this is not a beginner study, to understand this you gotta start slowly and create a routine that you can understand of what you are doing on the fretboard because you can replicate but learning means that you can use it anyway you want to and that is what actually matters just take your time and practice there is no shortcut to actually master something
I think this is very good and I'm willing to learn. I have a problem with going up and down scales though in that I don't find it melodic enough or you put something into muscle memory that might dictate what you play. Disclaimer: I'm crap at scales and I don't play heavy metal music. When I come up with a solo, I try to hum a melody first and then try and work it out on the guitar. That way my hands are not dictating what I'm playing. But it's in no way difficult what I do, so I will try and learn a bit more.
Very cool lesson! Ty! Never saw this approach & I’ve watched vinnie moore & Paul Gilbert instructional videos & they only touched on the subject. So the notes used outside of the A harmonic minor will sound good ? Ty!
At least for the standard modes there is also a nice order to practice them in, where they each just differ by one note to the previous one, e.g. starting at Locrian, you can go to Phrygian (changing the b5 to 5), then to Aeolian (b2 to 2), then dorian (b6 to 6), then myxolydian (b3 to 3) then ionian (b7 to 7) then Lydian (4 to #4) and then if you want to close the loop you can go to Locrian by moving the 1 one step up. Or you can go the other way round if you prefer. You can also see this in the circle of fifths somehow I think... I forgot the details, but I think it's related to chromatic modulation.
So this is a cool way to practice all the scale modes in one position pretty much without remembering any extra information, and you even identify, where your different scale degrees are along the way!
And I am wondering, if you can do the same for the harmonic or the melodic minor modes... maybe it works a bit different. What you could do though is do the modes of the major scale and then each time also play the corresponding mode of harmonic minor.
i never thought a scale could top phrygian, but then when i realized you were doing all the modes for the harmonic minor, i was excitedly waiting for the phrygian mode. i was not disappointed. i think i fell in love.
Great video. Thank you so much. Greetings from Perú.
Hello Bernth the scale template and "parallel" understanding of modes as separate scales is extremely useful for composing with them, especially when one knows what chords functions are different from the "parent scale" in order to create some sick sounding modal music, like composing in lets say e phrygian dominant, agreed. One Big big caveat that has kept me running circles for the longest time is that if this is applied to a tonal progression, unfortunately one is quite fucked.
What i mean is that this besides adding a lot of overhead to our mental processing its just unfortunately simply not enough.
For the sake of simplicity lets say you have a minor 2-5-1. If you are thinking on the 2 im playing Dorian #6, on the 5 im playing phrygian dominant and on the 1 im playing harmonic minor, what one is really saying is: im playing harmonic minor all along of whatever key we are in. This is simply not enough to outline the changes, create melodic movement and generate interesting ideas because yes you have 7 notes to choose from but no actual direction on what notes best suit said chord. Instead maybe thinking superimposed arpeggios that come from the parent key (rather than modes) melodic cells, pentatonic wizardry, target notes and shit might be the way to go. The reason i say this is the same reason people often cant create a progression that sounds like "phrygian" because if you are not careful, you will still outline "Major". Idk if i could make my point across but It is relevant i think. I know for me this was a massive breakthrough because in the "chord-mode" system nowhere youll come across that the 4th of "ionian" will sound like shit played as a strong note on the 1 chord, nor is anywhere mentioned how to actually build a line that makes sense and has a direction over your chord progression.
You are just given the false sense of agency that you are using scales over chords, but if you are playing within diatonic modes, good luck making anything that makes sense without further instructions. To me for a tonal context its just not useful. Granted, for modal contexts your method is flawless
I see these as variations of the modes of the major scale, just like harmonic minor is a variation of the aeolian mode. If you know your modes properly, you know where the 1st, 2nd, 3rd etc notes are so you can just sharpen or flatten them for the new scale pattern. Like you said.
Imo the HEXATONIC system is one of the freshest sounding scale patterns out there, it's not quite pentatonic or standard modes and there are so many iterations just try them all and pick your favourite 😉🤙
Try the felatonic that’s when I set my axe on my amp to get water and hear my cat walk on it ,sounded better than me
I’m quitting
dude this is awesome, you are awesome
Bernth this is genius. I've been playing for almost 50 years and this may be the single best lesson, I've ever had. If I would have known this when I was 16, who knows...Thanks!!!
Playing for 50 years and this lazy "lesson" is the best you've ever had? Hahaha ..
You're the Master love and hug from Bandung - Indonesia ❤❤🇮🇩🇮🇩
Nice one B!
can we just appreciate this type of amazing content bernth keeps coming up with, never misses, I've become a way better player than what I was 2 yrs back solely because of his videos, thankyou @BERNTH
you are an inspiration for us.really great tutorial.loved and enjoyed your lesson.thanks a lot for it.
Best channel Ever 🎸❤️🔥
That A Lydian #2 scale reminds me a lot your song "Seance". Is that the scale you used to compose that song?
What happened to, "stop practicing scales"?
The scale may have left him, but he never left the scale.
Now I can start to see the colors of my playing and not just using boxes that have no theory in them. 🤩
Thank a lot ❤🙏
Thank you so much ❤❤❤❤❤
Great Lesson Bernth that's a lot to remember though
After 30 years of play now, I’m finally ready to learn this!
Thank you!❤️🇵🇬
Thanks. But is it ok if with these kinds of lessons if you can also provide a few chords and chord voicing across the fretboard with all of these as a good reference? The main key chords, and a few versions of each chord across the fretboard? Even if it's just some triads. If you can take this to that level, that is what will make me to join your patreon for good!
o.k. We all know (or at least should) how to form modes from the major scale, but I NEVER thought of building modes on the harmonic minor scale...so thx Bernth😎
@@aylbdrmadison1051 yeah that makes complete sense...I just never thought about that, because modes for me were allways the "7 modes of the major scale"😅
Great video and...play what sounds good to your ears!
I saw a scale in one of your videos which has a jump of 4 frets on the B string to give a feeling of an Egyptian sounding scale. I've given up trying to find it as there are so many videos here I get swamped with them. Now at least I see how the formula works with flattened and sharp notes in the given scales I think can work it out.
E, F#, G, A, B, C, D#
It’s the Phrygian scale mode
The super locrian scale at 8:47 works with B flat minor. After playing the scale play F chord and end on ‘B flat min’. Fin
I love how Berth's thumbnails/titles always feel like click-baits but are actually legitimate and eye opening contents.
Thank you 🙏😊😊😊
Bro you are so under-rated.
Well, you lost me, but seeing your exercise at the end made more sense. One thing I found confusing was when you showed the box patterns on the neck of the guitar, they were backwards from your guitar that you were playing.
I love u my friend Thanks a lot
I agree completely with your video great educational material
You’re right I’m picking up the guitar after stalking out 35 years ago. I just got burned out with the caged method . And playing the same sh17 for years. So I’m going back to pick it up again at 48. Never to old . That’s a false negative belief .
I like to approach phrasing over chords with the chromatic scale in mind while remembering where the root note and other chord notes are, no matter what combination of notes you put together they can broken down into this scale or that scale, I like to disregard the limitations of visualizing a scale and just try to pull what I'm hearing in my head out of the fretboard
cool! like gambale's chop builder round 5))
Thats a real guitar lifehack. Thanks a lot.
Right now I'm a victim of YOUR patterns. I've been practicing that 25 minute workout you posted for the last few weeks.
Great ⚡
I wanted that HR Giger RG so bad 20 years ago when it was new.
7:00 this is why it makes more sense to call it harmonic dominant imho.
oh yeah parralle modes are really nice with I knew about them before relative modes it makes alot more sence
Super Sache
Super Locrian is the 7th mode of Melodic Minor. What was demonstrated here was "diminished super locrian" or "super locrian bb7"
How does this work if I’m playing from the second scale box? I understand that I’m taking the 2nd modal position of the a harmonic scale and just starting back at the root note but how do I apply that same idea if I start in the second position?
not gonna lie it took me a bit to really learn each of the modes and also play this up to speed, but a it definitely taught me a lot
thank you.
Ok nice, there you started every pattern on A. But can i start these pattern on every other note as well? So for example start the Spanish Phrygian on B,C or d etc?
Lol! I love using the keys of F U. Usually it precedes throwing my guitar at the wall and head out to mow the lawn.
👀omg, just practicing the scales when i got the notification
Dude I was doing that in 4’s just as an experiment!!! Cool I’m on the right track.
Thanks, Bernth. Good exercise, but my issue with scales is always starting from a low note to a high note (or high to low) with no real feeling for tying it in with the melody as well as anticipating the changes in the melody. I want to really learn how to construct riffs that jump around the scale notes in a clever and unique way, rather than a linear up and down the fret board style. I'm still learning how to take portions of scales and linking them together effectively to enhance a melody line or provide counter point at certain junctures and not to overload the track with notes. IMO, a good lead is like a garnish on a dish, it isn't the main course.
Hey this might be a weird question but I've been playing self taught for 4 years but only learning songs that youtubers put lessons out on but I don't know any theory like I don't even know any scales. And I want to get into more lead and shredding but I don't know where to start or even what I'm playing.
If I could get some heads up on where to start it would much appreciated.
Theory and Improvisation.
Start with the foundations of theory and improvise to songs you like/feelings you feel.
Look up the difference between beginner and intermediate playing.
Solid.
Fuck yeah, man!!!! I feel you dammit!!!
recapping after work tomorrow. lost 3 min in, the mind was blown. regroup tomorrow
Noob here with a question. If I’m playing the Major 3 notes per string shapes all anchored on (example G on the E6 string), is it the same as what was presented here?
The best way to play guitar is by feel if you know the intervals between notes than you can feel the next shape.
See when you are in the ionian mode the locrian lydian of the modal dorian of the flattened 3rd and 5th individual harmonic minor scale, locrian natural six. easy.
How do I start a scale when in drop c tuning?
2 months later, but saying anyway..
I think Drop C is C A D G B E, idk, but there's just it. Obey the scales intervals considering your tuning.
There's nothing more to say.
Whatever pattern you commonly see for scales and chords will be totally different in Drop C, or All Fourths Tuning (EADGCF), or Perfect Fifths Tuning, or DADGBE, or whatever it be.
Consider always learning scales and chords as intervals relationships, not positions across the fretboard.
You wont be playing A Minor starting on the 5 fret of E String if you downtuned your guitar a half step, that automatically makes it a Ab (or just G#) minor scale now.
Also consider how many strings you have. Multiscale guitars, 7, 8 9... strings. It change many things.
Again, you cant rely on shapes or patterns across the fretboard, otherwise, changing tune will make you just a slow beginner again.
not tricks folks real dedication, hard work, practice and obsession
I love that freak’n locrian scale💚
Hi🤗🤗🤗
Feedback appreciated👍👍let's talk in private ✔️On telegram
How do you use this to connect the positions?
I just finished learning the basics, was gonna start learning scales but Bernth said "Stop practicing scales"
☝️☝️thanks for watching I've prize for you💌💬🎁on telegram
I'm not sure why I'm watching this; I still can't even physically play a scale this efficiently,
let alone understand how to do this.
Gimme more!
Nice wow
❤ You need to also sell ebooks 🙏🏾🙌🖤
Can you do a video on down picking?(like in death metal). I have developed a permanent shoulder injury, and I can't stop doing down picking with my shoulder. I'm scared I might have to give up playing in my death metal band, and playing death or thrash for the rest of my life.
Please...
Let's talk now ⬆️⬆️on telegram
"Stop Practicing Scales" by Practicing Scales......but seriously, this is how I love to practice modes so you understand the tonal differences. Pick a root like C and play Ionian, Dorian, etc and you start to hear the feel and sweet notes that make each unique. Mix up the order too. Lydian to Ionian to Mixolydian to Dorian to Aeolian to Phrygian to Locian.