Hi there thanks for the info, now i have one Question the jacks that need to be connected on the Orion should they be TRS Balanced or should they be Unbalanced 1/4 jack
hi, just got zentour! can i do this there too?i want to connect my analog compressor as an external hardware for real time singing! ! on zentour i have 8 line out vga kind of connect(i would like to also know the name of the cable used ) and 4 preamp at the back_so i connect the cable from line out to my analog compressor and then if i connect the two out to my 1 and 2nd preamp as line in Trs..and used the preamp 3 as my mic preamp.. then i got confused as to how to route in my software.
Hey man I got the discrete 8 sc which uses dsub25 is this the same method if I want to setup hardware to my interface ? My D 8sc back piece looks identical to your orion 32
Thanks for the video ! Just out of curiosity , if you had opportunity to run line level back in the Orion With XLR connection , would you prefer going for it instead of 1/4 '' jack ? or the difference is not noticeable ?
I'm fairly new to recording and stumbled upon this video while searching for information on the Antelope Audio Orion Studio Synergy Core which I just purchased. It is on backorder and I won't receive it until March, so I thought perhaps I should begin to educate myself as this new unit will be a step up in sophistication for me. And this comment may in fact reveal that lack of knowledge in its likely misunderstanding or outright clueless misinterpreting of the subject matter of your very interesting video. This is a very cool topic you explore here. Using a hardware insert in the mixing stage sounds similar in concept to reamping, which I was thinking intuitively would have been done prior to mixing and is probably fundamentally different in terms of the processing of the signal. However, this makes me think. In your example, you're taking a signal from a track during mixing and routing it through the compressor, then back into a track - now affected by the compressor - for final mixing (I think). Is that kind of reamping, but by a different name (the signal is not being reamped, just reprocessed or more processed)? The ability to drive the signal more and to attenuate it with the trim sounds like a greater level of granular control over that signal, whereas with reamping it's just a matter of bringing the signal/track up to match line level. Not sure I'm right about that, like I said much of this is new to me. If you wanted to add something (saturation, distortion, or some other "effect-like" element) in the mixing stage, for whatever reason, seems like you could do that too. But that would be kind of ridiculous, one would want to have a track already recorded with the effect and prepared for mixing. But then I'm thinking again, this time not from a mixing engineers perspective, but more in terms of sound design or the importance of an effect to the color and character of a piece - not necessarily a song - that it might be beneficial to have the ability to really fine tune how that effect shapes the overall character or sensibility of the piece more comprehensively in the end. Consider a piece highly influenced or driven by (and here's what I'm really getting at) a guitar tone/sound/landscape (Busted, guitar player centric thinking!), couldn't one use the process you describe here, but simply replace the compressor with a guitar amp/pedals/effects signal chain just as one does in reamping, but just sent line in to the interface, not recorded with a mic? In this case, however, one would be waiting until all the other tracks are completed, the guitar track(s) included (dry or kinda dry), to allow more control and nuance using the guitar amp, pedals, effects, as the main character (like a vocal part) of the piece. Or, is that just stupid? Is what you described just a different version, but quite similar in conception to reamping? Or am I completely off base and have little to no chance of ever getting this. I ask because I have never experimented with reamping, but I have heard the end result on final recordings and it really seems to add something I really like. And to circle back to the Antelope Audio Orion Studio Synergy Core ... this newest version - and I think this is true of the rest of the Synergy Core lineup - has two dedicated reamping I/O accessible on the front of the unit. I'm looking forward to learning more about reamping and doing more in depth study of the recording process, which is why I watched this video twice and subscribed to your channel. Thanks for this video. Peace.
Thanks, Doug - I was struggling with a Radial 500-Series Workhorse and a Zen Studio + interface for weeks. Soon that matrix will not look so intimidating, I trust, starting with your detailed assistance!
Hi doug..can you help me with this ..i have an orion 32 gen3.. which goes into the dangerous 2bus+ via two dsub cables for16 channels of analog summing.. and the main output of the 2bus+ is coming back to orion on line inputs 17-18 back. So in order to get the main mix return printed on my DAW ,which is logic pro x, what routing should i create in the orion control panel ... Currently what i do is i route the line inputs 17-18 in the panel into usb rec 17-18 and also route the line in into the monitor out and the usb play of 17-18 into the 1-2 of USB play slots. Also in logic i create a audio track and mute that ... Can you help on this..love and regards.
Hi Doug. Thank you for this cool vid. Do you still have the Orion Studio? I just got it and it sounds real good. Im trying to figure out something and I'd much appreciated if you could help. I want to run (and record) pre-recorded audio thru my Neve 1073 preamp. I have tried all the logical ways but I can't figure it out...Any thoughts? So basically I have tracks that have been recorded "clean" and I want to run each one of them thru the 1073 for color and a bit saturation. Thanks man, Jess
i have a zen tour i recently just purchased a Distressor along with a Blacklion 1073 including D sub cable .i wired and routed exactly as you did.Im not getting a signal thru the distressor and the mic pre . what an i forgetting to do.evruthing is also switch over to lines .also when i do get a signal ,none of the knobs from the comprerssor or pr affect the th esignal im just getting a white noise HELP HELP
This may be needing routing in your zen tour matrix, usb out, to usb in. if the zen tour is pointing usb out to the outputs, and usb in to the inputs or whatever input format your using, it should see the signal.
I am really growing to love it, it's super easy to use while tracking, I've been incorporating it with my Antelope pure 2 as a spdif in and out, allowing me to bounce direct to it. Great stuff, amazing quality, love the DA convertor on the orion, so clean and punchy.. accurate
@Doug I'm curious what your longterm experience has been with this product. I'm looking at the new Orion Studio, but a bit worried about the horror stories around reliability and terrible support from Antelope. Sweetwater dropped them and I've called 3 different stores that carried them and all have dropped them recently. Not a great sign, but hard to know if these are quality control issues or some specific configurations that aren't well supported that perhaps Antelope doesn't want to broadcast. Thoughts on your experience and what you've heard from other owners?
Well. At this point I own a 10 m pure 2 and orion studio hd, and Ocx clock. I know that antelope may not be considered the greatest as far as customer support, but man they have some amazing convertors! They also took some big strides forward insuring these products. I would not hesitate and give them a go.
I have an Orion 32+ and a PURE2 trying to sum through the SSL6 I got everything hooked up the sine waves and signal come through with no problem I’m running spdif from the Pure 2 to the Orion but in ProTools I don’t have any digital ins only analog. I have deleted paths and hit default I’ve tried to configure the control panel but I’m still lost
AES3 twisted pair cables with xlr connectors are copper also by the way but the transmission is digital. you can also transmit analogue audio through an AES3 cable ...
Hey random question, I have a Mojave 201 FET mic and warm audio just dropped their WA47 and WA47 jr...I’m looking for a second mic to buy. If you have experience with 47’s or maybe the Mojave mic, which do you think would be better between the Mojave 201 vs WA47? Thanks....
Hey Doug! Love the video, a quick question, has your Orion HD given you any problems? I got mine and I keep getting this message that reads “not enough ASIO outputs atleast 2 channels needed” or some bs so I was told by the one of the Techs at Antelope that it was my cable and I needed the original cable and all and long story short I don’t know why I keep getting that any help? (I’m running Windows 10 on USB 3.0)
I would totally reset the unit, and reinstall the control panel. The only issue I ever got was the usb wouldn't recognize it. Also try another usb port, I know if I ever had usb issues, it was caused from the card in my computer, Other then that, I will have to look into this problem, new to me.
@Doug Jenkins Hey Doug, thanks for the reply man, I’ve actually tried that and it worked for a good while but after I noticed on my Devices Tab on Settings I get a message that says “Driver Error” so I’m hoping on a new firmware update or something that could do it, but I noticed the problem really happens after I plug in my Midi Key board via USB so maybe the computer uses the keyboard as output? what do you think?
Thanks Doug, this video was helpful on a few topics. I have a zen tour and it's similar to the Orion studio. Btw, I wud suggest labeling thos xlr connectors 9 thru 16 with a small piece of blu tape and a Sharpie, makes it easy in the future Gona check some of ur other vids, this one was good!
hey doug a newbie here and I need your opinion pls. So I just bought an external converter (symphony i/o) and I'm using it as a d/a on top of my main audio interface(ufx) at the moment. But then I had a question about setting it up along with my main audio interface, so I've sent an e-mail to apogee how to properly do it. And they have said to me that it is either better just using the rme audio interface directly to the speakers or use the symphony as a main audio interface becuase the sound quality will reduce when the signal is passing through 2 different converters (RME - symphony - speakers). I personally have seen so many recording and mixing studios using these external converters on top of their audio interface because the main interfaces are very stable to use but they wanted better quality d/a or a/d converters along with it at the same time. So I honestly can't find the wrongs from my situations and where to begin with. my current set up is (main outs from RME - main inputs of Symphony - main outs from Symphony again directly to the speakers) and becuase I wanted to use symphony as a converter, I've set the mode in Standalone which is the mode that makes symphony as an a/d or d/a converter only. Thanks !!!!
@@DougJenkins after hearing answers from you and the mail ive got from apogee, I’m thinking if I had this wrong ideas about d/a and a/d converter. I always thought of using them for the better sound quality but I guess I have no idea when to use them, therefore how to actually use them since I’ve never had them in my hand. Pls correct me in the video. My purpose is to record vocals/instruments and mixing. Thanks
Bummer that the Orion Studio makes you send line level signals exclusively through quarter inch cables. I have an Orion Studio rev 2017 that I'm setting up with a patchbay in my studio and now considering getting a Clarett Octopre or something similar to add 8 channels of dedicated line inputs over ADAT. that or use a multi-channel DI box/ multiple DI boxes to convert all my line level signals to Mic before hitting the Orion, which I prefer not to do for various reasons! Thanks for the video!
teacher that good educational and informative video, I bought a zentour antelope and at the same time with a lot of effort a DB25 spdif input cable supposedly with analog flavor with outputs type XLR R / L and I want to return the signal that comes out of the DB25 of the zentour and insert it to the input of the same interface and I have problems with the configuration of the patchbay in the antelope program but now with your video my mind has opened, I just need to know if I need any other hardware in addition to my interface and the cable because the company says that He sold me the cable that can be used for summing, which is what I am looking for, I do not know if you understand me to feed the audio signal that comes out of the DB25 connection with the analog circuit of the cable and return it to the rear inputs of the interface, I would like Someone help me with this, I appreciate the video friend
I just bought this interface and it is a little confusing getting setup. I use Cubase pro9.5. My biggest issue how to route my mic. To use the plugins before it goes into Cubase
I don’t know about you, but I find it extremely inconvenient that most interfaces do not have DSUB inputs to compliment the same number of outputs. I’m trying to establish a central patchbay for literally all my routing (excluding monitor feeds), and I need access to every one of the channels on the interface, but the zen studio is literally the only one (in my price range) that has both DSUB outs and ins. I don’t want more mic pres than what’s on the interface and I don’t want to use ADAT or spdif. Simply, I just want a bunch of analog ins and outs. Why is it that so hard to find in an interface? This is a huge headache!
Davitski P, I think the greatest interface for what your describing is the Antelope Orion, not the Antelope Orion Studio, that has 32 in and 32 out all dsub, but I feel your pain man!
Yes the Orion 32 does exactly that, but it really only serves as a converter, not a fully loaded interface! I'm on a mission to maximize bang/buck and try to kill multiple birds with single pieces of gear. My budget is tight considering the tasks I need to accomplish
![Ближе к Antelope Audio Amari [Арам Киракосян]](http://i.ytimg.com/vi/btcq3rjt2wY/mqdefault.jpg)
Thaaankkkkss so much!! Couldnt get my orion to work but then i watched your video
just wanna say this video helped me tremendously understand the routing in orion studio..just got my tube tech working Thanks Doug!
Your welcome
Hi there thanks for the info, now i have one Question the jacks that need to be connected on the Orion should they be TRS Balanced or should they be Unbalanced 1/4 jack
SCSI was the thunderbolt of it's time !
this shit was exactly what I spent hours looking for... So Simple.. So I route keyboards etc all through this process.. Much more efficient
hi, just got zentour! can i do this there too?i want to connect my analog compressor as an external hardware for real time singing! ! on zentour i have 8 line out vga kind of connect(i would like to also know the name of the cable used ) and 4 preamp at the back_so i connect the cable from line out to my analog compressor and then if i connect the two out to my 1 and 2nd preamp as line in Trs..and used the preamp 3 as my mic preamp.. then i got confused as to how to route in my software.
Hey man I got the discrete 8 sc which uses dsub25 is this the same method if I want to setup hardware to my interface ? My D 8sc back piece looks identical to your orion 32
Are the inserts that are on the back assigned to any channels in particular?
Thanks for the video ! Just out of curiosity , if you had opportunity to run line level back in the Orion With XLR connection , would you prefer going for it instead of 1/4 '' jack ? or the difference is not noticeable ?
Bro! The user guide isn’t this comprehensive 💯Excellent video. 🦾
Excellent explanation sire
I'm fairly new to recording and stumbled upon this video while searching for information on the Antelope Audio Orion Studio Synergy Core which I just purchased. It is on backorder and I won't receive it until March, so I thought perhaps I should begin to educate myself as this new unit will be a step up in sophistication for me. And this comment may in fact reveal that lack of knowledge in its likely misunderstanding or outright clueless misinterpreting of the subject matter of your very interesting video.
This is a very cool topic you explore here. Using a hardware insert in the mixing stage sounds similar in concept to reamping, which I was thinking intuitively would have been done prior to mixing and is probably fundamentally different in terms of the processing of the signal. However, this makes me think. In your example, you're taking a signal from a track during mixing and routing it through the compressor, then back into a track - now affected by the compressor - for final mixing (I think). Is that kind of reamping, but by a different name (the signal is not being reamped, just reprocessed or more processed)? The ability to drive the signal more and to attenuate it with the trim sounds like a greater level of granular control over that signal, whereas with reamping it's just a matter of bringing the signal/track up to match line level. Not sure I'm right about that, like I said much of this is new to me.
If you wanted to add something (saturation, distortion, or some other "effect-like" element) in the mixing stage, for whatever reason, seems like you could do that too. But that would be kind of ridiculous, one would want to have a track already recorded with the effect and prepared for mixing. But then I'm thinking again, this time not from a mixing engineers perspective, but more in terms of sound design or the importance of an effect to the color and character of a piece - not necessarily a song - that it might be beneficial to have the ability to really fine tune how that effect shapes the overall character or sensibility of the piece more comprehensively in the end.
Consider a piece highly influenced or driven by (and here's what I'm really getting at) a guitar tone/sound/landscape (Busted, guitar player centric thinking!), couldn't one use the process you describe here, but simply replace the compressor with a guitar amp/pedals/effects signal chain just as one does in reamping, but just sent line in to the interface, not recorded with a mic? In this case, however, one would be waiting until all the other tracks are completed, the guitar track(s) included (dry or kinda dry), to allow more control and nuance using the guitar amp, pedals, effects, as the main character (like a vocal part) of the piece. Or, is that just stupid?
Is what you described just a different version, but quite similar in conception to reamping? Or am I completely off base and have little to no chance of ever getting this. I ask because I have never experimented with reamping, but I have heard the end result on final recordings and it really seems to add something I really like. And to circle back to the Antelope Audio Orion Studio Synergy Core ... this newest version - and I think this is true of the rest of the Synergy Core lineup - has two dedicated reamping I/O accessible on the front of the unit. I'm looking forward to learning more about reamping and doing more in depth study of the recording process, which is why I watched this video twice and subscribed to your channel.
Thanks for this video. Peace.
Thanks, Doug - I was struggling with a Radial 500-Series Workhorse and a Zen Studio + interface for weeks. Soon that matrix will not look so intimidating, I trust, starting with your detailed assistance!
Hi doug..can you help me with this ..i have an orion 32 gen3.. which goes into the dangerous 2bus+ via two dsub cables for16 channels of analog summing.. and the main output of the 2bus+ is coming back to orion on line inputs 17-18 back. So in order to get the main mix return printed on my DAW ,which is logic pro x, what routing should i create in the orion control panel ... Currently what i do is i route the line inputs 17-18 in the panel into usb rec 17-18 and also route the line in into the monitor out and the usb play of 17-18 into the 1-2 of USB play slots. Also in logic i create a audio track and mute that ... Can you help on this..love and regards.
Try to respond shortly believe i can help ya out
Thank you Doug, I was wiring up my Goliath HD last night and your video was very informative 👍
Hey Everyone bare with me, I am looking to answer all questions soon, We are shooting a lot of new videos! Keep everyone posted
Hi Doug. Thank you for this cool vid. Do you still have the Orion Studio? I just got it and it sounds real good. Im trying to figure out something and I'd much appreciated if you could help. I want to run (and record) pre-recorded audio thru my Neve 1073 preamp. I have tried all the logical ways but I can't figure it out...Any thoughts? So basically I have tracks that have been recorded "clean" and I want to run each one of them thru the 1073 for color and a bit saturation. Thanks man, Jess
hi man did u solve it cause me too i ve the some problem ?
Dude you just earn a new subscriber.... just bought a Rupert Neve Shelford Channel Strip you save me with the setup
glad I could help
i have a zen tour i recently just purchased a Distressor along with a Blacklion 1073 including D sub cable .i wired and routed exactly as you did.Im not getting a signal thru the distressor and the mic pre . what an i forgetting to do.evruthing is also switch over to lines .also when i do get a signal ,none of the knobs from the comprerssor or pr affect the th esignal im just getting a white noise
HELP HELP
This may be needing routing in your zen tour matrix, usb out, to usb in. if the zen tour is pointing usb out to the outputs, and usb in to the inputs or whatever input format your using, it should see the signal.
I just bought the orion and will wait for hardware gear but thank you for this tutorial. I understood. :)
I am really growing to love it, it's super easy to use while tracking, I've been incorporating it with my Antelope pure 2 as a spdif in and out, allowing me to bounce direct to it. Great stuff, amazing quality, love the DA convertor on the orion, so clean and punchy.. accurate
@Doug I'm curious what your longterm experience has been with this product. I'm looking at the new Orion Studio, but a bit worried about the horror stories around reliability and terrible support from Antelope. Sweetwater dropped them and I've called 3 different stores that carried them and all have dropped them recently. Not a great sign, but hard to know if these are quality control issues or some specific configurations that aren't well supported that perhaps Antelope doesn't want to broadcast. Thoughts on your experience and what you've heard from other owners?
Well. At this point I own a 10 m pure 2 and orion studio hd, and Ocx clock. I know that antelope may not be considered the greatest as far as customer support, but man they have some amazing convertors! They also took some big strides forward insuring these products. I would not hesitate and give them a go.
I have an Orion 32+ and a PURE2 trying to sum through the SSL6 I got everything hooked up the sine waves and signal come through with no problem I’m running spdif from the Pure 2 to the Orion but in ProTools I don’t have any digital ins only analog. I have deleted paths and hit default I’ve tried to configure the control panel but I’m still lost
you save me
i had a lot of questions with the hardware thank u
watching this the 3rd time.. after going on tour I always forget how to set it up again lol
Inset option support external preamp?
AES3 twisted pair cables with xlr connectors are copper also by the way but the transmission is digital. you can also transmit analogue audio through an AES3 cable ...
Great information. I want to upgrade my setup from Apollo 8 to Native HD system with summing.
Hey random question, I have a Mojave 201 FET mic and warm audio just dropped their WA47 and WA47 jr...I’m looking for a second mic to buy. If you have experience with 47’s or maybe the Mojave mic, which do you think would be better between the Mojave 201 vs WA47? Thanks....
We got a Wa47 it's unbelievable!!! so smooth and it literally sounds amazing
Hey Doug, nice video I always enjoy the gear videos. :) Merry Christmas!!
Thanks for checking it out man! Merry Christmas
Hey Doug! Love the video, a quick question, has your Orion HD given you any problems? I got mine and I keep getting this message that reads “not enough ASIO outputs atleast 2 channels needed” or some bs so I was told by the one of the Techs at Antelope that it was my cable and I needed the original cable and all and long story short I don’t know why I keep getting that any help? (I’m running Windows 10 on USB 3.0)
I would totally reset the unit, and reinstall the control panel. The only issue I ever got was the usb wouldn't recognize it. Also try another usb port, I know if I ever had usb issues, it was caused from the card in my computer, Other then that, I will have to look into this problem, new to me.
@Doug Jenkins Hey Doug, thanks for the reply man, I’ve actually tried that and it worked for a good while but after I noticed on my Devices Tab on Settings I get a message that says “Driver Error” so I’m hoping on a new firmware update or something that could do it, but I noticed the problem really happens after I plug in my Midi Key board via USB so maybe the computer uses the keyboard as output? what do you think?
Thanks Doug, this video was helpful on a few topics. I have a zen tour and it's similar to the Orion studio.
Btw, I wud suggest labeling thos xlr connectors 9 thru 16 with a small piece of blu tape and a Sharpie, makes it easy in the future
Gona check some of ur other vids, this one was good!
Can you explain how the hardware L/R inserts work and correspond to Inputs 11/12? I want to hook up an 1176 to these mono channels.
Marc Smith I would like to know this as well!
Early Christmas present from our main dude dougie.. bless n tanx d
No problem! Merry Christmas!!!!
hey doug a newbie here and I need your opinion pls.
So I just bought an external converter (symphony i/o) and I'm using it as a d/a on top of my main audio interface(ufx) at the moment. But then I had a question about setting it up along with my main audio interface, so I've sent an e-mail to apogee how to properly do it. And they have said to me that it is either better just using the rme audio interface directly to the speakers or use the symphony as a main audio interface becuase the sound quality will reduce when the signal is passing through 2 different converters (RME - symphony - speakers).
I personally have seen so many recording and mixing studios using these external converters on top of their audio interface because the main interfaces are very stable to use but they wanted better quality d/a or a/d converters along with it at the same time. So I honestly can't find the wrongs from my situations and where to begin with.
my current set up is (main outs from RME - main inputs of Symphony - main outs from Symphony again directly to the speakers) and becuase I wanted to use symphony as a converter, I've set the mode in Standalone which is the mode that makes symphony as an a/d or d/a converter only.
Thanks !!!!
Hey Daniel. Can i address this question in a video form? It is a big question for sure
@@DougJenkins sure. Should i wait for it to be uploaded later?
@@danielkang7789 I will do that video today
adat in and out of your ufx. or look into pro tools aggregate io and you can use multple interfaces at the same time
@@DougJenkins after hearing answers from you and the mail ive got from apogee, I’m thinking if I had this wrong ideas about d/a and a/d converter. I always thought of using them for the better sound quality but I guess I have no idea when to use them, therefore how to actually use them since I’ve never had them in my hand. Pls correct me in the video.
My purpose is to record vocals/instruments and mixing. Thanks
Buen video. Pero falto el final. Mostrar como funciona en el DAW. Igual la parte de los ruteos fue bueno. Gracias
Bummer that the Orion Studio makes you send line level signals exclusively through quarter inch cables. I have an Orion Studio rev 2017 that I'm setting up with a patchbay in my studio and now considering getting a Clarett Octopre or something similar to add 8 channels of dedicated line inputs over ADAT. that or use a multi-channel DI box/ multiple DI boxes to convert all my line level signals to Mic before hitting the Orion, which I prefer not to do for various reasons! Thanks for the video!
The best video is the best this help ma a lot 🥰
i have connect db25 to lunchbox and output to antolope deascreat 8 but a feedback i dont. no
teacher that good educational and informative video, I bought a zentour antelope and at the same time with a lot of effort a DB25 spdif input cable supposedly with analog flavor with outputs type XLR R / L and I want to return the signal that comes out of the DB25 of the zentour and insert it to the input of the same interface and I have problems with the configuration of the patchbay in the antelope program but now with your video my mind has opened, I just need to know if I need any other hardware in addition to my interface and the cable because the company says that He sold me the cable that can be used for summing, which is what I am looking for, I do not know if you understand me to feed the audio signal that comes out of the DB25 connection with the analog circuit of the cable and return it to the rear inputs of the interface, I would like Someone help me with this, I appreciate the video friend
I just bought this interface and it is a little confusing getting setup. I use Cubase pro9.5. My biggest issue how to route my mic. To use the plugins before it goes into Cubase
you would go out of the preamp into the fx channel by dragging it to the fx channel, ,then drag the fx channel back to a input on the interface..
But how in the HECK do we rename the outputs, so we can remember which hardware our outputs are connected to?
Hey Doug! thanks for all the great content, is there anyway I can shoot you an email question about the symphony?
THANK YOU SIR
12:44 “OHH OH 😯 I GOT IT!
I don’t know about you, but I find it extremely inconvenient that most interfaces do not have DSUB inputs to compliment the same number of outputs.
I’m trying to establish a central patchbay for literally all my routing (excluding monitor feeds), and I need access to every one of the channels on the interface, but the zen studio is literally the only one (in my price range) that has both DSUB outs and ins.
I don’t want more mic pres than what’s on the interface and I don’t want to use ADAT or spdif. Simply, I just want a bunch of analog ins and outs. Why is it that so hard to find in an interface? This is a huge headache!
Davitski P, I think the greatest interface for what your describing is the Antelope Orion, not the Antelope Orion Studio, that has 32 in and 32 out all dsub, but I feel your pain man!
Yes the Orion 32 does exactly that, but it really only serves as a converter, not a fully loaded interface! I'm on a mission to maximize bang/buck and try to kill multiple birds with single pieces of gear. My budget is tight considering the tasks I need to accomplish
I take it you have some compressors then? 😜👌🏽
We definitely got some compressors.. Love the compressors!